Necessity Is the Mother of Invention
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-Joist van den Vondels r y t EN OORSPRONKLIJKE sl Yh OZASCHRIFTEN y« - IN VERBAND MET EENIGE', LEVENSBIJZONDERHEDEN BBWIi&ItT . boos en.na ztjn dood voortgezet dbor ^ ro / y h ZESDE DEEL: 1648-1655 t6 t t LEIDEN A. W. SIJTHOFF • 1895 JOOST VAN DEN VONDEL VI Joost van den Vondels DICHTWERKEN EN OORSPRONKLIJKE PROZASCHRIFTEN IN VERBAND MET tenist A63tito643onberOtben BEWERKT DOOR Dr. 7. A. ALBERDINGK THUM en na iijn dood voortgezet door J. H. W. UNGER ZESDE DEEL: 1648-1655 LEIDEN Bij A. W. SIJTHOFF, Anno 1895 Aiillytng OVER DEN HEER KASPER VAN BAERLE, 1 Professor te Amsterdam. MUSA VETAT MORI. U daalt de gansche Helikon N In rouwe, en schreit een Hengstebron I. Kasper van Baerle overleed 14 Januari 1648 en werd 18 Januari in de Nieuwe Kerk begraven. Geboren 12 Februari 1584 te Antwerpen, verliet hij reeds op zeer jeug- digen leeftijd zijne vaderstad en werd te Zalt-Bommel, waar zijn vader rector was, opgevoed. Nadat hij te Leiden gestudeerd had, werd hij in 1608 predikant te Nieuwe Tonge, in 1612 onder-regent van 't Staten-Colle- gie en in 1617 hoogleeraar in de Logica te Leiden. Om zijn Remonstrant- sche gevoelens uit dit ambt ontslagen, ging hij in de medicijnen studeeren en verwierf te Caen den doctorstitel. In 1632 werd hij beroepen als pro- fessor aan het Athenaeum Illustre, welke betrekking hij tot zijn dood ver- vulde. Hij huwde 21 September Oro met Barbara Sayon, uit Brugge, uit welk huwelijk acht kinderen werden geboren. Musa vetat Mor i: de Zanggodin belet te sterven, hier, met to epassing op van Baerle, in den zin van: „zijn roem als dichter en geleerde maakt hem onsterfelijk." De aanhaling is uit Horatius. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Masters of war: state, capital, and military enterprise in the Dutch cycle of accumulation (1600-1795) Brandon, P. Publication date 2013 Link to publication Citation for published version (APA): Brandon, P. (2013). Masters of war: state, capital, and military enterprise in the Dutch cycle of accumulation (1600-1795). General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:01 Oct 2021 Sources and bibliography Archival collections Nationaal Archief, The Hague (NA) Admiraliteiten, 1.01.46 Admiraliteitscolleges XXXI, J. Bisdom 1525-1793, 1.01.47.21 Admiraliteitscollecties XXXII, Pieter van Bleiswijk 1690-1787, 1.01.47.22 Admiraliteitscolleges -
The Dutch in the Early Modern World David Onnekink , Gijs Rommelse Frontmatter More Information
Cambridge University Press 978-1-107-12581-0 — The Dutch in the Early Modern World David Onnekink , Gijs Rommelse Frontmatter More Information The Dutch in the Early Modern World Emerging at the turn of the seventeenth century, the Dutch Republic rose to become a powerhouse of economic growth, artistic creativity, military innovation, religious tolerance and intellectual development. This is the first textbook to present this period of early modern Dutch history in a global context. It makes an active use of illustrations, objects, personal stories and anecdotes to present a lively overview of Dutch global history that is solidly grounded in sources and literature. Focusing on themes that resonate with contemporary concerns, such as overseas exploration, war, slavery, migration, identity and racism, this volume charts the multiple ways in which the Dutch were connected with the outside world. It serves as an engaging and accessible intro- duction to Dutch history, as well as a case study in early modern global expansion. david onnekink is Assistant Professor in Early Modern International Relations at Utrecht University. He has previously held a position at Leiden University, and was a visiting professor at the College of William and Mary, Williamsburg, VA, and the University of California, Los Angeles. He has been a fellow at the Institute for Advanced Studies in Humanities at Edinburgh (2004), Het Scheepvaartmuseum in Amsterdam (2016–2017) and the Netherlands Institute for Advanced Study (2016). He is the author of Reinterpreting the Dutch Forty Years War (2016), and edited volumes on War and Religion after Westphalia, 1648–1713 (2009) and Ideology and Foreign Policy in Early Modern Europe (1650–1750) (2011), also with Gijs Rommelse. -
Evolution and Ambition in the Career of Jan Lievens (1607-1674)
ABSTRACT Title: EVOLUTION AND AMBITION IN THE CAREER OF JAN LIEVENS (1607-1674) Lloyd DeWitt, Ph.D., 2006 Directed By: Prof. Arthur K. Wheelock, Jr. Department of Art History and Archaeology The Dutch artist Jan Lievens (1607-1674) was viewed by his contemporaries as one of the most important artists of his age. Ambitious and self-confident, Lievens assimilated leading trends from Haarlem, Utrecht and Antwerp into a bold and monumental style that he refined during the late 1620s through close artistic interaction with Rembrandt van Rijn in Leiden, climaxing in a competition for a court commission. Lievens’s early Job on the Dung Heap and Raising of Lazarus demonstrate his careful adaptation of style and iconography to both theological and political conditions of his time. This much-discussed phase of Lievens’s life came to an end in 1631when Rembrandt left Leiden. Around 1631-1632 Lievens was transformed by his encounter with Anthony van Dyck, and his ambition to be a court artist led him to follow Van Dyck to London in the spring of 1632. His output of independent works in London was modest and entirely connected to Van Dyck and the English court, thus Lievens almost certainly worked in Van Dyck’s studio. In 1635, Lievens moved to Antwerp and returned to history painting, executing commissions for the Jesuits, and he also broadened his artistic vocabulary by mastering woodcut prints and landscape paintings. After a short and successful stay in Leiden in 1639, Lievens moved to Amsterdam permanently in 1644, and from 1648 until the end of his career was engaged in a string of important and prestigious civic and princely commissions in which he continued to demonstrate his aptitude for adapting to and assimilating the most current style of his day to his own somber monumentality. -
Consuls, Corsairs, and Captives: the Creation of Dutch Diplomacy in The
University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2012-11-21 Consuls, Corsairs, and Captives: the Creation of Dutch Diplomacy in the Early Modern Mediterranean, 1596-1699 Erica Heinsen-Roach University of Miami, [email protected] Follow this and additional works at: https://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Heinsen-Roach, Erica, "Consuls, Corsairs, and Captives: the Creation of Dutch Diplomacy in the Early Modern Mediterranean, 1596-1699" (2012). Open Access Dissertations. 891. https://scholarlyrepository.miami.edu/oa_dissertations/891 This Embargoed is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. UNIVERSITY OF MIAMI CONSULS, CORSAIRS, AND CAPTIVES: THE CREATION OF DUTCH DIPLOMACY IN THE EARLY MODERN MEDITERRANEAN, 1596-1699 By Erica Heinsen-Roach A DISSERTATION Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Philosophy Coral Gables, Florida December 2012 ©2012 Erica Heinsen-Roach All Rights Reserved UNIVERSITY OF MIAMI A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy CONSULS, CORSAIRS, AND CAPTIVES: THE CREATION OF DUTCH DIPLOMACY IN THE EARLY MODERN MEDITERRANEAN, 1596-1699 Erica Heinsen-Roach Approved: ________________ _________________ Mary Lindemann, Ph.D. M. Brian Blake, Ph.D. Professor of History Dean of the Graduate School ________________ _________________ Hugh Thomas, Ph.D. Ashli White, Ph.D. Professor of History Professor of History ________________ Frank Palmeri, Ph.D. -
Dnl 1898 Jaargang 16
133 134 •en Lijsbeth Boelens), overleden 29 Augustus 1630, en 29 Mei 1642) met Jacob Bicker, Heer van Engelenburg; begraven in de Oude Kerk te Amsterdam 2 September zoon van Gerrit Bicker Pietersz. en Aeltje Boelens d. a. v., dochter van Cornelis Hendriksz. Loen, gezegd Andriesdr.; overleden 28 Juli 1646, oud 58 jaren; Commis• •Cornelis Andriesz. Boelens, en Wendela Luersma. saris en Bewindhebber der O. I. C ter Kamer Amsterdam, Hij verwekte bij haar: Directeur der Convooien op het Oosten en Noorwegen. Dit huwelijk bleef kinderloos en zijne weduwe hertrouwde te 1. Agnes de Graeff, geboren 24 Juni 1598, gedoopt Amsterdam 14 Juli 1648 met Pieter Trip, overleden 20 Juni in de Nieuwe Kerk te Amsterdam 30 Juni d. a, v. 1655, oud 58 jaren; Commissaris van Amsterdam in 1652. (Peten waren Jan de Graeff en Wijntje de Graeff); jong overleden. 9. Mr. Andries de Graeff, geboren te Amsterdam 19 Fe• 2. Cornelis de Graeff, die volgt E. bruari 1611 overleden 30 November 1678 en begraven te Amsterdam in de Oude Kerk 5 December d. a. v. Doktor 3. Dirk de Graeff, geboren 1 Februari 1601, gedoopt in de beide Rechten, Schepen van Amsterdam in 1646; in de Oude Kerk te Amsterdam 4 Februari d. a v. (Peten vervolgens in 1652 Raad en Rekenmeester der Domeinen waren Wijntje de Graeff en Pieter de Graeff); overleden van de Staten van Holland èn West-Friesland te 26 April 1637. Schepen van Amsterdam in 1632. 's-Gravenhage , in 1675 Burgemeester van Amsterdam , Hij huwde (huwel. voorwaarden do. Amsterdam 15 Januari 1665 Raad in de Vroedschap aldaar. -
Constant Contact Sent by [email protected] in Collaboration With
www.newamsterdamhistorycenter.org NEW AMSTERDAM YESTERDAY AND TODAY New Amsterdam History Center Newsletter – Vol. II, no. 2 Fall 2019 Contents: Letter from the Acting President/Executive Director Religion and Politics in Colonial New York: Sleepy Hollow Church and Domine Guiliam Bertholf, Firth Haring Fabend A Cartographic View of the Battle of Long Island, 1776, Ian Fowler The Lawyer and the Fox: A Tale of Tricks and Treachery in New Amsterdam, Jaap Jacobs NAHC Visits Dutch Sites in Westchester Amazon Smile Donates to New Amsterdam History Center NAHC Milestones and Events NAHC Patron Program Dear Friends of NAHC, Welcome to the sixth edition of New Amsterdam Yesterday and Today, the New Amsterdam History Center newsletter. In the last few months, NAHC has continued to present some fascinating talks as part of our on-going lecture series, as well as a wonderful excursion to Sleepy Hollow and Philipsburg Manor. Our spring talk held at the Netherland Club, was presented by Ian Fowler, curator and Geospatial Librarian for the Map Division of the New York Public Library, Cartographic Visions of New Netherland and New Amsterdam. It was met with great enthusiasm. For those who missed it, we have made a video recording available on our website. In this edition, we are pleased to offer you new articles and summaries of talks that you may have missed, for your reading pleasure. From NAHC Trustee Firth Fabend we have a fascinating article, Religion and Politics in Colonial New York: Sleepy Hollow Church and Domine Guiliam Bertholf. This past October, NAHC was honored to host Author and Honorary Reader in History at University of St. -
Between Utrecht and the War of the Austrian Succession: the Dutch Translation of the British Merchant of 1728
History of European Ideas ISSN: 0191-6599 (Print) 1873-541X (Online) Journal homepage: http://www.tandfonline.com/loi/rhei20 Between Utrecht and the War of the Austrian Succession: The Dutch Translation of the British Merchant of 1728 Koen Stapelbroek To cite this article: Koen Stapelbroek (2014) Between Utrecht and the War of the Austrian Succession: The Dutch Translation of the British Merchant of 1728, History of European Ideas, 40:8, 1026-1043, DOI: 10.1080/01916599.2014.971533 To link to this article: http://dx.doi.org/10.1080/01916599.2014.971533 Published online: 06 Nov 2014. Submit your article to this journal Article views: 97 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rhei20 Download by: [Erasmus University] Date: 20 June 2017, At: 23:47 History of European Ideas, 2014 Vol. 40, No. 8, 1026–1043, http://dx.doi.org/10.1080/01916599.2014.971533 Between Utrecht and the War of the Austrian Succession: The Dutch Translation of the British Merchant of 1728 KOEN STAPELBROEK* Department of History, University of Helsinki, Finland Summary The aim of this article is to shed light on some elements of the context in which the Dutch translation of the British Merchant of 1728 was published. At first sight the translation appears to be a straightforward mercantile handbook. No additions are made to the English language original of 1721, other than a set of tables. Yet, precisely in this mercantile function lies a different political significance. The argument of this article, built up through contextual reconstruction and analysis of a number of pamphlets, trade handbooks and periodicals, is that the Historie van den algemenen en bijzonderen koophandel van Groot Brittannien provided an instrument to its Dutch readers, presumably consisting to a large extent of merchants and politicians, for coming to grips with the reality of international commerce that had emerged following the War of the Spanish Succession. -
In Goede Orde Veranderlijk Geordineerd
doi: 10.2143/GBI.37.0.3017262 IN GOEDE ORDE VERANDERLIJK GEORDINEERD SCHRIFTELIJKE BRONNEN OVER (MARMER)STENEN VLOEREN IN HET NEDERLANDSE INTERIEUR VAN DE 17DE EN 18DE EEUW INGER GROENEVELD Historische natuurstenen vloeren hebben iets magisch in Die visie ten aanzien van het voorkomen van natuurstenen een land dat van nature nauwelijks harde grond onder de vloeren in het Nederlandse interieur van de 17de eeuw is voeten kent.1 Ze zijn onlosmakelijk verbonden met onze overgenomen in verschillende binnen- en buitenlandse rijke handelsgeschiedenis: de binnenvaart over de Maas en kunsthistorische studies.5 de Schelde en de kleine vaart tussen Zweden en de Middel- landse Zee. De gepolijste, barstloze en regelmatig gelegde Na 2001 kwam er ten aanzien van de 18de eeuw een natuurstenen vloer – alsook de smetteloos geschuurde, zekere nuancering. Zo maakte het promotieonderzoek van knoestloze grenen vloer – is van oudsher verbonden met dr. Johan de Haan naar het Groninger interieur (2005) de legendarische properheid en deugdzaamheid van de – tussen de regels door – een aanzet tot (regionale) bij- Hollandse huisvrouw. De vloer werd in de schilderkunst stelling van het beeld dat in die eeuw enkel witmarmeren verbeeld als podium van huiselijke harmonie, met de bezem vloeren de toon zetten.6 (afb. 1) als deurwachter in de hoek. Sinds de eerste studies naar het Nederlandse historische interieur is het beeld van de Bovengenoemde studies ten spijt is er nog nooit afzonder- natuurstenen vloer in de 17de en 18de eeuw vooral bepaald lijk interieurhistorisch onderzoek gedaan naar de natuurste- geweest door de stilistische veronderstelling ‘patroonvloer, nen stenen vloer. Het ontbrak zodoende aan een op harde dus 17de eeuw’ en ‘witte marmeren vloer, dus 18de eeuw’. -
11 Corporate Governance
144 11 Corporate governance MARJOLEIN ’T HART The Bank of Amsterdam´s commissioners: a strong network For almost 200 years, up to the 1780s, the Bank of Amsterdam operated to the great satisfaction of the mercantile elite. Its ability to earn and retain the confidence of the financial and commercial elite was highly dependent on its directors, the commissioners. An analysis of their backgrounds shows that many of them once held senior posts in the city council, although the number of political heavyweights decreased over time. The commissioners also took office at an increasingly younger age. After the first 50 years of the bank, they began to stay on in office longer, indicating a certain degree of professionalisation. The commissioners had excellent connections with stock exchange circles. The majority of them were merchants or bankers themselves, and they almost all had accounts with the bank. As a result, the commissioners formed a very strong network linking the city with the mercantile community. CORPORATE GOVERNANCE 145 François Beeldsnijder, 1688-1765, iron merchant and commissioner of the Bank of Amsterdam for 15 years Jan Baptista Slicher; Amsterdam, 1689-1766, burgomaster, merchant, VOC director and commissioner of the Bank of Amsterdam for 16 years A REVOLUTIONARY PROPOSAL This was the first time that the commissioners of the On 6 June 1797, in the wake of revolutionary upheaval, Bank of Amsterdam had come in for such sharp criticism. Amsterdam’s city council, which had itself undergone Of course, some aspects of the bank had been commented radical change, decided on a revolutionary put forward on before. -
Black Cosmopolitans
BLACK COSMOPOLITANS BLACK COSMOPOLITANS Race, Religion, and Republicanism in an Age of Revolution Christine Levecq university of virginia press Charlottesville and London University of Virginia Press © 2019 by the Rector and Visitors of the University of Virginia All rights reserved Printed in the United States of America on acid- free paper First published 2019 ISBN 978-0-8139-4218-6 (cloth) ISBN 978-0-8139-4219-3 (e-book) 1 3 5 7 9 8 6 4 2 Library of Congress Cataloging- in- Publication Data is available for this title. Cover art: Jean-Baptiste Belley. Portrait by Anne Louis Girodet de Roussy- Trioson, 1797, oil on canvas. (Château de Versailles, France) To Steve and Angie CONTENTS Acknowledgments ix Introduction 1 1. Jacobus Capitein and the Radical Possibilities of Calvinism 19 2. Jean- Baptiste Belley and French Republicanism 75 3. John Marrant: From Methodism to Freemasonry 160 Notes 237 Works Cited 263 Index 281 ACKNOWLEDGMENTS This book has been ten years in the making. One reason is that I wanted to explore the African diaspora more broadly than I had before, and my knowledge of English, French, and Dutch naturally led me to expand my research to several national contexts. Another is that I wanted this project to be interdisciplinary, combining history and biography with textual criticism. It has been an amazing journey, which was made pos- sible by the many excellent scholars this book relies on. Part of the pleasure in writing this book came from the people and institutions that provided access to both the primary and the second- ary material. -
Cultural Marketing of William III: a Religious Turn in Katharina Lescailje's Political Poetry
Dutch Crossing Journal of Low Countries Studies ISSN: 0309-6564 (Print) 1759-7854 (Online) Journal homepage: https://www.tandfonline.com/loi/ydtc20 Cultural Marketing of William III: A Religious Turn in Katharina Lescailje's Political Poetry Nina Geerdink To cite this article: Nina Geerdink (2010) Cultural Marketing of William III: A Religious Turn in Katharina Lescailje's Political Poetry, Dutch Crossing, 34:1, 25-41, DOI: 10.1179/030965610X12634710163105 To link to this article: https://doi.org/10.1179/030965610X12634710163105 Published online: 18 Jul 2013. Submit your article to this journal Article views: 33 View related articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=ydtc20 dutch crossing, Vol. 34 No. 1, March, 2010, 25–41 Cultural Marketing of William III: A Religious Turn in Katharina Lescailje’s Political Poetry Nina Geerdink VU University Amsterdam, NL William III (1650–1702) and his wife Mary II (1662–1695) have been praised extensively by Dutch poets. One gets the impression that the government of the King-Stadholder was widely appreciated in the Dutch Republic, while in fact his position was not uncontested and this image was partly constructed in laudatory poems. The laudations for William were univocal in their praise and particularly religious in tone. The example of the Amsterdam female poet Katharina Lescailje (1649–1711) highlights both aspects of the poetry about William and Mary. The resounding praise for William, as well as the religious tone in the poems written during the 1680s, was in remarkable opposition to her earlier political poems, written in the 1670s.