DOCSLIB.ORG

© Ministerio De Educación, Cultura Y Deporte

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
© Ministerio De Educación, Cultura Y Deporte #7 Dirigido por/Directed by LUIS MIGUEL ARTABE, NACHO SOLANA IGNACIO GUTIERREZ-SOLANA AIZPURUA Dirección/Directors: LUIS MIGUEL ARTABE, NACHO SOLANA. Producción/Producer: NACHO SOLANA. Guión/Screenplay: LUIS MIGUEL ARTABE. Fotografía/Photography: MIKEL SÁINZ DE SANTAMARÍA. Música/Score: ÁLVARO DE LA HOZ. Dirección artística/Production Design: MAITE PÉREZ-NIEVAS, PAULA PALOMARES. Montaje/Editing: CARLOS A. FLORES. Sonido/Sound: JAVIER CEPEDA. Intérpretes/Cast: AGUSTÍN DE LEIVA (Napoleón). Cortometraje/Short Film. HD - 35 mm. Panorámico 1:1,85. Género/Genre: Ficción. Duración/Running time: 4 minutos. Lugares de rodaje/Locations: Cantabria. Premios/Awards: l Concurso de cortos RNE (Spain) Primer premio / First prize l Concurso de cortometrajes "Vídeo Jove" de Alella (Spain) Tercer premio / Third prize l Certamen de cortometrajes de la Sierra de Segura – Siles Cinema (Spain) Premio del público / Audience Award l Concurso de cortometrajes fantásticos y de terror de la Marató de Sants (Spain) Nominado mejor cortometraje / Nominated to the best short film l Muestra de Cortometrajes 4' En CortO de Telde (Spain) “#7” está marcado por una época y un nombre muy concretos, Mención especial del Jurado / Special Jury Mention aunque la historia nos ha hecho ver que nunca nada es l Certamen de CORTOS Cinematográficos Triminuto, UJA exactamente lo que parece... Austerlitz. Dos de diciembre de 1805. (Spain) Mejor cortometraje / Best Short Film. Un campo de batalla, un ejército imperial victorioso. Un hombre marcado por un número: el siete. Festivales/Festivals: l Festival de cortos “La Tacita de Plata” (Spain) “#7” is attached to a very specific time period and name, but as history has teached us, nothing is always what it seems to be... Austerlitz. l Les Etranges Nuits du Cinema (Switzerland) December 2nd 1805. A battlefield, a victorious imperial army. A man l "Shepparton Shorts" Short Film Festival (Australia) cursed by a number: seven. l Lille European Film Festival (France) l Festival de Cortometrajes Rodinia (Spain) l Cortada, Festival de Cortometrajes de Vitoria-Gasteiz (Spain) l ZERO - Jornades de Joves Creadors (Spain) l Certamen de Cortometrajes Primeros Trabajos de Bullas (Spain) l Festival de Cortometrajes "Curt Al Pap" (Spain) l Femcurt Festival Internacional de Curtmetratges Socials de Banyoles (Spain) l Xornadas de Mostra de Curtametraxes (Spain) l Festival Internazionale del Cinema di Salerno (Italy) l Concurso de Cortometrajes Premio Objetivo - Muestra de Cine Independiente Y Fantástico de Toledo (Spain) l Festival Internacional de Cortometrajes Fecoven (Venezuela) l Certamen de Cortometrajes Nada Sobre Nos Sen Nos (Spain) l KO Digital - Festival Internacional de Cinema Solidario de Sant Sadurní (Spain) l Taglia Corti, Rassegna di Cortometraggi (Italy) l Madridimagen (Spain) l Muestra de Cortometrajes Vertigo (Spain) l Muestra de Cortometrajes Moda H - Imagen Social de la Discapacidad (Spain) l Sintetitza - Festival de Curtmetratges Dels Pirineus (Spain) l Certamen de Cortos de Campillos "Paco Rabal" - Cortema (Spain) l Fescurts (Spain) l Festival de Cortometrajes de Humor “Villa de El Recuenco” (Spain) l FASCURT - Festival de curtmetratges del Masnou (Spain) © Ministerio de Educación, Cultura y Deporte l Festival de cortometrajes “Ginés en Corto” (Spain) l Certamen de cortometrajes Cinemálaga (Spain) l FESTIVAL Internacional de Televisión y Cine Histórico de León (Spain) l Digital Short Film Fest "DSFF" (Spain) l Certamen de cortos "El Milagro" de Azuaga (Spain) l Quincena del Corto de Tudela (Spain) l Festival de cortometrajes "Cobre y Malacate" (COMA) (Spain) l Festival Artífice de Vídeo-Cortometraje de Loja (Spain) l Muestra Nacional de Cortometrajes de Ajalvir (Spain) l Certamen de Cine y Vídeo Joven de Irún (Spain) l Certamen de cortometrajes Enkarzine (Spain) l Festival Internacional Filmets (Spain) l Certamen de Cortos de la Universidad de Cantabria (Spain) l Concurso Internacional de Cortos de Humor del Ja Ja Festival de Zaragoza (Spain) l Yemayá, Concurso de cortometrajes (Spain) l Festival de cortos de Torrelavega (Spain) l Muestra Nacional de cortometrajes de la Asociación Reunart de Valladolid (Spain) l Muestra de Cine de Lavapiés (Spain) l Shots (Scifi World) (Spain) l Microcurt Festival de Vídeo D'Igualada (Spain) l Festival de Cine de Ponferrada (Spain) l Festival de Cine de Comedia de Tarazona y el Moncayo (Spain). Distribución nacional/Spain Distribution: PROMOFEST. General Pardiñas, 34, 1º, oficina 9. 28001 Madrid. Tel.: +34 91 186 56 73. www.promofest.org ; [email protected]. © Ministerio de Educación, Cultura y Deporte 3 DE MAYO 3 MAY Dirigido por/Directed by LUIS MARÍA FERRÁNDEZ Productora/Production Company: CAMBALACHE PRODUCCIONES, S.L. Tel.: [email protected]. www.cambalacheproducciones.es Director: LUIS MARÍA FERRÁNDEZ. Producción/Producer: SEBASTIÁN ARABIA. Jefe de producción/Production Manager: MIGUEL FERNÁNDEZ. Guión/Screenplay: LUIS MARÍA FERRÁNDEZ. Fotografía/Photography: LUIS BELLIDO. Música/Score: JOSE SÁNCHEZ SANZ. Dirección artística/Production Design: PABLO MENDIBURU. Montaje/Editing: JAVIER DAMPIERRE. Sonido/Sound: IVÁN VÁZQUEZ. Director creativo / Creative Director: ALEJANDRO ABOLI. Intérpretes/Cast: IRENE ESCOLAR, IKER LASTRA, JORGE CASALDUERO, RICARDO ARROYO. Panorámico 1:1,85. Género/Genre: Drama. Duración/Running time: 10 minutos. Lugares de rodaje/Locations: Madrid y Toledo. Festivales/Festivals: l XI Semana del Cortometraje de la Comunidad de Madrid 2009. Madrid, 2 de Mayo de 1808. La revuelta protagonizada por los Ventas internacionales/International Sales: CAMBALACHE habitantes de dicha ciudad contra el invasor francés, ha sido PRODUCCIONES, S.L. Tel.: [email protected]. brutalmente sofocada. Ahora se impone el toque de queda y la www.cambalacheproducciones.es. joven costurera Manuela Malasaña ha de atravesar las peligrosas calles de Madrid, infestadas de patrullas francesas, para llevar unas tijeras rotas a la herrería de Bernardo Morales. Madrid. 2 May 1808. The people of Madrid have risen against the French invaders and have been brutally crushed. Now a curfew has been imposed and a young seamstress, Manuela Malasaña has to go through the dangerous streets of Madrid, swarming with French patrols to take her broken scissors to Bernardo Morales the smithy. © Ministerio de Cultura 8:00 A.M. Dirigido por/Directed by PABLO ORTEGA Productora/Production Company: PABLO ORTEGA MEDINA. San Andrés, 28, 4º A. 28004 Madrid. Tel.: 91 448 67 87. [email protected] Director: PABLO ORTEGA. Producción/Producers: PABLO ORTEGA, RAFA SÁNCHEZ-MORA. Guión/Screenplay: PABLO ORTEGA. Fotografía/Photography: ALFONSO BARTOLOMÉ ZOFIO. Música/Score: PABLO JUNQUERA MEDINA. Dirección artística/Production Design: PABLO MENDIBURU. Montaje/Editing: COCA LEBLIC. Sonido/Sound: RAÚL MARTÍNEZ. Intérpretes/Cast: MARTA SUÁREZ (Julia), ALFONSO BEGARA (Pablo), CARLOS MARTÍNEZ (Hombre - Man), ÁNGELA DEL SALTO (Mujer - Woman). Cortometraje/Short Film. HD - 35 mm. Panorámico 1:1,85. Género/Genre: Drama. Duración/Running time: 11 minutos. Fechas de rodaje/Shooting dates: 07/12/2008. Lugares de rodaje/Locations: Madrid. Premios/Awards: l Festival de cortometrajes "Curt Al Pap" (Spain) Mención especial del Jurado / Special Jury Mention l Faludi International Youth Film Festival (Hungary) Mejor director / Best director. Festivales/Festivals: Web: www.facebook.com/pages/800-am/87406044190 l Concurs Nacional de Cinema Amateur Ciutat de Cornella (Spain) Festival de cortos El Barbú (Spain) l ¿Qué harías tú si tu vida gira en torno a una relación donde tu l Mostra de Cinema Jove D'Elx (Spain) pareja ha olvidado la razón por la que estáis juntos? l Festival de Cortometrajes Cortos con Ñ (Spain) l Premios ACE Cortometraje (Spain) l Festival de Cortos “La Tacita de Plata” (Spain) What would you do if your life is centred around a relationship where your partner has forgotten why you are together? l Festival de Curtmetratges de Celrà (Spain) l Festival de Cortometrajes Rodinia (Spain) l Festival de Cortometrajes a Lo Cortico (Spain) l Certamen de Cortos de Bujaraloz (Spain) l Concurso de Cine y Video de Navàs (Spain) l Festival de Cortometrajes de Nerva "Cobre y Malacate" (COMA) (Spain) l Asier Errasti - Festival Audiovisual de Eibar (Spain) l Festival de Cortometrajes de Alcañiz (Spain) l KO Digital - Festival Internacional de Cinema Solidario de Sant Sadurní (Spain) l Madridimagen (Spain) l Festival de Cortometrajes de Jerez (Spain) l International Film Festival Ireland (Ireland) l Tirana International Film Festival (Albania) l Ljubljana International Short Film Festival (Slovenia) l MIT Short Film Festival (USA). Distribución nacional/Spain Distribution: PROMOFEST. General Pardiñas, 34, 1º, oficina 9. 28001 Madrid. Tel.: +34 91 186 56 73. www.promofest.org ; [email protected]. © Ministerio de Educación, Cultura y Deporte EL 92 NINETY-TWO Otros títulos/Other titles: NOVENTA Y DOS Dirigido por/Directed by MARTIN GUIDO Productora/Production Company: MAGO AUDIOVISUAL PRODUCTION S.L. Bailén 95, 1-1. 08009 Barcelona. Tel.: +34 93 2070834. Fax: +34 93 1840961. www.magoproduction.com ; [email protected] Director: MARTIN GUIDO. Producción ejecutiva/Executive Producers: PETER HERMANN KEYDEL, MUYI NEIRA. Dirección de producción/Line Producer: DAVID CORNELLANA. Jefe de producción/Production Manager: SERGI VELA SOLÀ. Guión/Screenplay: LUCAS MARTÍN. Fotografía/Photography: ÓSCAR MARTÍNEZ CHAMORRO. Cámara/Camera Operator: VÍCTOR SÁNCHEZ. Música/Score: JUAN IGNACIO BOUSCAYROL. Dirección artística/Production
Load more

Recommended publications
  • Filmmaker Bios, 2008
    FILMMAKER BIOS, 2008 Aneel Ahmad, Boot Polish Aneel Ahmad was born and raised from a working class family within the poverty- stricken, inner city suburbs of Manchester, Longsight, England. He has no formal training or any academic qualifications and is completely self-taught. His role models are the (late) Stanley Kubrick, Sir David Lean, Satyajit Ray and documentary filmmaker Peter Watkins. In 2003 Aneel made his first short film with North West Vision, A Man's World, as part of the Lottery-funded Virgin Shorts scheme. In 2004, Aneel progressed to the UK Film Council, Digital Shorts scheme and made his second film in association with North West Vision, Waiting for Sunrise. Aneel Ahmad's film won the UNICEF UK AWARD at Sheffield in 2005. It was short- listed for one of the film world's most distinguished awards - the Grierson Awards for documentary. Aneel has also won critical acclaim and praise for his work from some of the top industry professionals and directors such as Ridley Scott, Mike Leigh and Quentin Tarantino. Aneel's third film Boot Polish was shot in Lahore, Pakistan and has just been selected by the British Council for Film & Arts to be screened worldwide in 2007. Aneel is currently developing two British feature films and another short film to be shot in the UK in 2007/08. Chris Ahrens, D.O.P.E. (Death or Prison Eventually) Chris Ahrens, director, remembers seeing Bruce Logan bomb Black Hill at 40 miles per hour in the mid- 1970s and watched the rise and fall of world-champion skateboarders over the years.
    [Show full text]
  • PDF Osoa Deskargatu
    2013 2013 58, 1 EUSKERA 58, 1 Euskaltzaindiaren lan eta agiriak Trabajos y actas de la Real Academia de la Lengua Vasca Travaux et actes de l’Académie de la Langue Basque Work and Proceedings of the Royal Academy of the Basque Language EUSKERA 18 € Euskera 2013, 58, 1, 1 - 365, Bilbo. ISSN 0210-1564 Portada_Euskera 2013_1.indd 1 13/11/14 08:15 EUSKERA 2013 58, 1 BILBO ISSN 0210-1564 Euskera 2013_1.indd 1 10/11/14 12:29 EUSKALTZAINDIA EUSKERA AGERKARIA Plaza Barria, 15. 48005 Bilbo Telefonoa: 94 415 81 55 • Faxa: 94 415 81 44 e.posta: [email protected] • web gunea: www.euskaltzaindia.net Aldizkari hau beste agerkariekin trukatzen da Esta revista admite el intercambio con otras publicaciones Cette revue s’échange avec d’autres publications This journal can be exchanged for others by agreement Testuen hizkuntza-orrazketa: Euskaltzaindiaren Hizkuntza Kalitatearen Behatokia zerbitzua (HIZBEA) © EUSKALTZAINDIA / R.A.L.V. / A.L.B. Eskubide guztiak jabedunak dira. Ez da zilegi liburuki hau osorik edo zatika kopiatzea, ez sistema informatikoekin beronen edukia biltzea, ez inongo sistema elektroniko edo mekanikoz, fotokimikoz, elektrooptikoz, fotokopiaz, erregistratuz edo beste bitartekoz berau transmititzea, aipamenetarako izan ezik, argitaratzailearen edo copyrightaren jabearen aldez aurreko eta idatzizko baimenik gabe. ISSN 0210-1564 Lege Gordailua: BI-1244-58 Diseinua: www.ikeder.es Preinpresioa: Composiciones Rali, S.A. Particular de Costa, 8-10. 48010 Bilbo Inprimategia: Imprenta RGM, S.A. 2014ko azaroan inprimatua Euskera 2013_1.indd 2 17/11/14 13:27 «Euskera» Euskaltzaindiaren agerkari ofiziala da eta 1920. urtetik argitaratzen da. Urteko lehen zenbakiak, Euskaltzaindiaren lana eta bizitza akademikoa biltzen ditu (sarrera-hitzaldiak, hizkuntza- arauak, jardunaldiak, etab.), eta bigarrenak, Akademiaren lan esparruetako ikerketa-artikulu origina- lak, liburu-aipamenak eta antzekoak jasotzen ditu.
    [Show full text]
  • Previous Studies
    ABSTRACTS OF THE CONGRESS 1.- PREVIOUS STUDIES 1.1.- Multidisciplinary studies (historical, archaeological, etc.). 30 ANALYSIS AND PROPOSAL OF RENOVATION CRITERIA AT THE BUILDING HEADQUARTER OF THE PUBLIC WORKS REGIONAL MINISTER IN CASTELLÓN (GAY AND JIMÉNEZ, 1962) Martín Pachés, Alba; Serrano Lanzarote, Begoña; Fenollosa Forner, Ernesto ……...... 32 NEW CONTRIBUTIONS TO THE STUDY OF THE HERMITAGES SETTING AROUND CÁCERES Serrano Candela, Francisco ……...... 55 THE ORIENTATION OF THE ROMANESQUE CHURCHES OF VAL D’ARAN IN SPAIN (11TH-13TH CENTURIES) Josep Lluis i Ginovart; Mónica López Piquer ……...... 73 SANTO ANTÔNIO CONVENT IN IGARASSU, PE – REGISTER OF AN INTERVENTION Guzzo, Ana Maria Moraes; Nóbrega, Claudia ……...... 104 DONIBANE N134: HISTORICAL-CONSTRUCTIVE ANALYSIS OF LATE MEDIEVAL VILLAGE MANOR HOUSE IN PASAIA (GIPUZKOA - SPAIN) Luengas-Carreño, Daniel; Crespo de Antonio, Maite; Sánchez-Beitia, Santiago ……...... 126 CONSERVATION OF PREFABRICATED RESIDENTIAL HERITAGE OF THE CENTURY XX. JEAN PROUVÉ’S WORK Bueno-Pozo, Verónica; Ramos-Carranza, Amadeo ……...... 169 COMPARED ANALYSIS AS A CONSERVATION INSTRUMENT.THE CASE OF THE “MASSERIA DEL VETRANO” (ITALY) Pagliuca, Antonello; Trausi, Pier Pasquale ……...... 172 THE INTERRELATION BETWEEN ARCHITECTURAL CONCEPTION AND STRUCTURE OF THE DOM BOSCO SANCTUARY THROUGH THE RECOUPERATION OF ITS DESIGN Oliveira, Iberê P.; Brandão, Jéssica; Pantoja, João C.; Santoro, Aline M. C. ……...... 177 THE SILVER ROAD THROUGH COLONIAL CHRONICLES. TOOLS FOR THE ANALYSIS AND ENHANCEMENT OF HISTORIC LANDSCAPE Malvarez, María Florencia ……...... 202 ANTHROPIC TRANSFORMATIONS AND NATURAL DECAY IN URBAN HISTORIC AGGREGATES: ANALYSIS AND CRITERIA FOR CATANIA (ITALY) Alessandro Lo Faro; Angela Moschella; Angelo Salemi; Giulia Sanfilippo ……...... 216 THE BRICK BUILT FAÇADES OF TIERRA DE PINARES IN SEGOVIA. THE CASE OF PINARNEGRILLO Gustavo Arcones-Pascual; Santiago Bellido-Blanco; David Villanueva-Valentín-Gamazo; Alberto Arcones-Pascual …….....
    [Show full text]
  • Film Reviews
    Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a scene­for­scene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a re­imagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of non­English language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its ever­growing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man.
    [Show full text]
  • Listing of HORROR FILM FESTIVALS
    The Filmmaker’s Listing of HORROR FILM FESTIVALS CHICAGO HORROR FILM FESTIVAL CHICAGO, IL http://www.chicagohorrorfest.com http://www.myspace.com/chicagohorrorfest FESTIVAL DIRECTOR: JASON R. DAVIS SHRIEKFEST – The Los Angeles Horror / Sci-Fi Film Festival LOS ANGELES, CA http://www.shriekfest.com FESTIVAL DIRECTORS: DENISE GOSSETT and TODD BEESON EMAIL: [email protected] SCREAMFEST HORROR FILM FESTIVAL LOS ANGELES, CA http://www.screamfestla.com http://www.myspace.com/screamfestla FESTIVAL DIRECTOR: RACHEL BELOFSKY EMAIL: [email protected] PHONE: 310-358-3273 NEW YORK CITY HORROR FILM FESTIVAL NEW YORK CITY, NY http://www.nychorrorfest.com FESTIVAL DIRECTOR: MICHAEL J. HEIN EMAIL: [email protected] HOLLYWOOD HORROR FILM FESTIVAL HOLLYWOOD, CA http://www.hollywoodawards.com/horror.html SLAMDANCE FILM FESTIVAL PARK CITY, UT http://www.slamdance.com/ EMAIL: [email protected] EERIE HORROR FILM FESTIVAL EERIE, PA © 2010 Elsevier, Inc. All rights reserved. http://www.eeriehorrorfest.com/ FESTIVAL DIRECTOR: GREG ROPP EMAIL: [email protected] SACRAMENTO HORROR FILM FESTIVAL SACRAMENTO, CA http://www.sachorrorfilmfest.com/ FESTIVAL DIRECTOR: TIM MEUNIER EMAIL: [email protected] NEVERMORE FILM FESTIVAL DURHAM, NC http://festivals.carolinatheatre.org/nevermore/ FESTIVAL DIRECTOR: JIM CARL TROMADANCE FILM FESTIVAL PARK CITY, UT http://www.tromadance.com/ NOTES: NO ENRTY FEES! INSOMNIFEST THE WORLD’S FIRST ONLINE HORROR FILM FESTIVAL http://www.insomnifest.com/ FESTIVAL DIRECTOR: JOSH FREDRIK NORDSTROM EMAIL: [email protected] A NIGHT OF HORROR INTERNATIONAL FILM FEST SYDNEY, AUSTRAILIA http://www.anightofhorror.com EMAIL: [email protected] H.P. LOVECRAFT FILM FESTIVAL & CTHULHU CON PORTLAND, OR http://hplfilmfestival.com/ FESTIVAL DIRECTOR: ANDREW MIGLIORE WEEKEND OF FEAR – INTERNATIONAL HORROR FEST GERMANY http://www.weekend-of-fear.de/ FESTIVAL DIRECTOR: MICHAEL NEUN EMAIL: [email protected] DEAD BY DAWN HORROR FILM FESTIVAL UNITED KINGDOM http://www.deadbydawn.co.uk/ © 2010 Elsevier, Inc.
    [Show full text]
  • Maquetación 1
    ROOTS OF LIBERTY Antonio Merino Santamaría Álvaro Chapa Imaz Foreword by Mariano Rajoy © Fundación Popular de Estudios Vascos, 2011 Cover design: luzpublicidad.com Layout: Mono-Logo comunicación English translation: Elena Muñoz Aldecoa All rights reserved DL: BI-324/2011 ISBN 13: 978-84-615-0648-4 Collaborate: So that our children understand why her parents fought INDEX ¬ Presentation 7 ¬ Foreword 9 ¬ Introduction 13 ¬ Luis Candendo Pérez 17 ¬ José Antonio Vivó Undabarrena 23 ¬ Modesto Carriegas Pérez 29 ¬ Luís María Uriarte Alzaa 39 ¬ Ramón Baglietto Martínez 47 ¬ José Ignacio Ustaran Ramírez 57 ¬ Jaime Arrese Arizmendiarrieta 63 ¬ Juan de Dios Doval de Mateo 71 ¬ Vicente Zorita Alonso 83 ¬ Alberto López Jaureguizar 91 ¬ José Larrañaga Arenas 99 ¬ Gregorio Ordóñez Fenollar 115 ¬ Miguel Ángel Blanco Garrido 127 ¬ José Luís Caso Cortines 139 ¬ Juan Ignacio Iruretagoyena Larrañaga 151 ¬ Manuel Zamarreño Villoria 159 ¬ Alberto Jiménez Becerril and Ascensión García Ortiz 169 ¬ Jesús María Pedrosa Urquiza 177 ¬ Manuel Indiano Azaustre 189 ¬ José María Martín Carpena 199 ¬ José Luis Ruiz Casado 209 ¬ Francisco Cano Consuegra 217 ¬ Manuel Giménez Abad 223 ¬ List of victims of ETA 233 7 PrESENtatION he first objective with which the Fundación Popular de Estudios Vascos was born -Popular Foundation for Basque TEStudies- is completed today with the presentation of this book. Roots of Liberty is a deeply felt tribute to the victims ETA´s terrorism, murdered for the sole fact of being representative of a Right-Centre ideology in politics tied to the
    [Show full text]
  • Our Festival Partners
    Our Festival Partners... A Night of Horror, Accolade Competition, AFI Dallas, AFI FEST, AFM, Almost Famous, Angelus Awards, Ann Arbor Film Festival, Appalachian Film Festival, Ashland Independent, Austin Film Festival, Babelgum, Beloit International, Bend Film Festival Big Bear Lake International Film Festival, Big Apple Film Festival, Big Island Film Festival, Big Sky Documentary Film Festival, Black Maria Film Festival, California Independent, California Film & Video Festival, Cine Gear Expo, Cine Las Americas, Cinequest, Coney Island Film Festival, Cucalorus, Crossroads Film Festival, DC Shorts Film Festival, DV Expo, Duke City Shootout, East Lansing Children’s Film Festival, Elevate Film Festival, Estes Park Film Festival, Fantastic Fest, Filmstock, FirstGlance, Flatland Film Festival, Flint Film Festival, Florida ART, Ft. Lauderdale International Film Festival, 48 Hour Film Project, FTX West Expo, Fusion Film Festival, Fylmz, George Lindsey UNA Festival, Hamptons International Film Festival, Haydenfilms, Hardacre Film Fest, HD Expo, HD Fest, Heart of Gold, Heartland, Indie Memphis, IP Schmoozefest, Jackson Hole Film Festival, Jackson Hole Wildlife, Long Island Film Festival, Los Angeles Film Festival, HP Lovecraft Film Festival, Indie Memphis, Indie Short Films, International Family Film Festival, International Horror & Sci-Fi Film Festival, MacWorld, Magnolia Independent, The Method Fest, Miami International Film Festival, Miami Underground Film Festival, Milwaukee International Film Festival, Moondance, NAB, NAB Post+ Production
    [Show full text]
  • Switchblade Comb" by Mobius Vanchocstraw
    00:00:00 Music Music "Switchblade Comb" by Mobius VanChocStraw. A jaunty, jazzy tune reminiscent of the opening theme of a movie. Music continues at a lower volume as April introduces herself and her guest, and then it fades out. 00:00:08 April Wolfe Host Welcome to Switchblade Sisters, where women get together to slice and dice our favorite action and genre films. I'm April Wolfe. Every week, I invite a new female filmmaker on—a writer, director, actor, or producer—and we talk in-depth about one of their fave genre films, perhaps one that influenced their own work in some small way, and today I'm very excited to have writer-director Alice Waddington here with me. Hi, Alice! 00:00:28 Alice Guest Hi, April! How are you? Waddington [Music fades out.] 00:00:30 April Host Oh, I'm quite well. [Alice laughs.] Despite fires raging. 00:00:32 Alice Guest Oh my goodness. 00:00:33 April Host But I gotta say your pink jumpsuit—pink corduroy jumpsuit is really livening up the place. 00:00:39 Alice Guest [Laughs.] Thank you so much. I'm—you know, I am on my Logan's Run stuff already. So. [Laughs.] 00:00:44 April Host Absolutely. I mean, Halloween should be year-round. [Alice laughs.] Okay, so for those of you who are not as familiar with Alice's work, please let me give you an introduction. Alice Waddington was born in a rural background, but she was raised in the big city of Bilbao, Spain.
    [Show full text]
  • CABO DE GATA, LA INSPIRACIÓN DEL MEDITERRÁNEO CABO DE GATA, MEDITERRANEAN INSPIRATION Dirigido Por/Directed by BATISTE MIGUEL (JUAN BAUTISTA MIGUEL GIL)
    CABO DE GATA, LA INSPIRACIÓN DEL MEDITERRÁNEO CABO DE GATA, MEDITERRANEAN INSPIRATION Dirigido por/Directed by BATISTE MIGUEL (JUAN BAUTISTA MIGUEL GIL) Productora/Production Company: DOCU PRODUCCIONES, S.L. Avda. Blasco Ibañez, 153, 81. 46022 Valencia. Tel.: +34 96 371 93 83. www.docuproducciones.com ; [email protected] Director: BATISTE MIGUEL (JUAN BAUTISTA MIGUEL GIL). Dirección de producción/Line Producer: CLARA SANZ. Guión/Screenplay: BATISTE MIGUEL. Fotografía/Photography: JOAQUÍN FERNÁNDEZ ALEMANY, BATISTE MIGUEL. Música/Score: JORGE PARDO CORDERO, GRUPO FLAMENCO DE ANA ALONSO. DOCUMENTAL/DOCUMENTARY Con/With:JEANNE CHEVALIER (Fotógrafa), ANA ALONSO (Bailaora de flamenco), JORGE PARDO (Músico), MATTHEW WEIR (Ceramista), ANNE KAMPSCHULTE (Escultora), MARIO SANZ (Farero y escritor), SOPHIE CUENDET (Ceramista, pintora, escultora). Cortometraje/Short Film. HD. Género/Genre: Documental / Documentary / Arte / Fine Arts. Duración/Running time: 52 minutos. Fechas de rodaje/Shooting dates: 01/07/2011 - 30/09/2011. Lugares de rodaje/Locations: Parque Natural de Cabo de Gata Nijar (Almería). Web: www.docuproducciones.com/cabo-de-gata.html Siete artistas, de distintos países y ramas del arte, encontraron aquí la libertad. El Cabo de Gata, situado en el sureste español, es el litoral que mejor conserva la esencia del Mediterráneo, por eso en los últimos 40 años se ha convertido en el hogar de artistas de diferentes nacionalidades. Aquí tienen su trabajo, realizan sus obras y disfrutan de vivir a orillas de un mar de aguas cristalinas y fondos marinos de gran belleza. De día, el único desierto europeo, muestra su desnudez bajo una luz extraordinaria y cuando oscurece se despierta el duende de la música y el baile flamenco con toda su energía.
    [Show full text]
  • Fantastic Arcade Added to Festival
    1 THE DAILY TEXAN NEWS PAGE 6 SPORTS PAGE 7 TOMORROW’S WEATHER UT gets ready to move High Low to new data center Lone Star State showdown 91 73 Thursday, September 23, 2010 Serving the University of Texas at Austin community since 1900 www.dailytexanonline.com Friendship TODAY Fantastic Arcade added to Festival from Navy raises $15m Calendar for building Free Henna By Collin Eaton Students help drum up Daily Texan Staff donations to aid flood victims in About 40 years ago, a young Na- Pakistan by offering free henna val officer named William Powers tattoos for donors. Stop by in Jr. was on a tour in Bahrain when front of the FAC from 9 a.m. to James Mulva, the man who would 5 p.m. become the chairman and CEO of ConocoPhilips, came to the island Craziest Cake fresh from UT’s Na- Competition val Re- Austin’s creative bakers serve Offi- compete for the title of the cer Train- craziest cake. The competition is ing Corps. at the AT&T Executive Education On two and Conference Center from different 7 to 10 p.m. and will offer sides of free cake samples. RSVP by the island, e-mailing rsvp@austinmonthly. Powers com. and Mul- va occa- sionally Delfos Danza James Mulva met each Conoco Philips CEO Contemporánea other at The Teresa Lozano Long events Institute of Latin American during their tours. But eight years Studies and the Department ago, it was at a Texas Exes event hon- of Theater and Dance presents Thomas Allison | Daily Texan Staff oring Mulva that UT President Pow- contemporary dance by Tech director Kody McKay Sandel demos one of eight custom-made arcade-style games for the upcoming Fantastic Arcade at The Highball.
    [Show full text]
  • UNIVERZITA KARLOVA V PRAZE Baskická Teroristická Organizace
    UNIVERZITA KARLOVA V PRAZE FAKULTA SOCIÁLNÍCH VĚD Institut politologických studií Adéla Hašková Baskická teroristická organizace ETA – její aktivita po roce 2004, metody boje, vnitřní struktura a perspektivy dalšího vývoje Diplomová práce Praha 2012 Autorka práce: Bc. Adéla Hašková Vedoucí práce: Mgr. Jan Charvát, M.A., Ph.D. Oponent práce: Datum obhajoby: Hodnocení: 2 Bibliografický záznam HAŠKOVÁ, Adéla (2012). Baskická teroristická organizace ETA – její aktivita po roce 2004, metody boje, vnitřní struktura a perspektivy dalšího vývoje. Diplomová práce. Praha: Univerzita Karlova, Fakulta sociálních věd, Institut politologických studií, Katedra politologie. 142 s. Vedoucí diplomové práce Mgr. Jan Charvát, M.A., Ph.D. Abstrakt Diplomová práce „Baskická teroristická organizace ETA – její aktivita po roce 2004, metody boje, vnitřní struktura a perspektivy dalšího vývoje“ se zabývá analýzou vývoje baskické teroristické organizace ETA po roce 2004, kdy byl islámskými fundamentalisty spáchán teroristický útok na Madrid. První část práce stručně představuje základní teoretické otázky vztahující se k fenoménu terorismu. Druhá část práce je věnována historii ETA a jejímu vývoji od samotného vzniku až do roku 2004. Třetí, stěžejní část práce pojednává na jedné straně o nejaktuálnějším vývoji organizace ETA a o modifikaci její struktury a strategie a na straně druhé o protiteroristických opatřeních, ke kterým v rámci snah o její paralyzaci přistoupil španělský stát - zohledněny jsou nejrůznější aspekty, které měly a mají na tuto problematiku vliv – změny ve vnitřní struktuře ETA a v jejím financování, změny v legislativě či změny ve strategii bezpečnostních složek. Zvláštní kapitola je vyhrazena i analýze strategického významu příměří a vyjednávání s vládou. Abstract The master thesis „Basque terrorist organization ETA - its activity since 2004, tactics, internal structure and future perspectives of development“ deals with the analysis of development of the Basque terrorist organization ETA after 2004, when the islamic fundamentalists attacked Madrid.
    [Show full text]
  • PRESS NOTES March 2019
    PRESS NOTES March 2019 INFORMION 114 Minutes Ratio: 2:35 color Red Dragon DCP • AUDIO: 5.1 PRESS Emma Griffiths [email protected] PRODUCERS Larry Fessenden [email protected] Chadd Harbold [email protected] Jenn Wexler [email protected] PRINT TRAFFIC GLASS EYE PIX 172 East 4th Street #5F New York, NY 10009 WEBSITES A film by Larry Fessenden glasseyepix.com depravedfilm.com GLASS EYE PIX & FORAGER FILM COMPANY present DAVID CALL JOSHUA LEONARD and ALEX BREAUX "DEPRAVED" ANA KAYNE MARIA DIZZIA CHLOË LEVINE OWEN CampBELL and ADDISON TIMLIN cinematography CHRIS SKOTCHDOPOLE James SIEWERT production design APRIL LASKY costume design SARA ELISABETH LOTT makeup effects GERNER & SPEARS EFFECTS visual effects james SIEWERT music WILL bates sound design JOHN MOROS mix TOM EFINGER executive producers JOE SWANBERG EDWIN LINKER PETER GILBERT co-executive producerS andrew MER SIG DE MIGUEL STEPHEN VINCENT co-producer LIZZ ASTOR producers CHADD HARBOLD JENN WEXLER writer director editor producer LARRY FESSENDEN (c) 2019 DEPRAVED PRODUCTIONS INC. ALL RIGHTS RESERVED. A Glass Eye Pix COSTUME Lucy Double POST PICTURE "depRAVEd" Forager Film Company assistant costume designer ASHLEY MORGAN BLOOM Finishing Written and Performed by production ARIS BORDO Polidori Double CONTACT POST UNWANTED HOUSEGUEST wardrobe supervisor COLIN VAN WYE colorist publisher Tavistock Records CREW ALANNA GOODMAN Child Singers BLASE THEODORE BELLA MAGGIO "Wheels on the Bus" writer director editor Uniforms Edit and Online Facilities LARRY FESSENDEN KAUFMAN’S ARMY & NAVY JOEY MAGGIO THE STATION Performed by NIA AMALIA MOROS UNWANTED HOUSEGUEST producers additional animation LARRY FESSENDEN MAKEUP TV Voices BEN DUFF JAMES LE GROS "Pleasant Street" CHADD HARBOLD hair and makeup dept.
    [Show full text]