Rembrandt's Bankruptcy: the Artist
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36975 1-11 Legalap1 Layout 1
Government Gazette Staatskoerant REPUBLIC OF SOUTH AFRICA REPUBLIEK VAN SUID-AFRIKA Vol. 581 Pretoria, 1 November 2013 No. 36975 PART 1 OF 2 LEGAL NOTICES A WETLIKE SEE PART C SIEN DEEL C KENNISGEWINGS N.B. The Government Printing Works will not be held responsible for the quality of “Hard Copies” or “Electronic Files” submitted for publication purposes AIDS HELPLINE: 0800-0123-22 Prevention is the cure 305305—A 36975—1 2 No. 36975 GOVERNMENT GAZETTE, 1 NOVEMBER 2013 IMPORTANT NOTICE The Government Printing Works will not be held responsible for faxed documents not received due to errors on the fax machine or faxes received which are unclear or incomplete. Please be advised that an “OK” slip, received from a fax machine, will not be accepted as proof that documents were received by the GPW for printing. If documents are faxed to the GPW it will be the sender’s respon- sibility to phone and confirm that the documents were received in good order. Furthermore the Government Printing Works will also not be held responsible for cancellations and amendments which have not been done on original documents received from clients. TABLE OF CONTENTS LEGAL NOTICES Page BUSINESS NOTICES.............................................................................................................................................. 11 Gauteng..................................................................................................................................................... 11 Eastern Cape............................................................................................................................................ -
A Catalogue of Rembrandt's Etchings
Fk-.oVO, UU«xH Digitized by the Internet Archive in 2011 with funding from Brigham Young University http://www.archive.org/details/catalogueofrembrOOhind a' catalogue of rembrandt's etchings CHRONOLOGICALLY ARRANGED AND COMPLETELY ILLUSTRATED B y ARTHUR M. HIND OF THE BRITISH MUSEUM SLADE PROFESSOR OF FINE ART IN THE UNIVERSITY OF OXFORD IN TWO VOLUMES VOL. I INTRODUCTION AND CATALOGUE WITH FRONTISPIECE IN PHOTOGRAVURE, AND TEN PLATES ILLUSTRATING STUDIES FOR THE ETCHINGS METHUEN AND CO. LTD. 36 ESSEX STREET W.C. LONDON First Published February igis Second Edition, revised and in part rewritten . '9^3 THE LIBRARY BRIGHAM YOUWG UIN/IVERSIT^ PROVO, UTAH PREFACE THE present catalogue is a revised edition of the one which appeared in 1912 in my Rembrandt's Etchings, an Essay and a Catalogue, with some Notes on the Drawings. The Introduction is also composed to a large extent of material from the same volume, but revised and re-arranged with the definite object of providing such notes as would be of most use to the student and collector of Rembrandt's etchings (e.g. in the addition of a list of values). The volume of plates, to which a few subjects have been added since 1912, will no doubt be of service for purposes of identifica- tion, and will, I hope, appeal equally to the amateur or artist who merely wishes to be reminded of this incomparable series of subjects. For drawing my attention to new states or other details of description in the Catalogue, I would express acknowledgment to Jhr. Mr. J. F. -
11 Corporate Governance
144 11 Corporate governance MARJOLEIN ’T HART The Bank of Amsterdam´s commissioners: a strong network For almost 200 years, up to the 1780s, the Bank of Amsterdam operated to the great satisfaction of the mercantile elite. Its ability to earn and retain the confidence of the financial and commercial elite was highly dependent on its directors, the commissioners. An analysis of their backgrounds shows that many of them once held senior posts in the city council, although the number of political heavyweights decreased over time. The commissioners also took office at an increasingly younger age. After the first 50 years of the bank, they began to stay on in office longer, indicating a certain degree of professionalisation. The commissioners had excellent connections with stock exchange circles. The majority of them were merchants or bankers themselves, and they almost all had accounts with the bank. As a result, the commissioners formed a very strong network linking the city with the mercantile community. CORPORATE GOVERNANCE 145 François Beeldsnijder, 1688-1765, iron merchant and commissioner of the Bank of Amsterdam for 15 years Jan Baptista Slicher; Amsterdam, 1689-1766, burgomaster, merchant, VOC director and commissioner of the Bank of Amsterdam for 16 years A REVOLUTIONARY PROPOSAL This was the first time that the commissioners of the On 6 June 1797, in the wake of revolutionary upheaval, Bank of Amsterdam had come in for such sharp criticism. Amsterdam’s city council, which had itself undergone Of course, some aspects of the bank had been commented radical change, decided on a revolutionary put forward on before. -
Rembrandt Remembers – 80 Years of Small Town Life
Rembrandt School Song Purple and white, we’re fighting for you, We’ll fight for all things that you can do, Basketball, baseball, any old game, We’ll stand beside you just the same, And when our colors go by We’ll shout for you, Rembrandt High And we'll stand and cheer and shout We’re loyal to Rembrandt High, Rah! Rah! Rah! School colors: Purple and White Nickname: Raiders and Raiderettes Rembrandt Remembers: 80 Years of Small-Town Life Compiled and Edited by Helene Ducas Viall and Betty Foval Hoskins Des Moines, Iowa and Harrisonburg, Virginia Copyright © 2002 by Helene Ducas Viall and Betty Foval Hoskins All rights reserved. iii Table of Contents I. Introduction . v Notes on Editing . vi Acknowledgements . vi II. Graduates 1920s: Clifford Green (p. 1), Hilda Hegna Odor (p. 2), Catherine Grigsby Kestel (p. 4), Genevieve Rystad Boese (p. 5), Waldo Pingel (p. 6) 1930s: Orva Kaasa Goodman (p. 8), Alvin Mosbo (p. 9), Marjorie Whitaker Pritchard (p. 11), Nancy Bork Lind (p. 12), Rosella Kidman Avansino (p. 13), Clayton Olson (p. 14), Agnes Rystad Enderson (p. 16), Alice Haroldson Halverson (p. 16), Evelyn Junkermeier Benna (p. 18), Edith Grodahl Bates (p. 24), Agnes Lerud Peteler (p. 26), Arlene Burwell Cannoy (p. 28 ), Catherine Pingel Sokol (p. 29), Loren Green (p. 30), Phyllis Johnson Gring (p. 34), Ken Hadenfeldt (p. 35), Lloyd Pressel (p. 38), Harry Edwall (p. 40), Lois Ann Johnson Mathison (p. 42), Marv Erichsen (p. 43), Ruth Hill Shankel (p. 45), Wes Wallace (p. 46) 1940s: Clement Kevane (p. 48), Delores Lady Risvold (p. -
Andries De Graeff, Voorbeeld Van Culturele Elite? Tweede Opdracht
Figuur 1 Andries de Graeff Gerard ter Borch II, 1674 41 x 30 cm, privébezit Olieverf op doek 30 oktober 2009 Andries de Graeff, voorbeeld van culturele elite? Tweede opdracht Dr Madelon Simons, cursusjaar 2009-2010 Cursus De Amsterdamse culturele elite Master Kunstgeschiedenis De Nieuwere tijd Universiteit van Amsterdam Pieter Vis, 6132294 Pieter Vis, 6132294 Andries de Graeff, voorbeeld van culturele elite? Over culturele elite Wie het geluk had om in 2004 – voor de restauratie - het Paleis op de Dam te bezoeken, heeft in de Burgerzaal een aantal marmeren bustes gezien. De kwaliteit van deze beelden en de allure van de twee verdieping hoge ontvangstruimte doen de bezoeker al heel snel vermoeden dat het hier om hooggeplaatste personen gaat. Het waren inderdaad portretbustes van Amsterdamse burgemeesters zoals De Graeff, Munter, Tulp en Witsen die zich als Romeinse senatoren lieten afbeelden. En juist dit soort figuren interesseren ons, zowel in historisch opzicht als ook vandaag de dag, getuige de enorme populariteit van de glossy societytijdschriften en dito columns in kranten. Waarom is dit, waarom willen we alles weten van mensen, die in de publieke belangstelling staan? Is het jaloezie of Figuur 2 Met de klok mee vanaf links onder de leedvermaak als een dergelijk persoon een faux pas maakt burgemeesters A.de Graeff, N.Tulp, J.Munter, of zijn we nieuwsgierig naar mensen die een bepaald N.Witsen rolmodel vormen? De neiging bestaat om deze personen hors categorie te beschouwen, die zich als elite kan onttrekken aan normen en waarden, die als het ware eigen regels kan vaststellen. Maar is het wel mogelijk om te spreken van publieke personen alsof zij een aparte categorie vormen, die als groep bestudeerd kan worden? Nu is dit laatste vraagstuk vermoedelijk gemakkelijker te beantwoorden als men de Gouden Eeuw in de Amsterdamse situatie onder de loep neemt. -
Paintings in the Laboratory: Scientific Examination for Art History and Conservation Dr
UvA-DARE (Digital Academic Repository) Paintings in the laboratory: scientific examination for art history and conservation dr. Groen, C.M. Publication date 2011 Link to publication Citation for published version (APA): dr. Groen, C. M. (2011). Paintings in the laboratory: scientific examination for art history and conservation. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:01 Oct 2021 Stichtitg Foundation Rembrandt ResearchProject A CORPI.-TSOF' REMBRAI{DT PAINTII{GS trRI\ST VAN Dtr WtrTE,RIi\G utith contributionsbS,t KARIN GROEN,PtrTER KLEIN, JAAPVAN DERVEEN, I\{ARIEKE DE WINKEL with thecollaboration of PAULBROEKHOFF, MICHIEL FRANKEN,LIDEKE PEESEBINKHORST translatedbi -
Studia Uralo-Altaica 54 Redigunt
Studia uralo-altaica 54 Redigunt: Katalin Sipőcz András Róna-Tas István Zimonyi Uralic studies, languages, and researchers Proceedings of the 5th Mikola Conference 19–20, September 2019 Edited by Sándor Szeverényi Szeged, 2021 © University of Szeged, Department of Altaic Studies, Department of Finno-Ugrian Philology All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by other means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission in writing of the author or the publisher. Printed in 2021. Printed by: Innovariant Ltd., H-6750 Algyő, Ipartelep 4. ISBN 978-963-306-803-8 (printed) ISBN 978-963-306-804-5 (pdf) ISSN 0133-4239 (Print) ISSN 2677-1268 (Online) Notes on Nicolaes Witsen and his Noord en Oost Tartarye Rogier Blokland Uppsala University 1. Introduction Over the last years there has been a quiet upsurge in research on Nicolaes Witsen (1641–1717), intermittent mayor of Amsterdam and author of Noord en Oost Tartarye (henceforth: NOT), a chaotic but fascinating and invaluable tome on the geography, topography, history and ethnography of that vaguely defined region previously known as ‘Tartary’. A voluminous Dutch-language biography aimed at the general public was published in 2010 (Peters 2010), nearly 130 years after Gebhard’s 1881 biography, which, however, focused on his political career and paid little attention to his ‘hobby’, i.e. his research on Eurasia. In 2010 a Russian translation of the 1705 edition of NOT was published. Some years before Wim Lucassen (1945–2006), the noted Dutch Abkhazologist and member of the team that had prepared the Russian edition, had suggested that publishing a separate volume on the linguistic material in NOT would be a worthwhile endeavour (cf. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Masters of war: state, capital, and military enterprise in the Dutch cycle of accumulation (1600-1795) Brandon, P. Publication date 2013 Link to publication Citation for published version (APA): Brandon, P. (2013). Masters of war: state, capital, and military enterprise in the Dutch cycle of accumulation (1600-1795). General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:02 Oct 2021 Chapter 1 The making of the federal-brokerage state This chapter examines the rise and consolidation of the Dutch federal-brokerage state. Perhaps the best starting point to do so is the extensive discussions on the fundamentals of the Dutch constitution that occurred merely a few years after the end of the war that established the new-born state as a European great-power. -
Rembrandt's Bankruptcy
Cambridge University Press 0521858259 - Rembrandt’s Bankruptcy: The Artist, His Patrons, and the Art Market in Seventeenth-Century Netherlands Paul Crenshaw Frontmatter More information REMBRANDT’S BANKRUPTCY < This study examines the causes, circumstances, and effects of the 1656 bankruptcy by Rembrandt van Rijn. Following a highly successful early career, Rembrandt’s idiosyncratic art and lifestyle came to dominate his reputation. His evasion of responsibility to his creditors was so socially disreputable that laws in Amsterdam were quickly altered. The poor management of his finances magnified other difficulties that he had with family, paramours, friends, neighbors, and patrons. Collectively, Rembrandt’s economic and social exigencies affected his living and working environment, his public station, and his art. This study examines all of these aspects of Rembrandt’s bankruptcy, including his marketing practices, the appreciation of his work, and his relations with patrons, in addition to the details of the bankruptcy itself. Several patterns of short-sighted decision making emerge as Rembrandt conducted his affairs within a constantly changing framework of relationships, a shifting set of obligations, and evolving artistic pursuits. Paul Crenshaw is assistant professor of art history and archaeology at Washington University in St. Louis. © Cambridge University Press www.cambridge.org Cambridge University Press 0521858259 - Rembrandt’s Bankruptcy: The Artist, His Patrons, and the Art Market in Seventeenth-Century Netherlands Paul Crenshaw -
The Amsterdam Civic Guard Pieces Within and Outside the New Rijksmuseum Pt. IV
Volume 6, Issue 2 (Summer 2014) The Amsterdam Civic Guard Pieces within and Outside the New Rijksmuseum Pt. IV D. C. Meijer Jr., trans. Tom van der Molen Recommended Citation: D. C. Meijer Jr., “The Amsterdam Civic Guard Pieces Within and Outside the New Rijksmuseum Pt. IV,” trans. Tom van der Molen, JHNA 6:2 (Summer 2014) DOI:10.5092/jhna.2014.6.2.4 Available at https://jhna.org/articles/amsterdam-civic-guard-pieces-within-outside-new-rijksmu- seum-part-iv/ Published by Historians of Netherlandish Art: https://hnanews.org/ Republication Guidelines: https://jhna.org/republication-guidelines/ Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 JHNA 6:2 (Summer 2014) 1 THE AMSTERDAM CIVIC GUARD PIECES WITHIN AND OUTSIDE THE NEW RIJKSMUSEUM PT. IV D. C. Meijer Jr. (Tom van der Molen, translator) This fourth installment of D. C. Meijer Jr.’s article on Amsterdam civic guard portraits focuses on works by Thomas de Keyser and Joachim von Sandrart (Oud Holland 6 [1888]: 225–40). Meijer’s article was originally published in five in- stallments in the first few issues of the journal Oud Holland. For translations (also by Tom van der Molen) of the first two installments, see JHNA 5, no. 1 (Winter 2013). For the third installment, see JHNA 6, no. -
1997 (Mcmxcvii) Jaarboek 89
NEGENENTACHTIGSTE JAARBOEK VAN HET GENOOTSCHAP Amstelodamum AMSTERDAM 1997 Vormgeving: Aljc Olthof(t) C5 1 Iarry N. Sierman Productie: Drukkerij Nauta H v, Zutphen A B N .k hl R 0 is sponsor van Genootschap Amstelodamum . .._. --- --._-.--- NEGENENTACHTIGSTE JAARBOEK AMSTELODAMUM INHOUD 6 GENO OTSCHAP AMSTELODAMUM: bestuur,adrcssen 7 Zevenennegentigste Jaarverslag, lopende over het jaar 1996 9 Verslag van de penningmeester over het zevenennegentigste boekjaar 11 M.HELL ‘Kennen, respecteren ende gehoorsamen’. Amsterdamse schouten en hun ambt 43 c.LESGER Migranten in Amsterdam in de achttiende eeuw. Residentiële spreiding en positie in de samenleaing 69 D.EEKEN Het kantoorgebouw van verzekeringsmaatschappij de ‘Utrecht’ aan het Damrak 9’ I.MATTHEY Een standbeeld voor Sweelinck 122 I..SCHOEWERT De ontstaansgeschiedenis van de IJ-tunnel ‘47 G.YAi\'THULL De Jan Roodenpoortstorcn herbouwd? 161 KRONIEK VAN AMSTERDAM OVER 1996 samengesteld door Margriet de Roever Jaarboek Xc,, Am.~telodamum [r997] GENOOTSCHAP AMSTELODAMUM BESCHERMHEER MR.S.PATIJN hur~emeestrrvan Amsterdirm BESTCUR PROF.DR.W.H.VROObl F.H.AMENDE voorzitter pennqyeestrr gekozen I 6 maart 197X Qredend ,999 gekozen 26 nmrt I 979 - afiredend I 997 PROF.DR.W.F.HEINEMEIJER MR.J.H.VAN DEN HOEK OSTENDE tweede voorzztter gekozen zz,/èbruari 1963 - gfiredend I 999 gekozen3ooktoher 1970 -~firedendzooo MEVR.DRS.R.E.KISTEMAKER PROF.DR.P.H.M.GERVER gekozen j aprtl I 9X6 - ufiredend I 998 hlEVR.DR.W.CHR.PIETERSE gekozen 26 smart 198X -~~/iuedendzooo gekozen 26 maart 199~ - ajiredend I 997 MR.M.G.B.EVERS DRS.G.V.4N DER PLAS tmrrde secretarts gekozen5 uprzl~9Hh-rrfttrrd~nd~99X ADRESSEÌi REDACTIE Genootschap Amstelodamum E.O.G.Haitsma Mulier Voorzitter: prof. -
Johan De Witt En Engeland Gratis Epub, Ebook
JOHAN DE WITT EN ENGELAND GRATIS Auteur: Ineke Huysman Aantal pagina's: 176 pagina's Verschijningsdatum: 2019-03-05 Uitgever: Catullus, Uitgeverij EAN: 9789492409454 Taal: nl Link: Download hier Johan De Witt en Engeland. Een bloemlezing uit zijn correspondentie. Nederlands, pagina's, Teleboek, Bussum, Nederlands, p. Nederlands, 7 pagina's, Nederlands, VIII, 63 p, Zoeken in de catalogus Zoeken binnen de site. Johan de Witt Johan de Witt en Engeland een bloemlezing uit zijn correspondentie Selectie van enkele tientallen brieven uit de correspondentie van raadspensionaris Johan de Witt die betrekking hebben op de relatie tussen de Republiek en Engeland, met toelichtingen en vertalingen in modern Nederlands. Johan de Witt Johan de Witt en Frankrijk een bloemlezing uit zijn correspondentie Selectie van de brieven van en aan Raadpensionaris Johan de Witt , met toelichting en hertaling. Brieven aan Johan de Witt; Dl. Johan de Witt Staetsstukken uit de pen van Mr. Japikse Johan de Witt Nederlands, p. Johan de Witt Bericht van de heer raedt-pensionnaris Johan de Witt, noopende de secrete correspondentie-penningen; nevens de verklaringe van de Tentoonstelling Johan de Witt Dordrecht, 16 Oct. Vorige 1 actief 2 3 4 5 6 7 8 9 23 Volgende. Witt, Johan de 57 Andriessen, P. Hij was getrouwd met een zus van Wendela Bicker. Deze gewesten trokken Utrecht mee. Het Eerste Stadhouderloze Tijdperk was een feit. De Witt was er een groot voorstander van. Hij noemde het de periode van "De Ware Vrijheid". Beslissingen die de hele Republiek aangingen, werden door regenten van de zeven provincies gezamenlijk genomen, weliswaar op basis van meerderheid van stemmen, maar onder strakke leiding van Holland.