A Florentine Diary
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The Master of the Unruly Children and His Artistic and Creative Identities
The Master of the Unruly Children and his Artistic and Creative Identities Hannah R. Higham A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham May 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines a group of terracotta sculptures attributed to an artist known as the Master of the Unruly Children. The name of this artist was coined by Wilhelm von Bode, on the occasion of his first grouping seven works featuring animated infants in Berlin and London in 1890. Due to the distinctive characteristics of his work, this personality has become a mainstay of scholarship in Renaissance sculpture which has focused on identifying the anonymous artist, despite the physical evidence which suggests the involvement of several hands. Chapter One will examine the historiography in connoisseurship from the late nineteenth century to the present and will explore the idea of the scholarly “construction” of artistic identity and issues of value and innovation that are bound up with the attribution of these works. -
II EDIZIONE Bambini E Gli Adolescenti Come “Individui”
Con il patrocinio di La data ricorda il giorno in cui l' Assemblea Partecipano al Progetto In collaborazione con la Commizssione 7 Generale delle Nazioni Unite adottò, nel 1989, di Firenze la convenzione ONU sui diritti dell'infanzia e dell'adolescenza. In collaborazione con Con il contributo di La “Carta dei Diritti del Bambino” fu scritta già nel 1923 da Eglantyne Jebb, dama della Croce Rossa. Ancora oggi molti sono i bambini e gli adolescenti, anche in Italia, vittime di violenza, abusi, discriminazioni, che vivono situazioni di trascuratezza sociale – psicologica nonché scolastica e culturale. Tutti abbiamo il dovere di prendere coscienza dell'importanza di trattare i II EDIZIONE bambini e gli adolescenti come “individui”. Il tema Giornata Mondiale è particolarmente sentito dagli Artisti Fiesolani che operano affinché “l'Arte e la Cultura” possano dei Diritti dell'Infanzia mantenere il primato tra le attività umane. e dell'Adolescenza Artisti in esposizione: Fiamma Antoni Ciotti Irina Meniailova Mariangela Bartoloni Valerio Mirannalti Francesco Beccastrini Lorenzo Montagni Stefania Biagioni Susanna Pellegrini Istituto Comprensivo “Coverciano” Via Salvi Cristiani, 3 – 50135 Firenze Fernando Cardenas Scuola Primaria S.Maria a Coverciano Francesco Perna Barbara Cascini Puccio Pucci Alessandro Ciappi COMUNE DI GAMBASSI TERME ISTITUTO COMPRENSIVO STATALE Matteo Rimi E DI MONTAIONE “Ernesto BALDUCCI” Roberto Coccoloni Mariadonata Sirleo Andrea Sole Costa Roberto D’Angelo Sanja Spasic Laura Felici Paola Stazzoni Alessandro Goggioli Sara -
In the Twilight Anton Chekhov
In the Twilight Anton Chekhov Translated by Hugh Aplin ALMA CLASSICS AlmA ClAssiCs ltd London House 243-253 Lower Mortlake Road Richmond Surrey TW9 2LL United Kingdom www.almaclassics.com In the Twilight first published in Russian in 1887 This translation first published by Alma Classics Ltd in 2014 Translation and Notes © Hugh Aplin, 1887 Extra Material © Alma Classics Ltd Cover image © Marina Rodrigues Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY isbn: 978-1-84749-383-5 All the pictures in this volume are reprinted with permission or pre sumed to be in the public domain. Every effort has been made to ascertain and acknowledge their copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Introduction v In the Twilight 1 Dreams 3 A Trivial Occurrence 12 A Bad Business 23 At Home 29 The Witch 39 Verochka 53 In Court 67 A Restless Guest 75 The Requiem 82 On the Road 88 Misfortune 105 An Event 119 Agafya 125 Enemies 136 A Nightmare 150 On Easter Eve 165 Note on the Text 177 Notes 179 Extra Material 185 Anton Chekhov’s Life 187 Anton Chekhov’s Works 198 Select Bibliography 206 Introduction The early part of Anton Chekhov’s literary career was a period of frenzied writing. -
[email protected] [email protected] NUMERI UTILI / / UTILI NUMERI User Numbers User
A3-Map-Pontassieve.pdf 1 03/12/19 19:24 ✟ CONVENTO ✟ PIEVE DI S. GIOVANNI MAGGIORE di Bilancino DI BOSCO AI FRATI Villore CAFAGGIOLO Borgo S. Lorenzo BOLOGNA Le Croci di Calenzano Vicchio Map S. Godenzo Pontassieve Agliana PRATO A1 Legri Vaglia CONVENTO Dicomano PISA DI MONTE SENARIO Frascole Rincine Pratolino Contea Calenzano Olmo Acone VILLA DEMIDOFF S. Brigida Cercina Londa A11 Colonnata Scopeti Capalle LA PETRAIA Caldine Sesto Fiorentino CASTELLO Monteloro Pomino Carmignano ✟ PIEVE DI S. BARTOLOMEO Campi Bisenzio AEROPORTO Fiesole Molin del Piano DI FIRENZE Careggi Stia S. Donnino Sieci Signa Pratovecchio Vinci Badia a Settimo FIRENZE Settignano Pontassieve Diacceto FI-PI-LI Castra Pelago Rosano RAVENNA Lastra a Signa Cerreto Guidi ✟ Villamagna Ponte a Cappiano Limite Scandicci Tosi Galluzzo Montemignaio Sovigliana Bagno a Ripoli S. Ellero C Capraia Ponte a Ema Fucecchio Mosciano Certosa Vallombrosa M Grassina S. Croce sull’Arno Rignano sull’Arno ✟ PIEVE Saltino Antella A PITIANA Poppi Y Ginestra Fiorentina S. Donato Empoli in Collina CM Tavarnuzze Chiesanuova Leccio MY Castelfranco di sotto Firenze e torrente Pesa S. Vincenzo a Torri CY Ponte a Elsa Impruneta Area Fiorentina Cerbaia A1 Reggello CMY FI-PI-LI S. Miniato ✟ S. Casciano in Val di Pesa FIRENZE-SIENA PIEVE DI CASCIA K S. Polo in Chianti Baccaiano Montopoli in Val d’Arno Il Ferrone Strada in Chianti Incisa Poppiano Montespertoli Mercatale in Val di Pesa Pian di Scò Cambiano Castelnuovo d’Elsa Cintoia Figline Passo dei Pecorai Palaia Dudda Greve in Chianti Loro Ciuffenna Gaville ✟ PIEVE DI Mura S. ROMOLO S. Giovanni Valdarno Tavarnelle in Val di Pesa AREZZO Terranuova Bracciolini Montaione ✟ Peccioli Certaldo S. -
Dispacci Da Roma, 19 Gennaio
Omaggio della Giunta regionale del Veneto Centro Studi Veneziani I curatori del volume esprimono la loro gratitudine al Centro Studi Ve- neziani Donatus, al suo Presidente, Nicolò Donà dalle Rose, appartenen- te allo stesso ramo familiare dell’ambasciatore Girolamo, per aver favori- to la stampa dell’opera, e ad Antonio Foscari Widmann Rezzonico per il costante aiuto. Ringraziano altresì l’Associazione Nobiliare Regionale Veneta per il patrocinio. GIROLAMO DONÀ DISPACCI DA ROMA 19 GENNAIO - 30 AGOSTO 1510 Trascrizione di VIOLA VENTURINI Introduzione di MARINO ZORZI Venezia 2009 Direttore della collana FERIGO FOSCARI Venezia La Malcontenta 2009 Tutti i diritti riservati INDICE INTRODUZIONE, di Marino Zorzi XI REGESTI DEI DISPACCI, a cura di Marino Zorzi LIII I DISPACCI DI GIROLAMO DONÀ. Trascrizione di Viola Venturini NOTA ARCHIVISTICA 3 FONTI ARCHIVISTICHE 5 I DISPACCI 7 INDICI INDICE DEI NOMI DI PERSONA CONTENUTI NEI DISPACCI 417 INDICE DEI NOMI GEOGRAFICI CONTENUTI NEI DISPACCI 427 INDICE DEI DISPACCI NON NUMERATI 434 INTRODUZIONE 1. Girolamo Donà, umanista e uomo di stato I dispacci che qui si pubblicano sono opera di Girolamo Donà, no- bile veneziano, figura di rilievo nella vita politica e culturale del suo tempo. Nacque a Venezia nel 1456, figlio di Antonio e di Lucia Balbi; il padre, uomo politico e diplomatico, era figlio di Andrea e di Camil- la Foscari, figlia del doge Francesco. Il suo ramo è detto « dalle rose », per le tre rose che figurano nell’arma. Si laureò in artibus a Padova nel 1478; come di regola per i patrizi dottori, fu impiegato senza posa dalla Repubblica in missioni diplomatiche all’estero e nel governo di città e terre appartenenti al dominio veneto; tra un incarico e l’altro fe- ce parte degli organi centrali dello stato in posizioni adeguate alla sua cultura e alla sua conoscenza del mondo. -
The First Illyrian War: a Study in Roman Imperialism
The First Illyrian War: A Study in Roman Imperialism Catherine A. McPherson Department of History and Classical Studies McGill University, Montreal February, 2012 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts ©Catherine A. McPherson, 2012. Table of Contents Abstract ……………………………………………….……………............2 Abrégé……………………………………...………….……………………3 Acknowledgements………………………………….……………………...4 Introduction…………………………………………………………………5 Chapter One Sources and Approaches………………………………….………………...9 Chapter Two Illyria and the Illyrians ……………………………………………………25 Chapter Three North-Western Greece in the Later Third Century………………………..41 Chapter Four Rome and the Outbreak of War…………………………………..……….51 Chapter Five The Conclusion of the First Illyrian War……………….…………………77 Conclusion …………………………………………………...…….……102 Bibliography……………………………………………………………..104 2 Abstract This paper presents a detailed case study in early Roman imperialism in the Greek East: the First Illyrian War (229/8 B.C.), Rome’s first military engagement across the Adriatic. It places Roman decision-making and action within its proper context by emphasizing the role that Greek polities and Illyrian tribes played in both the outbreak and conclusion of the war. It argues that the primary motivation behind the Roman decision to declare war against the Ardiaei in 229 was to secure the very profitable trade routes linking Brundisium to the eastern shore of the Adriatic. It was in fact the failure of the major Greek powers to limit Ardiaean piracy that led directly to Roman intervention. In the earliest phase of trans-Adriatic engagement Rome was essentially uninterested in expansion or establishing a formal hegemony in the Greek East and maintained only very loose ties to the polities of the eastern Adriatic coast. -
Live News: a Survival Guide for Journalists
AA SURVIVALSURVIVAL GUIDEGUIDE FORFOR JOURNALISTSJOURNALISTS LIVELIVE NEWSNEWS Front cover picture: A press photographer in a cloud of teargas during a riot in Lima, Peru, in May 2000. Photo: AP / Martin Mejia Title page picture (right) A newspaper vendor waits for customers in Abidjan, Ivory Coast, one of many countries where media have been put under threat. In November 2002, an emergency aid programme was launched by the IFJ, the Communication Assistance Foundation, International Media Support and Media Assistance International, working with the Union Nationale des Journalistes de Côte d'Ivoire (UNJCI) and the West Africa Journalists Association. The programme included training on safety and conflict reporting. Photo: AP / Clement Ntaye. LIVE NEWS A SURVIVAL GUIDE FOR JOURNALISTS Written and produced for the IFJ by Peter McIntyre Published by the International Federation of Journalists, Brussels March 2003 With the support of the European Initiative for Democracy and Human Rights. (i) Live News — A survival guide for journalists Published by the International Federation of Journalists March 2003. © International Federation of Journalists International Press Centre Residence Palace Rue de la Loi 155 B-1040 Brussels, Belgium ✆ +32 2 235 2200 http://www.ifj.org Editor in Chief Aidan White, General Secretary, IFJ Managing Editor Sarah de Jong, Human Rights Officer, IFJ [email protected] Projects Director Oliver Money-Kyrle Written and designed by Peter McIntyre, Oxford, UK [email protected] Acknowledgments The IFJ would like to thank: Associated Press Photos and Reuters, who donated the use of photos; AKE Ltd, Hereford, UK, for advice, information, facilities, and support; Mark Brayne (Dart Centre Europe) for advice on post trauma stress; Rodney Pinder, for comments on the drafts; All the journalists who contributed to, or were interviewed for, this book. -
Spiritualidad En La Europa De… Roberto López Vela (Coord.) Paolo IV, Le Riforme Della Curia, Gli “Spirituali”… Giampiero Brunelli
TIEMPOS MODERNOS 37 (2018/2) ISSN:1699-7778 MONOGRÁFICO: Fe y espiritualidad en la Europa de… Roberto López Vela (Coord.) Paolo IV, le riforme della Curia, gli “Spirituali”… Giampiero Brunelli Paolo IV, le riforme della Curia, gli “Spirituali”: interrelazioni, riposizionamenti. Paul IV, the reforms of the Curia, the “Spirituali”: interrelations, repositioning. Giampiero Brunelli Università Telematica San Raffaele (Roma) Resumen: Paulo IV ha sido juzgado por la historiografía de una manera muy negativa, incluso aludiendo a sus obsesiones psicopatológicas, en lugar de hacerlo desde el punto de vista de la historia de las instituciones. El Papa Carafa puede considerarse el «actor principal» de la «institución-Iglesia», quien estableció sus propios objetivos (es decir, una política de reforma peculiar) y que participó en ellos algunos de los llamados «espirituales»: Giovanni Morone, Reginald Pole, Camillo Orsini. Su visión de la Iglesia parece que tuvo consenso en Roma, incluso en 1559, el último año de su pontificado. Palabras clave: Paulo IV; Reforma; Curia romana; “Espirituales”. Abstract: Paul IV has been judged by historiography in a very negative way, even alluding to his psycho-pathological obsessions. Instead, from the point of view of the history of the institutions, Pope Carafa, can be considered as the «top actor» of the «institution-Church», who set himself objectives (i.e. a peculiar reformation polity) and who involved in them some of the so-called «spirituali»: Giovanni Morone, Reginald Pole, Camillo Orsini. His vision of the Church seems to find consensus in Rome, even in 1559, the last year of his pontificate. Keywords: Paul IV; Reformation; Roman Curia; “Spirituali”. -
Stories of Russian Life
CORNELL UNIVERSITY LIBRARY UNDERGRADUATE LIBRARY Cornell University Library PG 3456.A15F31 Stories of Russian life, 3 1924 014 393 130 The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924014393130 STORIES OF RUSSIAN LIFE STORIES OF RUSSIAN LIFE BY ANTON TCHEKOFF TRANSLATED FROM THE BtTSBIAN BT MARIAN FELL NEW YORK CHARLES SCEIBNER'S SONS 1914 -% r" 70 7 (> COFTBZGHT,A 1914, BT CHABLES SCBIBNER'S SONS Published May, 1914 CONTENTS FAOB 3 |. Qyeese4B^ed The Night befobe Easter 10 At Home 26 ''•^ ' Champagne *1 ^' The Malepactob ^0 Mtjbdeb Will OtTT 56 §3-' A" The Tbottsseau ' \&" ' The Decobation The Man in a Case 76 Little Jack ^' Dbeams ^ * ' The Death of an Official 118 Agatha ^^^ TheBbogab '^^^ Children 148 J^ The Tboublesome Guest 1^''' "^ Not Wanted ^^ "The RoBEEms l77 Fat 2°^ , . Lean and V vi CONTENTS PAPB On THE Wat 208 v/ The Head Gabdenek's Tale *3* -Hush! 240 t- WlTHOITT A TnUE 5-«» ^ In the Eavinb 252 STORIES OF RUSSIAN LIFE STORIES OF RUSSIAN LIFE OVERSEASONED ON arriving at Deadville Station, Gleb Smirnoff, the surveyor, found that the farm to which his business called him still lay some thirty or forty miles farther on. If the driver should be sober and the horses could stand up, the distance would be less than thirty miles; with a fuddled driver and old skates for horses, it might amount to fifty. "Will you tell me, please, where I can get some post-horses.'' " asked the surveyor of the station-master. -
A History of Italian Literature Should Follow and Should Precede Other and Parallel Histories
I. i III 2.3 CORNELL UNIVERSITY LIBRARY C U rar,y Ubrary PQ4038 G°2l"l 8t8a iterature 1lwBiiMiiiiiiiifiiliiii ! 3 1924 oim 030 978 245 Date Due M#£ (£i* The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924030978245 Short Histories of the Literatures of the World: IV. Edited by Edmund Gosse Short Histories of the Literatures of the World Edited by EDMUND GOSSE Large Crown 8vOj cloth, 6s. each Volume ANCIENT GREEK LITERATURE By Prof. Gilbert Murray, M.A. FRENCH LITERATURE By Prof. Edward Dowden, D.C.L., LL.D. MODERN ENGLISH LITERATURE By the Editor ITALIAN LITERATURE By Richard Garnett, C.B., LL.D. SPANISH LITERATURE By J. Fitzmaurice-Kelly [Shortly JAPANESE LITERATURE By William George Aston, C.M.G. [Shortly MODERN SCANDINAVIAN LITERATURE By George Brandes SANSKRIT LITERATURE By Prof. A. A. Macdonell. HUNGARIAN LITERATURE By Dr. Zoltan Beothy AMERICAN LITERATURE By Professor Moses Coit Tyler GERMAN LITERATURE By Dr. C. H. Herford LATIN LITERATURE By Dr. A. W. Verrall Other volumes will follow LONDON: WILLIAM HEINEMANN \AU rights reserved] A .History of ITALIAN LITERATURE RICHARD GARNETT, C.B., LL.D. Xon&on WILLIAM HEINEMANN MDCCCXCVIII v y. 1 1- fc V- < V ml' 1 , x.?*a»/? Printed by Ballantyne, Hanson &* Co. At the Ballantyne Press *. # / ' ri PREFACE "I think," says Jowett, writing to John Addington Symonds (August 4, 1890), "that you are happy in having unlocked so much of Italian literature, certainly the greatest in the world after Greek, Latin, English. -
1 the Political Philosophy of Niccolò Machiavelli Filippo Del Lucchese Table of Contents Preface Part I
The Political Philosophy of Niccolò Machiavelli Filippo Del Lucchese Table of Contents Preface Part I: The Red Dawn of Modernity 1: The Storm Part II: A Political Philosophy 2: The philosopher 3: The Discourses on Livy 4: The Prince 5: History as Politics 6: War as an art Part III: Legacy, Reception, and Influence 7: Authority, conflict, and the origin of the State (sixteenth-eighteenth centuries) 1 8: Nationalism and class conflict (nineteenth-twentieth centuries) Chronology Notes References Index 2 Preface Novel 84 of the Novellino, the most important collection of short stories before Boccaccio’s Decameron, narrates the encounter between the condottiere Ezzelino III da Romano and the Holy Roman Emperor Frederick II: It is recorded how one day being with the Emperor on horseback with all their followers, the two of them made a challenge which had the finer sword. The Emperor drew his sword from its sheath, and it was magnificently ornamented with gold and precious stones. Then said Messer Azzolino: it is very fine, but mine is finer by far. And he drew it forth. Then six hundred knights who were with him all drew forth theirs. When the Emperor saw the swords, he said that Azzolino’s was the finer.1 In the harsh conflict opposing the Guelphs and Ghibellines – a conflict of utter importance for the late medieval and early modern history of Italy and Europe – the feudal lord Ezzelino sends the Emperor a clear message: honours, reputation, nobility, beauty, ultimately rest on force. Gold is not important, good soldiers are, because good soldiers will find gold, not the contrary. -
Terracotta Tableau Sculpture in Italy, 1450-1530
PALPABLE POLITICS AND EMBODIED PASSIONS: TERRACOTTA TABLEAU SCULPTURE IN ITALY, 1450-1530 by Betsy Bennett Purvis A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Department of Art University of Toronto ©Copyright by Betsy Bennett Purvis 2012 Palpable Politics and Embodied Passions: Terracotta Tableau Sculpture in Italy, 1450-1530 Doctorate of Philosophy 2012 Betsy Bennett Purvis Department of Art University of Toronto ABSTRACT Polychrome terracotta tableau sculpture is one of the most unique genres of 15th- century Italian Renaissance sculpture. In particular, Lamentation tableaux by Niccolò dell’Arca and Guido Mazzoni, with their intense sense of realism and expressive pathos, are among the most potent representatives of the Renaissance fascination with life-like imagery and its use as a powerful means of conveying psychologically and emotionally moving narratives. This dissertation examines the versatility of terracotta within the artistic economy of Italian Renaissance sculpture as well as its distinct mimetic qualities and expressive capacities. It casts new light on the historical conditions surrounding the development of the Lamentation tableau and repositions this particular genre of sculpture as a significant form of figurative sculpture, rather than simply an artifact of popular culture. In terms of historical context, this dissertation explores overlooked links between the theme of the Lamentation, the Holy Sepulcher in Jerusalem, codes of chivalric honor and piety, and resurgent crusade rhetoric spurred by the fall of Constantinople in 1453. Reconnected to its religious and political history rooted in medieval forms of Sepulchre devotion, the terracotta Lamentation tableau emerges as a key monument that both ii reflected and directed the cultural and political tensions surrounding East-West relations in later 15th-century Italy.