Studia Uralo-Altaica 54 Redigunt
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
11 Corporate Governance
144 11 Corporate governance MARJOLEIN ’T HART The Bank of Amsterdam´s commissioners: a strong network For almost 200 years, up to the 1780s, the Bank of Amsterdam operated to the great satisfaction of the mercantile elite. Its ability to earn and retain the confidence of the financial and commercial elite was highly dependent on its directors, the commissioners. An analysis of their backgrounds shows that many of them once held senior posts in the city council, although the number of political heavyweights decreased over time. The commissioners also took office at an increasingly younger age. After the first 50 years of the bank, they began to stay on in office longer, indicating a certain degree of professionalisation. The commissioners had excellent connections with stock exchange circles. The majority of them were merchants or bankers themselves, and they almost all had accounts with the bank. As a result, the commissioners formed a very strong network linking the city with the mercantile community. CORPORATE GOVERNANCE 145 François Beeldsnijder, 1688-1765, iron merchant and commissioner of the Bank of Amsterdam for 15 years Jan Baptista Slicher; Amsterdam, 1689-1766, burgomaster, merchant, VOC director and commissioner of the Bank of Amsterdam for 16 years A REVOLUTIONARY PROPOSAL This was the first time that the commissioners of the On 6 June 1797, in the wake of revolutionary upheaval, Bank of Amsterdam had come in for such sharp criticism. Amsterdam’s city council, which had itself undergone Of course, some aspects of the bank had been commented radical change, decided on a revolutionary put forward on before. -
Andries De Graeff, Voorbeeld Van Culturele Elite? Tweede Opdracht
Figuur 1 Andries de Graeff Gerard ter Borch II, 1674 41 x 30 cm, privébezit Olieverf op doek 30 oktober 2009 Andries de Graeff, voorbeeld van culturele elite? Tweede opdracht Dr Madelon Simons, cursusjaar 2009-2010 Cursus De Amsterdamse culturele elite Master Kunstgeschiedenis De Nieuwere tijd Universiteit van Amsterdam Pieter Vis, 6132294 Pieter Vis, 6132294 Andries de Graeff, voorbeeld van culturele elite? Over culturele elite Wie het geluk had om in 2004 – voor de restauratie - het Paleis op de Dam te bezoeken, heeft in de Burgerzaal een aantal marmeren bustes gezien. De kwaliteit van deze beelden en de allure van de twee verdieping hoge ontvangstruimte doen de bezoeker al heel snel vermoeden dat het hier om hooggeplaatste personen gaat. Het waren inderdaad portretbustes van Amsterdamse burgemeesters zoals De Graeff, Munter, Tulp en Witsen die zich als Romeinse senatoren lieten afbeelden. En juist dit soort figuren interesseren ons, zowel in historisch opzicht als ook vandaag de dag, getuige de enorme populariteit van de glossy societytijdschriften en dito columns in kranten. Waarom is dit, waarom willen we alles weten van mensen, die in de publieke belangstelling staan? Is het jaloezie of Figuur 2 Met de klok mee vanaf links onder de leedvermaak als een dergelijk persoon een faux pas maakt burgemeesters A.de Graeff, N.Tulp, J.Munter, of zijn we nieuwsgierig naar mensen die een bepaald N.Witsen rolmodel vormen? De neiging bestaat om deze personen hors categorie te beschouwen, die zich als elite kan onttrekken aan normen en waarden, die als het ware eigen regels kan vaststellen. Maar is het wel mogelijk om te spreken van publieke personen alsof zij een aparte categorie vormen, die als groep bestudeerd kan worden? Nu is dit laatste vraagstuk vermoedelijk gemakkelijker te beantwoorden als men de Gouden Eeuw in de Amsterdamse situatie onder de loep neemt. -
Rembrandt's Bankruptcy
Cambridge University Press 0521858259 - Rembrandt’s Bankruptcy: The Artist, His Patrons, and the Art Market in Seventeenth-Century Netherlands Paul Crenshaw Frontmatter More information REMBRANDT’S BANKRUPTCY < This study examines the causes, circumstances, and effects of the 1656 bankruptcy by Rembrandt van Rijn. Following a highly successful early career, Rembrandt’s idiosyncratic art and lifestyle came to dominate his reputation. His evasion of responsibility to his creditors was so socially disreputable that laws in Amsterdam were quickly altered. The poor management of his finances magnified other difficulties that he had with family, paramours, friends, neighbors, and patrons. Collectively, Rembrandt’s economic and social exigencies affected his living and working environment, his public station, and his art. This study examines all of these aspects of Rembrandt’s bankruptcy, including his marketing practices, the appreciation of his work, and his relations with patrons, in addition to the details of the bankruptcy itself. Several patterns of short-sighted decision making emerge as Rembrandt conducted his affairs within a constantly changing framework of relationships, a shifting set of obligations, and evolving artistic pursuits. Paul Crenshaw is assistant professor of art history and archaeology at Washington University in St. Louis. © Cambridge University Press www.cambridge.org Cambridge University Press 0521858259 - Rembrandt’s Bankruptcy: The Artist, His Patrons, and the Art Market in Seventeenth-Century Netherlands Paul Crenshaw -
The Amsterdam Civic Guard Pieces Within and Outside the New Rijksmuseum Pt. IV
Volume 6, Issue 2 (Summer 2014) The Amsterdam Civic Guard Pieces within and Outside the New Rijksmuseum Pt. IV D. C. Meijer Jr., trans. Tom van der Molen Recommended Citation: D. C. Meijer Jr., “The Amsterdam Civic Guard Pieces Within and Outside the New Rijksmuseum Pt. IV,” trans. Tom van der Molen, JHNA 6:2 (Summer 2014) DOI:10.5092/jhna.2014.6.2.4 Available at https://jhna.org/articles/amsterdam-civic-guard-pieces-within-outside-new-rijksmu- seum-part-iv/ Published by Historians of Netherlandish Art: https://hnanews.org/ Republication Guidelines: https://jhna.org/republication-guidelines/ Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 JHNA 6:2 (Summer 2014) 1 THE AMSTERDAM CIVIC GUARD PIECES WITHIN AND OUTSIDE THE NEW RIJKSMUSEUM PT. IV D. C. Meijer Jr. (Tom van der Molen, translator) This fourth installment of D. C. Meijer Jr.’s article on Amsterdam civic guard portraits focuses on works by Thomas de Keyser and Joachim von Sandrart (Oud Holland 6 [1888]: 225–40). Meijer’s article was originally published in five in- stallments in the first few issues of the journal Oud Holland. For translations (also by Tom van der Molen) of the first two installments, see JHNA 5, no. 1 (Winter 2013). For the third installment, see JHNA 6, no. -
1997 (Mcmxcvii) Jaarboek 89
NEGENENTACHTIGSTE JAARBOEK VAN HET GENOOTSCHAP Amstelodamum AMSTERDAM 1997 Vormgeving: Aljc Olthof(t) C5 1 Iarry N. Sierman Productie: Drukkerij Nauta H v, Zutphen A B N .k hl R 0 is sponsor van Genootschap Amstelodamum . .._. --- --._-.--- NEGENENTACHTIGSTE JAARBOEK AMSTELODAMUM INHOUD 6 GENO OTSCHAP AMSTELODAMUM: bestuur,adrcssen 7 Zevenennegentigste Jaarverslag, lopende over het jaar 1996 9 Verslag van de penningmeester over het zevenennegentigste boekjaar 11 M.HELL ‘Kennen, respecteren ende gehoorsamen’. Amsterdamse schouten en hun ambt 43 c.LESGER Migranten in Amsterdam in de achttiende eeuw. Residentiële spreiding en positie in de samenleaing 69 D.EEKEN Het kantoorgebouw van verzekeringsmaatschappij de ‘Utrecht’ aan het Damrak 9’ I.MATTHEY Een standbeeld voor Sweelinck 122 I..SCHOEWERT De ontstaansgeschiedenis van de IJ-tunnel ‘47 G.YAi\'THULL De Jan Roodenpoortstorcn herbouwd? 161 KRONIEK VAN AMSTERDAM OVER 1996 samengesteld door Margriet de Roever Jaarboek Xc,, Am.~telodamum [r997] GENOOTSCHAP AMSTELODAMUM BESCHERMHEER MR.S.PATIJN hur~emeestrrvan Amsterdirm BESTCUR PROF.DR.W.H.VROObl F.H.AMENDE voorzitter pennqyeestrr gekozen I 6 maart 197X Qredend ,999 gekozen 26 nmrt I 979 - afiredend I 997 PROF.DR.W.F.HEINEMEIJER MR.J.H.VAN DEN HOEK OSTENDE tweede voorzztter gekozen zz,/èbruari 1963 - gfiredend I 999 gekozen3ooktoher 1970 -~firedendzooo MEVR.DRS.R.E.KISTEMAKER PROF.DR.P.H.M.GERVER gekozen j aprtl I 9X6 - ufiredend I 998 hlEVR.DR.W.CHR.PIETERSE gekozen 26 smart 198X -~~/iuedendzooo gekozen 26 maart 199~ - ajiredend I 997 MR.M.G.B.EVERS DRS.G.V.4N DER PLAS tmrrde secretarts gekozen5 uprzl~9Hh-rrfttrrd~nd~99X ADRESSEÌi REDACTIE Genootschap Amstelodamum E.O.G.Haitsma Mulier Voorzitter: prof. -
Necessity Is the Mother of Invention
Necessity is the mother of invention The lottery loans of Holland during the War of the Spanish Succession Matthijs Hoekstra 3006476 History: Cities, states and Citizenship First reader: Oscar Gelderblom Second reader: Joost Jonker Introduction 3 1. The first lottery loans: England and the Estates-General 6 2. The first lottery loan of Holland 15 3. The prize ledgers 25 4. The investors of the lottery 37 5. The redemption of the lottery of 1711 43 Conclusion 52 Literature 53 Appendix: Investors of the lottery 58 - 2 - Introduction At several moments in the 18 th century Holland raised capital through lottery loans. This thesis examines what lottery loans are, why they were organized, and who invested in them. Lottery loans haven’t received much attention in debates about the development of early modern public finance. In his history of the lotteries of the Low Countries Fokker wrote in 1862 that lotteries organized by the Estates were a sign of the moral decline of the Republic. Where first lotteries had been used to raise money for charity, now the Estates used lotteries for their own benefits. 1 In his seminal work The Financial Revolution in England Dickson wrote that an ‘addiction of contemporaries to gambling on a massive scale’ was a contradictory trend to the progress in finance made in the 17 th and 18 th century. 2 Murphy, on the other hand, claims the boundaries between gambling and investment remained indistinct in the late 17 th century, and therefore connects the lotteries with the financial revolution. 3 Gelderblom and Jonker examined how market forces shaped Holland’s issuing policy. -
Caspar Barlaeus – the Wise Merchant
Barlaeus CasparCaspar BarlaeusBarlaeus The Wise Merchant Edited by Anna-Luna Post Critical text and translation by Corinna Vermeulen The Wise Merchant Caspar Barlaeus The Wise Merchant Caspar Barlaeus The Wise Merchant Edited by Anna-Luna Post Critical text and translation by Corinna Vermeulen AUP Cover illustration: Maria van Oosterwijck, Vanitas Still Life (1668), KHM-Museumsverband Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6298 800 2 e-isbn 978 90 4854 002 0 (pdf) doi 10.5117/9789462988002 nur 685 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) All authors / Amsterdam University Press B.V., Amsterdam 2019 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Contents Acknowledgements 7 Introduction: wealth, knowledge and prestige 9 Principles of this edition and translation 57 Mercator sapiens: text and translation 61 Bibliography 127 Index 133 Acknowledgements This publication of Caspar Barlaeus’ celebrated oration would not have been possible without generous funding from three different organizations and the help of several individuals. We would like to thank Utrecht University for funding the translation of the text into English – a good example of this institution’s continued dedication to the internationalization of higher education. The Vossius Center for the History of the Humanities and Sciences and the Thijssen-Schoute Foundation have both contributed generously to this publication. The researchers of Utrecht University’s Department of Early Modern Dutch Literature discussed an early version of the intro- duction, and Frans Blom, Dirk van Miert and Arthur Weststeijn commented on later versions. -
Die Variabilität Frühneuzeitlicher Staatlichkeit
Beiträge zur Europäischen Überseegeschichte Franz Steiner Verlag Zusatzmaterial zu: Oliver Krause Die Variabilität frühneuzeitlicher Staatlichkeit Die niederländische „Staats“-Formierung der Statthaltosen Epoche (1650–1672) als interkontinentales Regiment Franz Steiner Verlag, Stuttgart 2018 APPENDIX I – STADTPLAN AMSTERDAM Die Karte Amsterdams zeigt den Innenstadtring schematisch. Die blau eingefärbten Kanäle dienen der Orientierung im Stadtraum. Die Namen der Personen sind unter den jeweiligen Straßenzügen oder Wohngegenden aufgelistet. Dabei kann es zu Mehrfachnennungen kommen, da einige Regenten den Wohnort gewechselt haben. Die Graphik zeigt die Zentrierung von Institutionen und Akteuren in Amsterdam. Im Anschluss an die Karte Amsterdams findet sich die Auflistung der wichtigsten Persönlichkeiten der politischen Elite in den Vereinigten Niederlanden des 17. Jahrhunderts. Alle aufgeführten Personen lebten, wenn auch teilweise nur für kurze Zeit, in Amsterdam. Neben ihrer beruflichen Laufbahn sind ihre Ehepartner und Verwandten angeführt, um die Vernetzung zwischen den Regentenfamilien zu zeigen. Nicht alle Personen, die in den Tabellen aufgelistet sind, tauchen auf dem Stadtplan auf. Im Stadtplan sind nur die wichtigsten Personen verzeichnet. Die Grundlage für die Erstellung der Graphik und der Personenlisten war folgende Literatur: Aa, A.J. van der: Biographisch woordenboek der Nederlanden, 21 Deelen, 1 Bijvoegsel, Haarlem: J.J. van Brederode, 1852 ̶ 1878. Molhuysen; P.C.; Blok, P.J.; Kossmann, Fr. K. H. (Red.): Nieuw Nederlandsch biografisch woordenboek. 10 Deelen, Leiden: Sythoff’s Uitgevers-Maatschappij, 1911 ̶ 74. Elias: J.E.: De vroeschap van Amsterdam 1578 ̶ 1795, 2 Delen, Haarlem: N. Israel, 1903 ̶ 1905. Wohnorte Amsterdamer Regenten Rokin Oude Turfmarkt Voorburgwal Hendrick Dircksz. Spiegel (1598–1667) Dr. Jacob Dircksz. Bas (1609–1656) Dr. -
Rembrandt's Bankruptcy: the Artist
Cambridge University Press 0521858259 - Rembrandt’s Bankruptcy: The Artist, His Patrons, and the Art Market in Seventeenth-Century Netherlands Paul Crenshaw Index More information index < Abraham’s Dismissal of Haagar (Rembrandt), 124 Baldinucci, Filippo, 17, 159 Adams, Ann Jensen, 163 on E. Keilhau, 186 van Aelst, Evert, 25 on price of Nightwatch, 167 van Aelst, Willem, 25 on Rembrandt collecting practices, 71–72 Alberti, Leon Battista, 193 on Rembrandt interest in painting, not Albertus Magnus, 148, 189, 192 socializing, 120 Alewyn (Alewijen), Abraham, 181 on Rembrandt marketing practices, 36–37 Alexander the Great (Rembrandt), 126–130, 131, on Rembrandt Ovid series, 31 , 171 132–133, 148, 189–190 on Rembrandt sale of own work, 187 Alpers, Svetlana, 12, 137, 191 on Rembrandt slow working pace, 118, 134 Ampzing, Samuel, 170–171 van Bambeeck, Nicholaes, 169, 170, 172–173, 182 Anatomy Lesson of Dr. Tulp (Rembrandt), 58, 187, Banck, Adriaen, 165, 172 188 bankruptcy Anatomy of Dr. Deyman (Rembrandt), 60, 146, cession with committimus, 24 166, 173, 188 compared with abject poverty, 20 D’Andrade, Mordechay, 124 consequences of ruin, 22–27 D’Andrade, Diego, dispute with Rembrandt, 33, artist committing unlawful acts, 22–23 120–125 civic/institutional aid, 26–27 complaint against Rembrandt, 121 imprisonment/severe labor, 25–26 consequences of dispute, 123–124 indentured service, 23 Rembrandt relationship to Jewish insolvent estates, 24–25 community, 124 leave town, 24 location of portrait in question, 121 sale of possessions, 23 Rembrandt reply to complaint, 121–122 penury, causes of, 20–22 interpretation of, 122–123 failures in non-art investments/professions, subject of painting, 121 21 Angel, Philips, 17–18, 150 personal indebtedness, 21–22 Anglo-Dutch Wars, 21, 39–40, 53, 66, 97–98 personal problems, 21 First Anglo-Dutch War, 13, 28, 38, 163 research/commentary on Rembrandt Second Anglo-Dutch War, 26 archival corrections of, 8–11 van Anthonissen, Hendrick, 11 nineteenth century, 5–8 Apelles, 149–152 recent, 11–14. -
Art at Auction in Th Century Amsterdam
JOHN MICHAEL MONTIAS This book exploits a trove of original documents that have survived on the auctions organized by the Orphan Chamber of Amsterdam in the first half of the seventeenth century. For the first time, the names of some 2000 buyers of works of art at auction in the 29 extant notebooks of the Chamber have been systematically analyzed. On the basis of archival research, data have been assembled on the occupation of these buyers (most of whom were merchants), their origin (Southern Netherlands, Holland, and other), their religion, their year of birth, their date of marriage, the taxes they paid and other indicators of their wealth. Buyers were found to cluster in groups, not only by extended family but by occupation, religion (Remonstrants, Counter-Remonstrants) and avocation (amateurs of tulips and of porcelain, members of Chambers Art at Auction in of Rhetoricians, and so forth). The subjects of the works of art they bought and the artists to which they were attributed are also analyzed. The second part of the book on “Selected Buyers”, is devoted to art dealers who bought at auction and four to buyers who had special connections with artists, including principally Rembrandt. As a whole, the book offers a penetrating insight into the culture of the Amsterdam elite in the seventeenth century. In Art at Auction in 17th Century Amsterdam Montias has created a richly patterned panorama of the interactions between artists, art lovers and art dealers who were active in one of Europe’s most JOHN MICHAEL th Century Amsterdam important art scenes of the 17th century. -
Andries De Graeff
Rhenen, 2-2-2010 Pieter C. Vis, 6132294 3e opdracht, cursus De Amsterdamse culturele elite Dr Madelon Simons, cursusjaar 2009-2010 Master Kunstgeschiedenis De Nieuwere tijd Universiteit van Amsterdam INHOUDSOPGAVE 1 INLEIDING .............................................................................................................................................3 2 WIE WAS ANDRIES DE GRAEFF ......................................................................................................4 2.1 Zijn loopbaan en leven ............................................................................................................4 2.2 Familierelaties (zie ook schema Bijlage C familierelaties) ...............................................6 3 DE POLITIEKE VERHOUDINGEN EN DE ROL VAN ANDRIES DE GRAEFF ................................8 3.1 Bestuur van Amsterdam ...........................................................................................................8 3.2 Politieke ontwikkelingen ..........................................................................................................9 4 ANDRIES DE GRAEFF ALS MECENAS ........................................................................................... 13 4.1 Portretten van Andries de Graeff ...................................................................................... 13 4.1.1 Andries de Graeff als Romeinse consul ........................................................................ 14 4.1.2 Geportretteerd door Govert Flinck .............................................................................. -
Leven in Verplichting
2 ‘Te leven als een vergeten burger is het best’. Leven in verplichting Was Witsens vrees voor de toekomst die hij in ‘Kort verhael’ zo nadrukkelijk voorwendde echter wel oprecht? De gebeurtenissen die volgden spreken dit tegen. Witsen onderhield namelijk al gedurende enige tijd vriendschappelijke betrekkingen met burgemeester Gillis Valckenier. Men had zich er al over ver- baasd dat deze prominente figuur bij de uitvaart van Nicolaes’ vader de kist mee naar het graf had geleid; de schepen Hans Bontemantel maakte er des- tijds in zijn kroniek De Regeeringe van Amsterdam speciale aantekening van.1 Verder had Val cke nier het jaar daarop er niet alleen voor gezorgd dat Witsen kerkmeester van de Zuiderkerk, maar ook raad in de vroedschap werd. En dit alles geheel op initiatief van Valckenier, zo verzekerde Witsen, ondanks dat hij ‘in geenen deele aan hem was bevriend’. Valckenier deed het uit sympa- thie, zei Witsen, omdat hij graag naar zijn verhalen over zijn reizen luisterde. Maar onvermeld blijft dat Witsens begunstiger ook gehuwd was met Jacoba Ranst, dochter van een succesvol koopman op Rusland, die aan Witsens fami- lie was verwant. Zo onschuldig als Witsen het in ‘Kort verhael’ deed voorkomen was deze nieuwe vriendschap dus niet. En inderdaad, de als een berekenende intrigant bekendstaande Gillis Valckenier had met zijn bijstand nog een politieker mo- tief. Door hulp te bieden aan Witsen wist hij dat hij in de toekomst op hem kon rekenen als regent. Bovendien zette hij zijn politieke tegenpartij hiermee een hak. Die tegenpartij was de heersende factie van de twee broers De Graeff, waartoe ook Witsens vader Cornelis had behoord.