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												Artaxerxes II
Artaxerxes II John Shannahan BAncHist (Hons) (Macquarie University) Thesis submitted for the degree of Doctor of Philosophy. Department of Ancient History, Macquarie University. May, 2015. ii Contents List of Illustrations v Abstract ix Declaration xi Acknowledgements xiii Abbreviations and Conventions xv Introduction 1 CHAPTER 1 THE EARLY REIGN OF ARTAXERXES II The Birth of Artaxerxes to Cyrus’ Challenge 15 The Revolt of Cyrus 41 Observations on the Egyptians at Cunaxa 53 Royal Tactics at Cunaxa 61 The Repercussions of the Revolt 78 CHAPTER 2 399-390: COMBATING THE GREEKS Responses to Thibron, Dercylidas, and Agesilaus 87 The Role of Athens and the Persian Fleet 116 Evagoras the Opportunist and Carian Commanders 135 Artaxerxes’ First Invasion of Egypt: 392/1-390/89? 144 CHAPTER 3 389-380: THE KING’S PEACE AND CYPRUS The King’s Peace (387/6): Purpose and Influence 161 The Chronology of the 380s 172 CHAPTER 4 NUMISMATIC EXPRESSIONS OF SOLIDARITY Coinage in the Reign of Artaxerxes 197 The Baal/Figure in the Winged Disc Staters of Tiribazus 202 Catalogue 203 Date 212 Interpretation 214 Significance 223 Numismatic Iconography and Egyptian Independence 225 Four Comments on Achaemenid Motifs in 227 Philistian Coins iii The Figure in the Winged Disc in Samaria 232 The Pertinence of the Political Situation 241 CHAPTER 5 379-370: EGYPT Planning for the Second Invasion of Egypt 245 Pharnabazus’ Invasion of Egypt and Aftermath 259 CHAPTER 6 THE END OF THE REIGN Destabilisation in the West 267 The Nature of the Evidence 267 Summary of Current Analyses 268 Reconciliation 269 Court Intrigue and the End of Artaxerxes’ Reign 295 Conclusion: Artaxerxes the Diplomat 301 Bibliography 309 Dies 333 Issus 333 Mallus 335 Soli 337 Tarsus 338 Unknown 339 Figures 341 iv List of Illustrations MAP Map 1 Map of the Persian Empire xviii-xix Brosius, The Persians, 54-55 DIES Issus O1 Künker 174 (2010) 403 333 O2 Lanz 125 (2005) 426 333 O3 CNG 200 (2008) 63 333 O4 Künker 143 (2008) 233 333 R1 Babelon, Traité 2, pl. - 
												
												Sea Monsters in Antiquity: a Classical and Zoological Investigation
Sea Monsters in Antiquity: A Classical and Zoological Investigation Alexander L. Jaffe Harvard University Dept. of Organismic and Evolutionary Biology Class of 2015 Abstract: Sea monsters inspired both fascination and fear in the minds of the ancients. In this paper, I aim to examine several traditional monsters of antiquity with a multi-faceted approach that couples classical background with modern day zoological knowledge. Looking at the examples of the ketos and the sea serpent in Roman and Greek societies, I evaluate the scientific bases for representations of these monsters across of variety of media, from poetry to ceramics. Through the juxtaposition of the classical material and modern science, I seek to gain a greater understanding of the ancient conception of sea monsters and explain the way in which they were rationalized and depicted by ancient cultures. A closer look at extant literature, historical accounts, and artwork also helps to reveal a human sentiment towards the ocean and its denizens penetrating through time even into the modern day. “The Sea-monsters, mighty of limb and huge, the wonders of the sea, heavy with strength invincible, a terror for the eyes to behold and ever armed with deadly rage—many of these there be that roam the spacious seas...”1 Oppian, Halieutica 1 As the Greek poet Oppian so eloquently reveals, sea monsters inspired both fascination and fear in the minds of the ancients. From the Old Testament to Ovid, sources from throughout the ancient world show authors exercising both imagination and observation in the description of these creatures. Mythology as well played a large role in the creation of these beliefs, with such classic examples as Perseus and Andromeda or Herakles and Hesione. - 
												
												Citations in Classics and Ancient History
Citations in Classics and Ancient History The most common style in use in the field of Classical Studies is the author-date style, also known as Chicago 2, but MLA is also quite common and perfectly acceptable. Quick guides for each of MLA and Chicago 2 are readily available as PDF downloads. The Chicago Manual of Style Online offers a guide on their web-page: http://www.chicagomanualofstyle.org/tools_citationguide.html The Modern Language Association (MLA) does not, but many educational institutions post an MLA guide for free access. While a specific citation style should be followed carefully, none take into account the specific practices of Classical Studies. They are all (Chicago, MLA and others) perfectly suitable for citing most resources, but should not be followed for citing ancient Greek and Latin primary source material, including primary sources in translation. Citing Primary Sources: Every ancient text has its own unique system for locating content by numbers. For example, Homer's Iliad is divided into 24 Books (what we might now call chapters) and the lines of each Book are numbered from line 1. Herodotus' Histories is divided into nine Books and each of these Books is divided into Chapters and each chapter into line numbers. The purpose of such a system is that the Iliad, or any primary source, can be cited in any language and from any publication and always refer to the same passage. That is why we do not cite Herodotus page 66. Page 66 in what publication, in what edition? Very early in your textbook, Apodexis Historia, a passage from Herodotus is reproduced. - 
												
												Folktale Types and Motifs in Greek Heroic Myth Review P.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic Quest
Mon Feb 13: Heracles/Hercules and the Greek world Ch. 15, pp. 361-397 Folktale types and motifs in Greek heroic myth review p.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic quest NAME: Hera-kleos = (Gk) glory of Hera (his persecutor) >p.395 Roman name: Hercules divine heritage and birth: Alcmena +Zeus -> Heracles pp.362-5 + Amphitryo -> Iphicles Zeus impersonates Amphityron: "disguised as her husband he enjoyed the bed of Alcmena" “Alcmena, having submitted to a god and the best of mankind, in Thebes of the seven gates gave birth to a pair of twin brothers – brothers, but by no means alike in thought or in vigor of spirit. The one was by far the weaker, the other a much better man, terrible, mighty in battle, Heracles, the hero unconquered. Him she bore in submission to Cronus’ cloud-ruling son, the other, by name Iphicles, to Amphitryon, powerful lancer. Of different sires she conceived them, the one of a human father, the other of Zeus, son of Cronus, the ruler of all the gods” pseudo-Hesiod, Shield of Heracles Hera tries to block birth of twin sons (one per father) Eurystheus born on same day (Hera heard Zeus swear that a great ruler would be born that day, so she speeded up Eurystheus' birth) (Zeus threw her out of heaven when he realized what she had done) marvellous infancy: vs. Hera’s serpents Hera, Heracles and the origin of the MIlky Way Alienation: Madness of Heracles & Atonement pp.367,370 • murders wife Megara and children (agency of Hera) Euripides, Heracles verdict of Delphic oracle: must serve his cousin Eurystheus, king of Mycenae -> must perform 12 Labors (‘contests’) for Eurystheus -> immortality as reward The Twelve Labors pp.370ff. - 
												
												Stories from Greek History
TO ARCHIBALD R.B. HALDANE Conditions and Terms of Use My dear Archie, Copyright © Heritage History 2010 Some rights reserved Do you remember that bright summer morning last This text was produced and distributed by Heritage History, an year when we lay out on the lawn and read together the organization dedicated to the preservation of classical juvenile history "Labours of Heracles," and how you once interrupted to ask "if books, and to the promotion of the works of traditional history authors. the tales were true?" The books which Heritage History republishes are in the public domain and are no longer protected by the original copyright. They may The tales in this little book are true, and beside the therefore be reproduced within the United States without paying a royalty winter fire I wrote them, fancying that I still had your eager to the author. face beside me, heard still your eager demand for "another The text and pictures used to produce this version of the work, story." Will you like these as well, I wonder? however, are the property of Heritage History and are subject to certain Your loving friend restrictions. These restrictions are imposed for the purpose of protecting the Ethelwyn Lemon integrity of the work, for preventing plagiarism, and for helping to assure that compromised versions of the work are not widely disseminated. In order to preserve information regarding the origin of this text, a copyright by the author, and a Heritage History distribution date are TABLE OF CONTENTS included at the foot of every page of text. - 
												
												FOURTH CENTURY GREECE Spring 2015 (Review On-Line Lectures, Archaic Greece Through 4Th Cent
CLCS 380, REVIEW SHEET I: FOURTH CENTURY GREECE Spring 2015 (Review On-Line Lectures, Archaic Greece through 4th Cent. Developments) A. MAP TEST. A map similar to the one below will contain numbered items from the following list. Answers will appear in multiple choice format. 10 items, 1 point each Map List: Athens, 2. Sparta 3. Corinth, 4. Argos, 5. Thasos, 6. Byzantium, 9. Delos, 10. Thrace, 16. Thebes, 24. Messenia, 25. Mantinea, 28. Macedonia, Sardis, Ionia, Thessaly Assigned Lectures: Archaic Greece, Tyranny, and Democracy External Conflict in the Greek World Political Trends of the Early Fourth Century BC.htm Further Note on 4th Century Greece Ancient Near Eastern Empires (Persian Empire) Summary for the Persian Empire OPTIONAL BUT RECOMMENDED: Plutarch’s Lives of Pericles, Alcibiades, Agesilaus, and Pelopidas B. MULTIPLE CHOICE ITEMS (THE FOLLOWING COULD APPEAR AS ANSWERS TO MULTIPLE CHOICE QUESTIONS; INCLUDING IMAGES LISTED BELOW) Greek concepts: particularism/panhellenism, polis, hoplite phalanx. Athenian Empire (478-404): Battle of Salamis (480), trireme, Delian League, Athenian Tribute Lists, Pericles, Peloponnesian War (431-404 BC), Alcibiades, Second Athenian Confederacy (378-357 BC). Spartan Domination (404-371 BC): King Agesilaus, Peloponnesian League, Battle of Leuctra. (371 BC), Messenia and the helot problem Theban Hegemony (371-362): Epaminondas, Pelopidas, oblique phalanx, Sacred Band, shock cavalry, peltasts, Philip II of Macedon taken as hostage; Battle of Mantinea (362 BC). Persian Empire (c. 640-331 BC): satraps, “eyes and ears of the king”, Royal Road, Persepolis, Cyrus the Younger, Xenophon and the March of the 10,000; Know the following Images at the website: Greek warfare; Athenian Acropolis; Athenian Agora; Parthenon; Pericles; Propylea; as well as the following: Defenses at Mantinea Alcibiades Attic Red Figure Krater Remains of the Long Walls in the Piraeus, Athens Victory Monument of Epaminondas at Leuctra The Megalopolitan Gate at Messene. - 
												
												2014.Axx Barbantani, Mother of Snakes and Kings
Histos () – MOTHER OF SNAKES AND KINGS: APOLLONIUS RHODIUS’ FOUNDATION OF ALEXANDRIA* Abstract: Of all the lost Foundation Poems attributed to Apollonius Rhodius, active at the court of Ptolemy II, the Ktisis of Alexandria must have been the most important for his contemporaries, and surely is the most intriguing for modern scholars of the Hellenistic world. Unfortunately, only a brief mention of this epyllion survives, in a scholion to Nicander’s Theriaka , relating to the birth of poisonous snakes from the severed head of Medusa, carried by Perseus over Libya . Deadly and benign serpents belong to a multi- cultural symbolic imagery intertwined with the Greek, Macedonian, Egyptian and Jewish origins of the city. This paper explores the possible connections of the only episode preserved from Apollonius’ Ktisis with the most ancient known traditions on the foundation of Alexandria —possibly even created at the time of Alexander or of the first Lagid dynasts, Ptolemy I and II. And I wished he would come back, my snake. For he seemed to me again like a king, Like a king in exile, uncrowned in the underworld, Now due to be crowned again. D. H. Lawrence , Snake (Taormina, ) Introduction pollonius of Rhodes is credited with a certain number of Foundation poems in hexameters, namely on Alexandria, Naucratis, Caunus, ACnidus, Rhodes and, possibly, Lesbos. The epic poem Argonautica is Apollonius’ only work which has survived through direct tradition, and the only one mentioned in the biographical sources, while his Κτίσεις are only known through short quotations and summaries by different ancient authors * The research on Apollonius’ Κτίσεις began in , when I was asked to edit the fragments for FGrHist IV, ed. - 
												
												Theban Walls in Homeric Epic Corinne Ondine Pache Trinity University, [email protected]
Trinity University Digital Commons @ Trinity Classical Studies Faculty Research Classical Studies Department 10-2014 Theban Walls in Homeric Epic Corinne Ondine Pache Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/class_faculty Part of the Classics Commons Repository Citation Pache, C. (2014). Theban walls in Homeric epic. Trends in Classics, 6(2), 278-296. doi:10.1515/tc-2014-0015 This Article is brought to you for free and open access by the Classical Studies Department at Digital Commons @ Trinity. It has been accepted for inclusion in Classical Studies Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. TC 2014; 6(2): 278–296 Corinne Pache Theban Walls in Homeric Epic DOI 10.1515/tc-2014-0015 Throughout the Iliad, the Greeks at Troy often refer to the wars at Thebes in their speeches, and several important warriors fighting on the Greek side at Troy also fought at Thebes and are related to Theban heroes who besieged the Boeotian city a generation earlier. The Theban wars thus stand in the shadow of the story of war at Troy, another city surrounded by walls supposed to be impregnable. In the Odyssey, the Theban connections are less central, but nevertheless significant as one of our few sources concerning the building of the Theban walls. In this essay, I analyze Theban traces in Homeric epic as they relate to city walls. Since nothing explicitly concerning walls remains in the extant fragments of the Theban Cycle, we must look to Homeric poetry for formulaic and thematic elements that can be connected with Theban epic. - 
												
												Hamilton's Perseus.Pdf
.; I CHAPTER I Perseus This story is on the level of the fairy story. Hermes and Atherw. act like the fairy godmother in Cinderella. The magi- cal wallet and cap belong to the properties fairy tales abound in everywhere. It is the only myth in which magic plays a decisive part, and it seems to have been a great favorite in Greece. Many poets allude to it. The description of Danae in the wooden chest was the most famous passage of a fa- mous poem by Simonides of Ceos, a great lyr'ic poet who lived in the sixth century. The entire story is told by both Ovid and Apollodorus. The latter, probably a hundred years later than Ovid, is here the superior of the two. His account is simple and stmightforward; OvicI s extremely verbose- for instance, he takes a hundred lines to kill the sea serpent. I have followed Apollodorus, but I have added the fragment from Simonides, and short quotations from other poets, no- tably IIesiod and Pirular. ING ACRISIUS of Argos had only one child, a daugh- Kter, Danae. She was beautiful above all the other women of the land, but this was small comfort to the King for not having a son. He journeyed to Delphi to ask the god if there was any hope that some day he would be the father 198 Mythology Perseus 199 of a boy. The priestess told him no, and added what was boy's life was a terrible danger to his own. He was afraid to far worse: that his daughter would have a son who would kill him for the same reason that had kept him from killing kill him. - 
												
												Myth Made Fact Lesson 7: Perseus with Dr
Myth Made Fact Lesson 7: Perseus with Dr. Louis Markos Outline: The four greatest heroes of Greek mythology: Perseus Jason Theseus Hercules Setting Hesiod was a contemporary of Homer, late 8th century. Hesiod lived in Greece as a farmer. The four ages of man: o Golden Age: Live close to nature, close to the gods, and close to ourselves, a world before greed, before man cut open the earth for rare metals to kill each other o Silver Age: long youth that was happy, but they became violent and foolish and they were hidden under the earth o Bronze Age: men were warlike and fierce o Iron Age: this is the current age, far away from the Golden Age, we’ve lost a sense of shame and piety, we’ve lost our center and our balance o This concept is ubiquitous, that we are falling away. Hesiod adds a fifth age between the Bronze and Iron, and he calls it the age of heroes. There is almost a rebirth of the Golden Age with soldiers who fight for honor. This is when basically all of Greek mythology takes place (1500 BC – 1150 BC). o The Trojan War is the end of the Golden Age. o Every Greek tragedy takes place during that Golden Age, except a play about the Persian War, which is written as though the Persian war is taken place in a mythic Golden Age. Perseus Perseus is the son of Zeus. Acrisios heard a prophecy that Danae will give birth to a child who will kill him, so he locks Danae in a tower. - 
												
												The Thebaid Europa, Cadmus and the Birth of Dionysus
The Thebaid Europa, Cadmus and the birth of Dionysus Caesar van Everdingen. Rape of Europa. 1650 Zeus = Io Memphis = Epaphus Poseidon = Libya Lysianassa Belus Agenor = Telephassa In the Danaid, we followed the descendants of Belus. The Thebaid follows the descendants of Agenor Agenor = Telephassa Cadmus Phoenix Cylix Thasus Phineus Europa • Agenor migrated to the Levant and founded Sidon • But see Josephus, Jewish Antiquities i.130 - 139 • “… for Syria borders on Egypt, and the Phoenicians, to whom Sidon belongs, dwell in Syria.” (Hdt. ii.116.6) The Levant Levant • Jericho (9000 BC) • Damascus (8000) • Biblos (7000) • Sidon (4000) Biblos Damascus Sidon Tyre Jericho Levant • Canaanites: • Aramaeans • Language, not race. • Moved to the Levant ca. 1400-1200 BC • Phoenician = • purple dye people Biblos Damascus Sidon Tyre Agenor = Telephassa Cadmus Phoenix Cylix Thasus Phineus Europa • Zeus appeared to Europa as a bull and carried her to Crete. • Agenor sent his sons in search of Europa • Don’t come home without her! • The Rape of Europa • Maren de Vos • 1590 Bilbao Fine Arts Museum (Spain) Image courtesy of wikimedia • Rape of Europa • Caesar van Everdingen • 1650 • Image courtesy of wikimedia • Europe Group • Albert Memorial • London, 1872. • A memorial for Albert, husband of Queen Victoria. Crete Europa = Zeus Minos Sarpedon Rhadamanthus • Asterius, king of Crete, married Europa • Minos became king of Crete • Sarpedon king of Lycia • Rhadamanthus king of Boeotia The Brothers of Europa • Phoenix • Remained in Phoenicia • Cylix • Founded - 
												
												Words: Dragon, Andromeda, Medusa, Perseus, Myth
Athens Journal of Mediterranean Studies - Volume 7, Issue 3, July 2021 – Pages 201-232 Medusa Must Die! The Virgin and the Defiled in Greco-Roman Medusa and Andromeda Myths By Sharon Khalifa-Gueta* Andromeda and Medusa are two types within the same motif—that of the motif of ―the woman and the dragon‖. This article positions a mythical hero between these two women and contrasts their relationship with dragons, along with a further fresh investigation of women and dragons in ritual and cultural context. The complexity of this motif, in contrast to the dragon-slayer topos, is explored, shedding light on social views, desires, and fears toward women in the ancient Greco-Roman cultural context. These female figures are contrasted within one mythical sequence, elucidating their educational role for men. This investigation also confronts the ―good‖ versus the ―defiled‖ woman and clarifies why a ―holy-defiled‖ woman, such as Medusa, cannot exist in patriarchal cultures, and therefore must be isolated, killed, or otherwise controlled by patriarchal society. Keywords: dragon, Andromeda, Medusa, Perseus, myth Introduction The myth sequence of Perseus is well studied, mostly as part of the dragon- slayer topos. This article aims to shift the attention from Perseus to his two encounters with females, Andromeda and Medusa, and suggest that by placing them together in the same myth sequence a motif with binary visualisations emerges. While Medusa‘s image has already been broadly investigated, Andromeda has mostly been neglected, with Perseus‘s figure gaining the most attention in this myth. Focusing on the artistic manifestation of the syntagm ―the woman and the dragon‖ reveals a Greco-Roman cultural binary of the ―good‖ versus the ―bad‖ woman.