MUSIC INSPIRED by the MOVING IMAGE 4—16 May
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Cellist Zuill Bailey with Helen Kim and the KSU Symphony Orchestra
SCHOOL of MUSIC where PASSION is Zuill Bailey,heard Cello featuring Helen Kim, Violin Robert Henry, Piano KSU Symphony Orchestra Nathaniel F. Parker, Music Director and Conductor Wednesday, October 9, 2019 | 8:00 PM Dr. Bobbie Bailey & Family Performance Center, Morgan Hall musicKSU.com 1 heard Program LUKAS FOSS (1922-2009) CAPRICCIO MAX BRUCH (1838-1920) KOL NIDREI, OPUS 47 PYOTR ILYICH TCHAIKOVSKY (1840-1893) VARIATIONS ON A ROCOCO THEME, OPUS 33 Zuill Bailey, Cello Robert Henry, Piano –INTERMISSION– JOHANNES BRAHMS (1833-1897) CONCERTO FOR VIOLIN, CELLO, AND ORCHESTRA IN A MINOR, OPUS 102 I. ALLEGRO II. ANDANTE III. VIVACE NON TROPPO Zuill Bailey, Cello Helen Kim, Violin Kennesaw State University Symphony Orchestra Nathaniel F. Parker, Conductor We welcome all guests with special needs and offer the following services: easy access, companion seating locations, accessible restrooms, and assisted listening devices. Please contact a patron services representative at 470-578-6650 to request services. 2 Kennesaw State University School of Music KSU Symphony Orchestra Personnel Nathaniel F. Parker, Music Director & Conductor Personnel listed alphabetically to emphasize the importance of each part. Rotational seating is used in all woodwind, brass, and percussion sections. Flute Violin Cello Don Cofrancesco Melissa Ake^, Garrett Clay Lorin Green concertmaster Laci Divine Jayna Burton Colin Gregoire^, principal Oboe Abigail Carpenter Jair Griffin Emily Gunby Robert Cox^ Joseph Grunkmeyer, Robert Simon Mary Catherine Davis associate principal -
An Analysis of Honegger's Cello Concerto
AN ANALYSIS OF HONEGGER’S CELLO CONCERTO (1929): A RETURN TO SIMPLICITY? Denika Lam Kleinmann, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Eugene Osadchy, Major Professor Clay Couturiaux, Minor Professor David Schwarz, Committee Member Daniel Arthurs, Committee Member John Holt, Chair of the Division of Instrumental Studies James Scott, Dean of the School of Music Mark Wardell, Dean of the Toulouse Graduate School Kleinmann, Denika Lam. An Analysis of Honegger’s Cello Concerto (1929): A Return to Simplicity? Doctor of Musical Arts (Performance), May 2014, 58 pp., 3 tables, 28 examples, 33 references, 15 titles. Literature available on Honegger’s Cello Concerto suggests this concerto is often considered as a composition that resonates with Les Six traditions. While reflecting currents of Les Six, the Cello Concerto also features departures from Erik Satie’s and Jean Cocteau’s ideal for French composers to return to simplicity. Both characteristics of and departures from Les Six examined in this concerto include metric organization, thematic and rhythmic development, melodic wedge shapes, contrapuntal techniques, simplicity in orchestration, diatonicism, the use of humor, jazz influences, and other unique performance techniques. Copyright 2014 by Denika Lam Kleinmann ii TABLE OF CONTENTS Page LIST OF TABLES………………………………………………………………………………..iv LIST OF MUSICAL EXAMPLES………………………………………………………………..v CHAPTER I: INTRODUCTION………..………………………………………………………...1 CHAPTER II: HONEGGER’S -
Board of Officers Room Veterans Room
ABOUT PARK AVENUE ARMORY 2017 RECITAL SERIES and ARTISTS STUDIO The Recital Series and Artists Studio series provide a range of performances in which contemporary artists engage with audiences on a level of intimacy that is unprecedented in conventional concert halls and performance spaces today. The programs offer artists the opportunity to respond to the context and character of two of the most important historic interiors in the country, the Board of Officers Room and the Veterans Room, complementing the institution’s groundbreaking productions in the soaring Wade Thompson Drill Hall and providing audiences experiences with artists from around the globe. Presented in the glorious salon setting of the Board of Officers Room, the acclaimed Recital Series offers audiences the opportunity to experience chamber music as it was originally intended. Launched in 2013 with the revitalization of the room, the series showcases musicians performing a range of classical and contemporary works. The 2017 series includes both established and emerging opera performers and musicians in a range of programs reflective of their individual artistry. The Artists Studio, curated by MacArthur “Genius” Jason Moran, launched in March 2016 alongside the inauguration of the revitalized Veterans Room, a collaboration amongst some of the most talented emerging designers of the time— including Louis C. Tiffany, Stanford White, and others. The series takes inspiration from the exuberant design of the room and experimental spirit of the designers who conceived it. Drawing from the variety of cultures and styles visible in the space, this season explores global influences in contemporary music with performances by musicians, composers, and artists who infuse their work with references and source material from around the world—from Japan, India, and West Africa to the American South and Harlem. -
Concert and Music Performances Ps48
J S Battye Library of West Australian History Collection CONCERT AND MUSIC PERFORMANCES PS48 This collection of posters is available to view at the State Library of Western Australia. To view items in this list, contact the State Library of Western Australia Search the State Library of Western Australia’s catalogue Date PS number Venue Title Performers Series or notes Size D 1975 April - September 1975 PS48/1975/1 Perth Concert Hall ABC 1975 Youth Concerts Various Reverse: artists 91 x 30 cm appearing and programme 1979 7 - 8 September 1979 PS48/1979/1 Perth Concert Hall NHK Symphony Orchestra The Symphony Orchestra of Presented by The 78 x 56 cm the Japan Broadcasting Japan Foundation and Corporation the Western Australia150th Anniversary Board in association with the Consulate-General of Japan, NHK and Hoso- Bunka Foundation. 1981 16 October 1981 PS48/1981/1 Octagon Theatre Best of Polish variety (in Paulos Raptis, Irena Santor, Three hours of 79 x 59 cm Polish) Karol Nicze, Tadeusz Ross. beautiful songs, music and humour 1989 31 December 1989 PS48/1989/1 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Elisa Wilson Embleton (soprano), John Kessey (tenor) Date PS number Venue Title Performers Series or notes Size D 1990 7, 20 April 1990 PS48/1990/1 Art Gallery and Fly Artists in Sound “from the Ros Bandt & Sasha EVOS New Music By Night greenhouse” Bodganowitsch series 31 December 1990 PS48/1990/2 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Emma Embleton Lyons & Lisa Brown (soprano), Anson Austin (tenor), Earl Reeve (compere) 2 November 1990 PS48/1990/3 Aquinas College Sounds of peace Nawang Khechog (Tibetan Tour of the 14th Dalai 42 x 30 cm Chapel bamboo flute & didjeridoo Lama player). -
Classical Series 1 2019/2020
classical series 2019/2020 season 1 classical series 2019/2020 Meet us at de Doelen! Bang in the middle of Rotterdam’s vibrant city centre and at a stone’s throw from the magnificent Central Station, you find concert hall de Doelen. A perfect architectural example of the Dutch post-war reconstruction era, as well as a veritable people’s palace, featuring international programming and festivals. Built in the sixties, its spacious state- of-the-art auditoria and foyers continue to make it look and feel like a timelessly modern and dynamic location indeed. De Doelen is home to the Rotterdam Philharmonic Orchestra, with the very young and talented conductor Lahav Shani at its helm. But that is not all! With over 600 concerts held annually, our programming is delightfully varied, ranging from true crowd-pullers to concerts catering to connoisseurs, and from children’s concerts to performances of world music, jazz and hip-hop. What’s more, de Doelen is the beating heart of renowned cultural festivals such as the IFFR, Poetry International, Rotterdam Unlimited, HipHopHouse’s Make A Scene and RPhO’s Gergiev Festival. Check this brochure for this season’s programme. You will hopefully be as thrilled as we are with what’s on offer. Meet us at de Doelen and enjoy! Janneke Staarink, director & de Doelen team Janneke Staarink © Sanne Donders classical series 3 contents classical series 2019/2020 season preface 3 Pierre-Laurent Aimard © Marco Borggreve Grupo Ruta de la Esclavitud © Claire Xavier classical series 6 - 29 suggestions per subject 30 chronological overview 32 piano great baroque ordering information 36 From classics to cross-overs: the versatility of the This series features great themes and signature baroque floor plans 38 piano takes centre stage. -
Repertoire List
APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op. -
CONCERTO NIGHT 2020 from the DIRECTOR of MUSIC PERFORMANCE PROGRAMME Numerous Rituals and Rites Associated with Year 12
CONCERTO NIGHT 2020 FROM THE DIRECTOR OF MUSIC PERFORMANCE PROGRAMME numerous rituals and rites associated with Year 12. Their year has been Kate Zhao met with the pandemic that swept Concerto in D Minor for Cello, Movement III, Introduction. Andante – Allegro Vivace the globe. We thank God that our Édouard Lalo challenges and disappointments Conductor: Brendon Pearn | MLC Symphony Orchestra pale in comparison with many communities around the world, April Ward Bassoon Concerto in F Major, Op. 75, Movement I, Allegro ma non troppo where again and again we have been reminded of the power of Carl Maria von Weber music to provide social connection, Conductor: Robert Faulkner | MLC Symphony Orchestra to regulate our personal well-being Sophie Butler and mental health, even to mourn. Cello Concerto No. 1, Op 33, Movement II, Allegro non troppo and Movement III, Molto allegro We are reminded that we don’t make Camille Saint-Saëns music just for the Europe Music Tour, Conductor: Brendon Pearn | MLC Symphony Orchestra however magical that experience may be. We don’t make music to Evelyn Carapetis Concerto Night is one of the great Through successes and challenges, collect certificates, diplomas or win Légende Op. 17 highlights of the MLC musical that journey demands a dedication awards, however satisfying that sense Henryk Wieniawski journey. After thousands of hours and resilience that can only be of achievement. We make music Conductor: Jasmin Parkinson-Stewart | MLC Symphony Orchestra of practice and hundreds of early explained by the incomprehensible because it helps us to live well, to morning rehearsals, young women, way in which music moves us. -
Lang Lang, Piano Frédéric Chopin (1810–1849) Twelve Études, Op
CAL PERFORMANCES PRESENTS PROGRAM Wednesday, November 2, 2011, 8pm Zellerbach Hall Lang Lang, piano Frédéric Chopin (1810–1849) Twelve Études, Op. 25 (c.1837) No. 1 in A-flat major: Allegro sostenuto No. 2 in F minor: Presto PROGRAM No. 3 in F major: Allegro No. 4 in A minor: Agitato No. 5 in E minor: Vivace Johann Sebastian Bach (1685–1750) Partita No. 1 in B-flat major, BWV 825 (c.1726) No. 6 in G-sharp minor: Allegro (“Study in Thirds”) Præludium No. 7 in C-sharp minor: Lento Allemande No. 8 in D-flat major: Vivace Courante No. 9 in G-flat major: Allegro assai (“Butterfly”) Sarabande No. 10 in B minor: Allegro con fuoco Menuets I and II No. 11 in A minor: Lento — Allegro con brio Gigue (“The Winter Wind”) No. 12 in C minor: Allegro molto con fuoco Franz Schubert (1797–1828) Sonata in B-flat major, D. 960 (1828) Molto moderato Andante sostenuto Scherzo: Allegro vivace con delicatezza This performance is made possible, in part, by Patron Sponsors Allegro, ma non troppo Diana Cohen and Bill Falik. Cal Performances’ 2011–2012 season is sponsored by Wells Fargo. INTERMISSION 4 CAL PERFORMANCES CAL PERFORMANCES 5 PROGRAM NOTES PROGRAM NOTES Johann Sebastian Bach (1685–1750) earliest date allowed by the enormous demands short canonic pieces and the “St. Anne” Prelude keyboard suite,” wrote Karl Geiringer, “which Partita No. 1 in B-flat major, BWV 825 of his official position for new sacred vocal mu- and Fugue; and Part IV (1742), the incompa- under his masterly hands assumed a unique sic, Bach began a series of keyboard suites that rable Goldberg Variations. -
Full Curriculum Vitae
Chenxiao.Atlas.Guo [email protected] Updated Aug 2021 atlasguo @cartoguophy atlasguo.github.io CURRICULUM VITAE EDUCATION University of Wisconsin-Madison (UW-Madison) (Madison, WI, USA; 2022 Expected) • Ph.D. in Geography (Cartography/GIS), Department of Geography - Core Courses: Graphic Designs in Cartography, Interactive Cartography & Geovisualization; Advanced Quantitative Analysis, Advanced Geocomputing and Big Data Analytics, Geospatial Database, GIS Applications; Seminars in GIScience (VGI; Deep Learning; Storytelling); Natural Hazards and Disasters (audit) • Doctoral Minor in Computer Science, Department of Computer Science - Core Courses: Data Structure, Algorithms, Artificial Intelligence, Computer Graphics, Human-Computer Interaction, Machine Learning (audit) • Research Direction: Spatiotemporal Analytics, Cartographic Visualization, Social Media Data Mining, Natural Disaster Management (bridging geospatial data science, cartography, and social good) • Current GPA: 3.7/4.0 University of Georgia (UGA) (Athens, GA, USA; 2017) • M.S. in Geography (GIS), Department of Geography - Core Courses: Statistical Method in Geography, Geospatial Analysis, Community GIS, Programming for GIS, Seminars in GIScience, Geographic Research Method, Satellite Meteorology and Climatology, Seminar in Climatology, Urban Geography (audit), Psychology (audit) • Research Direction: Location-based Social Media, Sentiment Analysis, Urban Spatiality, Electoral Geography • GPA: 3.7/4.0 Sun Yat-Sen University (SYSU) (Guangzhou, China; 2015) • B.S. in Geographic -
Guitarist Sharon Isbin Packs NEO Debut with Music of Personal, Historic Significance (Preview)
Guitarist Sharon Isbin packs NEO debut with music of personal, historic significance (preview) Updated Nov 3, 2017; Posted Nov 3, 2017 Guitarist Sharon Isbin is set to make her Northeast Ohio debut Nov. 4 with a concert for the Cleveland Classical Guitar Society. She'll be joined by local guitarist and former student Colin Davin. (J Henry Fair) By Zachary Lewis, The Plain Dealer CLEVELAND, Ohio - Prepare to be moved, to witness a display of guitar's power to shape and connect lives. From the first note played this weekend by guest artist Sharon Isbin to the last chord strummed by students next spring, the remainder of the Cleveland Classical Guitar Society's 2017-18 season will serve as living proof that music matters both inside the concert hall and out. With so much in store this season, "I'm really on top of the world," said Erik Mann, executive director of the society. "I'm really excited about the future." Start with Isbin, the first artist on this year's International Series. Not only is the guitar heroine making her Cleveland debut in the company of her former student Colin Davin, to Mann's enormous delight. She's performing music rich with personal and historical significance. Most in Isbin's position would simply show up and play whatever happens to be of interest at the moment. Not Isbin. For Cleveland, she's planned an eclectic slate of composers she knows or knew personally, some of whose lives and work were affected by authoritarian governments. "It's an interesting collection of composers, all of them united by Fascism," Isbin said, alluding to Rodrigo, Granados, and De Falla, the principal figures behind her latest recording, "Alma Espanola." "They're such a robust part of the music that I play, and it's important to be celebrating them now." Granados lost his life during World War I. -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made.