J E F F R E Y V a L L a N C E 1955 Born Redondo Beach, CA Lives
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Ex Libris Stamp of Gershom Scholem, ( 1897-1982 )
1. Gershom Scholem – Ex Libris stamp Gershom Scholem – Ex Libris Stamp Ex Libris stamp of Gershom Scholem, ( 1897-1982 ) Metal-cut on a wooden base, inscribed in Hebrew: ”Misifrei Gershom Scholem, Be’tochechei Yerushalayim” - from the library of Gershom Scholem, Jerusalem”. 2x2.5 inches. See illustration on front cover £1,500 Gershom Gerhard Scholem was one of the major influences on Jewish intellectual life in the 20th Century. Arriving in Palestine in 1923 he became the librarian at the Hebrew University where he began to teach in 1925. Scholem revolutionised the study of Jewish Mysticism and Kabbalah and made it the subject of serious academic study. He also played a very significant role in Israeli intellectual life. This is a one off opportunity to acquire his ex libris stamp. Judaica 2. Bialik, Haim Nachman. Halachah and Aggadah. London, 1944. Wraps. 28 pp. A translation of Bialik’s famous essay comparing the nature of Halachah and Aggadah. £10 3. Braham, Randolph L (ed). Hungarian Jewish Studies. New York, World Federation of Hungarian Jews, 1966. Cloth in slightly worn dj., 346 pp. Essays by: Ernest (Erno) Martin, The Family Tree of Hungarian Jewry; Erno Laszlo, Hungarian Jewry Settlement and Demography 1735-8 to 1910; Nathaniel Katzburg, Hungarian Jewry in Modern Times Political and Social Aspects; Bela Vago, The Destruction of the Jews of Transylvania; Randolph Braham, The Destruction of the Jews of Carpatho Ruthenia; Ilona Benoschofsky, The Position of Hungarian Jewry after the Liberation; Eugene Levai, Research Facilities in Hungary Concerning the Catastrophe Period; Moshe Carmilly-Weinberger, Hebrew Poetry in Hungary. £52 4. -
H Amm Er M Useum Spring 09
24 Non Profit Org. Hammer Museum Spring 09 US Postage PAID 10899 Wilshire Boulevard Los Angeles, California 90024 USA Los Angeles, CA For additional program information: 310-443-7000 Permit no. 202 www.hammer.ucla.edu LLYN FOULKES. DELIVERANCE (DETAIL), 2007. MIXED MEDIA. 72 X 84 IN. (182.9 X 213.4 CM). COURTESY THE ARTIST AND KENT GALLERY, NEW YORK. PHOTO: RANDEL URBAUER. 100% recycled paper Spring 09Calendar Spring 25 3 2 news HAMMER NEWS director NEW HAMMER WEBSITE 1 the VISIT WWW.HAMMER.UCLA.EDU The Hammer launched its new website in November to rave A MESSAGE FROM THE DIRECTOR reviews and received extraordinary visitor traffic from all from over the world, including unexpected places such as Iran, LOS ANGELES’S PULSE Namibia, and Pakistan. The Chronicle of Higher Education’s Lawrence Biemiller said: For more than a century artists working as writers, visual cultural collaborations. Opening in 2010, the Ring Festival LA artists, filmmakers, actors, and musicians have defined is a celebration, led by the LA Opera, of Wagner’s Ring Cycle, The “museum surpassed itself—and every message Los Angeles’s history and formed the city’s heart and soul. showcasing a variety of exhibitions, symposia, conferences, other museum I can think of.... Making so a much smart content available free online is a Every two years the Hammer mounts an invitational performances, and programs hosted by many of L.A.’s most exhibition that focuses on work created in L.A. These shows important cultural institutions. The Hammer will present a tremendous service to art and culture—a service COLLECTION NEWS other university museums would do well to study.” present opportunities for all of us to explore the vast wealth series of corresponding public programs exploring historical GIFT FROM THE ANDY WARHOL 1 of artistic expression this city has to offer. -
Biography Jim Shaw
Biography Jim Shaw Midland, USA, 1952. Lives and works in Los Angeles. SOLO EXHIBITIONS 2019 2019 - Te Family Romance, Metro Pictures, New York, USA 2019 - Strange Beautiful, Praz-Delavallade, Paris, F 2018 2018 - Jim Shaw: Drawings, Simon Lee Gallery, London, UK 2018 - Jim Shaw, Simon Lee Gallery, Hong Kong, HK 2017 2017 - Jim Shaw, Massimo De Carlo, Milano, I 2017 - Te Wig Museum, Marciano Art Foundation, Los Angeles, USA 2017 - Jim Shaw, Blum and Poe, Los Angeles, USA 2016 2016 - Rather Fear God, Praz-Delavallade, Paris, F; Bruxelles, B. Catalogue 2015 2015 - Entertaining Doubts, MASS MoCA, West Adams, USA 2015 - Te End is Here, New Museum of Contemporary Art, New York, USA. Catalogue 2015 - Jim Shaw, Simon Lee Gallery, New York, USA 2014 2014 - Jim Shaw. Oeuvres choisies : dessins – peintures – sculptures – vidéo, Galerie Guy Bärtschi, Genève, CH 2014 - Te Hidden World. Jim Shaw / Didactic Art Collection, Centre Dürrenmatt, Neuchâtel, CH 2014 - I Only Wanted You To Love Me, Metro Pictures, New York, USA 2013 2013 - Jim Shaw, Simon Lee Gallery, London, UK 2013 - Te Hidden World. Jim Shaw / Didactic Art Collection, Chalet Society, Paris, F 2013 - Jim Shaw, Simon Lee Gallery, Hong Kong, HK 2013 - Jim Shaw, Blum & Poe, Los Angeles, USA 2013 - Peter Saul, Jim Shaw: Drawings, Mary Boone Gallery, New York, USA 2012 2012 - Jim Shaw, Metro Pictures, New York, USA 2012 - Jim Shaw: Rinse Cycle, Baltic Centre for Contemporary Arts, Gateshead, UK. Catalogue 2011 2011 - Jim Shaw - Fumetto, International Comix-Festival Luzern, Kunstmuseum Luzern, Luzern, CH 2011 - Cakes, Men in Pain, White Rectangles, Devil in the Details, Patrick Painter, Inc., Santa Monica, USA 2011 - Jim Shaw, Galerie Praz-Delavallade, Paris, F 2010 2010 - Jim Shaw Sélection d'oeuvres sur papier 1984 - 1997, Saint Honoré Art Consulting, Paris, F 2010 - Jim Shaw. -
Patrick Painter, Inc
PATRICK PAINTER, INC MAR NIE W EBE R Lives and works in Los Angeles, CA EDU CAT IO N 1981 B.A. University of California, Los Angeles, CA 1977-79 University of Southern California, Los Angeles, CA R ECE NT S EL EC TED SO LO EXH IBI TIO NS 2010 The Truth Speakers, Sea of Silence, Simon Lee Gallery, London, UK Magasin Centre National d’Art Contemporain de Grenoble, Grenoble, France 2009 The Bondage of Decay, Marc Jancou Contemporary, New York, NY The Truth Speakers, The Sea of Silence, Simon Lee Gallery, London Campfire Song, Sint-Lukasgalerie Brussels 2008 One Shot: 100x100: 100 Angelenos Take 100 Photographs of LA for a Ticketed Event to Support LA><ART Programs, LA><ART, Los Angeles, CA The Melancholy Circus, Praz-Delavallade, Paris, France Saving the Farm, Bernier/Eliades Gallery, Athens, Greece 2007 A Western Song, Utställningar Hösten 07, Vita Kuben, Umea, Sweden Sing Me A Western Song, Patrick Painter Inc., Los Angeles, CA From a Western Song, Emily Tsingou Gallery, London, England Variations on a Western Song, Fredericks & Freiser Gallery, New York, NY 2005 Fom the Dust Room, Luckman Gallery, California State University Los Angeles, CA (curated by Julie Joyce, catalogue) Ghost Love, The Spirit Girls, Rosamund Felsen Gallery, Los Angeles, CA Spirit Girls, Songs that Never Die, Galerie Praz-Delavallade, Paris, France 2004 Ten Year Survey of Collage, Emily Tsingou Gallery, London, England 2002 The Dollhouse, Fredericks & Freiser Gallery, New York, NY Collages and Videos, Marella Arte Contemporanea, Milan, Italy 2001 Forever More, Galerie -
Lari Pittman
LARI PITTMAN Born 1952 in Los Angeles Lives and works in Los Angeles EDUCATION 1974 BFA in Painting from California Institute of the Arts, Valencia, CA 1976 MFA in Painting from California Institute of the Arts, Valencia, CA SOLO EXHIBITIONS 2021 Lari Pittman: Dioramas, Lévy Gorvy, Paris 2020 Iris Shots: Opening and Closing, Gerhardsen Gerner, Oslo Lari Pittman: Found Buried, Lehman Maupin, New York 2019 Lari Pittman: Declaration of Independence, Hammer Museum, Los Angeles 2018 Portraits of Textiles & Portraits of Humans, Regen Projects, Los Angeles 2017 Lari Pittman, Gerhardsen Gerner, Oslo Lari Pittman / Silke Otto-Knapp: Subject, Predicate, Object, Regen Projects, Los Angeles 2016 Lari Pittman: Grisaille, Ethics & Knots (paintings with cataplasms), Gerhardsen Gerner, Berlin Lari Pittman: Mood Books, Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA Lari Pittman: Nocturnes, Thomas Dane Gallery, London Lari Pittman: NUEVOS CAPRICHOS, Gladstone Gallery, New York 2015 Lari Pittman: Homage to Natalia Goncharova… When the avant-garde and the folkloric kissed in public, Proxy Gallery, Otis College of Art and Design, Los Angeles 2014 Lari Pittman: Curiosities from a Late Western Impaerium, Gladstone Gallery, Brussels 2013 Lari Pittman: from a Late Western Impaerium, Regen Projects, Los Angeles Lari Pittman, Bernier Eliades Gallery, Athens Lari Pittman, Le Consortium, Dijon, France Lari Pittman: A Decorated Chronology, Contemporary Art Museum St. Louis, MO 2012 Lari Pittman, Gerhardsen Gerner, Berlin thought-forms, -
Seventh Dream of Teenage Heaven Everything Seemed So Possible
SEVENTH DREAM OF TEENAGE HEAVEN EVERYTHING SEEMED SO POSSIBLE A theatrical moment about modern, postmodern, and super-hybrid culture and our relationships with the passage of time PROLOGUE ACT I: ACTION ACT II: MEDIA ACT III: IDENTITY & THE SPATIAL Starring Guy Ben-Ner, Joachim Brohm, Gerard Byrne, Malcolm Cochran, Peter Dayton, Ben Kinsley, Lara Kohl, Jeremy Kost, Mark Leckey, Mary Lum, Dennis McNulty, Timothy Nazzaro, Johannes Nyholm, Pipilotti Rist, Cassandra Troyan, Jeffrey Vallance and Alejandro Vidal With Guest Appearances by Jennifer Allen, Jean Baudrillard, Clement Greenberg, Jürgen Habermas, Matthew Higgs, Shosuke Ishizu, Fredric Jameson and David Pagel Narrator James Voorhies PAGE 2 PAGE 3 PROLOGUE (The preeminent American literary critic and political theorist FREDRIC JAMESON (Curtain rises; lights up; center stage.) rushes from stage left and pushes NARRATOR to stage right. JAMESON starts to speak loudly. Lights go low. Bright NARRATOR spot on JAMESON at stage center.) What ever happened to postmodernism? JAMESON We never really got a handle on it. It hung around from the early 1960s Indeed, the concept of postmodernism is until the late 1990s in an elusive, not widely accepted or even understood nebulous, shape-shifting form. It teased today. Most postmodernisms emerged as and taunted us, appearing occasionally specific reactions against the established to take a position that would help us forms of high Modernism. Those formerly comprehend the architecture, art, music, subversive and embattled styles--Abstract television, video or film of any given Expressionism; the great modernist poetry moment during those years. That mystery, of Pound, Eliot or Wallace Stevens; the even mystique, was part of its appeal. -
Robert Lehman Papers
Robert Lehman papers Finding aid prepared by Larry Weimer The Robert Lehman Collection Archival Project was generously funded by the Robert Lehman Foundation, Inc. This finding aid was generated using Archivists' Toolkit on September 24, 2014 Robert Lehman Collection The Metropolitan Museum of Art 1000 Fifth Avenue New York, NY, 10028 [email protected] Robert Lehman papers Table of Contents Summary Information .......................................................................................................3 Biographical/Historical note................................................................................................4 Scope and Contents note...................................................................................................34 Arrangement note.............................................................................................................. 36 Administrative Information ............................................................................................ 37 Related Materials ............................................................................................................ 39 Controlled Access Headings............................................................................................. 41 Bibliography...................................................................................................................... 40 Collection Inventory..........................................................................................................43 Series I. General -
Victoria Reynolds Artist's Statement
Victoria Reynolds Artist’s Statement Rendering the subject of flesh allows me to explore conventions of representation and our suspicion of the beautiful, seductive image. My paintings, often set in ornate and carnivalesque rococo- or baroque-style frames, address ideas of beauty, taste, distinctions between flesh and meat, and the use and sacrifice of animals. My research in historical artworks ranges from Dutch vanitas, genre paintings, kitchen and butcher stall scenes, hunting scenes, and the Venetian art of painting flesh to portrayals of divine sacrifice. Historical genre paintings of festoons and garlands hearken back to a time when humans festooned foliage with animals’ intestines for festive décor. Historical Dutch still lifes and vanitas embed their moral message in kitchen scenes, butcher stall scenes, and improbable confectionery creations. In other genre works, proud hunting dogs pose with their spread and dead prey, and wily cats swipe glistening, wet morsels from excessively laid tables. The arts of presentation and display can vaunt any subject into formal iconography. My recent research into conventional hunting trophy presentations and historic heraldic imagery is generating new paintings and drawings. I also frequently find simulacra and pareidolia in fleshly biomorphic tissues, and these sensual works may refer to “temptations of the flesh” and our carnal appetites—including a suspect enjoyment of a beautiful and illusory image. Artful portrayal can be banned outright or rules made to rein in its power. The creation of art has divine associations, from Albrecht Durer’s self-portrait in his fabulous Jesus wig to pietas of Mary and Jesus rendered in their own palpable, glowing, translucent, layered flesh. -
JEFFREY VALLANCE March 20 – April 19, 2014 Gallery 2
JEFFREY VALLANCE March 20 – April 19, 2014 Gallery 2 For immediate release Tanya Bonakdar Gallery is pleased to present two separate bodies of work by Jeffrey Vallance, Enamel Paintings: Idols & Villains and Islomania: Key West. Jeffrey Vallance's works turn a critical and humorous eye toward his own wide-ranging experiences, and in this newest exhibition the artist presents paintings, drawings, and performance-based works that employ a pseudo- anthropological approach to address themes of faith, myth, celebrity, ritual, and popular culture. Since childhood Vallance has collected objects of personal significance and fabricated displays for them. This lifelong penchant for collecting and exhibition however transcends mere presentation, as the artworks themselves provide both evidence of and a unique perspective on the vernacular that is intrinsic to our culture's broader social evolutions, tastes and patterns. The first series on view, Enamel Paintings: Idols & Villains, began in the late 1970s and early 80s. Vallance produced a group of paintings featuring images of television personalities in Rust-oleum and Krylon brand enamel paint, as well as graffiti decals intended for use on professional model train dioramas or "Hot Rod" cars. Many of the decals were produced during the Iran Hostage Crisis of 1979-81, and included such slogans as "Nuke Iran" and "A Weenie for Kohmeini," examples of how knee-jerk populist jargon during crisis situations find their way into seemingly apolitical American culture - e.g. the model train hobbies of middle class Americans. The recent enamel paintings begin where this series left off in the early 1980s, now featuring such historical political figures as Ugandan dictator Idi Amin, Kim Jong-il, television personality Connie Chung, actor Leonard Nimoy, the King of Tonga, artist Mike Kelley, best-selling author Temple Grandin, and many other eminent personalities, pop-culture heroes, writers, dictators, despots and scoundrels. -
Press Release
JASON VASS PRESENTS EVERY BREATH YOU TAKE A GROUP EXHIBITION BY SHEREE ROSE, RHIANNON AARONS, MARTIN O’BRIEN, JEFFREY VALLANCE, VICTORIA REYNOLDS, SIMONE GAD & MICHEL DELSOL OPENING RECEPTION SATURDAY, DECEMBER 2, 2017 6-9PM . Left to right: Sheree Rose, Rhiannon Aarons, Sheree Rose, Jeffrey Vallance, Simone Gad, Michael Delsol, Victoria Reynolds October 26, 2017, Los Angeles, CA., Jason Vass 1452 E. Sixth Street, Los Angeles, CA 90021 is pleased to present Every Breath You Take - a group exhibition of works by the artists Sheree Rose, Rhiannon Aarons, Martin O’Brien, Jeffrey Vallance, Victoria Reynolds, Simone Gad and Michel Delsol. Every Breath You Take will run from December 2 - December 30, 2017. The work created for Every Breath You Take investigates issues of voyeurism, creativity and re- contextualization. This body of work contains a combination of performance relics from Bob Flanagan inspired collaborations between Sheree Rose, Martin O’Brien, Rhiannon Aarons, Si- mone Gad, Jeffrey Vallance, Victoria Reynolds, Michel Delsol and other artists over the last two years. This exhibition includes documentation and relics from Sheree and Bob’s collaborations as well as more recent elements from The Viewing and Philosophy in the Bedroom - two major 24 hour collaborations produced by Rose, Aarons, and O’Brien during 2016. Clockwise from top left: Sheree Rose, Jeffrey Vallance, Simone Gad, Rhiannon Aarons, Michael Delsol, Sheree Rose, Victoria Reynolds About Sheree Rose Sheree Rose is an American photographer and performance artist. Her photographs docu- mented the BDSM and queer subcultures in Los Angeles during the early 1980s. With her part- ner and creative collaborator, performance artist Bob Flanagan, they explored sexuality, BDSM, death, and daily living with terminal illness. -
JEFFREY VALLANCE: OTHER ANIMALS January 12, 2019 – March 16, 2019
For Immediate Release JEFFREY VALLANCE: OTHER ANIMALS January 12, 2019 – March 16, 2019 OPENING RECEPTION: Saturday, January 12 (6-8 PM) Jeffrey Vallance, Wildman, 2016, Mixed media on paper, 10 ¾ x 8 ¼ in. (Los Angeles) Edward Cella Art & Architecture is proud to present, Jeffrey Vallance: Other Animals, a survey exhibition of animal paintings and drawings made over the past 40 years. This exhibition compliments his celebrated Blinky the Friendly Hen project which is celebrating its 40th Anniversary with a retrospective at Cal State Northridge Gallery and opens on February 2. Deploying an array of techniques, the works presented in Other Animals direct attention to the wide range of animals Vallance has investigated. In many of the works, there is aggressive mark making which he makes by attacking the surface like “possessed cat,” scratching the surface with pure emotion. Other works are more carefully articulated, showing off his meticulous draftsmanship with a rendered image that is entirely his own. In Vallance’s work, we are asked to question the social and personal significance that shape their meaning. Known for his critical and humorous eye, Vallance ‘s drawings, performances, sculptures and installations often reference his childhood in California, voyages to the Polynesian Islands, Iceland, residences in Texas, Las Vegas, the Arctic, and travels to the Vatican. In his legendary Blinky the Friendly Hen project from 1978, he held a funeral service for a frozen supermarket hen at Los Angeles Pet Memorial Park. The artist’s examination of these experiences combines a pseudo-anthropological approach with an art historically informed practice, and addresses themes of faith, myth, ritual and popular culture, along with the geopolitical landscapes of the past and present. -
CAMERON JAMIE Awards Solo Exhibitions
CAMERON JAMIE Born 1969 Los Angeles Lives in Paris Awards 2016 Le lauréat du prix de dessin de la Fondation d’art contemporain Daniel et Florence Guerlain, France 2008 Yanghyun Prize, Yanghyun Foundation, Korea Solo Exhibitions 2021 “Tennis Elbow 81,” The Journal Gallery, New York 2020 “Cameron Jamie,” Gladstone Gallery, Brussels 2019 “Cameron Jamie,” NICC Brussels, Brussels 2018 “Cameron Jamie: Solo Show,” Kamel Mennour, London “Cameron Jamie: Solo Show,” Kamel Mennour, Paris “Monotypes,” Kamel Mennour, Paris 2017 "Cameron Jamie,” Bernier/Eliades, Athens “Cameron Jamie: Drawings and Monotypes,” CAPRI, Dusseldorf, Germany “Bodies, Faces, Heads,” Kölnischer Kunstverein, Cologne, Germany “Cameron Jamie: Domestic Arenas: Massage the History, BB, Kranky Klaus,” Gladstone Gallery, New York 2015 “Cameron Jamie,” Gladstone Gallery, New York 2014 “Cameron Jamie,” Bernier/Eliades Gallery, Athens 2013 “Cameron Jamie,” Kunsthalle Zurich, Zurich, Switzerland “Inner Planets: Cameron Jamie,” Palmenhaus des Alten Botanischen Gartens Zurich, Zurich, Switzerland “Drawings, Figures and Compression Fracture Paintings,” Galerie Buchholz, Cologne, Germany “Artist Books by Cameron Jamie,” Antiquariat Buchholz, Cologne, Germany 2011 “Cameron Jamie: Statuettes and Drawings,” Galerie Nathalie Obadia, Paris “Cameron Jamie Film Retrospective,” Cineteca Nacional Mexico, Mexico City 2010 "Cameron Jamie - Four Films: BB, Spook House, Kranky Klaus, Massage the History," Nottingham Contemporary, Nottingham, England [traveled to: Kunsthalle Zürich im Arthouse Kino Movie