<<

FACT SHEET

Opera is a multifaceted art form that comprises music Funding through the and text to move a story or dramatic concept forward. opera programs, The National Endowment for the Arts is committed to 1966-2016: advancing the highest levels of operatic artistry across the nation’s cultural landscape. $154 million

ADVANCING LEARNING The National Endowment for the Arts supports National Endowment for the Arts funding supports learning opportunities for students and the public. professional development for opera artists.

• Opera companies and artists do school tours • The American Lyric Theater in New York City and residencies presenting adapted for provides training for and librettists children and accompanied by curriculum such through mentorships and workshops of as Madison, WI’s Opera for the Young tour of the commissioned operas in development. operetta Pirates of Penzance. • Wolf Trap in Vienna, VA and its Filene Young • The Opera Iowa Education Touring Troupe at Des Artists and Opera Studio Artists provides training Moines Metro Opera serves rural mid-western for young singers and roles in fully-staged opera schools with residencies including teacher performances. preparation, workshops with the troupe, and a closing performance. • The Merola Opera Program in San Francisco offers training and performing experience for singers, apprentice coaches, and an apprentice stage director. FUELING CREATIVITY The National Endowment for the Arts makes a • Through the New American Works program significant investment in the creation of new operas. (1980 to 1995), the NEA invested $9.5 million for “the creation, development, and production • Michigan Opera Theatre commissioned Margaret of new and/or seldom-seen American works,” Garner by Richard Danielpour with an investment that continues today with grants librettist and author Toni Morrison based on the such as one to the Minnesota Opera for a new true story of a slave woman’s quest for freedom. production of Wuthering Heights by American • Issues-based operas are created, such as composer Bernard Hermmann. Terence Blanchard’s Champion at Opera • NEA-funded new works have gone on to garner Theatre of Saint Louis, ’ Amistad major recognition such as Madame White Snake at , and the premiere of by composer Zhou Long that premiered at Opera ’s Dead Man Walking was at San Boston, and was awarded the 2011 Pulitzer Prize Francisco Opera with productions in three other for Music. John Adam’s Nixon cities. in was awarded the 1989 Grammy for Best Contemporary Composition. CONNECTING AND CELEBRATING

The National Endowment for the Arts has supported The National Endowment for the Arts is committed countless performances by opera companies and to bringing opera to as many people as possible ensembles. especially audiences that are geographically isolated.

• Between 2007 and 2016, the NEA made more • Opera performances on the radio have significant than 390 awards to support opera performances audience reach and the NEA has consistently totaling more than $11 million. supported these programs such as the Saturday Matinee Broadcast from the Metropolitan Opera • In 2005-2007, the NEA presented the Great which is broadcast to more than 600 stations American Voices: Military Base Tour, which worldwide. offered free performances of melodies from opera and Broadway for military personnel and their • Through television broadcasts, millions of families at more than 40 military installations, Americans watch world-renown artists in full support that continues today through projects productions of operas. Great Performances on such as Hawaii Opera Theatre’s project to PBS featured a broadcast of Bartok’s Bluebeard’s engage military communities throughout the Castle in July 2015. state. • The NEA supports simulcasts, bringing together The National Endowment for the Arts funds artistically excellent productions and the latest digital significant and innovative programming. technology to broad and diverse audiences such the Opera’s 2015 broadcast of La Boheme • NEA-supported programs take opera out of the in Cowboy’s Stadium. opera house and into community spaces, such as Boston Lyric Opera’s Opera Annex, Opera • The NEA Opera Honors program (2008-2011) Memphis’ 30 Days of Opera, and The Industry’s celebrated opera through lifetime achievement Hopscotch. awards bestowed on selected master artists. Video and audio interviews featuring these artists • The NEA launched National Opera Week in are among the most popular on the NEA website. 2008 with OPERA America. The annual program produces 140 opera activities in 38 states.

BUILDING THE FIELD

National Endowment for the Arts funding has had a significant impact on the size of the opera field, investing in performing, training, and service The National Endowment for the Arts is one of the organizations that deeply enrich the country’s artistic earliest funders of opera in the country. life. • The first year of NEA opera grants provided • Through partnerships and grants to OPERA support to the Metropolitan Opera, Boston Lyric America, the NEA has provided cornerstone Opera, New York City Opera, and San Francisco support for numerous initiatives in the opera field, Opera, the latter to create Western Opera including: the Field Assistance Program to assist Theater whose tours would spur the creation of small and midsized companies; the development regional opera companies. of educational initiatives such as Music! • A 1971 grant helped the newly formed national Words! Opera!; the Opera Fund to generate service organization, OPERA America, to new commissions; the New Works Forum to establish an office. showcase new operas in development, and since 2008, the annual National Opera Week.