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Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P. -
Set Name Card Description Auto Mem #'D Base Set 1 Harold Sakata As Oddjob Base Set 2 Bert Kwouk As Mr
Set Name Card Description Auto Mem #'d Base Set 1 Harold Sakata as Oddjob Base Set 2 Bert Kwouk as Mr. Ling Base Set 3 Andreas Wisniewski as Necros Base Set 4 Carmen Du Sautoy as Saida Base Set 5 John Rhys-Davies as General Leonid Pushkin Base Set 6 Andy Bradford as Agent 009 Base Set 7 Benicio Del Toro as Dario Base Set 8 Art Malik as Kamran Shah Base Set 9 Lola Larson as Bambi Base Set 10 Anthony Dawson as Professor Dent Base Set 11 Carole Ashby as Whistling Girl Base Set 12 Ricky Jay as Henry Gupta Base Set 13 Emily Bolton as Manuela Base Set 14 Rick Yune as Zao Base Set 15 John Terry as Felix Leiter Base Set 16 Joie Vejjajiva as Cha Base Set 17 Michael Madsen as Damian Falco Base Set 18 Colin Salmon as Charles Robinson Base Set 19 Teru Shimada as Mr. Osato Base Set 20 Pedro Armendariz as Ali Kerim Bey Base Set 21 Putter Smith as Mr. Kidd Base Set 22 Clifford Price as Bullion Base Set 23 Kristina Wayborn as Magda Base Set 24 Marne Maitland as Lazar Base Set 25 Andrew Scott as Max Denbigh Base Set 26 Charles Dance as Claus Base Set 27 Glenn Foster as Craig Mitchell Base Set 28 Julius Harris as Tee Hee Base Set 29 Marc Lawrence as Rodney Base Set 30 Geoffrey Holder as Baron Samedi Base Set 31 Lisa Guiraut as Gypsy Dancer Base Set 32 Alejandro Bracho as Perez Base Set 33 John Kitzmiller as Quarrel Base Set 34 Marguerite Lewars as Annabele Chung Base Set 35 Herve Villechaize as Nick Nack Base Set 36 Lois Chiles as Dr. -
Pdf Ennio Flaiano Y Rafael Azcona: Historia De Un Universo Compartido / Giovanna Zanella Leer Obra
Università degli Studi di Udine Ennio Flaiano y Rafael Azcona Historia de un universo compartido Giovanna Zanella Memoria de Licenciatura Facultad: Lengua y Literatura extranjera Directora: Dott. Renata Londero 2000-2001 UNIVERSITÀ DEGLI STUDI DI UDINE FACOLTÀ DI LINGUE E LETTERATURE STRANIERE Corso di Laurea in Lingue e Letterature Straniere Tesi di Laurea ENNIO FLAIANO Y RAFAEL AZCONA HISTORIA DE UN UNIVERSO COMPARTIDO Relatore: Laureanda: Dott. Renata Londero Giovanna Zanella ANNO ACCADEMICO 2000-2001 AGRADECIMIENTOS Durante la realización del presente trabajo he estado principalmente en la Universidad de Alicante, donde he podido contar en todo momento con la valiosa colaboración y los imprescindibles consejos de Juan Antonio Ríos, y con la disponibilidad de la Biblioteca Virtual Miguel de Cervantes, que precisamente este año ha abierto un portal de autor dedicado a Rafael Azcona (consultable en cervantesvirtual.com), cuyo material ha sido fundamental para mi estudio. Asimismo, por lo que concierne el material sobre Ennio Flaiano, he utilizado las numerosas publicaciones de la “Associazione Culturale Ennio Flaiano” de Pescara, cuyos volúmenes siempre han sido el apoyo más valioso en toda investigación sobre la figura y la obra del italiano. Por lo que respecta a la difícil labor de conseguir películas de los años 50, 60 y 70, tengo que agradecer a Cristina Ros de la Universidad de Alicante por haberme ofrecido la oportunidad de ver El Anacoreta, de Juan Esterlich; a la “Cineteca del Friuli”, que me ha facilitado la visión de La cagna de Marco Ferreri; al “Laboratorio Cinema e Multimedia” de la Universidad de Udine y a la “Filmoteca del Museo” de la Universidad de Alicante. -
BAM/PFA Program Guide
B 2012 B E N/F A J UC BERKELEY ART MUSEum & PacIFIC FILM ARCHIVE PROGRAM GUIDE AnDY WARHOL RAY JOHNSON & ROBERT WARNER RICHARD MISRACH rOBERT BRESSON hOWARD HAWKS HENRI-GEORGES CLOUZOt dOCUMENTARY VOICES aFRICAN FILM FESTIVAL GREGORY MARKOPOULOS mARK ISHAM BAM/PFA EXHIBITIONS & FILM SERIES The ReaDinG room P. 4 ANDY Warhol: PolaroiDS / MATRIX 240 P. 5 Tables OF Content: Ray Johnson anD Robert Warner Bob Box ArchiVE / MATRIX 241 P. 6 Abstract Expressionisms: PaintinGS anD DrawinGS from the collection P. 7 Himalayan PilGrimaGE: Journey to the LanD of Snows P. 8 SilKE Otto-Knapp: A liGht in the moon / MATRIX 239 P. 8 Sun WorKS P. 9 1 1991: The OAKlanD-BerKeley Fire Aftermath, PhotoGraphs by RicharD Misrach P. 9 RicharD Misrach: PhotoGraphs from the Collection State of MinD: New California Art circa 1970 P. 10 THOM FaulDers: BAMscape Henri-GeorGes ClouZot: The Cinema of Disenchantment P. 12 Film 50: History of Cinema, Film anD the Other Arts P. 14 BehinD the Scenes: The Art anD Craft of Cinema Composer MARK Isham P. 15 African film festiVal 2012 P. 16 ScreenaGers: 14th Annual Bay Area HIGH School Film anD ViDeo FestiVal P. 17 HowarD HawKS: The Measure of Man P. 18 Austere Perfectionism: The Films of Robert Bresson P. 21 Documentary Voices P. 24 SeconDS of Eternity: The Films of GreGory J. MarKopoulos P. 25 DiZZY HeiGhts: Silent Cinema anD Life in the Air P. 26 Cover GET MORE The Big Sleep, 3.13.12. See Hawks series, p. 18. Want the latest program updates and event reminders in your inbox? Sign up to receive our monthly e-newsletter, weekly film update, 1. -
US Trade Deficit
European Union1 Change in 2006 from 2005: U.S. trade deficit: Decreased by $6.8 billion (5 percent) to $132.8 billion U.S. exports: Increased by $29.1 billion (17 percent) to $196.5 billion U.S. imports: Increased by $22.3 billion (7 percent) to $329.3 billion The European Union (EU) and the United States have the world’s largest bilateral trade relationship.2 The EU was the largest U.S. trading partner in terms of total trade and the largest source of U.S. imports, and second only to Canada as a destination for U.S. exports in 2006. Germany, the United Kingdom, and France accounted for 52 percent of U.S. exports to the EU and 54 percent of U.S. imports from the EU. The U.S. trade deficit with the EU decreased by 5 percent to $132.8 billion in 2006, after reaching a five-year high in 2005. The U.S. trade deficit with the EU is the second-largest after the deficit with China. U.S. Exports The largest absolute increases in U.S. exports to the EU in 2006 were in the transportation equipment, chemicals and related products, and minerals and metals sectors (table EU-1). U.S. exports of motor vehicles to the EU increased by $4.3 billion in 2006 (table EU-2). Such exports to Germany alone amounted to $3.1 billion. Sales of passenger vehicles in Germany were strong because customers brought forward purchases that may have otherwise been made in 2007 to avoid a 3 percentage point increase in the VAT rate introduced in January 2007.3 Precious metals and non-numismatic coin shipments from the United States to the EU increased by $3.4 billion (154 percent) to $5.6 billion in 2006. -
El Cine Barraneche
1 EL CINE EL CINE ______________________________________________________________________________ JUAN JOSÉ BARRENECHE CRITICO CINEMATOGRÁFICO E D I T 0 R I A L B R U G U E R A , S . A . BARCELONA * BOGOTÁ * BUENOS AIRES * CARACAS * MÉXICO Copyright de la presente edicion: © J. J. Barreneche - 1971 sobre el texto literario © Archivo gráfico Bruguera, S.A. 1971 sobre la cubierta. La presente edición es propiedad de EDITORIAL BRUGUERA, S. A. Mora la Nueva, 2. Barcelona {España) lª. Edición: noviembre, 1971 Printed in Spain Impreso un España Depósito Legal B 30.578 - 1971 Impreso en los Talleres Gráficos de EDITORIAL BRUGUERA. S. A. Mora la Nueva, 2 · Barcelona - 1971 NOTA DEL EDITOR La radio primero, y últimamente la televisión, han popularizado una serie de programas cuyo principal atractivo radica en poner a prueba los conocimientos que sobre determinada materia posee el concursante. ¿Cree usted que, sometido a una prueba análoga, por ejemplo, sobre el tema objeto de esta obra, saldría airoso de ella? Probablemente usted posee una amplia serie de conocimientos diversos, producto de sus estudios, de sus lecturas, de su experiencia o su interés por determinada materia. Estos conocimientos le permiten, en ocasiones, dar prueba de su cultura, ante sus amistades, en familia o en su vida profesional, pero no es lo mismo brillar en una conversación que enfrentarse con un examen concebido para poner a prueba, no solo su preparación, sino también su retentiva. Esta colección esta pensada para que usted mismo pueda autocalificarse sobre sus conocimientos de diversas materias, comprobar el grado “real” de su dominio del tema y permitirle, una vez comprobados aquellos aspectos en que sus respuestas fueron más vacilantes, subsanar esta deficiencia proporcionalmente los datos necesarios para ello. -
Circ Cine Ve 03-2006
(r.e.) Che ne sarà di Venezia? Nei giorni in cui Veltroni e i suoi sodali illustravano l’allettante menù della prossima Festa romana del cinema, in programma ad ottobre, un provvidenziale torrente di nominations all’Oscar, piovute sui film del- l’edizione 2005, consentiva ai vertici della Fondazione veneziana di tirare un sospiro di sollievo. Del tipo: visto che la qua- lità paga? Che Venezia è sempre Venezia? Che l’arte siamo noi? È oltretutto ben possibile che le candidature vadano a tra- mutarsi in un profluvio di belle statuine, consegnando la competizione lidense ai fasti della Serenissima (Mostra) Trionfante. Bene, benissimo, anzi male, perché la più che legittima (e comprensibile, e condivisibile) soddisfazione per l’auspicato successo dei vari Brokeback Mountain, Good Night, and Good Luck!, Bestia nel cuore potrebbe dar luogo ad un entusiasmo, come dire, fuorviante. In che senso? Ma nel senso che con o senza i prestigiosi riconoscimenti dell’Academy Awards i problemi di Venezia, anche alla luce della concorrenza romana, rimangono. E non paiono risol- vibili d’ufficio con presunti schematismi estetici vecchi già ai tempi del buon Chiarini e magari indigesti allo stesso Marco Müller (l’arte di qua, la merce di là: e il fascinoso trash dove lo mettiamo?), con il ricorso a longevità anagrafiche che sem- mai dovrebbero preoccupare (il primo festival, certo, ma anche il più vecchio), con fughe progettuali in avanti tanto ecu- menicamente condivise quanto finanziariamente improbabili e, qualora possibili, comunque opinabili (il nuovo -
Memorias Del Club De Cine: Más Allá De La Pantalla 2008-2015
Memorias del Club de Cine: Más allá de la pantalla 2008-2015 MAURICIO LAURENS UNIVERSIDAD EXTERNADO DE COLOMBIA Decanatura Cultural © 2016, UNIVERSIDAD EXTERNADO DE COLOMBIA Calle 12 n.º 1-17 Este, Bogotá Tel. (57 1) 342 0288 [email protected] www.uexternado.edu.co ISSN 2145 9827 Primera edición: octubre del 2016 Diseño de cubierta: Departamento de Publicaciones Composición: Precolombi EU-David Reyes Impresión y encuadernación: Digiprint Editores S.A.S. Tiraje de 1 a 1.200 ejemplares Impreso en Colombia Printed in Colombia Cuadernos culturales n.º 9 Universidad Externado de Colombia Juan Carlos Henao Rector Miguel Méndez Camacho Decano Cultural 7 CONTENIDO Prólogo (1) Más allá de la pantalla –y de su pedagogía– Hugo Chaparro Valderrama 15 Prólogo (2) El cine, una experiencia estética como mediación pedagógica Luz Marina Pava 19 Metodología y presentación 25 Convenciones 29 CUADERNOS CULTURALES N.º 9 8 CAPÍTULOS SEMESTRALES: 2008 - 2015 I. RELATOS NUEVOS Rupturas narrativas 31 I.1 El espejo - I.2 El diablo probablemente - I.3 Padre Padrone - I.4 Vacas - I.5 Escenas frente al mar - I.6 El almuerzo desnudo - I.7 La ciudad de los niños perdidos - I.8 Autopista perdida - I.9 El gran Lebowski - I.10 Japón - I.11 Elephant - I.12 Café y cigarrillos - I.13 2046: los secretos del amor - I.14 Whisky - I.15 Luces al atardecer. II. DEL LIBRO A LA PANTALLA Adaptaciones escénicas y literarias 55 II.1 La bestia humana - II.2 Hamlet - II.3 Trono de sangre (Macbeth) - II.4 El Decamerón - II.5 Muerte en Venecia - II.6 Atrapado sin salida - II.7 El resplandor - II.8 Cóndores no entierran todos los días - II.9 Habitación con vista - II.10 La casa de los espíritus - II.11 Retrato de una dama - II.12 Letras prohibidas - II.13 Las horas. -
Bamcinématek Presents Strange Victories: Black Soldiers and World War II, a Series Focused on African-Americans’ Experiences During the War, Nov 10–16
BAMcinématek presents Strange Victories: Black Soldiers and World War II, a series focused on African-Americans’ experiences during the war, Nov 10–16 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. October 10, 2017/Brooklyn, NY—From Friday, November 10 through Thursday, November 16, BAMcinématek presents Strange Victories: Black Soldiers and World War II. Inspired by the release of Dee Rees’ extraordinary new epic Mudbound (sneak peek screening at BAMcinématek Oct 24 with director Dee Rees in attendance), BAMcinématek presents a cross section of films that explore the unique experiences of black soldiers who, in racially-segregated units, fought the spread of fascism overseas only to face racism again on home soil. These groundbreaking classics, compelling documentaries, and revisionist action spectacles shine much-needed light on the experience of black soldiers and veterans as the United States continues to struggle today with its legacy of historical, systemic racism. The series begins with Spike Lee’s Miracle at St. Anna (2008—Nov 10), a necessary corrective that mobilizes familiar tropes of the traditional Hollywood World War II movie to present a powerful story of black infantrymen who fought for a country that saw them as second-class citizens. On a similarly thrilling scale is Anthony Hemingway’s Red Tails (2012—Nov 12) about the Tuskegee Airmen, a legendary African-American fighter pilot unit. Its all-star cast features David Oyelowo, Michael B. Jordan, and Cuba Gooding, Jr. Mark Robson’s Home of the Brave (1949—Nov 14) was among the first studio-era dramas to address the challenges faced by black soldiers, including PTSD, bigotry, and the embedded racism of everyday life. -
European Federation of Cinematographers
EUROPEAN FEDERATION OF CINEMATOGRAPHERS ABRAMS / AURUM - 2003 IMAGO BOOK Aaton Joe Dunton Camera Agfa Gevaert Kodak SPONSORS Alga Lee Lighting L’Aquila LTM Arri Moviecam Arricam Nordisk Film Foundation Cinecittà Panavision Cinematographer’s Day Rank Organisation De Luxe Laboratory Rosco Datacine Group / LTC Sachtler De Sisti Lighting Samuelson’s Eclair Scandinavian Labs Fuji TechnoVision GTC IMAGO BOOK COLLABORATORS Authors : Zoë Bicât, Cathy Greenhalgh, Barry Salt (all London) Editor : Michæl Leitch (Oxon Abingdon) Film selection (100 films) : Wolfgang Fischer, bvk (Hamburg) ^ Tony Forsberg, FSF^ (Stockholm) Jaromír Sofr, ACK (Prague) Luciano Tovoli while shooting Le Placard (The Closet) — Francis Veber, 2001 Historical and iconographic researches : Paul Beeson and Clive Tickner, BSC (London) — Giorgio Tonti, AIC and Luciano Tovoli, AIC-ASC (Rome) — Wolfgang Fischer, bvk (Hamburg) — Andreas Fischer-Hansen and Henning Kristiansen, DFF (Copenhagen) — Monika and Frédéric-Gérard Kaczek, AAC (Vienna) — Josep M. Civit and Tómas Pladevall, AEC (Barcelona) — Robert Alazraki, Armand Marco, AFC and Marc Salomon (Paris) — Andrzej J. « This book celebrates cinematographers and through ^ Jaroszewicz, PSC (Warsaw) — Roland^ Sterner, FSF them the art of film-making. Important awards (Stockholm) — Jaromír Sofr, ACK (Prague) and many others... worldwide, including the Academy Awards, have long Art Director : David Pocknell (Braintree) been bestowed on cinematographers in tribute to Designer : Jon Allan, Pocknell Studio (Braintree) their skill and talent. -
Cahiers-42-43-Le-Moyen-Age-Au-Cin--Ma-.Pdf
Nourri de la matière d’une mémorable Telles apparaissaient, au sentiment de CONFRONTATION, ce numéro notre équipe, les conditions de Editorial double participe très évidemment de l’équilibre matériel et rédactionnel la tradition historienne de notre revue. d’une publication parvenue à maturité. De plus, cette livraison nous autorise Telles demeurent aujourd’hui les à considérer comme gagnés, dans perspectives de son développement, l’immédiat, deux paris plus récents : alors même que Marcel Oms a décidé soutenir un rythme de parution de quitter la direction de ces CAHIERS régulier et mettre en harmonie la vie auxquels il avait donné la forme et la propre de la revue et l’ensemble des vie, et qu’il continue, naturellement, à activités de l’Institut Jean Vigo. inspirer. Pierre GUIBBERT LES CAHIERS SOMMAIRE De la CINEMATHEQUE Revue d’histoire du Cinéma ! DES IMAGES POUR L’ENFANCE. 6. Michel ZINK : Projection dans l’enfance, projection de l’enfance : le Fondateur : Marcel OMS Moyen Age au cinéma 9. Pierre GUIBBERT : ‘’Pour les petits et pour les grands’’ 21 François de la BRETEQUE : ‘’Une figure obligée’’ du film de chevalerie : Directeur : Pierre GUIBBERT le tournoi Administrateur : Pierre ROURA Rédaction : André ABBET ! AU ‘’TEMPS DES CATHEDRALES’" 29. Jean François SIX : François d’Assise Barthélémy AMENGUAL 35. Vittorio MARTINELLI : Filmographie de Francesco d’Assisi José BALDIZZONE François de la BRETEQUE JEANNE D’ARC Raymond CHIRAT 37. Claude LAFAYE : Jeanne Fugitive 39. Régine PERNOUD : Jeanne d’Arc à l’écran Jean A.MITRY 42. Marcel Oms : De Lavisse à Michelet ou Jeanne d’arc entre deux Ricardo MUNOZ-SUAY Guerres.. -
2 – 13 October
2 – 13 OCTOBER bfi.org.uk/lff From 2-13 October the world’s best new films come to London. With 345 films to choose from, there’s a lot to explore – CONTENTS HOW TO #LFF here’s our guide to getting the most from the Festival. WHAT’S THE FESTIVAL LIKE? WHAT SHOULD I WATCH? HEADLINE GALAS 09 THE FILMS STRAND GALAS 16 #LFF is your chance to discover the Oscar winners of the future, the most thrilling new talent 22 from across the globe, and beautifully restored SPECIAL PRESENTATIONS treasures from the archives. Every film screening 29 at the Festival is hand-picked by our team of COMPETITIONS programmers, and all features are being shown in the UK for the first – and sometimes the only – time. LOVE 45 Films don’t get fresher than this! GALAS DEBATE 53 THE VENUES Our Galas are star studded premieres of some of We have 12 fabulous venues across Central the most anticipated films of the year. The Gala 61 London, each with an atmosphere and buzz all screenings are the first two screenings listed for LAUGH of its own. Head down to our social hub at BFI Headline Gala films and the first screening of other Southbank for free events and Festival chat, Gala films. Headline Galas at Odeon Luxe Leicester DARE 65 or discover our state of the art pop-up venue, Square offer the chance to walk the red carpet (and Embankment Garden Cinema. you can still watch the action even if you miss out THRILL 73 See pull-out schedule on tickets).