H Amm Er M Useum Spring 09
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KAMP (KIDS ART MUSEUM PROJECT) 10Th Anniversary Of
For Immediate Release: March 27, 2019 Contact: Nancy Lee, Senior Manager, Public Relations, 310-443-7016, [email protected] K.A.M.P. (KIDS ART MUSEUM PROJECT) 10th Anniversary of Annual Kids Benefit at the Hammer Museum Sunday, May 19, 2019 │ 10AM-2PM (Los Angeles, CA)— On Sunday, May 19, 2019 the Hammer Museum will celebrate the tenth anniversary of K.A.M.P. (Kids Art Museum Project), a one-of-a-kind fundraising event imagined by artists for kids and their families. Painters, sculptors, and artists of all kinds lead inventive hands-on workshops for children, and the event is held outdoors throughout the museum courtyard and terraces. Celebrity friends will read their favorite children’s books to an audience of story lovers of all ages, and DJ Chocolatebarbangs will spin music throughout the event. $125 early-bird tickets are available until March 31, after which tickets will be $150. Over the past ten years, proceeds from K.A.M.P. has raised more than $1.4 million for Hammer Kids, which offers free events to over 60,000 children and families throughout the year. Hammer Museum Director Ann Philbin said, "It's been a joy to see K.A.M.P. grow into one of our signature Hammer fundraising events, a family-friendly celebration of art and artists. Most importantly, we've seen how the money raised supports the rest of our free kids programming throughout the year at the museum." This year’s participating artists include: Math Bass, Alex Beccera, Louise Bonnet, Carolina Caycedo, Sam Falls, Haas Brothers, John Houck, Alex Israel, Patrick Jackson, Patrick Martinez, Lara Schnitger, Alake Shilling, Samantha Thomas, and Daniel Winter. -
Planning Office. Project Files of George Vajna. 1946-1989
http://oac.cdlib.org/findaid/ark:/13030/c8bc40tp No online items Planning Office. Project files of George Vajna. 1946-1989. Finding aid prepared by University Archives staff, 1990 April; finding aid revised by Katharine A. Lawrie, 2013 June; machine-readable finding aid created by Katharine A. Lawrie, 2013 June. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©1990 April Planning Office. Project files of University Archives Record Series 313 1 George Vajna. 1946-1989. Title: Planning Office. Project files of George Vajna. Identifier/Call Number: University Archives Record Series 313 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 24.8 linear ft.(62 boxes) Date (bulk): Bulk, 1957-1989 Date (inclusive): 1946-1989 Abstract: Record Series 313 contains the project files of George Vajna, of UCLA's Planning Office. Creator: Planning Office. Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Publication Rights Copyright of portions of this collection has been assigned to The Regents of the University of California. The UCLA University Archives can grant permission to publish for materials to which it holds the copyright. All requests for permission to publish or quote must be submitted in writing to the UCLA University Archivist. Preferred Citation [Identification of item], Planning Office. Project files of George Vajna (University Archives Record Series 313). UCLA Library Special Collections, University Archives. Scope and Content Record Series 313 contains the project files of George Vajna, of UCLA's Planning Office. -
THE TOWER 10940 Wilshire Blvd / Westwood PROPERTY HIGHLIGHTS
THE TOWER 10940 Wilshire Blvd / Westwood PROPERTY HIGHLIGHTS ARCHITECTURAL BEAUTY THE TOWER Designed by renowned architect Helmut Jahn, The Tower is constructed of Verde Antique granite, Brazilian Navy marble and Kasota limestone. A 30-foot high, open-air solarium, featuring a distinct water fountain surrounded by palm trees, leads to a marble lobby and floor-to-ceiling glass windows. The views of Bel Air, Getty Center and the ocean are spectacular. Energy Star Certified by the EPA, the building has management and engineering services and a fully integrated energy management system for optimal efficiency and comfort. Dine at the on-site café and enjoy an outdoor garden plaza with seating, or in Westwood Village with its numerous restaurants. Rentable Square Feet: 218,805 No. of Stories: 24 Parking Ratio: 2.5/1,000 Security: 24-Hour THE LOCATION WESTWOOD THE HEART OF WEST LA A one-time college town, and home to UCLA (University California Los Angeles), Westwood sits in the center of West Los Angeles, and has burgeoned into a hub of business activity along the Wilshire Corridor that runs through it. With high-rise residential towers along the Corridor, the exclusive hillside neighborhoods of Bel Air and Brentwood to the north, and Beverly Hills to the east just a few minutes away, Douglas Emmett properties in Westwood provide an opportunity to live close to your office and enjoy an intimate workday experience. The iconic Westwood Village offers over 50 dining options, plentiful shopping, and historic movie theaters. The W Hotel is there for your out-of-town visitors. -
Client Roster
Client Roster VISUAL ARTS Ballet Hispanico Museum of Glass Ana Tzarev Gallery Boston Ballet Partnership for Architecture and Urbanism The Art Institute of Chicago Boston Symphony Orchestra Pelli Clarke Pelli Architects Asian Contemporary Art Fair The Broadway League Polshek Partnership Architects (Ennead) The Baltimore Museum of Art Center Theatre Group Selldorf Architects Barnes Foundation Dance at the Music Center SHoP Architects ABOUT US Brooklyn Museum Ford’s Theatre Society Ten Arquitectos Christie’s Geffen Playhouse Tod Williams Billie Tsien Architects The Cleveland Museum of Art Hollywood Bowl College Art Association Hopkins Center for the Arts, Dartmouth College HISTORY & HERITAGE Columbia Museum of Art The Joyce Theater The American Indian Cultural Center and Museum Crystal Bridges Museum of American Art Kansas City Repertory Theatre Autry National Center The Drawing Center Kennedy Center for the Performing Arts Center for Jewish History El Museo del Barrio Kimmel Center for the Performing Arts Cooperstown/Baseball Hall of Fame The Farnsworth Art Museum Los Angeles Chamber Orchestra The Jewish Museum The Frick Collection Los Angeles Philharmonic Association John F. Kennedy Library and Museum Georgia O’Keeffe Museum Mesa Arts Center Museum of the City of New York Hammer Museum, UCLA MOMIX National Museum of American Jewish History High Museum of Art The Music Center, Los Angeles National Women’s Hall of Fame & Museum Hirshhorn Museum and Sculpture Garden Nashville Symphony New Center for Arts & Culture International Center of -
Sage Global Template
This is a manuscript of an article subsequently published as: Walz, M., Hoyer, P. and Statler, M. (2016). After Herzog: Blurring fact and fiction in visual organizational ethnography. Journal of Organizational Ethnography, 5(3): 202-218. The published version can be accessed here: http://dx.doi.org/10.1108/JOE-07-2016-0017 ©Emerald After Herzog: Blurring fact and fiction in visual organizational ethnography Markus Walz Stockholm Business School, Stockholm University, Sweden Patrizia Hoyer Research Institute for Organizational Psychology, University of St. Gallen, Switzerland Matt Statler NYU Stern School of Business, New York University, USA Abstract Purpose – The purpose of this paper is to introduce the unique artistic approach of filmmaker Werner Herzog as an inspiration to rethink ethnographic studies in general and the notion of reflexivity in particular. Approach – This paper reviews the particularities of Werner Herzog’s approach to film making, linking them to the methodological tradition of visual ethnography and especially the debate about the role of reflexivity and performativity in research. Findings – Herzog’s conceptualization of meaning as ‘ecstatic truth’ offers an avenue for visual organizational ethnographers to rethink reflexivity and performativity, reframe research findings and reorganize research activities. The combination of multiple media and the strong authorial involvement exhibited in Herzog’s work, can inspire and guide the development of ‘meaningful’ organizational ethnographies. Originality/value – The paper argues that practicing visual organizational ethnography ‘after Herzog’ offers researchers an avenue to engage creatively with their research in novel and highly reflexive ways. It offers a different way to think through some of the challenges often associated with ethnographic research. -
Inicio Dissertacao
UNIVERSIDADE ESTADUAL DE CAMPINAS Gabriel Kitofi Tonelo WERNER HERZOG, DOCUMENTARISTA: FIGURAS DA VOZ E DO CORPO CAMPINAS 2012 i ii UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Gabriel Kitofi Tonelo WERNER HERZOG, DOCUMENTARISTA: FIGURAS DA VOZ E DO CORPO Dissertação de Mestrado apresentada ao Instituto de Artes da Universidade Estadual de Campinas para obtenção do Título de Mestre em Multimeios. Orientador: Prof. Dr. Fernão Vitor Pessoa de Almeida Ramos CAMPINAS, 2012 iii iv v vi Resumo Este trabalho pretende analisar a obra de documentários do cineasta alemão Werner Herzog sob a ótica da autorreflexão do diretor, através de sua voz e de seu corpo, em seus documentários e da relação estabelecida entre Herzog e a narrativa em cada filme. Procura- se estabelecer como a característica nasceu em sua filmografia e como evoluiu ao longo das cinco décadas de sua atividade como cineasta. Relacionam-se os processos da inserção de Werner Herzog em seus filmes com a teoria, própria do campo do Cinema Documentário, referente à inserção do sujeito-da-câmera na narrativa fílmica. Tomando como ponto de partida as reflexões surgidas no final da década de 1950 acerca da participação do cineasta na narrativa (Cinema Vérité) até as teorias de uma narrativa documentária profundamente voltada para o universo do próprio cineasta, popularizadas nos anos 1980, pode-se dizer que a autorreflexão do cineasta na narrativa é uma questão viva no campo teórico do Cinema Documentário e que é constantemente problematizada e renovada na produção documentária contemporânea. Palavras-Chave: Werner Herzog, Cinema Documentário, Subjetividade, Autoria. vii viii Abstract This work intends to analyse german filmmaker's Werner Herzog documentary ouevre, under the optics of the director's voice and body self-reflexion in his documentaries and the relationship between Herzog and his narratives in each work. -
Alook at Ucla
A LOOK AT UCLA As one of the nation’s premier universities, UCLA has come so Through academic out- far, so fast in its rise to the top tier of institutions of higher reach, UCLA works with education. From its celebrated faculty to its high-achieving K-12 schools through- students and distinguished alumni, UCLA’s College of Letters out Los Angeles to help and Science and 11 professional schools are committed to greater numbers of stu- advancing the common good through research, teaching dents prepare to com- and active participation in the communities they serve. Uniquely pete successfully for positioned at the crossroads of the world’s economies and college. UCLA also is cultures, UCLA combines outstanding intellectual achieve- partnering with com- ment with an innovative, entrepreneurial style and a deep munity colleges to in- sense of civic responsibility. Some of the university’s more crease the number of notable recent achievements include: underrepresented stu- Faculty, Students & Alumni dents transferring to the university. Additionally, UCLA faculty have been awarded two Nobel Prizes in recent UCLA faculty, research- years: biochemist Paul Boyer in chemistry (1997) and pharma- ers and students pro- cologist Louis Ignarro in medicine (1998). Among faculty there vide leadership and have been three other Nobelists, nine National Medals of public service in health Science recipients and hundreds of Guggenheim Fellow- care, law, economic de- Royce Hall ships, Fulbright Awards and other academic distinctions. velopment, social wel- UCLA educates more students than other university in Califor- fare, urban planning, public policy, arts and the environment. nia and was the most sought-after institution in the nation for Most academic departments have major research projects, this fall's freshman class. -
J E F F R E Y V a L L a N C E 1955 Born Redondo Beach, CA Lives
J E F F R E Y V A L L A N C E 1955 Born Redondo Beach, CA Lives and works in Los Angeles Education 1979 B.A., California State University, Northridge 1981 M.F.A., The Otis Art Institute of the Parsons School of Design, Los Angeles 1989-present Special Correspondent for Fortean Times, London Awards 2000 Distinguished Alumnus Award, Otis College of Art and Design, Los Angeles. Honorary Nobel, royal title conferred by the Tongan National Center, Nuku’alofa, Kingdom of Tonga 2001 The Foundation Culture of the Future (Stiftelsen Framtidens Kultur), Sweden. 2004 John Simon Guggenheim Memorial Foundation Fellowship. Solo Exhibitions 2019 Jeffrey Vallance: La Chapelle de Poulet, Edward Cella Art & Architecture, Los Angeles, CA 2016 The Easter Island Enigma, Edward Cella Art and Architecture, Los Angeles, CA 2015 The Medium is the Message, CB1 Gallery, Los Angeles, CA 2014 Enamel Paintings: Idols & Villains and Islomania: Key West, Tanya Bonakdar Gallery, New York, NY 2012 The Vallance Bible, Centre d'édition contemporaine, Geneva, Switzerland 2011 The Word of God: Jeffrey Vallance, The Andy Warhol Museum, Pittsburgh, PA 2010 Relics and Reliquaries, Tanya Bonakdar Gallery, New York, NY The Vallance Bible, Centre d'édition contemporaine, Genève, Switzerland Frieze Projects: Jeffrey Vallance, Frieze Art Fair, London, England 2009 Lars Pirak of Lapland (intervention), Ájtte Sámi Museum, Jokkmokk, Sweden Diet of Worms (intervention), Jean P. Haydon Museum of American Samoa, Village of Fagatogo, Pago Pago, Tutuila, American Samoa Special Project: Lapland -
Biography Jim Shaw
Biography Jim Shaw Midland, USA, 1952. Lives and works in Los Angeles. SOLO EXHIBITIONS 2019 2019 - Te Family Romance, Metro Pictures, New York, USA 2019 - Strange Beautiful, Praz-Delavallade, Paris, F 2018 2018 - Jim Shaw: Drawings, Simon Lee Gallery, London, UK 2018 - Jim Shaw, Simon Lee Gallery, Hong Kong, HK 2017 2017 - Jim Shaw, Massimo De Carlo, Milano, I 2017 - Te Wig Museum, Marciano Art Foundation, Los Angeles, USA 2017 - Jim Shaw, Blum and Poe, Los Angeles, USA 2016 2016 - Rather Fear God, Praz-Delavallade, Paris, F; Bruxelles, B. Catalogue 2015 2015 - Entertaining Doubts, MASS MoCA, West Adams, USA 2015 - Te End is Here, New Museum of Contemporary Art, New York, USA. Catalogue 2015 - Jim Shaw, Simon Lee Gallery, New York, USA 2014 2014 - Jim Shaw. Oeuvres choisies : dessins – peintures – sculptures – vidéo, Galerie Guy Bärtschi, Genève, CH 2014 - Te Hidden World. Jim Shaw / Didactic Art Collection, Centre Dürrenmatt, Neuchâtel, CH 2014 - I Only Wanted You To Love Me, Metro Pictures, New York, USA 2013 2013 - Jim Shaw, Simon Lee Gallery, London, UK 2013 - Te Hidden World. Jim Shaw / Didactic Art Collection, Chalet Society, Paris, F 2013 - Jim Shaw, Simon Lee Gallery, Hong Kong, HK 2013 - Jim Shaw, Blum & Poe, Los Angeles, USA 2013 - Peter Saul, Jim Shaw: Drawings, Mary Boone Gallery, New York, USA 2012 2012 - Jim Shaw, Metro Pictures, New York, USA 2012 - Jim Shaw: Rinse Cycle, Baltic Centre for Contemporary Arts, Gateshead, UK. Catalogue 2011 2011 - Jim Shaw - Fumetto, International Comix-Festival Luzern, Kunstmuseum Luzern, Luzern, CH 2011 - Cakes, Men in Pain, White Rectangles, Devil in the Details, Patrick Painter, Inc., Santa Monica, USA 2011 - Jim Shaw, Galerie Praz-Delavallade, Paris, F 2010 2010 - Jim Shaw Sélection d'oeuvres sur papier 1984 - 1997, Saint Honoré Art Consulting, Paris, F 2010 - Jim Shaw. -
Ha Ammer M Useum La Aunches Free Mob Bile
For Immediate Release: May 19, 2011 Contact: Morgan Kroll, Public Relations Associate, 310-4443-7016, [email protected] Hammer Museum Launches Free Mobile App Available now via iTunes and Android Market Los Angeles – The Hammer Museum is excited to introduuce the Museum’s free mobile app, available now on iTunes and the Android Market. Use the Hammer app to plan your visit, enhance your museum experience with robust exhibition content, and learn more about the Hammer’s wide array of exhibitions and collections. The free app is rich with content including interviews with artists and curators discussing specific works of art, videos of artists describing their practices, and excerpts from exhibition catalogues. The breadth of material on the app will be continually expanded. Compatible devices include Android (Android 2.2 and higher) and iPhone (must have iOS 4 installed). FEATURES INCLUDE: -In-depth exhibition audio guides -Interviews with artists and curators -Videos and images of works on view -Exhibition catalogue texts -Tools for planning your visit -Interfaces with social networking sites and email The Hammer’s app was developed with Toura (http://touura.com), a recognized leader in multi- media cross-platform app publishing. Toura has partnered with leading content creators around the world, including the Art Institute of Chicago, the Hirshhorn Museum and Sculpture Garden, and the Royal Academy of Arts, to create a variety of mobile applications. ABOUT THE HAMMER MUSEUM The Hammer Museum, a public arts unit of the University of California, Los Angeles, is dedicated to exploring the diversity of artistic expression through the ages. -
Patrick Painter, Inc
PATRICK PAINTER, INC MAR NIE W EBE R Lives and works in Los Angeles, CA EDU CAT IO N 1981 B.A. University of California, Los Angeles, CA 1977-79 University of Southern California, Los Angeles, CA R ECE NT S EL EC TED SO LO EXH IBI TIO NS 2010 The Truth Speakers, Sea of Silence, Simon Lee Gallery, London, UK Magasin Centre National d’Art Contemporain de Grenoble, Grenoble, France 2009 The Bondage of Decay, Marc Jancou Contemporary, New York, NY The Truth Speakers, The Sea of Silence, Simon Lee Gallery, London Campfire Song, Sint-Lukasgalerie Brussels 2008 One Shot: 100x100: 100 Angelenos Take 100 Photographs of LA for a Ticketed Event to Support LA><ART Programs, LA><ART, Los Angeles, CA The Melancholy Circus, Praz-Delavallade, Paris, France Saving the Farm, Bernier/Eliades Gallery, Athens, Greece 2007 A Western Song, Utställningar Hösten 07, Vita Kuben, Umea, Sweden Sing Me A Western Song, Patrick Painter Inc., Los Angeles, CA From a Western Song, Emily Tsingou Gallery, London, England Variations on a Western Song, Fredericks & Freiser Gallery, New York, NY 2005 Fom the Dust Room, Luckman Gallery, California State University Los Angeles, CA (curated by Julie Joyce, catalogue) Ghost Love, The Spirit Girls, Rosamund Felsen Gallery, Los Angeles, CA Spirit Girls, Songs that Never Die, Galerie Praz-Delavallade, Paris, France 2004 Ten Year Survey of Collage, Emily Tsingou Gallery, London, England 2002 The Dollhouse, Fredericks & Freiser Gallery, New York, NY Collages and Videos, Marella Arte Contemporanea, Milan, Italy 2001 Forever More, Galerie -
Lari Pittman
LARI PITTMAN Born 1952 in Los Angeles Lives and works in Los Angeles EDUCATION 1974 BFA in Painting from California Institute of the Arts, Valencia, CA 1976 MFA in Painting from California Institute of the Arts, Valencia, CA SOLO EXHIBITIONS 2021 Lari Pittman: Dioramas, Lévy Gorvy, Paris 2020 Iris Shots: Opening and Closing, Gerhardsen Gerner, Oslo Lari Pittman: Found Buried, Lehman Maupin, New York 2019 Lari Pittman: Declaration of Independence, Hammer Museum, Los Angeles 2018 Portraits of Textiles & Portraits of Humans, Regen Projects, Los Angeles 2017 Lari Pittman, Gerhardsen Gerner, Oslo Lari Pittman / Silke Otto-Knapp: Subject, Predicate, Object, Regen Projects, Los Angeles 2016 Lari Pittman: Grisaille, Ethics & Knots (paintings with cataplasms), Gerhardsen Gerner, Berlin Lari Pittman: Mood Books, Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA Lari Pittman: Nocturnes, Thomas Dane Gallery, London Lari Pittman: NUEVOS CAPRICHOS, Gladstone Gallery, New York 2015 Lari Pittman: Homage to Natalia Goncharova… When the avant-garde and the folkloric kissed in public, Proxy Gallery, Otis College of Art and Design, Los Angeles 2014 Lari Pittman: Curiosities from a Late Western Impaerium, Gladstone Gallery, Brussels 2013 Lari Pittman: from a Late Western Impaerium, Regen Projects, Los Angeles Lari Pittman, Bernier Eliades Gallery, Athens Lari Pittman, Le Consortium, Dijon, France Lari Pittman: A Decorated Chronology, Contemporary Art Museum St. Louis, MO 2012 Lari Pittman, Gerhardsen Gerner, Berlin thought-forms,