MYTHOLOGY-CADMUS, ANTIGONE, and OEDIPUS Cadmus and His

Total Page：16

File Type：pdf, Size：1020Kb

MYTHOLOGY-CADMUS, ANTIGONE, AND OEDIPUS Cadmus and his Children 1. Which woman was the sister of Cadmus, and what was her story ? 2. Why did Cadmus go to Delphi? 3. What did Apollo tell Cadmus? 4. How was Cadmus supposed to achieve this goal? 5. What was this city supposed to be called? 6. What was the first obstacle Cadmus had to overcome? 7. Who came to Cadmus once the dragon was dead? 8. What was Cadmus told to do? 9. What sprang up from the ground? 10. How did Cadmus end up with only five men? 11. What does Herodotus attribute to Cadmus? 12. Aries and Aphrodite are the parents of Cadmus’ wife, ___________________________________ 13. Aphrodite gave Cadmus’ wife a necklace made by Hephaestus. The necklace would bring ___________________________ to later generations. 14. Cadmus and Harmonia had four daughters and one son. What terrible things happened to each of the children and their families? SEMELE- INO (LEUCOTHEA)- INO’S HUSBAND AND SON- AGAVE AND PENTHEUS – AUTONOE- AUTONOE’S SON- OEDIPUS 15. King Laius of Thebes married a distant cousin named _________________________________. 16. According to the stories, is it possible to work against a foretold fate? 17. What did the Oracle warn Laius would happen to him? 18. What did Laius do to his son when he was born? 19. King Laius was reported to have been killed by _____________________________. 20. The murder wasn’t investigated fully because of the terrible ____________________________. Which was a _________________________________________________________________ 21. What did the sphinx require of travelers? 22. Oedipus came upon the Sphinx after he left Corinth. Why did he leave Corinth? (1) (2) (3) 23. The Sphinx killed herself when _________________________________________________ 24. What was the riddle, and what was the answer? 25. When the plague struck, why did Oedipus suffer so greatly? 26. What was the condition that would end the plague? 27. How did Oedipus feel about this? 28. Who did Oedipus send for to help solve the crime? 29. What did Teiresias refuse to do? 30. After Oedipus accused him of being complicit in the crime, what did Teiresias tell him? 31. Jocasta explained why she believed the prophets were ignorant. She told him that Delphi had prophesied : MYTHOLOGY-CADMUS, ANTIGONE, AND OEDIPUS 32. What else did Jocasta tell Oedipus? 33. What idea seems to be formulating in Oedipus’ mind when he gets this information? 34. Apollo came to announce the death of Polybus to Oedipus and Jocasta. Why was this important? 35. Apollo asks him whether the fear of killing his father (Polybus) drove him form Corinth. What is this question foreshadowing? 36. What happens to Jocasta? 37. What happens to Oedipus? .

Copy Link

Recommended publications

Folktale Types and Motifs in Greek Heroic Myth Review P.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic Quest
Mon Feb 13: Heracles/Hercules and the Greek world Ch. 15, pp. 361-397 Folktale types and motifs in Greek heroic myth review p.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic quest NAME: Hera-kleos = (Gk) glory of Hera (his persecutor) >p.395 Roman name: Hercules divine heritage and birth: Alcmena +Zeus -> Heracles pp.362-5 + Amphitryo -> Iphicles Zeus impersonates Amphityron: "disguised as her husband he enjoyed the bed of Alcmena" “Alcmena, having submitted to a god and the best of mankind, in Thebes of the seven gates gave birth to a pair of twin brothers – brothers, but by no means alike in thought or in vigor of spirit. The one was by far the weaker, the other a much better man, terrible, mighty in battle, Heracles, the hero unconquered. Him she bore in submission to Cronus’ cloud-ruling son, the other, by name Iphicles, to Amphitryon, powerful lancer. Of different sires she conceived them, the one of a human father, the other of Zeus, son of Cronus, the ruler of all the gods” pseudo-Hesiod, Shield of Heracles Hera tries to block birth of twin sons (one per father) Eurystheus born on same day (Hera heard Zeus swear that a great ruler would be born that day, so she speeded up Eurystheus' birth) (Zeus threw her out of heaven when he realized what she had done) marvellous infancy: vs. Hera’s serpents Hera, Heracles and the origin of the MIlky Way Alienation: Madness of Heracles & Atonement pp.367,370 • murders wife Megara and children (agency of Hera) Euripides, Heracles verdict of Delphic oracle: must serve his cousin Eurystheus, king of Mycenae -> must perform 12 Labors (‘contests’) for Eurystheus -> immortality as reward The Twelve Labors pp.370ff.
[Show full text]
Theban Walls in Homeric Epic Corinne Ondine Pache Trinity University, [email protected]
Trinity University Digital Commons @ Trinity Classical Studies Faculty Research Classical Studies Department 10-2014 Theban Walls in Homeric Epic Corinne Ondine Pache Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/class_faculty Part of the Classics Commons Repository Citation Pache, C. (2014). Theban walls in Homeric epic. Trends in Classics, 6(2), 278-296. doi:10.1515/tc-2014-0015 This Article is brought to you for free and open access by the Classical Studies Department at Digital Commons @ Trinity. It has been accepted for inclusion in Classical Studies Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. TC 2014; 6(2): 278–296 Corinne Pache Theban Walls in Homeric Epic DOI 10.1515/tc-2014-0015 Throughout the Iliad, the Greeks at Troy often refer to the wars at Thebes in their speeches, and several important warriors fighting on the Greek side at Troy also fought at Thebes and are related to Theban heroes who besieged the Boeotian city a generation earlier. The Theban wars thus stand in the shadow of the story of war at Troy, another city surrounded by walls supposed to be impregnable. In the Odyssey, the Theban connections are less central, but nevertheless significant as one of our few sources concerning the building of the Theban walls. In this essay, I analyze Theban traces in Homeric epic as they relate to city walls. Since nothing explicitly concerning walls remains in the extant fragments of the Theban Cycle, we must look to Homeric poetry for formulaic and thematic elements that can be connected with Theban epic.
[Show full text]
The Thebaid Europa, Cadmus and the Birth of Dionysus
The Thebaid Europa, Cadmus and the birth of Dionysus Caesar van Everdingen. Rape of Europa. 1650 Zeus = Io Memphis = Epaphus Poseidon = Libya Lysianassa Belus Agenor = Telephassa In the Danaid, we followed the descendants of Belus. The Thebaid follows the descendants of Agenor Agenor = Telephassa Cadmus Phoenix Cylix Thasus Phineus Europa • Agenor migrated to the Levant and founded Sidon • But see Josephus, Jewish Antiquities i.130 - 139 • “… for Syria borders on Egypt, and the Phoenicians, to whom Sidon belongs, dwell in Syria.” (Hdt. ii.116.6) The Levant Levant • Jericho (9000 BC) • Damascus (8000) • Biblos (7000) • Sidon (4000) Biblos Damascus Sidon Tyre Jericho Levant • Canaanites: • Aramaeans • Language, not race. • Moved to the Levant ca. 1400-1200 BC • Phoenician = • purple dye people Biblos Damascus Sidon Tyre Agenor = Telephassa Cadmus Phoenix Cylix Thasus Phineus Europa • Zeus appeared to Europa as a bull and carried her to Crete. • Agenor sent his sons in search of Europa • Don’t come home without her! • The Rape of Europa • Maren de Vos • 1590 Bilbao Fine Arts Museum (Spain) Image courtesy of wikimedia • Rape of Europa • Caesar van Everdingen • 1650 • Image courtesy of wikimedia • Europe Group • Albert Memorial • London, 1872. • A memorial for Albert, husband of Queen Victoria. Crete Europa = Zeus Minos Sarpedon Rhadamanthus • Asterius, king of Crete, married Europa • Minos became king of Crete • Sarpedon king of Lycia • Rhadamanthus king of Boeotia The Brothers of Europa • Phoenix • Remained in Phoenicia • Cylix • Founded
[Show full text]
Thebaid 2: Oedipus Descendants of Cadmus
Thebaid 2: Oedipus Descendants of Cadmus Cadmus = Harmonia Aristaeus = Autonoe Ino Semele Agave = Echion Pentheus Actaeon Polydorus (?) Autonoe = Aristaeus Actaeon Polydorus (?) • Aristaeus • Son of Apollo and Cyrene • Actaeon • While hunting he saw Artemis bathing • Artemis set his own hounds on him • Polydorus • Either brother or son of Autonoe • King of Cadmeia after Pentheus • Jean-Baptiste-Camile Corot ca. 1850 Giuseppe Cesari, ca. 1600 House of Cadmus Hyrieus Cadmus = Harmonia Dirce = Lycus Nycteus Autonoe = Aristaeus Zeus = Antiope Nycteis = Polydorus Zethus Amphion Labdacus Laius Tragedy of Antiope • Polydorus: • king of Thebes after Pentheus • m. Nycteis, sister of Antiope • Polydorus died before Labdacus was of age. • Labdacus • Child king after Polydorus • Regency of Nycteus, Lycus Thebes • Laius • Child king as well… second regency of Lycus • Zethus and Amphion • Sons of Antiope by Zeus • Jealousy of Dirce • Antiope imprisoned • Zethus and Amphion raised by shepherds Zethus and Amphion • Returned to Thebes: • Killed Lycus • Tied Dirce to a wild bull • Fortified the city • Renamed it Thebes • Zethus and his family died of illness Death of Dirce • The Farnese Bull • 2nd cent. BC • Asinius Pollio, owner • 1546: • Baths of Caracalla • Cardinal Farnese • Pope Paul III Farnese Bull Amphion • Taught the lyre by Hermes • First to establish an altar to Hermes • Married Niobe, daughter of Tantalus • They had six sons and six daughters • Boasted she was better than Leto • Apollo and Artemis slew every child • Amphion died of a broken heart Niobe Jacques Louis David, 1775 Cadmus = Harmonia Aristeus =Autonoe Ino Semele Agave = Echion Nycteis = Polydorus Pentheus Labdacus Menoecius Laius = Iocaste Creon Oedipus Laius • Laius and Iocaste • Childless, asked Delphi for advice: • “Lord of Thebes famous for horses, do not sow a furrow of children against the will of the gods; for if you beget a son, that child will kill you, [20] and all your house shall wade through blood.” (Euripides Phoenissae) • Accidentally, they had a son anyway.
[Show full text]
The Ancient Reception of Euripides' Bacchae from Athens to Byzantium
Simon Perris and Fiachra Mac Góráin The ancient reception of Euripides’ Bacchae from Athens to Byzantium Abstract: This chapter offers a reception history of Euripides’ Bacchae from its original production until its intertextual transformation in the Byzantine Christus Patiens. It traces a broad arc from Classical Athens through the Roman Empire, taking in also Hellenistic Alexandria, the Greek-speaking East, Christianity, and Byzantine literature. By examining the cultural contexts and inflections of the different receptions of one poetic text – Greek, Roman and Italian, ‘Eastern’, and Christian – it exposes distinctions between religious or cultural attitudes to Bac- chus/Dionysus across a broad range of Greek and Latin sources. The discussion is divided into four thematic sections, within which receptions are mostly pre- sented in chronological order: Classic Bacchae; Performances; Narratives; and Christian discourse. These sections encompass drama, epic, didactic, epyllion, historiography, biography, epigram, scholarly citations, and theological texts. A selection of the most significant case studies receive in-depth discussion in the body of the chapter; for completeness, the reception history of Bacchae is filled out by listing additional receptions in summary form in an appendix. Introduction Euripides’ Bacchae was undoubtedly the single most influential literary text for constructions of Dionysus throughout Greco-Roman antiquity. In this chapter, we examine how receptions of the play across the spectrum of Greek and Roman literature act as a barometer for cultural attitudes to Dionysus. Many of the most significant and revealing receptions occur in Latin texts or in Greek texts that deal with Roman subjects, whether Plutarch’s Antony, Greek epigrams about Italian pantomime performances, or Christian writings polemicizing against Greek and Roman cults.
[Show full text]
FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique Copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS
FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS BY LILIAN STOUGHTON HYDE YESTERDAY’S CLASSICS CHAPEL HILL, NORTH CAROLINA Cover and arrangement © 2008 Yesterday’s Classics, LLC. Th is edition, fi rst published in 2008 by Yesterday’s Classics, an imprint of Yesterday’s Classics, LLC, is an unabridged republication of the work originally published by D. C. Heath and Company in 1904. For the complete listing of the books that are published by Yesterday’s Classics, please visit www.yesterdaysclassics.com. Yesterday’s Classics is the publishing arm of the Baldwin Online Children’s Literature Project which presents the complete text of hundreds of classic books for children at www.mainlesson.com. ISBN-10: 1-59915-261-4 ISBN-13: 978-1-59915-261-5 Yesterday’s Classics, LLC PO Box 3418 Chapel Hill, NC 27515 PREFACE In the preparation of this book, the aim has been to present in a manner suited to young readers the Greek myths that have been world favorites through the centuries, and that have in some measure exercised a formative infl uence on literature and the fi ne arts in many countries. While a knowledge of these myths is undoubtedly necessary to a clear understanding of much in literature and the arts, yet it is not for this reason alone that they have been selected; the myths that have appealed to the poets, the painters, and the sculptors for so many ages are the very ones that have the greatest depth of meaning, and that are the most beautiful and the best worth telling.
[Show full text]
Greek Gods and Myths – Overview Gaia and Uranus to Reign of the Olympians
GREEK GODS AND MYTHS – OVERVIEW GAIA AND URANUS TO REIGN OF THE OLYMPIANS ERA SUMMARY – GREEK GODS AND MYTHS The myths and legends of Ancient Greece are such an essential part of Greek culture that the first three units of the Ancient Greece Classical Curriculum are dedicated entirely to myth and folklore. Greek mythology is important, not only because it reflects the pagan religion of the Ancient world, but also because it gives great insight into Greek thought and expression. References to Greek Gods and folklore are present throughout the recorded history of the ancient world, in religious symbols and ceremonies, in literature, in poetry, in art, in archeological artifacts, and in day to day life. The Greeks worshiped Pagan gods but did not credit them with the same qualities of omniscience and goodness that Christians associate with their God. Greeks Gods shared many human foibles so the legends that arose concerning them were almost invariably dramas involving jealousy, indulgence, revenge, debauchery, and misunderstandings. Greek myths were often quite humorous and frequently involved morals applicable to human relations. The myths, heroes and legends of Ancient Greece are too numerous to list, but a few general categories of the types of heroes and stories can be given. The first category of Greek myths involves the Gods, or immortals, who have a human form, and decidedly human personality traits, but possess enormous powers over the earth. The twelve Olympians are the most ATHENE CHANGES ARACHNE INTO A SPIDER important, and they include Zeus, Poseidon, and Hades who rule over the heaven, Sea, and Underworld respectively.
[Show full text]
Constellation Legends
Constellation Legends by Norm McCarter Naturalist and Astronomy Intern SCICON Andromeda – The Chained Lady Cassiopeia, Andromeda’s mother, boasted that she was the most beautiful woman in the world, even more beautiful than the gods. Poseidon, the brother of Zeus and the god of the seas, took great offense at this statement, for he had created the most beautiful beings ever in the form of his sea nymphs. In his anger, he created a great sea monster, Cetus (pictured as a whale) to ravage the seas and sea coast. Since Cassiopeia would not recant her claim of beauty, it was decreed that she must sacrifice her only daughter, the beautiful Andromeda, to this sea monster. So Andromeda was chained to a large rock projecting out into the sea and was left there to await the arrival of the great sea monster Cetus. As Cetus approached Andromeda, Perseus arrived (some say on the winged sandals given to him by Hermes). He had just killed the gorgon Medusa and was carrying her severed head in a special bag. When Perseus saw the beautiful maiden in distress, like a true champion he went to her aid. Facing the terrible sea monster, he drew the head of Medusa from the bag and held it so that the sea monster would see it. Immediately, the sea monster turned to stone. Perseus then freed the beautiful Andromeda and, claiming her as his bride, took her home with him as his queen to rule. Aquarius – The Water Bearer The name most often associated with the constellation Aquarius is that of Ganymede, son of Tros, King of Troy.
[Show full text]
Lecture 31 Good Morning and Welcome to LLT121 Classical Mythology
Lecture 31 Good morning and welcome to LLT121 Classical Mythology. Today we’re going to be picking up with what I like to think of as the ultimate soap opera of Greek mythology, the so-called Theban Saga. For those of you who have honored me with your presence this morning, I’d like to remind you that Thebes is the capital of Boeotia. Boeotia is the city-state right next to Athens, and Attica. Where, as you have heard me say a thousand times before, most of surviving Greek literature comes from. It follows, I believe, that Thebes and Boeotia are going to get the proverbial bum rap, as they most certainly will. The Theban Saga, however, begins, not in Thebes, but in ancient Palestine. Ancient Palestine is located on the present day site of modern Palestine—wouldn’t you know?—which is right around here. Thebes is up here in a land known as Phoenicia, but now known as either Lebanon or something else. The story involved a boy, a girl, and a bull. The boy and girl are the daughters of King Cadmus and Mrs. King Cadmus of Tyre. They have two kids, a girl named Europa and a boy named Cadmus. Europa is a very beautiful young woman. One day Europa happens to be just walking by the seashore and a very handsome bull comes up to her. The handsome bull is a very charming and friendly bull. If you care to go back and read the appropriate section from Ovid’s Metamorphoses, please hold firmly onto your stomach, because it is rather humorous.
[Show full text]
Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable).
[Show full text]
The TROJAN WAR
The TROJAN WAR The Chronicles of Dictys of Crete Indiana University Greek and Latin Classics and Dares the Phrygian TRANSLATED WITH AN INTRODUCTION AND NOTES BY R. M. FRAZER, JR. Indiana University Press BLOOMINGTON & LONDON CONTENTS INTRODUCTION The Medieval Troy Story 3 The Anti-Homeric Tradition 5 Dictys 7 Dares 11 The Translation 15 A JOURNAL OF THE TROJAN WAR by Dictys of Crete Letter 19 Preface 20 Book One 23 Book Two 37 Book Three 70 Book Four 87 Book Five 103 Book Six 119 THE FALL OF TROY, A HISTORY by Dares the Phrygian [Letter] 133 Sections 1-44 133 ALL RIGHTS RESERVED Copyright © 1966 by Indiana University Press BIBLIOGRAPHY 169 Library of Congress catalog card number: 65-19709 NOTES 170 Manufactured in the United States of America INDEX OF PROPER NAMES 180 v THE TROJAN WAR The Chronicles Adcnowledgments of Dictys of Crete The present volume brings together for the first time in En and Dares the Phrygian glish translation the accounts of Dictys and Dares about the Trojan War. These works deserve our careful attention as the principal sources of the medieval Troy story and as examples of the anti-Homeric literature of late antiquity. In the introduction I have briefly described the influence of our authors on later European literature, and have tried to show how our Latin texts depend on Greek originals. For the latter purpose I have found the scholarship of Nathaniel Edward Griffin especially rewarding for Dictys and that of Otmar Schissel von Fleschenberg for Dares. I have used the notes to comment on matters of form (how our Latin texts probably differ from their Greek originals), to point out difficulties and incon sistencies, and to cite some of the sources and parallel versions of the stories that Dictys and Dares tell.
[Show full text]
MMF Companion Bulfinch Myths
Reading Greek and Roman Mythology The Myth Louis Made Markos, act PhD through Christian Eyes COMPANION FILE: BULFINCH’S MYTHOLOGY PDF Excerpts selected from Bulfinch’s Mythology: Complete In One Volume for use in conjunction with The Myth Made Fact arn wit Le h Louis Markos o n m o Cl .c assicalU The Myth Made Fact: Reading Greek and Roman Mythology through Christian Eyes Companion File: Bulfinch’s Mythology PDF All myths in this PDF are taken, unedited, from Bulfinch’s Mythology, Complete In One Volume by Thomas Bulfinch. Courtesy of Project Gutenberg. Illustrations courtesy of Adobe Stock artist Matias Del Carmine Design by David Gustafson Classical Academic Press 515 S. 32nd Street Camp Hill, PA 17011 www.ClassicalAcademicPress.com Reading 1 Daedalus Read this myth along with chapter 1 of The Myth Made Fact. he labyrinth from which Theseus escaped by them, astonished at the sight, and thinking they were gods means of the clew of Ariadne was built by Daeda- who could thus cleave the air. lus, a most skilful artificer. It was an edifice with T They passed Samos and Delos on the left and Lebynthos numberless winding passages and turnings opening into on the right, when the boy, exulting in his career, began to one another, and seeming to have neither beginning nor leave the guidance of his companion and soar upward as if end, like the river Maeander, which returns on itself, and to reach heaven. The nearness of the blazing sun softened flows now onward, now backward, in its course to the sea.
[Show full text]