50 Years in a Day
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Abendprogramm
2019 20:00 05.02.Grand Auditorium Mardi / Dienstag / Tuesday Grands chefs Chamber Orchestra of Europe Bernard Haitink direction Gautier Capuçon violoncelle Robert Schumann (1810–1856) Ouvertüre, Scherzo und Finale E-Dur (mi majeur) op. 52 (1841/1845/1853) Ouvertüre: Andante con moto – Allegro Scherzo: Vivo – Trio: L’istesso tempo – Coda Finale: Allegro molto vivace 17’ Konzert für Violoncello und Orchester a-moll (la mineur) op. 129 (1850) Nicht zu schnell – Etwas zurückhaltend, attacca: Langsam – Etwas lebhafter – Tempo I – Schneller, attacca: Sehr lebhaft – Schneller 25’ — Ludwig van Beethoven (1770–1827) Symphonie N° 7 A-Dur (la majeur) op. 92 (1811/12) I. Poco sostenuto – Vivace II. Allegretto III. Presto – Assai meno presto – Presto – Assai meno presto – Presto – Coda: Assai meno presto – Presto IV. Allegro con brio 36’ Den Houschtejang an d’Houschteketti Le célèbre caricaturiste allemand Der renommierte deutsche Karika- Martin Fengel (connu notamment turist Martin Fengel (bekannt u. a. pour ses contributions dans le aus dem Zeit-Magazin) begleitet Zeit-Magazin) ponctue les pro- die Abendprogramme der Saison grammes du soir de la saison 2018/19 mit Momentaufnahmen 2018/19 d’instantanés sur le thème zum Thema geräuschvollen Stö- des nuisances sonores dans les rens im Konzertsaal. Lassen Sie salles de concert. Laissez-vous sich durch die vergnügliche Dar- inspirer par cette présentation stellung zu rücksichtsvollem Musik- ludique, pour savourer la musique genuss inspirieren. en toute tranquillité. Sur l’Ouvertüre, Scherzo und Finale op. 52 de Schumann Brigitte François-Sappey (2012) Au soir de la création de sa Symphonie N° 1, Schumann note : « Je me sens attiré par la nouvelle ouverture que j’ai mise en chantier. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Franz Liszt Die Orchesterwerke Im Originalklang
Franz Liszt Die Orchesterwerke im Originalklang Orchester Wiener Akademie Martin Haselböck The Sound of Weimar Franz Liszt (1811–1886) The Sound of Weimar Liszts Orchesterwerke im Originalklang / The Authentic Sound of Liszt’s Orchestral Works I Eine Sinfonie nach Dantes Divina Commedia S 109 A Symphony to Dante’s Divina Commedia, S 109 1 Inferno 20:49 2 Purgatorio – 16:41 3 Magnifi cat 6:27 4 Evocation à la Chapelle Sixtine 15:09 (Violinsolo / Solo Violin: Ilia Korol) Frauen des Chorus sine nomine / Women of the Chorus sine nomine (Johannes Hiemetsberger Chorleiter / Choir Master) II Eine Faust-Symphonie in drei Charakterbildern S 108 A Faust Symphony in Three Character Sketches, S 108 1 I. Faust 26:59 2 II. Gretchen 17:36 2 3 III. Mephistopheles – IV. Chorus Mysticus 23:45 Steve Davislim Tenor / tenor Männer des Chorus sine nomine / Men of the Chorus sine nomine (Johannes Hiemetsberger Chorleiter / Choir Master) III 1 Les Préludes, S 97 15:35 Sinfonische Dichtung Nr. 3 / Symphonic Poem No. 3 2 Orpheus, S 98 10:27 Sinfonische Dichtung Nr. 4 / Symphonic Poem No. 4 3 „Ce qu’on entend sur la montagne“ (Berg-Symphonie), S 95 30:12 Sinfonische Dichtung Nr. 1 / Symphonic Poem No. 1 IV 1 Hunnenschlacht, S 105 16:25 Sinfonische Dichtung Nr. 11 / Symphonic Poem No. 11 2 Hungaria, S 103 23:07 Sinfonische Dichtung Nr. 9 / Symphonic Poem No. 9 3 Mazeppa, S 100 18:33 Sinfonische Dichtung Nr. 6 / Symphonic Poem No. 6 3 V 1 Tasso. Lamento e trionfo, S 96 20:41 Sinfonische Dichtung Nr. -
The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL and INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors
The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL AND INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors Music@Menlo Through Brahms the ninth season July 22–August 13, 2011 david finckel and wu han, artistic directors Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 Through Brahms Program Overview 6 Essay: “Johannes Brahms: The Great Romantic” by Calum MacDonald 8 Encounters I–IV 11 Concert Programs I–VI 30 String Quartet Programs 37 Carte Blanche Concerts I–IV 50 Chamber Music Institute 52 Prelude Performances 61 Koret Young Performers Concerts 64 Café Conversations 65 Master Classes 66 Open House 67 2011 Visual Artist: John Morra 68 Listening Room 69 Music@Menlo LIVE 70 2011–2012 Winter Series 72 Artist and Faculty Biographies 85 Internship Program 86 Glossary 88 Join Music@Menlo 92 Acknowledgments 95 Ticket and Performance Information 96 Calendar Cover artwork: Mertz No. 12, 2009, by John Morra. Inside (p. 67): Paintings by John Morra. Photograph of Johannes Brahms in his studio (p. 1): © The Art Archive/Museum der Stadt Wien/ Alfredo Dagli Orti. Photograph of the grave of Johannes Brahms in the Zentralfriedhof (central cemetery), Vienna, Austria (p. 5): © Chris Stock/Lebrecht Music and Arts. Photograph of Brahms (p. 7): Courtesy of Eugene Drucker in memory of Ernest Drucker. Da-Hong Seetoo (p. 69) and Ani Kavafian (p. 75): Christian Steiner. Paul Appleby (p. 72): Ken Howard. Carey Bell (p. 73): Steve Savage. Sasha Cooke (p. 74): Nick Granito. -
33° Festival Di Pentecoste I Concerti Di Badia
33° FESTIVAL DI PENTECOSTE 2, 3, 15, 16, giugno 2019 I CONCERTI DI BADIA 4, 13, 19, 27 luglio 2019 Badia a Passignano Tavarnelle Val di Pesa (Firenze) Unione Comunale del Chianti Fiorentino Con il patrocinio di Amici della Musica Comune di Tavarnele Val di Pesa CITTÀ METROPOLITANA Barberino Tavarnelle DI FIRENZE Questa Cappellina, detta del Morandello, fu costruita grazie al contributo dei fedeli della Compagnia di San Giovanni Gualberto nel 1584. L’eleganza rinascimentale del piccolo monumento è stata ora riportata al suo splendore per merito della generosità di Elisabetta Bertol, che ha voluto dedicare questa opera di consolidamento e restauro in memoria dei suoi genitori, che tanto amavano Badia a Passignano. Gli amici della Musica di Barberino Tavarnelle ringraziano la Prof.ssa Elisabetta Bertol e il Prof. Francesco Mari per la sensibilità e per i contributi con cui sostengono la Badia e la realizzazione della stagione concertistica. con il contributo di Info: www.amicidellamusicatavarnelle.it [email protected] Questa stagione è dedicata alla memoria di Adela Bonomi, che per più di vent’anni è stata una delle colonne della nostra Associazione e non ha mai fatto mancare il suo contributo di entusiasmo e dedizione. Continuare a far musica alla Badia di Passignano è anche un modo di proseguire il nostro viaggio insieme a quanti hanno iniziato questa avventura, e non sono più con noi. Associazione Amici della Musica di Tavarnelle Val di Pesa COMITATO DIRETTIVO Giuseppe Garro, Presidente onorario Sebastiano Renna, Presidente -
Prog. De Mà Yuja Wang & Chamber Orchestra of Europe
MÚSICA DE CAMBRA YUJA WANG & CHAMBER ORCHESTRA OF EUROPE 20 DE GENER DE 2018 SALA 1 PAU CASALS YUJA WANG piano CHAMBER ORCHESTRA OF EUROPE LORENZA BORRANI concertino Comenta aquest concert amb #auditori #cambra www.auditori.cat Lepant 150 Mitjans Patrocinadors 08013 Barcelona PROGRAMA DISSABTE 20 | 19 h GENER DE 2018 Yuja Wang piano · Chamber Orchestra of Europe · Lorenza Borrani concertino FELIX Obertura de Märchen von der schönen 1 / 11’ MENDELSSOHN* Melusine, op. 32 (1833) Hamburg 1809 - Leipzig 1847 LUDWIG VAN Concert per a piano núm. 1, op. 15 (1795) 2/ 35’ BEETHOVEN** I. Allegro con brio Bonn 1770 - Viena 1827 II. Largo III. Rondo. Allegro scherzando C M PAUSA 20’ Y CM FELIX Selecció d'A Midsummer Night’s Dream, / 30’ MY 3 MENDELSSOHN* op. 61 (1826-1842) CY (Somni d’una nit d’estiu) CMY I. Overture. Allegro vivace K II. Scherzo. Allegro molto vivace V. Intermezzo. Allegro appassionato VI. Notturno. Con moto tranquillo VIII. Marcia Funebre. Allegro comodo IX. Ein Tanz von Rüppeln (Bergamasque). Allegro di molto FRÉDÉRIC Andante spianato et Grande polonaise 4/ 14’ CHOPIN** brillante, op. 22 (1831-34) Zelazowa-Wola, prop Varsòvia 1810 - I. Andante spianato: Tranquillo París 1849 II. Grande polonaise brillante: Allegro molto. Meno mosso * Dirigit per Lorenza Borrani / ** Dirigit per Yuja Wang El temps i la durada del concert són aproximats. Agrairíem que apaguéssiu els mòbils, desactivéssiu Programa presentat per les alarmes sonores i continguéssiu els estossecs. Un mocador redueix notablement el soroll. CHAMBER ORCHESTRA OF EUROPE Va ser fundada el 1981 per músics de la Jove Orquestra de la Unió Europea i actualment compta amb seixanta membres. -
Gestalten Und Schöpfen
Magazin der Gesellschaft der Musikfreunde in Wien Jänner 2009 Gestalten und Schöpfen Staatsoperndirektoren und -dirigenten als Liederkomponisten Lieder komponierende Direktoren und Dirigenten. Was an der Wiener Staatsoper lange Zeit schöne Tradition war, erklären Ildikó Raimondi, Peter Matic und Charles Spencer im Musikverein zum Thema ihres Abends in der Reihe „Lied.Bühne“. Sie haben es tatsächlich getan – sie haben Lieder komponiert, und zwei von ihnen mit großem, ja mit größtem Erfolg: Gustav Mahler und Richard Strauss. Die anderen sekundierten mit mehr oder weniger bedeutenden Leistungen: Johann von Herbeck, Felix von Weingartner oder Clemens Krauss, Bruno Walter und Karl Böhm. In Herbeck, Weingartner und Krauss brannte noch das Feuer schöpferischer Begeisterung, obwohl die Hingabe an die musikalische nachgestaltende Arbeit des Opern- und Konzertbetriebs die Kräfte für selbständiges Schaffen nur bedingt freisetzte. Bei Krauss ging vieles davon in die Zusammenarbeit mit Richard Strauss ein, während es für Walter und Böhm bei jugendlichen oder zumindest frühen Talentproben blieb. Lebendige Tradition Einmal in der 150-jährigen Geschichte der Wiener Oper standen einander im Direktorium ein nachgestaltender und ein schöpferischer Künstler gegenüber: Franz Schalk und Richard Strauss. Anlässlich der Uraufführung der Oper „Die Frau ohne Schatten“ des designierten neuen Wiener Operndirektors aus Bayern am 10. Oktober 1919 unter der Leitung von Franz Schalk – eines kongenialen „direktoralen“ Ereignisses, das in seiner Bedeutung nicht mehr übertroffen wurde – schrieb der führende Wiener Musikkritiker Julius Korngold: „Es gibt keinen lebenden Musiker, der ähnliches vermöchte; aber wer brächte auch das Vorangegangene zustande?“ Unter dem „Vorangegangenen“ darf man neben den Opern von Richard Strauss auch die symphonischen Dichtungen, kleineren Konzertstücke und schließlich die Lieder bedenken. -
Boston Symphony Orchestra Concert Programs, Summer, 1982
BOSTON SWPHONY ORCHESTRA SEIJI OZAWA. Musk: Director - -t- " I Yes, if you're lucky! When you plan a Berkshire vacation, you're apt to neai^Sorry we're booked" m<|re than once. Simply because tourists value our country cnafm blended with cosmopolitan culture. We at Foxhollow hate the thought of your missing out on the Berkshire experience, so we're delighted to introduce our time-shared vacation home concept which provides you with superb accommodations at a fraction of their normal cost All yours ... a contemporary resort dwelling built on a renowned 280 acre country estate with stables, swimming, tennis, sailing, skiing and more. Savor authentic New England cuisine in our elegant dining room. Then enjoy a nightcap and entertainment in our Hunt's End Lounge. Breathe deeply . our air holds that special Berkshire magic. Imaginary voices of yesterday's literary giants mingle with the melodic strains of today's performers. Don't risk missing a Berkshire summer. Stop by and let us explain how you can share the Foxhollow experience. Same time next year? Guaranteed! The Ponds at Foxhollow . come share it with us. Route 7, Lenox, Massachusetts 01240 Tel. (413) 637-2706 1-800-292-6631 (in Massachusetts), 1-800-628-5990 (out of state) Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Hundredth Birthday Season, 1981-82 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. -
Ij Ptembre Musica
TTÀ ASSESSORATO TORINO PER LA CULTURA domenica 3 settembre 1989, ore 21 Auditorium Rai IJPTEMBR E MUSICA Orchestra Sinfonica di Torino della Rai Lucia Valentini Terrani, contralto Gary Lakes, tenore Matthias Bamert, direttore Fondata nel 1931 e prima orchestra sinfonica dell'Ente radio fo- nico concessionario del servizio pubblico (allora EIAR), l'Or- chestra Sinfonica di Torino della Rai fu costituita convogliando a Torino altre formazioni già operanti presso alcune emittenti del Nord Italia. Entrata in attività nella stagione 1932-33, di allora VOrchestra è stata ininterrottamente presente sia nell'am bito musicale cittadino che in quello nazionale attraverso l'ap puntamento radiofonico in diretta del venerdì. Primo comples so italiano a passare la Manica dopo l'ultima guerra, ha di allora effettuato numerose tournée e concerti, toccando Au stria, Belgio, Francia, Germania, Polonia, Spagna, Norvegia Svizzera. Da quest'anno la Direzione Artistica è affidata a Lu ciano Chailly, mentre dal 1987 Ferdinand Leitner ha assunti l'incarico di Direttore Principale ospite. Nato nel 1942 in Svizzera, Matthias Bamert ha studiato oboe composizione e direzione a Berna, Zurigo, Parigi, Salisburgo i Darmstadt. Invitato a Cleveland come assistente di Georgi Szell, e successivamente di Pierre Boulez e Lorin Maazel, pe; cinque anni, a partire dal 1978, è stato direttore musicale del l'Orchestra della Radio Svizzera. Ha quindi tenuto concerti : Londra, Vienna, Berlino, Bonn, Chicago, Detroit. Del 1985 è i suo debutto a Londra con la BBC Symphony Orchestra nell'e secuzione della Settima di Mahler. Da allora ha diretto la Scot tish Chamber Orchestra, la Bournemouth Symphony Orchestri e la BBC Scottish Symphony Orchestra. -
Bratislava Music Festival 54Th Year Y R GALL E NATIONAL | SLOVAK Ho C R E E Rg E © Ján B
Bratislava Music Festival 54th Year Y R E GALL NATIONAL SLOVAK | HO C R E E RG E JÁN B © 28. 9. – 14. 10. 2018 BRATISLAVSKÉ HUDOBNÉ SLÁVNOSTI | MUSIKFESTSPIELE BRATISLAVA FÊTES DE MUSIQUE DE BRATISLAVA | FESTIVAL DE MÚSICA DE BRATISLAVA MAIN ORGANIZER BHS member of the European Festivals Association PARTNERS AND MEDIA PARTNERS OF THE BMF Group M www.filharmonia.sk | www.navstevnik.sk Main organizer Slovak Philharmonic as delegated by and with financial support from the Ministry of Culture of the Slovak Republic Friday, 28th September 7.30 p.m. Concert Hall of the Slovak Philharmonic Slovak Philharmonic James Judd, conductor Renaud Capuçon, violin Alexander Moyzes Jánošík’s Guys, Op. 21 overture for symphonic orchestra Béla Bartók Violin Concerto No. 2 Johannes Brahms Symphony No. 2 in D major, Op. 73 The Slovak Philharmonic orchestra opens the 54th Bratislava Music Festival with a work by Alexander Moyzes, the founder of the Slovak modern symphony. Béla Bartók’s Violin Concerto No. 2 was written in the depressing period preceding the outbreak of WW2, and it is the last work of the composer written prior to his emigration to the USA. For Johannes Brahms the way to symphonic genre was thorny; the German author finished his first sym- phony as a 40-year-old man. After this “debut” he plucked up courage and his Symphony No. 2 in D major, Op. 73 abounds with cheerfulness and fresh invention. Slovak Philharmonic led by its music director James Judd welcomes the French violinist Renaud Capuçon at the festival’s opening concert. The violinist has a number of admirers in Bratislava; he excels at convincing moulding of contrasts of “understated tenderness and charming daring” (New York Times). -
Lorenza Borrani Violin
Lorenza Borrani Violin Lorenza Borrani is an artist for our times: an inspiring and charismatic violinist, a much sought after leader of orchestras and a gifted chamber musician. Dedicating herself to timeless music in all its different forms and periods, she likes to challenge herself in every kind of repertoire. Lorenza’s musical journey has taken her from the traditional values of 19th and 20th century music to the creation of new work and the re-examination of old masters through the intensive study of historically informed performing. With all of her versatility and vitality she reincarnates the travelling virtuosos of the 18th and 19th century when – just as today – the most sought after musicians were in demand in all of the great music centres of Europe: Milan, Vienna, Paris, London, Berlin – to which should now be added Tokyo, New York, Sydney and Beijing. Lorenza was born in Florence and studied at the internationally admired Scuola di Musica di Fiesole with teachers such as Alina Company, Piero Farulli, Zinaida Gilels and Pavel Vernikov. Later on she continued her Post Graduate studies with Boris Kuschnir at the University of Music and Performing Arts, Graz. On completion of her studies, invitations as soloist and concert mistress came quickly and over the years she has collaborated closely with many great conductors and orchestras including Lorin Maazel with the Orchestra Toscanini and Claudio Abbado. As the principal leader of the Chamber Orchestra of Europe (COE), Lorenza has toured all over the world with, among many others, Bernard Haitink, Vladimir Ashkenazy, Yannick Nézet-Séguin and Vladimir Jurowski. -
Chamber Orchestra of Europe Olv. Lorenza Borrani Concertmeester
Chamber Orchestra of Europe olv. Lorenza Borrani concertmeester Dénes Várjon piano Izabella Simon piano do 6 feb 2020 / Grote podia / Blauwe zaal 20 uur / pauze ca. 21.05 uur / einde 22.20 uur inleiding Stephan Weytjens / 19.15 uur / Blauwe foyer 2019-2020 ken uw klassiekers Anima Eterna Brugge olv. Jos van Immerseel vr 27 sep 2019 Le Concert Olympique olv. Jan Caeyers zo 8 dec 2019 Chamber Orchestra of Europe olv. Lorenza Borrani concertmeester do 6 feb 2020 Kammerorchester Basel olv. Heinz Holliger za 14 mrt 2020 Le Concert Olympique olv. Jan Caeyers za 25 apr 2020 teksten programmaboekje Stephan coördinatie programmaboekje deSingel Chamber Orchestra of Europe Weytjens D/2020/5.497/017 Lorenza Borrani concertmeester Dénes Várjon piano Izabella Simon piano Clara Andrada de la Calle fluit Johann Sebastian Bach (1685-1750) Brandenburgs Concerto nr 5 in D, BWV1050 24’ Allegro Adagio - Affettuoso Allegro Ludwig van Beethoven (1770-1827) Concerto voor piano en orkest nr 4 in G, opus 58 33’ Allegro moderato Andante con moto Rondo: Vivace pauze Wolfgang Amadeus Mozart (1756-1791) Serenade nr 6 in D, KV239 ‘Serenata Notturna’ 13’ Marcia (maestoso) Minuetto Rondeau (Allegretto - Adagio - Allegro) Concerto voor twee piano’s in Es, KV365 27’ Allegro Andante Rondo: Allegro Gelieve uw GSM uit te schakelen Concertvleugels Met bijzondere dank aan Ortwin Moreau voor het stemmen en het onderhoud van de De inleidingen kan u achteraf beluisteren via concertvleugels van deSingel desingel.be Moreau Pianoservice / Kapucinessenstraat 32 / 2000 Selecteer hiervoor voorstelling / concert / Antwerpen / +32 (0)486 83 63 98 tentoonstelling van uw keuze. moreau-pianoservice.be Johann Sebastian Bach Brandenburgs Concerto nr 5 in D, BWV1050 De zes Brandenburgse Concerten danken hun beroemde bijnaam, die overigens pas uit de 19de eeuw dateert, aan het feit dat Johann Sebastian Bach ze in 1721 heeft opge- dragen aan Christian Ludwig, de markgraaf van Brandenburg.