Casa Cesarini. Ricerche E Documenti
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support. -
A Florentine Diary
THE LIBRARIES A FLORENTINE DIARY A nderson SAVONAROLA From the portrait by Fra Bartolomeo. A FLORENTINE DIARY FROM 1450 TO 1516 BY LUCA LANDUCCI CONTINUED BY AN ANONYMOUS WRITER TILL 1542 WITH NOTES BY IODOCO DEL B A D I A 0^ TRANSLATED FROM THE ITALIAN BY ALICE DE ROSEN JERVIS & PUBLISHED IN LONDON IN 1927 By J. M. DENT & SONS LTD. •8 *« AND IN NEW YORK BY « « E. P. DUTTON & COMPANY TRANSLATOR'S PREFACE ALTHOUGH Del Badia's ample and learned notes are sufficient for an Italian, it seemed to me that many allu sions might be puzzling to an English reader, especially to one who did not know Florence well; therefore I have added short notes on city-gates, churches and other buildings which now no longer exist; on some of the festivals and customs; on those streets which have changed their nomenclature since Landucci's, day; and also on the old money. His old-fashioned spelling of names and places has been retained (amongst other peculiarities the Florentine was in the habit of replacing an I by an r) ; also the old calendar; and the old Florentine method of reckoning the hours of the day (see notes to 12 January, 1465, and to 27 April, 1468). As for the changes in the Government, they were so frequent and so complex, that it is necessary to have recourse to a consecutive history in order to under stand them. A. DE R. J. Florence 1926. The books to which I am indebted are as follows: Storia della Repubblica di Firenze (2 vols.), Gino Capponi. -
1. Humanism and Honour in the Making of Alessandro Farnese 35
6 RENAISSANCE HISTORY, ART AND CULTURE Cussen Pope Paul III and the Cultural Politics of Reform of Politics Cultural the and III Paul Pope Bryan Cussen Pope Paul III and the Cultural Politics of Reform 1534-1549 Pope Paul III and the Cultural Politics of Reform Renaissance History, Art and Culture This series investigates the Renaissance as a complex intersection of political and cultural processes that radiated across Italian territories into wider worlds of influence, not only through Western Europe, but into the Middle East, parts of Asia and the Indian subcontinent. It will be alive to the best writing of a transnational and comparative nature and will cross canonical chronological divides of the Central Middle Ages, the Late Middle Ages and the Early Modern Period. Renaissance History, Art and Culture intends to spark new ideas and encourage debate on the meanings, extent and influence of the Renaissance within the broader European world. It encourages engagement by scholars across disciplines – history, literature, art history, musicology, and possibly the social sciences – and focuses on ideas and collective mentalities as social, political, and cultural movements that shaped a changing world from ca 1250 to 1650. Series editors Christopher Celenza, Georgetown University, USA Samuel Cohn, Jr., University of Glasgow, UK Andrea Gamberini, University of Milan, Italy Geraldine Johnson, Christ Church, Oxford, UK Isabella Lazzarini, University of Molise, Italy Pope Paul III and the Cultural Politics of Reform 1534-1549 Bryan Cussen Amsterdam University Press Cover image: Titian, Pope Paul III. Museo di Capodimonte, Naples, Italy / Bridgeman Images. Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 252 0 e-isbn 978 90 4855 025 8 doi 10.5117/9789463722520 nur 685 © B. -
Revisión Historiográfica Del Concilio De Trento Manuel Teruel Gregorio De Tejada
Revisión historiográfi ca del Concilio de Trento Manuel Teruel Gregorio de Tejada Resum La bibliografi a sobre el Concili de Trento és molt abundosa, particularment pel que fa als temes teològics i canònics, pero la que tracta dels aspectes his- tòrics és més modesta. S’ha parat poca atenció a la fenomenologia, als aspec tes externs (sociopolítics) i als que, tot i semblar només formals, són importants per a la seva comprensió. Tots poden explicar per què el Tridentí ha ocupat un lloc de primer ordre en la història quan va veure’s sacsejat pels aconteixe- ments. Després d’oferir un breu panorama historiogràfi c i descriure el període de gestació, llarg i confl ictiu, l’article s’ocupa d’altres varis aspectes: el lloc de la seva celebració, la denominació com a expresió de la seva pròpia naturalesa sinodal, la mecànica conciliar, el problema de la representativitat i ecumeni- citat, la recepció de les seves decisions. I acaba amb una síntesi de la seva apres- sada clausura, formulada signifi cativament en la butlla de confi rmació, amb el tema concomitant de la professió de fe jurada. Paraules clau: Concili de Trento, revisió historiogràfi ca, conciliarisme. Resumen La bibliografía del Concilio de Trento es muy abundante, particularmente en lo que se refi ere a los temas teológicos y canónicos, pero la historiografía es más modesta y, aun así, se ha prestado poca atención a la fenomenología, a los aspectos externos (sociopolíticos) y a los que siendo aparentemente forma- Pedralbes, 30 (2010), 123-205, ISSN: 0211-9587 13444 Rev Pedralbes 30.indd 123 28/01/13 15:04 124 manuel teruel gregorio de tejada les son importantes para su comprensión. -
Downloading Material Is Agreeing to Abide by the Terms of the Repository Licence
Cronfa - Swansea University Open Access Repository _____________________________________________________________ This is an author produced version of a paper published in: Mediterranean Historical Review Cronfa URL for this paper: http://cronfa.swan.ac.uk/Record/cronfa28730 _____________________________________________________________ Paper: Halikowski Smith, S. (2017). Gasparo Contarini’s Relazione of November 1525 to the Venetian Senate on the divergent dynamics of the Spanish and Portuguese world empires. Mediterranean Historical Review, 32(2), 189-235. http://dx.doi.org/10.1080/09518967.2017.1396764 _____________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence. Copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. http://www.swansea.ac.uk/library/researchsupport/ris-support/ 1 Gasparo Contarini’s Relazione of November 1525 to the Venetian Senate on the divergent dynamics of the Spanish and Portuguese world empires. Abstract. This contribution seeks to both present Gasparo Contarini’s diplomatic report (Relazione), made following three years in Venetian service in Spain between 1522-25 to unfamiliar readers (pp. 15-28), and elucidate its contents (pp. -
Tra Suggestioni Luterane E Orientamenti Ortodossi Pietro De Leo*
L'IDOMENEO Idomeneo (2017), n. 24, 17-44 ISSN 2038-0313 DOI 10.1285/i20380313v24p17 http://siba-ese.unisalento.it, © 2017 Università del Salento L’arcivescovo otrantino Pietro Antonio Di Capua tra suggestioni luterane e orientamenti ortodossi Pietro De Leo* Abstract. In retracing the essential steps of the archdiocese of Otranto from the 1480 massacre at the Council of Trent confirming the excommunication of Martin Luther, among the prelates who took turns in the archdiocese government, deserves particular attention the Neapolitan mons. Pietro Antonio Di Capua (March 22, 1536 - 1579), notoriously considered close to reformists, and active in Neapolitan "spiritual" circles, so as to be accused of heresy, of which the fundamental stages of life and of his ecclesiastical commitment are traced, before in the conciliar sessions and then in the seat of Otranto, where the reforms approved by the council were carried out to implement the Provincial Synod in 1567. This research focuses on this character. Riassunto. Nel ripercorrere le tappe essenziali dell’archidiocesi di Otranto dall’eccidio del 1480 al Concilio di Trento che confermò la scomunica di Martin Lutero, tra i prelati che si avvicendarono nel governo dell’archidiocesi, merita particolare attenzione il napoletano mons. Pietro Antonio Di Capua (22 marzo 1536 - 1579), notoriamente ritenuto vicino ai riformisti, e attivo nei circoli “spirituali” partenopei, tanto da essere accusato di eresia, del quale si tracciano le tappe fondamentali di vita e del suo impegno ecclesiastico, prima nelle sedute conciliari e poi nella sede di Otranto, dove si adoperò alla attuazione decreti di riforma approvati dal concilio celebrando il Sinodo Provinciale nel 1567. -
THE BAROQUE PAPACY Ary Papal Court, the Roman Curia and the Papal State Were Constructed
is work leads the reader into one of the most exciting chapters of the history of the papacy. It delineates the behaviour and dilemmas of ❧ Rome in the ghts against the Turks, in the irty Years’ War, and in ) the struggles with the Protestants and the numerous con icts with the éter usor Catholic States. In addition, the book describes in detail the rst real example of globalisation, namely the worldwide spread of missions, in addition to providing accounts of the formation of new religious move- – ments, Galileo’s trial and the ordeals of the Institute of the Blessed Virgin ( Mary. Furthermore, the chapters o er insights into the nature of papal nepotism, how the Roman inquisition worked, and how the contempor- THE BAROQUE PAPACY ary papal court, the Roman Curia and the Papal State were constructed. (–) Péter Tusor, PhD, DSc, was born in 1967. He is currently an Associate Professor at the Institute of History at the Péter Pázmány Catholic Uni- versity and a Research Group Leader at the Hungarian Academy of Sci- ences. THE BAROQUE PAPACY THE BAROQUE ISBN 978-88-7853-715-6 éter usor 9 788878 537156 , Sette Città Barokk pápaság.indb 2 2016.05.24. 9:52:59 Péter Tusor THE BAROQUE PAPACY (1600–1700) Sette Città 2016 Barokk pápaság.indb 3 2016.05.24. 9:52:59 All rights reserved. Reproduction in any form, storage or transcription by any means (electronic, mechanical, photocopying, recording or in any other ways, including movie, radio, television or internet) is prohibited without the written permission of the publisher. -
Facoltà Di Filosofia, Lettere, Scienze Umanistiche E Studi Orientali
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archivio della ricerca- Università di Roma La Sapienza UNIVERSITÀ “LA SAPIENZA” DI ROMA Facoltà di Filosofia, Lettere, Scienze Umanistiche e Studi Orientali Dipartimento di Storia, Culture, Religioni Anno accademico 2012-2013 STORIA MEDIEVALE E MODERNA Tesi di Dottorato IL GOVERNO DELLE MONACHE I pontefici ed i monasteri femminili francescani e domenicani (1417-1585) Tutors Prof.ssa Giulia Barone Prof.ssa Maria Antonietta Visceglia Dottoranda Silvia De Angelis Indice 1 Introduzione ................................................................................................................. 3 Parte Prima .................................................................................................................... 4 Le politiche papali, gli ordini religiosi francescano e domenicano e la riforma dei monasteri femminili ...................................................................................................... 4 Capitolo Primo ......................................................................................................... 5 Ordini e papato tra Martino V e l’inizio della Controriforma .................................. 5 Riforme monastiche e consolidamento dello Stato tra Martino V e Niccolò V (1417-1455) .......................................................................................................... 6 L’avanzata dell’Osservanza da Callisto III a Innocenzo VIII .............................. 6 (1455-1492) ......................................................................................................... -
Dionisio Laurerio, Frate Servita. (1497-1542) La Porpora E L’Armilla
DIONISIO LAURERIO, FRATE SERVITA. (1497-1542) LA PORPORA E L’ARMILLA. VITA ED OPERE DEL CARDINALE DIONISIO FIORENZO LAURELLI RIVISTA STORICA DEL SANNIO 1997 Vedi anche Dizionario Biografico degli Italiani 1. Origini familiari e nascita Nel 1497 nasceva a Benevento Dionisio Laurerio, illustre figura di prelato del Rinascimento, nel transito verso la Controriforma. Egli è personaggio ignoto ai più nel XX secolo, mentre invece è stato autentico protagonista di alcuni degli avvenimenti più importanti del suo tempo; per questo è interessante, anche alla luce di documenti d‟archivio da poco accessibili, riesaminare alcuni periodi della sua vita che furono alla base di molti rilevanti accadimenti del primo Cinquecento. Molti studi biografici esplicitano i dubbi dell'autore soprattutto sul luogo e sulla data della nascita, fatta eccezione per quanto si ricava dalla lettura della lapide tombale, un tempo visibile nella chiesa di S. Marcello al Corso in Roma. E‟ questa una delle poche fonti valide, perché atto formale e perché contemporanea, per stabilire con sufficiente certezza entrambe le notizie: Dionisio Laurerio beneventano, morto a Roma il 17 settembre 1542 di anni 45. Si è potuta acquisire ulteriore sicurezza sul luogo natale anche dall‟esame della raccolta di atti pubblici relativi all‟Ordine dei Serviti denominata Archivum ecclesiae et conventus Sancti Marcelli de Urbe O.S.B.M.V. , conservata, per l‟appunto, presso la Casa generalizia dell‟Ordine, sita in Roma presso quel convento. In quasi tutti i documenti in cui Dionisio compaia a vario titolo egli è denominato oppure si firma «fra Dionisio beneventano», a parte le poche occasioni in cui venga utilizzato il cognome. -
ABSTRACT Title of Dissertation: a THEMATIC RECONSIDERATION
ABSTRACT Title of Dissertation: A THEMATIC RECONSIDERATION OF THE GALLERIA RUCELLAI OF JACOPO ZUCCHI Adam Alexander Rudolphi, Jr., Doctor of Philosophy, 2013 Dissertation directed by: Professor Anthony Colantuono Department of Art History & Archaeology This dissertation presents new research into the Galleria Rucellai, a longitudinal, decorated interior created by Jacopo Zucchi for Orazio Rucellai sometime between 1586 and 1591, arguing for a unifying theme, namely time. Zucchi’s technical and artistic formation, his social and patronal milieu in the years leading up to the execution of the Galleria’s frescoes, and the identities of the patron and his family are key considerations, each connected to the proposed theme. The linearity of time, both as a sequence of lived or historical weeks and years and as an experiential index for the visual material assembled and subsequently described by Zucchi in his later treatise on the Galleria, constitutes the unifying thread. In selecting time as a theme for this monumental domestic decoration program for Rucellai’s Roman palace, Zucchi meditates on its very nature, from intangible and distant mythological origin narratives from antiquity and Rucellai lore to the biographies of figures both famous and forgotten from Ancient Rome, in the era of the Gregorian Reform of the calendar, which changed how time’s passage is marked. Concepts of lineage and descent, whether mythological, familial, or dynastic, express the theme and allow digression into examinations of biography and character, oscillating between the exemplary and the infamous and culminating in a uniquely Italian iteration of vanitas imagery. This combination of exemplum virtutis and memento mori both emphasizes the persistence of a complex form of identity, composed of the physical body, recorded actions, and external, sometimes posthumous character appraisal, and exhorts the viewer to careful consideration of behavior and life choices in the face of death as an end to the human experience of time. -
Art, Ritual, and Reform: the Archconfraternity of the Holy
ART, RITUAL, AND REFORM: THE ARCHCONFRATERNITY OF THE HOLY CRUCIFIX OF SAN MARCELLO IN ROME By KIRA MAYE ALBINSKY A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Art History Written under the direction of Catherine Puglisi And approved by ___________________________________ ___________________________________ ___________________________________ ___________________________________ New Brunswick, New Jersey October, 2017 ABSTRACT OF THE DISSERTATION Art, Ritual, and Reform: The Archconfraternity of the Holy Crucifix of San Marcello in Rome By KIRA MAYE ALBINSKY Dissertation Director: Catherine Puglisi “Art, Ritual, and Reform” is the first comprehensive study of the social history, devotional practices, and art patronage of the Arciconfraternita del SS. Crocifisso di San Marcello a Roma, one of the most prominent lay religious associations in sixteenth- century Italy. Divided into four main chapters, the dissertation first develops the innovative theory of conspicuous devotion through a documented examination of the company’s religious rituals and urban processions during the Catholic Reformation. The following chapters apply the theory to analyses of the confraternity’s commissions in the Cappella del Crocifisso in San Marcello and the nearby Oratorio del Crocifisso, in which Perino del Vaga (1501–47), Daniele da Volterra (1509–66), Giovanni de’ Vecchi (ca. 1536–1615), Cesare Nebbia (ca. 1536–1614), and Niccolò Circignani (ca. 1517/24–after 1596) painted. Challenging traditional interpretations of Central Italian painting from 1520 to 1590, the object-focused project argues that conspicuous meaning and form served conspicuous devotion to both instruct and inspire, in accordance with the reforms of the Catholic Church. -
Pietro Gorsi and the Perpetuation of Curialist Ideology
CHAPTER THREE PIETRO GORSI AND THE PERPETUATION OF CURIALIST IDEOLOGY While the Castel Sant' Angelo provided a haven during the Sack of Rome for those who, like Pietro Alcionio, succeeded in reaching it, the city below offered few places of refuge. Nearly four hundred people crowded into the palace of Cardinal Andrea della Veille in the Rione S. Eustachio.1 Because of della Valle's Imperial connections, his residence—like those of three other pro-Imperial cardinals, Wil lem van Enkevoirt, Alessandro Cesarini, and Giovanni Piccolomi ni—afforded temporary safety. The respite came at a price: on 8 May, an Italian captain in the Imperial forces, Fabrizio Maramaldo, extorted over 34,000 ducats in protection money from those in della Valle's palace. The protection he provided, however, was short lived: within a week the German Landsknechts, who were not under Maramaldo's jurisdiction, laid siege to the palace of Cardinal Picco lomini. When it fell in a mere four hours, the soldiers dragged Pic colomini through the streets to the Borgo. Thus prompted, the Car dinals della Valle, Cesarini, and Enkevoirt fled from their residences to the Palazzo Colonna which, because of Pompeo Colonna's return to the city on 10 May, remained secure. Many who had sought their protection, however, were abandoned to endure imprisonment and torments at the hands of the German troops.2 Among those who had fled into della Valle's palace was Pietro Corsi, a Roman humanist who had been a staunch papal advocate since the time of Julius II. When Maramaldo extorted money from the refugees, Corsi was compelled to pay 50 ducats, but evidently he lacked the connections to gain access to the Palazzo Colonna when the della Valle residence fell.3 After most of the Imperial soldiers left 1 F.