Our Festival Partners

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Our Festival Partners... A Night of Horror, Accolade Competition, AFI Dallas, AFI FEST, AFM, Almost Famous, Angelus Awards, Ann Arbor Film Festival, Appalachian Film Festival, Ashland Independent, Austin Film Festival, Babelgum, Beloit International, Bend Film Festival Big Bear Lake International Film Festival, Big Apple Film Festival, Big Island Film Festival, Big Sky Documentary Film Festival, Black Maria Film Festival, California Independent, California Film & Video Festival, Cine Gear Expo, Cine Las Americas, Cinequest, Coney Island Film Festival, Cucalorus, Crossroads Film Festival, DC Shorts Film Festival, DV Expo, Duke City Shootout, East Lansing Children’s Film Festival, Elevate Film Festival, Estes Park Film Festival, Fantastic Fest, Filmstock, FirstGlance, Flatland Film Festival, Flint Film Festival, Florida ART, Ft. Lauderdale International Film Festival, 48 Hour Film Project, FTX West Expo, Fusion Film Festival, Fylmz, George Lindsey UNA Festival, Hamptons International Film Festival, Haydenfilms, Hardacre Film Fest, HD Expo, HD Fest, Heart of Gold, Heartland, Indie Memphis, IP Schmoozefest, Jackson Hole Film Festival, Jackson Hole Wildlife, Long Island Film Festival, Los Angeles Film Festival, HP Lovecraft Film Festival, Indie Memphis, Indie Short Films, International Family Film Festival, International Horror & Sci-Fi Film Festival, MacWorld, Magnolia Independent, The Method Fest, Miami International Film Festival, Miami Underground Film Festival, Milwaukee International Film Festival, Moondance, NAB, NAB Post+ Production Show, NALIP, New Hampshire Film Festival, New Strand Film Festival, NOW Film Festival, Omaha Film Festival, Ottawa International Animation Fest, Palm Springs International Film Festival, Park City Music Film Festival, Philadelphia Film Festival, Phoenix Film Fest, Poppy Jasper, POW Fest, Provincetown Film Festival, Red Rock Film Festival, Reel Women, Rhode Island International Film Festival, Rome International Film Festival, Sacramento International Film Festival, San Antonio Underground Film Festival, San Diego Black Film Festival, San Diego Film Fest, San Francisco Frozen Festival, San Francisco International Film Festival, San Luis Obispo Film Fest, Screamfest, Sedona International Film Festival, San Fran Shorts, Screamfest, Sidewalk Moving Picture Festival, Silver Lake Film Festival, SILVERDOCS, So Cal Indie Film Festival, Starz Denver, Stony Brook Film Festival, Sundance Film Festival, Tahoe Reno International Film Festival, 10 or Less Fest, Traildance, Tromadance, Universal Film Festival, Victoria Independent Film & Video Festival, Whistler Film Festival, Woods Hole Film Festival, X-Dance Film Festival Ian Bage TEL: 800/677-4424 EMAIL: [email protected] WEB: www.moviemaker.com Marjorie Bage TEL: 800/951-0767 EMAIL: [email protected] WEB: www.moviemaker.com Ingrid Skjelstad TEL: 800/669-6348 EMAIL: [email protected] WEB: www.moviemaker.com.

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In the Same Breath
IN THE SAME BREATH A film by Nanfu Wang #InTheSameBreathHBO DEBUTS 2021 ON HBO SUNDANCE FILM FESTIVAL SCREENING SCHEDULE Thursday, January 28 at 5:00 PM PT / 6:00 PM MT – Online (WORLD PREMIERE) For press materials, please visit: ftp://ftp.homeboxoffice.com username: documr password: qq3DjpQ4 Running Time: 95 min Press Contact Press Contact HBO Documentary Films Cinetic Marketing Asheba Edghill / Hayley Hanson Rachel Allen / Ryan Werner Asheba cell: 347-721-1539 Rachel cell: 937-241-9737 Hayley cell: 201-207-7853 Ryan cell: 917-254-7653 [email protected] [email protected] [email protected] [email protected] LOGLINE Nanfu Wang's deeply personal IN THE SAME BREATH recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. SHORT SYNOPSIS IN THE SAME BREATH, directed by Nanfu Wang (“One Child Nation”), recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. In a deeply personal approach, Wang, who was born in China and now lives in the United States, explores the parallel campaigns of misinformation waged by leadership and the devastating impact on citizens of both countries. Emotional first-hand accounts and startling, on-the-ground footage weave a revelatory picture of cover-ups and misinformation while also highlighting the strength and resilience of the healthcare workers, activists and family members who risked everything to communicate the truth. DIRECTOR’S STATEMENT I spent a lot of my childhood in hospitals taking care of my father, who had rheumatic heart disease.
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Filmmaker Bios, 2008
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Co-Optation of the American Dream: a History of the Failed Independent Experiment
Cinesthesia Volume 10 Issue 1 Dynamics of Power: Corruption, Co- Article 3 optation, and the Collective December 2019 Co-optation of the American Dream: A History of the Failed Independent Experiment Kyle Macciomei Grand Valley State University, [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/cine Recommended Citation Macciomei, Kyle (2019) "Co-optation of the American Dream: A History of the Failed Independent Experiment," Cinesthesia: Vol. 10 : Iss. 1 , Article 3. Available at: https://scholarworks.gvsu.edu/cine/vol10/iss1/3 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Cinesthesia by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. Macciomei: Co-optation of the American Dream Independent cinema has been an aspect of the American film industry since the inception of the art form itself. The aspects and perceptions of independent film have altered drastically over the years, but in general it can be used to describe American films produced and distributed outside of the Hollywood major studio system. But as American film history has revealed time and time again, independent studios always struggle to maintain their freedom from the Hollywood industrial complex. American independent cinema has been heavily integrated with major Hollywood studios who have attempted to tap into the niche markets present in filmgoers searching for theatrical experiences outside of the mainstream. From this, we can say that the American independent film industry has a long history of co-optation, acquisition, and the stifling of competition from the major film studios present in Hollywood, all of whom pose a threat to the autonomy that is sought after in these markets by filmmakers and film audiences.
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Listing of HORROR FILM FESTIVALS
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Valerio Bonelli Editor
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I Am Not Your Negro
Magnolia Pictures and Amazon Studios Velvet Film, Inc., Velvet Film, Artémis Productions, Close Up Films In coproduction with ARTE France, Independent Television Service (ITVS) with funding provided by Corporation for Public Broadcasting (CPB), RTS Radio Télévision Suisse, RTBF (Télévision belge), Shelter Prod With the support of Centre National du Cinéma et de l’Image Animée, MEDIA Programme of the European Union, Sundance Institute Documentary Film Program, National Black Programming Consortium (NBPC), Cinereach, PROCIREP – Société des Producteurs, ANGOA, Taxshelter.be, ING, Tax Shelter Incentive of the Federal Government of Belgium, Cinéforom, Loterie Romande Presents I AM NOT YOUR NEGRO A film by Raoul Peck From the writings of James Baldwin Cast: Samuel L. Jackson 93 minutes Winner Best Documentary – Los Angeles Film Critics Association Winner Best Writing - IDA Creative Recognition Award Four Festival Audience Awards – Toronto, Hamptons, Philadelphia, Chicago Two IDA Documentary Awards Nominations – Including Best Feature Five Cinema Eye Honors Award Nominations – Including Outstanding Achievement in Nonfiction Feature Filmmaking and Direction Best Documentary Nomination – Film Independent Spirit Awards Best Documentary Nomination – Gotham Awards Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: Arianne Ayers Ryan Werner Rene Ridinger George Nicholis Emilie Spiegel Shelby Kimlick Magnolia Pictures Cinetic Media MPRM Communications (212) 924-6701 phone [email protected] [email protected] [email protected] [email protected] [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House.
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2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.
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Media Arts Resource List
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CABO DE GATA, LA INSPIRACIÓN DEL MEDITERRÁNEO CABO DE GATA, MEDITERRANEAN INSPIRATION Dirigido Por/Directed by BATISTE MIGUEL (JUAN BAUTISTA MIGUEL GIL)
CABO DE GATA, LA INSPIRACIÓN DEL MEDITERRÁNEO CABO DE GATA, MEDITERRANEAN INSPIRATION Dirigido por/Directed by BATISTE MIGUEL (JUAN BAUTISTA MIGUEL GIL) Productora/Production Company: DOCU PRODUCCIONES, S.L. Avda. Blasco Ibañez, 153, 81. 46022 Valencia. Tel.: +34 96 371 93 83. www.docuproducciones.com ; [email protected] Director: BATISTE MIGUEL (JUAN BAUTISTA MIGUEL GIL). Dirección de producción/Line Producer: CLARA SANZ. Guión/Screenplay: BATISTE MIGUEL. Fotografía/Photography: JOAQUÍN FERNÁNDEZ ALEMANY, BATISTE MIGUEL. Música/Score: JORGE PARDO CORDERO, GRUPO FLAMENCO DE ANA ALONSO. DOCUMENTAL/DOCUMENTARY Con/With:JEANNE CHEVALIER (Fotógrafa), ANA ALONSO (Bailaora de flamenco), JORGE PARDO (Músico), MATTHEW WEIR (Ceramista), ANNE KAMPSCHULTE (Escultora), MARIO SANZ (Farero y escritor), SOPHIE CUENDET (Ceramista, pintora, escultora). Cortometraje/Short Film. HD. Género/Genre: Documental / Documentary / Arte / Fine Arts. Duración/Running time: 52 minutos. Fechas de rodaje/Shooting dates: 01/07/2011 - 30/09/2011. Lugares de rodaje/Locations: Parque Natural de Cabo de Gata Nijar (Almería). Web: www.docuproducciones.com/cabo-de-gata.html Siete artistas, de distintos países y ramas del arte, encontraron aquí la libertad. El Cabo de Gata, situado en el sureste español, es el litoral que mejor conserva la esencia del Mediterráneo, por eso en los últimos 40 años se ha convertido en el hogar de artistas de diferentes nacionalidades. Aquí tienen su trabajo, realizan sus obras y disfrutan de vivir a orillas de un mar de aguas cristalinas y fondos marinos de gran belleza. De día, el único desierto europeo, muestra su desnudez bajo una luz extraordinaria y cuando oscurece se despierta el duende de la música y el baile flamenco con toda su energía.
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2021 Sundance Film Festival
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American Independent Cinema 1St Edition Pdf, Epub, Ebook
AMERICAN INDEPENDENT CINEMA 1ST EDITION PDF, EPUB, EBOOK Geoff King | 9780253218261 | | | | | American Independent Cinema 1st edition PDF Book About this product. Hollywood was producing these three different classes of feature films by means of three different types of producers. The Suburbs. Skip to main content. Further information: Sundance Institute. In , the same year that United Artists, bought out by MGM, ceased to exist as a venue for independent filmmakers, Sterling Van Wagenen left the film festival to help found the Sundance Institute with Robert Redford. While the kinds of films produced by Poverty Row studios only grew in popularity, they would eventually become increasingly available both from major production companies and from independent producers who no longer needed to rely on a studio's ability to package and release their work. Yannis Tzioumakis. Seeing Lynch as a fellow studio convert, George Lucas , a fan of Eraserhead and now the darling of the studios, offered Lynch the opportunity to direct his next Star Wars sequel, Return of the Jedi Rick marked it as to-read Jan 05, This change would further widen the divide between commercial and non-commercial films. Thanks for telling us about the problem. Until his so-called "retirement" as a director in he continued to produce films even after this date he would produce up to seven movies a year, matching and often exceeding the five-per-year schedule that the executives at United Artists had once thought impossible. Very few of these filmmakers ever independently financed or independently released a film of their own, or ever worked on an independently financed production during the height of the generation's influence.
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