Hammer Museum Appoints New Board Members, November 20, 2020
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KAMP (KIDS ART MUSEUM PROJECT) 10Th Anniversary Of
For Immediate Release: March 27, 2019 Contact: Nancy Lee, Senior Manager, Public Relations, 310-443-7016, [email protected] K.A.M.P. (KIDS ART MUSEUM PROJECT) 10th Anniversary of Annual Kids Benefit at the Hammer Museum Sunday, May 19, 2019 │ 10AM-2PM (Los Angeles, CA)— On Sunday, May 19, 2019 the Hammer Museum will celebrate the tenth anniversary of K.A.M.P. (Kids Art Museum Project), a one-of-a-kind fundraising event imagined by artists for kids and their families. Painters, sculptors, and artists of all kinds lead inventive hands-on workshops for children, and the event is held outdoors throughout the museum courtyard and terraces. Celebrity friends will read their favorite children’s books to an audience of story lovers of all ages, and DJ Chocolatebarbangs will spin music throughout the event. $125 early-bird tickets are available until March 31, after which tickets will be $150. Over the past ten years, proceeds from K.A.M.P. has raised more than $1.4 million for Hammer Kids, which offers free events to over 60,000 children and families throughout the year. Hammer Museum Director Ann Philbin said, "It's been a joy to see K.A.M.P. grow into one of our signature Hammer fundraising events, a family-friendly celebration of art and artists. Most importantly, we've seen how the money raised supports the rest of our free kids programming throughout the year at the museum." This year’s participating artists include: Math Bass, Alex Beccera, Louise Bonnet, Carolina Caycedo, Sam Falls, Haas Brothers, John Houck, Alex Israel, Patrick Jackson, Patrick Martinez, Lara Schnitger, Alake Shilling, Samantha Thomas, and Daniel Winter. -
Planning Office. Project Files of George Vajna. 1946-1989
http://oac.cdlib.org/findaid/ark:/13030/c8bc40tp No online items Planning Office. Project files of George Vajna. 1946-1989. Finding aid prepared by University Archives staff, 1990 April; finding aid revised by Katharine A. Lawrie, 2013 June; machine-readable finding aid created by Katharine A. Lawrie, 2013 June. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©1990 April Planning Office. Project files of University Archives Record Series 313 1 George Vajna. 1946-1989. Title: Planning Office. Project files of George Vajna. Identifier/Call Number: University Archives Record Series 313 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 24.8 linear ft.(62 boxes) Date (bulk): Bulk, 1957-1989 Date (inclusive): 1946-1989 Abstract: Record Series 313 contains the project files of George Vajna, of UCLA's Planning Office. Creator: Planning Office. Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Publication Rights Copyright of portions of this collection has been assigned to The Regents of the University of California. The UCLA University Archives can grant permission to publish for materials to which it holds the copyright. All requests for permission to publish or quote must be submitted in writing to the UCLA University Archivist. Preferred Citation [Identification of item], Planning Office. Project files of George Vajna (University Archives Record Series 313). UCLA Library Special Collections, University Archives. Scope and Content Record Series 313 contains the project files of George Vajna, of UCLA's Planning Office. -
A. Quincy Jones (Hammer Museum)
For Immediate Release: January 14, 2013 Contact: Sarah L. Stifler, Hammer Communications, 310-443-7056, [email protected] THE HAMMER MUSEUM PRESENTS THE FIRST MAJOR CAREER SURVEY OF MODERNIST ARCHITECT A. QUINCY JONES On view May 25–September 8, 2013 Los Angeles—A. Quincy Jones: Building for Better Living is the first major museum career survey of the Los Angeles-based architect’s work and pays special attention to the unique collaborative nature of his practice. The exhibition is presented as part of the larger Getty-sponsored initiative Pacific Standard Time Presents: Modern Architecture in L.A. Archibald Quincy Jones (1913–1979), who was known as Quincy, practiced architecture in Los Angeles from 1937 until his death in 1979. A quiet modernist and dedicated architecture professor at the University of Southern California, Jones worked to bring a high standard of design to the growing middle class by reconsidering and refining postwar housing and emphasizing cost-effective, innovative, and sustainable building methods. In addition, Jones is among the first architects of this period to view developments as an opportunity to build community through shared green spaces, varied home models, and non-grid site planning. Jones is credited with over 5,000 built projects, most of which still exist today, as the clients and homeowners shared Jones’s compassion for ‘better living.’ Known by architects for designing from the inside out, Jones’s homes and buildings are celebrated for expansive interior spaces, thoughtful and efficient building layouts, and a reverence for the outdoors, which still resonates in contemporary design today. A. -
Tang Teaching Museum Receives Transformative Gift of Contemporary Art Works from Peter Norton Collection
Tang Teaching Museum Receives Transformative Gift of Contemporary Art Works from Peter Norton Collection Gift includes works by Matthew Barney, Glenn Ligon, Gabriel Orozco, Lari Pittman, Kara Walker, Carrie Mae Weems, and Fred Wilson SARATOGA SPRINGS, N.Y. (November 13, 2014) – The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College has received a gift of 75 works of contemporary art from the collection of the computer programmer and philanthropist Peter Norton. This is the first in a series of gifts to university art museums and teaching museums throughout the country—drawn from Norton’s personal collection—to support the integration of the visual arts in higher education, foster creative museum practice, and engage diverse audiences with contemporary art. Norton initiated his first large donation project in 2000, gifting over 1,000 pieces from his collection to 32 select institutions. His gift to the Tang Teaching Museum represents the inauguration of his second major donation project. In addition to the Tang, the museums receiving a gift from Norton include: UC Berkeley Art Museum and Pacific Film Archive, Berkeley, California; Mary & Leigh Block Museum of Art, Northwestern University, Evanston, Illinois; California Museum of Photography and Sweeney Art Gallery at UCR ARTSblock, University of California Riverside, Riverside, California; Hammer Museum at UCLA, Los Angeles, California; Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri; Rose Art Museum, Brandeis University, Waltham, Massachusetts; and Williams College Museum of Art, Williamstown, Massachusetts. The gift to the Tang includes works by some of today’s leading contemporary artists, including Polly Apfelbaum, Matthew Barney, Nicole Cherubini, Willie Cole, Renee Cox, David Hammons, Glenn Ligon, Gabriel Orozco, Lari Pittman, Martha Rosler, Erika Rothenberg, Lorna Simpson, William Villalongo, Carrie Mae Weems, Fred Wilson, and Millie Wilson. -
THE TOWER 10940 Wilshire Blvd / Westwood PROPERTY HIGHLIGHTS
THE TOWER 10940 Wilshire Blvd / Westwood PROPERTY HIGHLIGHTS ARCHITECTURAL BEAUTY THE TOWER Designed by renowned architect Helmut Jahn, The Tower is constructed of Verde Antique granite, Brazilian Navy marble and Kasota limestone. A 30-foot high, open-air solarium, featuring a distinct water fountain surrounded by palm trees, leads to a marble lobby and floor-to-ceiling glass windows. The views of Bel Air, Getty Center and the ocean are spectacular. Energy Star Certified by the EPA, the building has management and engineering services and a fully integrated energy management system for optimal efficiency and comfort. Dine at the on-site café and enjoy an outdoor garden plaza with seating, or in Westwood Village with its numerous restaurants. Rentable Square Feet: 218,805 No. of Stories: 24 Parking Ratio: 2.5/1,000 Security: 24-Hour THE LOCATION WESTWOOD THE HEART OF WEST LA A one-time college town, and home to UCLA (University California Los Angeles), Westwood sits in the center of West Los Angeles, and has burgeoned into a hub of business activity along the Wilshire Corridor that runs through it. With high-rise residential towers along the Corridor, the exclusive hillside neighborhoods of Bel Air and Brentwood to the north, and Beverly Hills to the east just a few minutes away, Douglas Emmett properties in Westwood provide an opportunity to live close to your office and enjoy an intimate workday experience. The iconic Westwood Village offers over 50 dining options, plentiful shopping, and historic movie theaters. The W Hotel is there for your out-of-town visitors. -
Client Roster
Client Roster VISUAL ARTS Ballet Hispanico Museum of Glass Ana Tzarev Gallery Boston Ballet Partnership for Architecture and Urbanism The Art Institute of Chicago Boston Symphony Orchestra Pelli Clarke Pelli Architects Asian Contemporary Art Fair The Broadway League Polshek Partnership Architects (Ennead) The Baltimore Museum of Art Center Theatre Group Selldorf Architects Barnes Foundation Dance at the Music Center SHoP Architects ABOUT US Brooklyn Museum Ford’s Theatre Society Ten Arquitectos Christie’s Geffen Playhouse Tod Williams Billie Tsien Architects The Cleveland Museum of Art Hollywood Bowl College Art Association Hopkins Center for the Arts, Dartmouth College HISTORY & HERITAGE Columbia Museum of Art The Joyce Theater The American Indian Cultural Center and Museum Crystal Bridges Museum of American Art Kansas City Repertory Theatre Autry National Center The Drawing Center Kennedy Center for the Performing Arts Center for Jewish History El Museo del Barrio Kimmel Center for the Performing Arts Cooperstown/Baseball Hall of Fame The Farnsworth Art Museum Los Angeles Chamber Orchestra The Jewish Museum The Frick Collection Los Angeles Philharmonic Association John F. Kennedy Library and Museum Georgia O’Keeffe Museum Mesa Arts Center Museum of the City of New York Hammer Museum, UCLA MOMIX National Museum of American Jewish History High Museum of Art The Music Center, Los Angeles National Women’s Hall of Fame & Museum Hirshhorn Museum and Sculpture Garden Nashville Symphony New Center for Arts & Culture International Center of -
H Amm Er M Useum Spring 09
24 Non Profit Org. Hammer Museum Spring 09 US Postage PAID 10899 Wilshire Boulevard Los Angeles, California 90024 USA Los Angeles, CA For additional program information: 310-443-7000 Permit no. 202 www.hammer.ucla.edu LLYN FOULKES. DELIVERANCE (DETAIL), 2007. MIXED MEDIA. 72 X 84 IN. (182.9 X 213.4 CM). COURTESY THE ARTIST AND KENT GALLERY, NEW YORK. PHOTO: RANDEL URBAUER. 100% recycled paper Spring 09Calendar Spring 25 3 2 news HAMMER NEWS director NEW HAMMER WEBSITE 1 the VISIT WWW.HAMMER.UCLA.EDU The Hammer launched its new website in November to rave A MESSAGE FROM THE DIRECTOR reviews and received extraordinary visitor traffic from all from over the world, including unexpected places such as Iran, LOS ANGELES’S PULSE Namibia, and Pakistan. The Chronicle of Higher Education’s Lawrence Biemiller said: For more than a century artists working as writers, visual cultural collaborations. Opening in 2010, the Ring Festival LA artists, filmmakers, actors, and musicians have defined is a celebration, led by the LA Opera, of Wagner’s Ring Cycle, The “museum surpassed itself—and every message Los Angeles’s history and formed the city’s heart and soul. showcasing a variety of exhibitions, symposia, conferences, other museum I can think of.... Making so a much smart content available free online is a Every two years the Hammer mounts an invitational performances, and programs hosted by many of L.A.’s most exhibition that focuses on work created in L.A. These shows important cultural institutions. The Hammer will present a tremendous service to art and culture—a service COLLECTION NEWS other university museums would do well to study.” present opportunities for all of us to explore the vast wealth series of corresponding public programs exploring historical GIFT FROM THE ANDY WARHOL 1 of artistic expression this city has to offer. -
Alook at Ucla
A LOOK AT UCLA As one of the nation’s premier universities, UCLA has come so Through academic out- far, so fast in its rise to the top tier of institutions of higher reach, UCLA works with education. From its celebrated faculty to its high-achieving K-12 schools through- students and distinguished alumni, UCLA’s College of Letters out Los Angeles to help and Science and 11 professional schools are committed to greater numbers of stu- advancing the common good through research, teaching dents prepare to com- and active participation in the communities they serve. Uniquely pete successfully for positioned at the crossroads of the world’s economies and college. UCLA also is cultures, UCLA combines outstanding intellectual achieve- partnering with com- ment with an innovative, entrepreneurial style and a deep munity colleges to in- sense of civic responsibility. Some of the university’s more crease the number of notable recent achievements include: underrepresented stu- Faculty, Students & Alumni dents transferring to the university. Additionally, UCLA faculty have been awarded two Nobel Prizes in recent UCLA faculty, research- years: biochemist Paul Boyer in chemistry (1997) and pharma- ers and students pro- cologist Louis Ignarro in medicine (1998). Among faculty there vide leadership and have been three other Nobelists, nine National Medals of public service in health Science recipients and hundreds of Guggenheim Fellow- care, law, economic de- Royce Hall ships, Fulbright Awards and other academic distinctions. velopment, social wel- UCLA educates more students than other university in Califor- fare, urban planning, public policy, arts and the environment. nia and was the most sought-after institution in the nation for Most academic departments have major research projects, this fall's freshman class. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Ha Ammer M Useum La Aunches Free Mob Bile
For Immediate Release: May 19, 2011 Contact: Morgan Kroll, Public Relations Associate, 310-4443-7016, [email protected] Hammer Museum Launches Free Mobile App Available now via iTunes and Android Market Los Angeles – The Hammer Museum is excited to introduuce the Museum’s free mobile app, available now on iTunes and the Android Market. Use the Hammer app to plan your visit, enhance your museum experience with robust exhibition content, and learn more about the Hammer’s wide array of exhibitions and collections. The free app is rich with content including interviews with artists and curators discussing specific works of art, videos of artists describing their practices, and excerpts from exhibition catalogues. The breadth of material on the app will be continually expanded. Compatible devices include Android (Android 2.2 and higher) and iPhone (must have iOS 4 installed). FEATURES INCLUDE: -In-depth exhibition audio guides -Interviews with artists and curators -Videos and images of works on view -Exhibition catalogue texts -Tools for planning your visit -Interfaces with social networking sites and email The Hammer’s app was developed with Toura (http://touura.com), a recognized leader in multi- media cross-platform app publishing. Toura has partnered with leading content creators around the world, including the Art Institute of Chicago, the Hirshhorn Museum and Sculpture Garden, and the Royal Academy of Arts, to create a variety of mobile applications. ABOUT THE HAMMER MUSEUM The Hammer Museum, a public arts unit of the University of California, Los Angeles, is dedicated to exploring the diversity of artistic expression through the ages. -
Artists for the Hammer Museum
NEW YORK NEW ARTISTS FOR THE HAMMER MUSEUM FOR ARTISTS NEW YORK | 16 & 17 MAY 2019 16 & 17 MAY 2019 N0N10069 & N10070 N0N10069 2019 16 & MAY 17 2 SOTHEBY’S 3 4 SOTHEBY’S 5 TABLE OF CONTENTS 8 INTRODUCTION 14 HAMMER HISTORY 22 CONTEMPORARY ART EVENING 34 CONTEMPORARY ART DAY 6 SOTHEBY’S 7 DIRECTOR’S MESSAGE FROM ANN PHILBIN I came to the Hammer in 1999. From the outset, The story of Los Angeles’ arrival as a global arts we established some guiding principles that have capital is by now well told. This city has long been since become the DNA of the museum. We set out home to artists, many of whom studied or taught to make the Hammer a place that would nurture at outstanding schools like UCLA, CalArts, Otis, or young talent; bring new voices to the table; create a ArtCenter. In order to be taken seriously, the story welcoming space for our community; serve as a public goes, artists left L.A. to find their careers in New platform for the extraordinary riches of UCLA; and York. But in recent decades that changed, as more tackle the most urgent issues of the day. and more artists chose instead to stay put. That Those are our core values and our daily choice has had a ripple effect as the city’s institutions, touchstones. In particular, we have long believed galleries, alternative spaces, and collectors have that a museum can have a viewpoint, that it can take proliferated and matured in the twenty-first century. positions—often progressive and controversial. -
Lari Pittman
LARI PITTMAN Born 1952 in Los Angeles Lives and works in Los Angeles EDUCATION 1974 BFA in Painting from California Institute of the Arts, Valencia, CA 1976 MFA in Painting from California Institute of the Arts, Valencia, CA SOLO EXHIBITIONS 2021 Lari Pittman: Dioramas, Lévy Gorvy, Paris 2020 Iris Shots: Opening and Closing, Gerhardsen Gerner, Oslo Lari Pittman: Found Buried, Lehman Maupin, New York 2019 Lari Pittman: Declaration of Independence, Hammer Museum, Los Angeles 2018 Portraits of Textiles & Portraits of Humans, Regen Projects, Los Angeles 2017 Lari Pittman, Gerhardsen Gerner, Oslo Lari Pittman / Silke Otto-Knapp: Subject, Predicate, Object, Regen Projects, Los Angeles 2016 Lari Pittman: Grisaille, Ethics & Knots (paintings with cataplasms), Gerhardsen Gerner, Berlin Lari Pittman: Mood Books, Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA Lari Pittman: Nocturnes, Thomas Dane Gallery, London Lari Pittman: NUEVOS CAPRICHOS, Gladstone Gallery, New York 2015 Lari Pittman: Homage to Natalia Goncharova… When the avant-garde and the folkloric kissed in public, Proxy Gallery, Otis College of Art and Design, Los Angeles 2014 Lari Pittman: Curiosities from a Late Western Impaerium, Gladstone Gallery, Brussels 2013 Lari Pittman: from a Late Western Impaerium, Regen Projects, Los Angeles Lari Pittman, Bernier Eliades Gallery, Athens Lari Pittman, Le Consortium, Dijon, France Lari Pittman: A Decorated Chronology, Contemporary Art Museum St. Louis, MO 2012 Lari Pittman, Gerhardsen Gerner, Berlin thought-forms,