Biography Jim Shaw
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JIM SHAW 1952 Born in Midland, MI, US Lives and Works in Los Angeles, CA, US
JIM SHAW 1952 born in Midland, MI, US Lives and works in Los Angeles, CA, US EDUCATION 1974 BFA, University of Michigan at Ann Arbor, MI, US 1978 MFA, California Institute of the Arts, CA, US SOLO EXHIBITIONS 2019 Strange Beautiful, Praz-Delavallade, Paris, FR 2018 Jim Shaw : Drawings, Simon Lee Gallery, London, UK Jim Shaw, Simon Lee Gallery, Hong Kong, CN Michigan Stories: Mike Kelley and Jim Shaw, The Broad Art Museum at MSU, East Lansing, MI, US 2017 Jim Shaw: The Wig Museum, Marciano Art Foundation, Los Angeles, CA, US Jim Shaw, Metro Pictures, New York, NY, US Jim Shaw, Blum & Poe, Los Angeles, CA, US The Wig Museum, Marciano Art Foundation, Los Angeles, CA, US Jim Shaw, Massimo De Carlo, Milan, IT 2016 Rather Fear God, Praz-Delavallade, Paris, FR Rather Fear God, Praz-Delavallade & Vedovi, Brussels, BE 2015 The End Is Here, New Museum, New York, NY, US Simon Lee Gallery, London, UK Entertaining Doubts, Mass MOCA - Museum of Contemporary Art, North Adams, MA, US 2014 Jim Shaw. Oeuvres choisies : dessins, peintures, sculptures, vidéo, Galerie Guy Bärtschi, Geneva, CH The Hidden World. Jim Shaw / Didactic Art Collection, Centre Dürrenmatt, Neuchâtel, CH I Only Wanted You To Love Me, Metro Pictures, New York, NY, US 2013 The Hidden World. Jim Shaw / Didactic Art Collection, Chalet Society, Paris, FR Simon Lee Gallery, Hong Kong, CN Blum & Poe, Los Angeles, CA, US Peter Saul, Jim Shaw: Drawings, Mary Boone Gallery, New York, NY, US Simon Lee Gallery, London, UK 2012 The Rinse Cycle, Baltic Centre for Contemporary Art, Gateshead, UK Dreams, -
H Amm Er M Useum Spring 09
24 Non Profit Org. Hammer Museum Spring 09 US Postage PAID 10899 Wilshire Boulevard Los Angeles, California 90024 USA Los Angeles, CA For additional program information: 310-443-7000 Permit no. 202 www.hammer.ucla.edu LLYN FOULKES. DELIVERANCE (DETAIL), 2007. MIXED MEDIA. 72 X 84 IN. (182.9 X 213.4 CM). COURTESY THE ARTIST AND KENT GALLERY, NEW YORK. PHOTO: RANDEL URBAUER. 100% recycled paper Spring 09Calendar Spring 25 3 2 news HAMMER NEWS director NEW HAMMER WEBSITE 1 the VISIT WWW.HAMMER.UCLA.EDU The Hammer launched its new website in November to rave A MESSAGE FROM THE DIRECTOR reviews and received extraordinary visitor traffic from all from over the world, including unexpected places such as Iran, LOS ANGELES’S PULSE Namibia, and Pakistan. The Chronicle of Higher Education’s Lawrence Biemiller said: For more than a century artists working as writers, visual cultural collaborations. Opening in 2010, the Ring Festival LA artists, filmmakers, actors, and musicians have defined is a celebration, led by the LA Opera, of Wagner’s Ring Cycle, The “museum surpassed itself—and every message Los Angeles’s history and formed the city’s heart and soul. showcasing a variety of exhibitions, symposia, conferences, other museum I can think of.... Making so a much smart content available free online is a Every two years the Hammer mounts an invitational performances, and programs hosted by many of L.A.’s most exhibition that focuses on work created in L.A. These shows important cultural institutions. The Hammer will present a tremendous service to art and culture—a service COLLECTION NEWS other university museums would do well to study.” present opportunities for all of us to explore the vast wealth series of corresponding public programs exploring historical GIFT FROM THE ANDY WARHOL 1 of artistic expression this city has to offer. -
J E F F R E Y V a L L a N C E 1955 Born Redondo Beach, CA Lives
J E F F R E Y V A L L A N C E 1955 Born Redondo Beach, CA Lives and works in Los Angeles Education 1979 B.A., California State University, Northridge 1981 M.F.A., The Otis Art Institute of the Parsons School of Design, Los Angeles 1989-present Special Correspondent for Fortean Times, London Awards 2000 Distinguished Alumnus Award, Otis College of Art and Design, Los Angeles. Honorary Nobel, royal title conferred by the Tongan National Center, Nuku’alofa, Kingdom of Tonga 2001 The Foundation Culture of the Future (Stiftelsen Framtidens Kultur), Sweden. 2004 John Simon Guggenheim Memorial Foundation Fellowship. Solo Exhibitions 2019 Jeffrey Vallance: La Chapelle de Poulet, Edward Cella Art & Architecture, Los Angeles, CA 2016 The Easter Island Enigma, Edward Cella Art and Architecture, Los Angeles, CA 2015 The Medium is the Message, CB1 Gallery, Los Angeles, CA 2014 Enamel Paintings: Idols & Villains and Islomania: Key West, Tanya Bonakdar Gallery, New York, NY 2012 The Vallance Bible, Centre d'édition contemporaine, Geneva, Switzerland 2011 The Word of God: Jeffrey Vallance, The Andy Warhol Museum, Pittsburgh, PA 2010 Relics and Reliquaries, Tanya Bonakdar Gallery, New York, NY The Vallance Bible, Centre d'édition contemporaine, Genève, Switzerland Frieze Projects: Jeffrey Vallance, Frieze Art Fair, London, England 2009 Lars Pirak of Lapland (intervention), Ájtte Sámi Museum, Jokkmokk, Sweden Diet of Worms (intervention), Jean P. Haydon Museum of American Samoa, Village of Fagatogo, Pago Pago, Tutuila, American Samoa Special Project: Lapland -
Barbara Kruger Born 1945 in Newark, New Jersey
This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Barbara Kruger Born 1945 in Newark, New Jersey. Lives and works in Los Angeles and New York. EDUCATION 1966 Art and Design, Parsons School of Design, New York 1965 Syracuse University, Syracuse, New York SELECTED SOLO EXHIBITIONS 2021-2023 Barbara Kruger: Thinking of You, I Mean Me, I Mean You, Art Institute of Chicago [itinerary: Los Angeles County Museum of Art; The Museum of Modern Art, New York] [forthcoming] [catalogue forthcoming] 2019 Barbara Kruger: Forever, Amorepacific Museum of Art (APMA), Seoul [catalogue] Barbara Kruger - Kaiserringträgerin der Stadt Goslar, Mönchehaus Museum Goslar, Goslar, Germany 2018 Barbara Kruger: 1978, Mary Boone Gallery, New York 2017 Barbara Kruger: FOREVER, Sprüth Magers, Berlin Barbara Kruger: Gluttony, Museet for Religiøs Kunst, Lemvig, Denmark Barbara Kruger: Public Service Announcements, Wexner Center for the Arts, Columbus, Ohio 2016 Barbara Kruger: Empatía, Metro Bellas Artes, Mexico City In the Tower: Barbara Kruger, National Gallery of Art, Washington, DC 2015 Barbara Kruger: Early Works, Skarstedt Gallery, London 2014 Barbara Kruger, Modern Art Oxford, England [catalogue] 2013 Barbara Kruger: Believe and Doubt, Kunsthaus Bregenz, Austria [catalogue] 2012-2014 Barbara Kruger: Belief + Doubt, Hirshhorn Museum and Sculpture Garden, Washington, DC 2012 Barbara Kruger: Questions, Arbeiterkammer Wien, Vienna 2011 Edition 46 - Barbara Kruger, Pinakothek -
Patrick Painter, Inc
PATRICK PAINTER, INC MAR NIE W EBE R Lives and works in Los Angeles, CA EDU CAT IO N 1981 B.A. University of California, Los Angeles, CA 1977-79 University of Southern California, Los Angeles, CA R ECE NT S EL EC TED SO LO EXH IBI TIO NS 2010 The Truth Speakers, Sea of Silence, Simon Lee Gallery, London, UK Magasin Centre National d’Art Contemporain de Grenoble, Grenoble, France 2009 The Bondage of Decay, Marc Jancou Contemporary, New York, NY The Truth Speakers, The Sea of Silence, Simon Lee Gallery, London Campfire Song, Sint-Lukasgalerie Brussels 2008 One Shot: 100x100: 100 Angelenos Take 100 Photographs of LA for a Ticketed Event to Support LA><ART Programs, LA><ART, Los Angeles, CA The Melancholy Circus, Praz-Delavallade, Paris, France Saving the Farm, Bernier/Eliades Gallery, Athens, Greece 2007 A Western Song, Utställningar Hösten 07, Vita Kuben, Umea, Sweden Sing Me A Western Song, Patrick Painter Inc., Los Angeles, CA From a Western Song, Emily Tsingou Gallery, London, England Variations on a Western Song, Fredericks & Freiser Gallery, New York, NY 2005 Fom the Dust Room, Luckman Gallery, California State University Los Angeles, CA (curated by Julie Joyce, catalogue) Ghost Love, The Spirit Girls, Rosamund Felsen Gallery, Los Angeles, CA Spirit Girls, Songs that Never Die, Galerie Praz-Delavallade, Paris, France 2004 Ten Year Survey of Collage, Emily Tsingou Gallery, London, England 2002 The Dollhouse, Fredericks & Freiser Gallery, New York, NY Collages and Videos, Marella Arte Contemporanea, Milan, Italy 2001 Forever More, Galerie -
Lari Pittman
LARI PITTMAN Born 1952 in Los Angeles Lives and works in Los Angeles EDUCATION 1974 BFA in Painting from California Institute of the Arts, Valencia, CA 1976 MFA in Painting from California Institute of the Arts, Valencia, CA SOLO EXHIBITIONS 2021 Lari Pittman: Dioramas, Lévy Gorvy, Paris 2020 Iris Shots: Opening and Closing, Gerhardsen Gerner, Oslo Lari Pittman: Found Buried, Lehman Maupin, New York 2019 Lari Pittman: Declaration of Independence, Hammer Museum, Los Angeles 2018 Portraits of Textiles & Portraits of Humans, Regen Projects, Los Angeles 2017 Lari Pittman, Gerhardsen Gerner, Oslo Lari Pittman / Silke Otto-Knapp: Subject, Predicate, Object, Regen Projects, Los Angeles 2016 Lari Pittman: Grisaille, Ethics & Knots (paintings with cataplasms), Gerhardsen Gerner, Berlin Lari Pittman: Mood Books, Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA Lari Pittman: Nocturnes, Thomas Dane Gallery, London Lari Pittman: NUEVOS CAPRICHOS, Gladstone Gallery, New York 2015 Lari Pittman: Homage to Natalia Goncharova… When the avant-garde and the folkloric kissed in public, Proxy Gallery, Otis College of Art and Design, Los Angeles 2014 Lari Pittman: Curiosities from a Late Western Impaerium, Gladstone Gallery, Brussels 2013 Lari Pittman: from a Late Western Impaerium, Regen Projects, Los Angeles Lari Pittman, Bernier Eliades Gallery, Athens Lari Pittman, Le Consortium, Dijon, France Lari Pittman: A Decorated Chronology, Contemporary Art Museum St. Louis, MO 2012 Lari Pittman, Gerhardsen Gerner, Berlin thought-forms, -
Seventh Dream of Teenage Heaven Everything Seemed So Possible
SEVENTH DREAM OF TEENAGE HEAVEN EVERYTHING SEEMED SO POSSIBLE A theatrical moment about modern, postmodern, and super-hybrid culture and our relationships with the passage of time PROLOGUE ACT I: ACTION ACT II: MEDIA ACT III: IDENTITY & THE SPATIAL Starring Guy Ben-Ner, Joachim Brohm, Gerard Byrne, Malcolm Cochran, Peter Dayton, Ben Kinsley, Lara Kohl, Jeremy Kost, Mark Leckey, Mary Lum, Dennis McNulty, Timothy Nazzaro, Johannes Nyholm, Pipilotti Rist, Cassandra Troyan, Jeffrey Vallance and Alejandro Vidal With Guest Appearances by Jennifer Allen, Jean Baudrillard, Clement Greenberg, Jürgen Habermas, Matthew Higgs, Shosuke Ishizu, Fredric Jameson and David Pagel Narrator James Voorhies PAGE 2 PAGE 3 PROLOGUE (The preeminent American literary critic and political theorist FREDRIC JAMESON (Curtain rises; lights up; center stage.) rushes from stage left and pushes NARRATOR to stage right. JAMESON starts to speak loudly. Lights go low. Bright NARRATOR spot on JAMESON at stage center.) What ever happened to postmodernism? JAMESON We never really got a handle on it. It hung around from the early 1960s Indeed, the concept of postmodernism is until the late 1990s in an elusive, not widely accepted or even understood nebulous, shape-shifting form. It teased today. Most postmodernisms emerged as and taunted us, appearing occasionally specific reactions against the established to take a position that would help us forms of high Modernism. Those formerly comprehend the architecture, art, music, subversive and embattled styles--Abstract television, video or film of any given Expressionism; the great modernist poetry moment during those years. That mystery, of Pound, Eliot or Wallace Stevens; the even mystique, was part of its appeal. -
CHRISTOPHER WOOL Born 1955, Chicago, IL Lives and Works in New York, NY and Marfa, TX
CHRISTOPHER WOOL Born 1955, Chicago, IL Lives and works in New York, NY and Marfa, TX SELECTED SOLO EXHIBITIONS 2020 Christopher Wool, Galerie Max Hetzler, London, England 2019 Christopher Wool, Corbett vs. Dempsey, Chicago, IL.* Maybe Maybe Not : Christopher Wool and the Hill Collection, Hill Art Foundation, New York, NY. 2018 Christopher Wool : A New Sculpture, Luhring Augustine Bushwick, Brooklyn, NY. Christopher Wool : Highlights from the Hill Art Collection, H Queens, Hong Kong. 2017 Christopher Wool, Galerie Max Hetzler, Berlin, Germany.* Text Without Message, Philbrook Downtown, Tulsa, OK. 2016 Christopher Wool, Daros Collection at Fondation Beyeler, Hurden, Switzerland. 2015 Christopher Wool, Luhring Augustine, New York, NY; Luhring Augustine Bushwick, Brooklyn, NY. Christopher Wool: Selected Paintings, McCabe Fine Art, Stockholm, Sweden. Inbox: Christopher Wool, The Museum of Modern Art, New York, NY. 2013-2014 Christopher Wool, Solomon R. Guggenheim Museum, New York, NY; The Art Institute of Chicago, Chicago, IL.* 2013 Christopher Wool: Works on Paper, 1989-1990, Art & Public, Geneva, Switzerland. 2012 Christopher Wool, Musée d’Art Moderne de la Ville de Paris, Paris, France.* 2011 Christopher Wool, Galerie Gisela Capitain, Cologne, Germany. * A catalogue was published with this exhibition. 2010 Christopher Wool, Gagosian Gallery, Rome, Italy.* Christopher Wool: Sound on Sound, Corbett vs. Dempsey, Chicago, IL.* 2009 Christopher Wool: Editions, Artelier Contemporary, Graz, Austria. Christopher Wool, Galerie Micheline Szwajcer, Antwerp, Belgium. 2008-2009 Christopher Wool: Porto-Köln, Fundação de Serralves: Museu de Arte Contemporânea, Porto, Portugal; Museum Ludwig, Cologne, Germany.* 2008 Christopher Wool, Luhring Augustine, New York, NY. 2007 Christopher Wool, Galerie Max Hetzler, Berlin, Germany.* Christopher Wool, Eleni Koroneou Gallery, Athens, Greece. -
Victoria Reynolds Artist's Statement
Victoria Reynolds Artist’s Statement Rendering the subject of flesh allows me to explore conventions of representation and our suspicion of the beautiful, seductive image. My paintings, often set in ornate and carnivalesque rococo- or baroque-style frames, address ideas of beauty, taste, distinctions between flesh and meat, and the use and sacrifice of animals. My research in historical artworks ranges from Dutch vanitas, genre paintings, kitchen and butcher stall scenes, hunting scenes, and the Venetian art of painting flesh to portrayals of divine sacrifice. Historical genre paintings of festoons and garlands hearken back to a time when humans festooned foliage with animals’ intestines for festive décor. Historical Dutch still lifes and vanitas embed their moral message in kitchen scenes, butcher stall scenes, and improbable confectionery creations. In other genre works, proud hunting dogs pose with their spread and dead prey, and wily cats swipe glistening, wet morsels from excessively laid tables. The arts of presentation and display can vaunt any subject into formal iconography. My recent research into conventional hunting trophy presentations and historic heraldic imagery is generating new paintings and drawings. I also frequently find simulacra and pareidolia in fleshly biomorphic tissues, and these sensual works may refer to “temptations of the flesh” and our carnal appetites—including a suspect enjoyment of a beautiful and illusory image. Artful portrayal can be banned outright or rules made to rein in its power. The creation of art has divine associations, from Albrecht Durer’s self-portrait in his fabulous Jesus wig to pietas of Mary and Jesus rendered in their own palpable, glowing, translucent, layered flesh. -
Glenn Ligon Biography
GLENN LIGON BIOGRAPHY Born in Bronx, New York, 1960. Lives and works in New York, NY. Education: Whitney Museum Independent Study Program, New York, NY, 1985 BA, Wesleyan University, Middletown, CT, 1982 Rhode Island School of Design, Providence, RI, 1980 Selected Solo Exhibitions: 2021 “Glenn Ligon,” Hauser and Wirth, New York, NY, November 10 – December 23, 2021 “First Contact,” Hauser and Wirth, Zürich, Switzerland, September 17 – December 23, 2021 2019 “Glenn Ligon: In A Year with a Black Moon,” Rat Hole Gallery, Tokyo, Japan, December 20, 2019 – March 14, 2020 “Des Parisiens Noirs,” Musée d’Orsay, Paris, France, March 26 – July 21, 2019 “Glenn Ligon: Selections from the Marciano Collection,” Marciano Art Foundation, Los Angeles, CA, February 12 – May 12, 2019 “Glenn Ligon: To be a Negro in this country is really never to be looked at.,” Maria & Alberto De La Cruz Art Gallery, Georgetown University, Washington, D.C., January 24 – April 7, 2019 “Glenn Ligon: Untitled (America)/Debris Field/Synecdoche/Notes for a Poem on the Third World,” Regen Projects, Los Angeles, CA, January 12 – February 17, 2019; catalogue 2018 “Glenn Ligon: Debris Field/Notes for a Poem on the Third World/Soleil Nègre,” Galerie Chantal Crousel, Paris, France, September 8 – October 4, 2018; catalogue “Glenn Ligon: Tutto poteva, nella poesia, avere una soluzione / In poetry, a solution to everything,” Thomas Dane Gallery, Naples, Italy, April 24 – July 28, 2018 2017 “Glenn Ligon,” Baltimore Museum of Art, Baltimore, MD, Fall 2017 – 2018 2016 “Glenn Ligon, A Small -
JEFFREY VALLANCE March 20 – April 19, 2014 Gallery 2
JEFFREY VALLANCE March 20 – April 19, 2014 Gallery 2 For immediate release Tanya Bonakdar Gallery is pleased to present two separate bodies of work by Jeffrey Vallance, Enamel Paintings: Idols & Villains and Islomania: Key West. Jeffrey Vallance's works turn a critical and humorous eye toward his own wide-ranging experiences, and in this newest exhibition the artist presents paintings, drawings, and performance-based works that employ a pseudo- anthropological approach to address themes of faith, myth, celebrity, ritual, and popular culture. Since childhood Vallance has collected objects of personal significance and fabricated displays for them. This lifelong penchant for collecting and exhibition however transcends mere presentation, as the artworks themselves provide both evidence of and a unique perspective on the vernacular that is intrinsic to our culture's broader social evolutions, tastes and patterns. The first series on view, Enamel Paintings: Idols & Villains, began in the late 1970s and early 80s. Vallance produced a group of paintings featuring images of television personalities in Rust-oleum and Krylon brand enamel paint, as well as graffiti decals intended for use on professional model train dioramas or "Hot Rod" cars. Many of the decals were produced during the Iran Hostage Crisis of 1979-81, and included such slogans as "Nuke Iran" and "A Weenie for Kohmeini," examples of how knee-jerk populist jargon during crisis situations find their way into seemingly apolitical American culture - e.g. the model train hobbies of middle class Americans. The recent enamel paintings begin where this series left off in the early 1980s, now featuring such historical political figures as Ugandan dictator Idi Amin, Kim Jong-il, television personality Connie Chung, actor Leonard Nimoy, the King of Tonga, artist Mike Kelley, best-selling author Temple Grandin, and many other eminent personalities, pop-culture heroes, writers, dictators, despots and scoundrels. -
Press Release
JASON VASS PRESENTS EVERY BREATH YOU TAKE A GROUP EXHIBITION BY SHEREE ROSE, RHIANNON AARONS, MARTIN O’BRIEN, JEFFREY VALLANCE, VICTORIA REYNOLDS, SIMONE GAD & MICHEL DELSOL OPENING RECEPTION SATURDAY, DECEMBER 2, 2017 6-9PM . Left to right: Sheree Rose, Rhiannon Aarons, Sheree Rose, Jeffrey Vallance, Simone Gad, Michael Delsol, Victoria Reynolds October 26, 2017, Los Angeles, CA., Jason Vass 1452 E. Sixth Street, Los Angeles, CA 90021 is pleased to present Every Breath You Take - a group exhibition of works by the artists Sheree Rose, Rhiannon Aarons, Martin O’Brien, Jeffrey Vallance, Victoria Reynolds, Simone Gad and Michel Delsol. Every Breath You Take will run from December 2 - December 30, 2017. The work created for Every Breath You Take investigates issues of voyeurism, creativity and re- contextualization. This body of work contains a combination of performance relics from Bob Flanagan inspired collaborations between Sheree Rose, Martin O’Brien, Rhiannon Aarons, Si- mone Gad, Jeffrey Vallance, Victoria Reynolds, Michel Delsol and other artists over the last two years. This exhibition includes documentation and relics from Sheree and Bob’s collaborations as well as more recent elements from The Viewing and Philosophy in the Bedroom - two major 24 hour collaborations produced by Rose, Aarons, and O’Brien during 2016. Clockwise from top left: Sheree Rose, Jeffrey Vallance, Simone Gad, Rhiannon Aarons, Michael Delsol, Sheree Rose, Victoria Reynolds About Sheree Rose Sheree Rose is an American photographer and performance artist. Her photographs docu- mented the BDSM and queer subcultures in Los Angeles during the early 1980s. With her part- ner and creative collaborator, performance artist Bob Flanagan, they explored sexuality, BDSM, death, and daily living with terminal illness.