2017 USIMC Rules EN 04292017
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Full Curriculum Vitae
Chenxiao.Atlas.Guo [email protected] Updated Aug 2021 atlasguo @cartoguophy atlasguo.github.io CURRICULUM VITAE EDUCATION University of Wisconsin-Madison (UW-Madison) (Madison, WI, USA; 2022 Expected) • Ph.D. in Geography (Cartography/GIS), Department of Geography - Core Courses: Graphic Designs in Cartography, Interactive Cartography & Geovisualization; Advanced Quantitative Analysis, Advanced Geocomputing and Big Data Analytics, Geospatial Database, GIS Applications; Seminars in GIScience (VGI; Deep Learning; Storytelling); Natural Hazards and Disasters (audit) • Doctoral Minor in Computer Science, Department of Computer Science - Core Courses: Data Structure, Algorithms, Artificial Intelligence, Computer Graphics, Human-Computer Interaction, Machine Learning (audit) • Research Direction: Spatiotemporal Analytics, Cartographic Visualization, Social Media Data Mining, Natural Disaster Management (bridging geospatial data science, cartography, and social good) • Current GPA: 3.7/4.0 University of Georgia (UGA) (Athens, GA, USA; 2017) • M.S. in Geography (GIS), Department of Geography - Core Courses: Statistical Method in Geography, Geospatial Analysis, Community GIS, Programming for GIS, Seminars in GIScience, Geographic Research Method, Satellite Meteorology and Climatology, Seminar in Climatology, Urban Geography (audit), Psychology (audit) • Research Direction: Location-based Social Media, Sentiment Analysis, Urban Spatiality, Electoral Geography • GPA: 3.7/4.0 Sun Yat-Sen University (SYSU) (Guangzhou, China; 2015) • B.S. in Geographic -
De La Música Tradicional De China. Selección
Discografía de la música tradicional de China. Selección Biblioteca Fundación Juan March Esta selección discográfica ha sido preparada con motivo de la exposición El principio Asia. China, Japón e India y el arte contemporáneo en España (1957-2017) y del ciclo de cinco conciertos Oriente y la música occidental. Durante la preparación de esta discografía no han sido incluidos numerosos registros publicados en China de muy difícil localización en Occidente. Tampoco se mencionan grabaciones sonoras anteriores al vinilo. Las músicas que aparecen en estos discos son un breve apunte de la riqueza musical tradicional que aún se practica en este país. Muchos de estos soportes sonoros han sido y son, además, fuente de estudio para compositores e intérpretes occidentales. La influencia de estas músicas sobre las técnicas compositivas, el timbre vocal e instrumental o sobre la concepción del tiempo musical es esencial para comprender una gran parte de la historia musical del siglo XX. Selección discográfica de José Luis Maire Biblioteca Fundación Juan March Abril de 2018 Música y canto budista La liturgia budista y taoísta en China tiene una historia de casi 2000 años y todavía se practica ampliamente en la actualidad. Desde su llegada a China hasta las llamadas tres dinastías del Norte y del Sur (420-589 d. C.), el budismo sufrió un proceso de consolidación hasta su profunda adaptación. Como numerosos documentos históricos demuestran (textos, pinturas y esculturas), el budismo introdujo en China nuevos géneros y prácticas rituales de una manera progresiva. Uno de los géneros más representativos y específicos de la liturgia vocal china es el denominado canto fanbei, caracterizado por la construcción de melodías melismáticas surgidas como consecuencia de un proceso de transculturación con las formas nativas de China. -
Bell Type Instruments • Bamboo Vibraphone • Belltree • Bhutan Bells
Bell Type Instruments Bamboo Vibraphone Iran Fingercymbals Tibetan Cymbals Belltree Metallophon Tibetan Singing Bells Bhutan Bells Mini Bells Vietnam Bells China Finger Cymbals Saron Gamelan Windbells Dream Catcher Shanghai Baby Piano Windchimes Ethno Gamelan Crash Bells Small Burma Bells World Glockenspiel Small Tubular Bells Bowed Instruments Gaohu Dilruba Ih Khuur Bass Morin Khuur Violin Egyptian Fiddle Jinghu Operaviolin Small Morin Khuur Erhu Morin Khuur Strings Western Fiddle Licks Esraj Ensemble CONSTRUCTION SETS China Set 100 Mid East Set 100 China Set 120 Mid East Set 120 Mid East Set 80 China Set 140 Mid East Set 140 GONGS & BOWLS Big FengGong Big Rako Bowls Java Gong Tam Tam Besar “ Big Tibetan Singing Mongolian Gong Thai Gong 14 Bowls Rin Singing Bowls Wuhan Tam Tam “ Gong Besar 18 KEYED INSTRUMENTS Scale Changer Dallape Accordion Melodica Harmonium India METAL TYPE INSTRUMENTS Kalimba Kibirizi 15 Bass Kalimba tuning Plates Metal Squares Cymbals Kalimba Kibirizi 5 Military Cymbals Hand Cymbals tuning Plates Mongolian Jews Harp Jews Harp Kalimba Hugh Tracey STRINGED INSTRUMENTS Acoustic Bass Vester Domra Sitar Balalaika Dra-Ngen Small Erhu Plectrum Bandura Grand Monochord Violin Banjo Framus Joochin Dulcimer Small Kantele Banjolin Kantele Steel String Guitar Big Erhu Plectrum Mandolin Truxa Falcon Violin Oud Tampura Bouzouki Sakis Oud Licks Tanbur Ceylon Guitar Resonator Guitar Timple Contra Guitar F - Bass Santoor Saberi Turke Saz Cora -
MUSIC INSPIRED by the MOVING IMAGE 4—16 May
MUSIC INSPIRED BY THE MOVING IMAGE 4—16 May MSO In Concert Program MSO Principal Partner Supported by What’s On May — August Beethoven’s Symphony No.7 Education Week Britten’s War Requiem FRIDAY 22 MAY MONDAY 1 JUNE TO THURSDAY 11 JUNE SATURDAY 23 MAY SATURDAY 6 JUNE FRIDAY 12 JUNE MONDAY 25 MAY Join the MSO and internationally Benjamin Britten’s War Requiem, One of the world’s most sought- acclaimed music educator, Paul a haunting piece interweaving the after composers, Matthias Pintscher, Rissmann, for the MSO’s fifth annual traditional Latin Mass for the Dead returns to conduct the Australian Education Week at the Melbourne with the works of First World War premiere of idyll, an MSO co- Town Hall and Hamer Hall, with a poet Wilfred Owen, is paired with commission, in a program that series of events for schools and the profoundly moving Elegy in also includes Beethoven’s Seventh families which integrate learning and memoriam Rupert Brooke. Symphony and Saint-Saëns’s Third entertainment, and foster a lifelong Violin Concerto with Karen Gomyo. love of music. Mahler 4 Yuja Wang Plays Prokofiev Tchaikovsky’s FRIDAY 19 JUNE THURSDAY 23 JULY Piano Concerto No.1 SATURDAY 20 JUNE FRIDAY 24 JULY FRIDAY 7 AUGUST MONDAY 22 JUNE SATURDAY 25 JULY SATURDAY 8 AUGUST A milestone in the MSO’s musical Chinese piano superstar Yuja Wang MONDAY 10 AUGUST evolution, Sir Andrew Davis’ brings her acclaimed virtuosity to The very epitome of Romantic Mahler Cycle series returns for Prokofiev’s tempestuous Second music, Tchaikovsky’s Piano Concerto its fourth chapter, alongside Piano Concerto. -
Analysis and Modeling of Timbre Perception Features in Musical Sounds
applied sciences Article Analysis and Modeling of Timbre Perception Features in Musical Sounds Wei Jiang 1,2,3, Jingyu Liu 1,2,3, Xiaoyi Zhang 1,2,3, Shuang Wang 1,2,3 and Yujian Jiang 1,2,3,* 1 Key Laboratory of Acoustic Visual Technology and Intelligent Control System, Communication University of China, Ministry of Culture and Tourism, Beijing 100024, China; [email protected] (W.J.); [email protected] (J.L.); [email protected] (X.Z.); [email protected] (S.W.) 2 Beijing Key Laboratory of Modern Entertainment Technology, Communication University of China, Beijing 100024, China 3 School of Information and Communication Engineering, Communication University of China, Beijing 100024, China * Correspondence: [email protected] Received: 25 December 2019; Accepted: 20 January 2020; Published: 22 January 2020 Abstract: A novel technique is proposed for the analysis and modeling of timbre perception features, including a new terminology system for evaluating timbre in musical instruments. This database consists of 16 expert and novice evaluation terms, including five pairs with opposite polarity. In addition, a material library containing 72 samples (including 37 Chinese orchestral instruments, 11 Chinese minority instruments, and 24 Western orchestral instruments) and a 54-sample objective acoustic parameter set were developed as part of the study. The method of successive categories was applied to each term for subjective assessment. A mathematical model of timbre perception features (i.e., bright or dark, raspy or mellow, sharp or vigorous, coarse or pure, and hoarse or consonant) was then developed for the first time using linear regression, support vector regression, a neural network, and random forest algorithms. -
(EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli
FAMILY (EN) GROUP (EN) KEYWORD (EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli Wind Accordions Accordion Strings Zithers Accord‐zither Percussion Drums Adufe Strings Musical bows Adungu Strings Zithers Aeolian harp Keyboard Organs Aeolian organ Wind Others Aerophone Percussion Bells Agogo Ogebe ; Ugebe Percussion Drums Agual Agwal Wind Trumpets Agwara Wind Oboes Alboka Albogon ; Albogue Wind Oboes Algaita Wind Flutes Algoja Algoza Wind Trumpets Alphorn Alpenhorn Wind Saxhorns Althorn Wind Saxhorns Alto bugle Wind Clarinets Alto clarinet Wind Oboes Alto crumhorn Wind Bassoons Alto dulcian Wind Bassoons Alto fagotto Wind Flugelhorns Alto flugelhorn Tenor horn Wind Flutes Alto flute Wind Saxhorns Alto horn Wind Bugles Alto keyed bugle Wind Ophicleides Alto ophicleide Wind Oboes Alto rothophone Wind Saxhorns Alto saxhorn Wind Saxophones Alto saxophone Wind Tubas Alto saxotromba Wind Oboes Alto shawm Wind Trombones Alto trombone Wind Trumpets Amakondere Percussion Bells Ambassa Wind Flutes Anata Tarca ; Tarka ; Taruma ; Turum Strings Lutes Angel lute Angelica Percussion Rattles Angklung Mechanical Mechanical Antiphonel Wind Saxhorns Antoniophone Percussion Metallophones / Steeldrums Anvil Percussion Rattles Anzona Percussion Bells Aporo Strings Zithers Appalchian dulcimer Strings Citterns Arch harp‐lute Strings Harps Arched harp Strings Citterns Archcittern Strings Lutes Archlute Strings Harps Ardin Wind Clarinets Arghul Argul ; Arghoul Strings Zithers Armandine Strings Zithers Arpanetta Strings Violoncellos Arpeggione Keyboard -
CHINA Speaks Your Language Presented by Silk Road Music
CHINA Speaks Your Language Presented by Silk Road Music www.silkroadmusic.ca This show was created with the generous support of Prologue to the Performing Arts China Speaks Your Language! Performed by Silk Road Duo: Qiu Xia He and Andre Thibault Program Description: In ancient times, Chinese explorers visited many places in the world, from Africa to Australia, and evi- dence suggests possibly North and South America. In a similar adventure and with as much excite- ment, Qiu Xia He came from China and learned that her instrument, the Chinese pipa, could speak the languages of musical traditions from around the globe. “China Speaks Your Language” is a music performance that will introduce audiences to different cul- tures through the experience, discoveries, and travels of the Silk Road Duo: Qiu Xia accompanied by multi-instrumentalist Andre Thibault. The pipa, a Chinese lute with a wide range of expression, will be the focal point. This husband-and-wife team is well equipped for their cultural voyage. Both have lived passionately as professional musicians. Their common bond and love of music have taken them on tours all over the world with award-winning groups like Silk Road Music, ASZA, Cordes en Folie and Jou Tou. They have performed from Montreal to London, from South Africa to Malaysia, from British Columbia to Hawaii. In 2004, they were featured with the Vancouver Symphony at the Orpheum to welcome His Holiness the Dalai Lama. “China Speaks Your Language” will surround the Chinese pipa with many world instruments, such as the flamenco guitar from Spain and the oud and bouzouki, lutes from the Middle East and Greece. -
Listening to Chinese Music
Listening to Chinese Music 1 Listening to Chinese Music This article is an English translation of part of the book Listening to Chinese Music 《中國音樂導賞》edited by Chuen-Fung Wong (黃泉鋒) and published by the Hong Kong Commercial Press in 2009 as a project of the Chinese Music Archive of the Chinese University of Hong Kong. With the permission by the Chinese Music Archive, this article is uploaded onto the Education Bureau’s website for teachers’ and students’ reference. As for the recordings of selected music, please refer to the CDs accompanying the printed copy of the Chinese version. © The Chinese Music Archive, the Chinese University of Hong Kong. All rights reserved. No part of this publication can be reproduced in any form or by any means. 2 Contents Foreword…………………………………………………………………………………..5 Translator’s Preface……………………………………………………………………….6 Chapter 1 Modern Chinese Orchestra ............................................................................. 8 Section 1 The Rise of the Modern Chinese Orchestra ......................................................... 9 Section 2 Instruments Used in the Modern Chinese Orchestra .......................................... 10 Section 3 The Characteristics of Chinese Orchestral Music and Its Genres ....................... 11 Section 4 The “Improvement” of Chinese Instruments ...................................................... 13 Section 5 The Development of Modern Chinese Orchestra ............................................... 15 Listening Guide ................................................................................................................... -
Matter of Time
ANDREW LUM MATTER OF TIME All Rights Reserved, National Library Board, Singapore 1. In the Beginning Concept - Andrew Lum Shakuhachi - John Kaizan Neptune Ganjira, Frame Drum & Talking Drum - V Selvaganesh 2. Matter of Time Arrangement - Andrew Lum Shakuhachi & Morsing - John Kaizan Neptune Vocals - G'ani Abdul Karim Indian Violin - V S Narasimhan Bass - Andy Peterson Ganjira, Frame Drums, Talking Drums & Darbuka - V Selvaganesh Chinese Drum & Gong - TamaGoh Surdo - lewis Pragasam All Rights Reserved, National Library Board, Singapore 3. New Asia Arrangement - Andrew Lum Sanxian & Pipa - Jessica Erhu - Kek Sitar - Janardan Mitta Santoor & Vocals - C Visweswaran Violin - V S Narasimhan Tabla & Djembe - Joe Jayaveeran Mridangam - D A Srinivas Bass - Andy Peterson Ganjira - V Selvaganesh Sells, Chinese Drum, Gong & Rattle - TamaGoh Surdo & Jingle Sticks - Lewis Pragasam 5. Poison 4. Gratitude Arrangement - Andrew Lum Indian Violin - V S Narasimhan Sanxian - Jessica Keyboard - Andrew Lum Suona - YZ Bells - TamaGoh Guitar - Jonathan Koh Bass - Colin Yong Gatam & Tabia - S Maniam Hi Hats - Edmond Branson Jr All Rights Reserved, National Library Board, Singapore 6. When Two Hearts Meet Arrangement - Andrew Lum Sanxian - Jessica Gaohu - Kek 7. Flowing in Seasons Surdo - Lewis Pragasam Arrangement - Andrew Lum Dizi - Lim Sin Yeo Sanxian & Pipa - Jessica Guzheng - Yeo Puay Hian Erhu - Sara I Gatam - Joe Jayaveeran Guanzi - YZ Clave - TamaGoh Triangle & Shaker - TamaGoh Bongos - Joe Jayaveeran Bass - Colin Yong 8. Selina's Song Arrangement - Andrew Lum Erhu - Sara T Gonjira, Talking Drums, Gatam & Bells - V Selvaganesh Triangle - Joe Jayaveeran Clave - Tama Goh 9. Longing Arrangement - Andrew Lum Sanxian - Jessica Bells - TamaGoh All Rights Reserved, National Library Board, Singapore 10. Thanksgiving Arrangement - Andrew Lum Suona, Guanzi, Huluxi & Bawu - YZ Javanese Seruling - Mohar Sitar - Janardan Mitta Mridangam - D A Srinivas Tabla, Gatam & Darbuka - S Maniam Djembe - Joe Jayaveeran Bells, Chinese Drum & Gong - TamaGoh 12. -
Detailed Instrument List & Descriptions
DIRECTORY OF INSTRUMENTS IN GARRITAN WORLD INSTRUMENTS 66 THE WIND INSTRUMENTS ARIA name: Description: Controls: Africa Arghul The Arghul is a reed woodwind instrument that Vel (attack), MW consists of two asymmetrical pipes. One pipe, (vol/eq), Porta, a chanter with between five and seven finger Lgth, VAR1, holes, is dedicated to the melody. The second VAR2, FiltLv, pipe, longer than the first, produces a drone. FiltFq, VibSpd, Arghuls come in different sizes and are played in Vib Amt, AirNs, Egypt and surrounding regions. Fluttr, Auto- • Range: C3- C6 Legato, BndSpd, Keyswitches Mijwiz 1 The Mijwiz is a traditional instrument of Egypt Vel (attack), MW and is one of the oldest wind instruments. Its (vol/eq), Porta, name means “dual” as it consists of two short Lgth, VAR1, bamboo reed pipes tied together. Instead of hav- VAR2, FiltLv, ing a separate reed attached to a mouthpiece, FiltFq, VibSpd, the reed in the Mijwiz is a vibrating tongue Vib Amt, AirNs, made from a slit cut into the wall of the instru- Fluttr, Auto- ment itself. Legato, BndSpd, • Range: C3 - C6 Keyswitches Mijwiz 2 Another Mijwiz instrument with a different Vel (attack), MW range and character. (vol/eq), Porta, • Range: C4 - C6 Lgth, VAR1, VAR2, FiltLv, FiltFq, VibSpd, Vib Amt, AirNs, Fluttr, Auto- Legato, BndSpd, Keyswitches A User’s Guide to Garritan World Instruments THE WIND INSTRUMENTS ARIA name: Description: Controls: China Bawu The Bawu is a side-blown wind instrument Vel (attack), MW found throughout China. Although it re- (vol/eq), Porta, Lgth, sembles a flute, it is actually a reed instrument. -
Garritan World Instruments Complete Instrument List
Garritan World Instruments Complete Instrument List Garritan: World Instruments Complete Instrument List Africa: Sakara India: Sangban Arghul Bansuri 1 Sanza Mijwiz 1 Bansuri 2 Sistrum Mijwiz 2 Pungi Snake Charmer Tama (Talking Drum) Adodo Shenai Televi African Log Drum Shiva Whistle Tonetang (Stir Drum) Apentima Basic Indian Percussion Udu Drums Ashiko Chenda Begena Balafon Chimta Bolon Basic African Percussion Chippli Domu Bougarabou Dafli Kora Dawuro Damroo Ngoni Djembe Dhol Dondo China: Dholak Doun Ba Bawu Ghatam Atoke Di-Zi Ghungroo Axatse Guanzi Gong (Stinging Gong) Gankokwe Hulusi Hatheli Kagan Sheng Kanjeera Kpanlogo 1 Large Suona Khartal Kpanlogo 2 Medium Xiao Khol Kpanlogo 3 Combo Basic Chinese Percussion Manjeera Sogo Bianzhong Murchang Fontomfrom Bo Mridangam Gome Chinese Cymbals Naal Gyil Chinese Gongs Nagara Ibo Datangu Lion Drum Pakhawaj Kalimbas Pan Clappers Stir Drum Kenkeni Temple Bells Tablas Kpoko Kpoko Temple Blocks Tamte Krin Slit Drum Choazhou Guzheng Tasha Likembe Erhu Tavil Mbira Guzheng Udaku Morocco Drum Pipa Electric Sitar Nigerian Log Drum Yueqin Sarangi Sarangi Drone Thai Gong Uilleann Pipes Sitar Tibetan Cymbals Bone Flute 1 Tambura Tibetan Singing Bowls Bone Flute 2 Japan: Tibetan Bells Irish Flute Tingsha Shepherds Folk Pipe 1 Hichiriki Dan Tranh Shepherds Folk Pipe 2 Knotweed Flute Dan Ty Ba Bodhran Shakuhachi Gopichand Hang Drum Chanchiki Jaw Harps Chu-daiko Europe: Rattle Cog Daibyoshi Double Flute Hira-Daiko Dvojnice Double Flute Latin America: Hyoushigi Double Flute Drone Andean Panpipes Ko-Daiko -
Chinese Ensemble Program Spring 2021
BARD CHINESE ENSEMBLE SPRING CONCERT Thursday, May 27, 2021 at 8:00pm EDT Recorded Live at the Central Conservatory of Music (CCOM) Beijing, China US-China Music Institute of the Bard College Conservatory of Music presents BARD CHINESE ENSEMBLE SPRING CONCERT May 27, 2021 at 8:00pm EDT Purple Bamboo 紫⽵调 JiangNan Silk & Bamboo music, arr. Chen Tao Little Boat ⼩⾏⾈ Folk tune, arr. Chen Tao Sadness of Chang Men Palace ⻓⻔怨 Traditional, arr. Zhu Yi Qi Miao, An Qizhi, guqin Liu Chang, Lin Chenxiehang, erhu Three-Six 三六 Gu Guan-Ren, arr. Chen Tao Mihu Tune 迷胡调 Lu Ri-Rong Beitong Liu, erhu Northwest Rain ⻄北⾬ Taiwanese Folk tune, arr. Chen Tao Happy Life 幸福的⽇⼦ Folk tune, arr. Chen Tao Sun Dunlong, trumpet Jasmine Flower 茉莉花 Folk tune, arr. Chen Tao Song of Joy 欢乐歌 JiangNan Silk & Bamboo music Jackdaw Splashing in Water 寒鸦戏⽔ Trad. Chaozhou tune Yixin Wang, guzheng A Beautiful Place 美丽的地⽅ Folk tune, arr. Chen Tao Sun Dunlong, trumpet Night of Frontier Village 边寨之夜 Wang Zhi-Xin, arr. Chen Tao Bard Chinese Ensemble 2 Spring Concert, May 27, 2021 PROGRAM NOTES Purple Bamboo 紫⽵调 JiangNan Silk & Bamboo music, arr. Chen Tao This lively tune is a folk song popular south of the Yangtze River. Traditionally, the main melody is played alternately by the dizi, the strings, and the plucking instruments and is an example of the Silk & Bamboo music style. Little Boat ⼩⾏⾈ Folk tune, arr. Chen Tao The music is created based on the materials of the Jing-Yun drum. Composed in one of the traditional Singing & Spoken formats unique to northern China, the piece has a strong regional style.