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Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
2014.Axx Barbantani, Mother of Snakes and Kings
Histos () – MOTHER OF SNAKES AND KINGS: APOLLONIUS RHODIUS’ FOUNDATION OF ALEXANDRIA* Abstract: Of all the lost Foundation Poems attributed to Apollonius Rhodius, active at the court of Ptolemy II, the Ktisis of Alexandria must have been the most important for his contemporaries, and surely is the most intriguing for modern scholars of the Hellenistic world. Unfortunately, only a brief mention of this epyllion survives, in a scholion to Nicander’s Theriaka , relating to the birth of poisonous snakes from the severed head of Medusa, carried by Perseus over Libya . Deadly and benign serpents belong to a multi- cultural symbolic imagery intertwined with the Greek, Macedonian, Egyptian and Jewish origins of the city. This paper explores the possible connections of the only episode preserved from Apollonius’ Ktisis with the most ancient known traditions on the foundation of Alexandria —possibly even created at the time of Alexander or of the first Lagid dynasts, Ptolemy I and II. And I wished he would come back, my snake. For he seemed to me again like a king, Like a king in exile, uncrowned in the underworld, Now due to be crowned again. D. H. Lawrence , Snake (Taormina, ) Introduction pollonius of Rhodes is credited with a certain number of Foundation poems in hexameters, namely on Alexandria, Naucratis, Caunus, ACnidus, Rhodes and, possibly, Lesbos. The epic poem Argonautica is Apollonius’ only work which has survived through direct tradition, and the only one mentioned in the biographical sources, while his Κτίσεις are only known through short quotations and summaries by different ancient authors * The research on Apollonius’ Κτίσεις began in , when I was asked to edit the fragments for FGrHist IV, ed. -
Hercules, Heracles, Herakles
Ms. Lardas/Mrs. Despines/Mrs. Rentschler February 2013 Hercules, Heracles, Herakles Print Books that may be helpful are located on a cart. These books will not be checked out of the library so that everyone has fair access to them. General encyclopedias may be helpful. They are located near the computers at the front of the library. eBooks USC High School’s FollettShelf eBooks: Go to the high school web site and click on the LIBRARY tab, or go the the USCHS Library class in Blended Schools. Notice that there is a link to the Quick Reference Guide for the Follett Digital Reader to help you navigate through the ebook. Click onto the FOLLETTSHELF icon. User name: uschs password: panther Click onto The Facts on File encyclopedia of world mythology and legend. Click the OPEN BOOK link. After you are done reading the book, you must go to the top left of toolbar and click the FOLLETT SHELF ICON. On the next screen, click CLOSE TITLE. 1 POWER Library Database---eBooks from EBSCOhost From STUDENT LINKS, click POWER Library. Under LITERATURE click eBooks on EBSCO Type the title of your work in the FIND bar. If necessary, make sure to select FULL TEXT. For home access: Go to STUDENT LINKS or go to the Township Library’s web page http://www.twpusc.org/library/index.html o You will need the barcode number from your TOWNSHIP LIBRARY CARD! o On the right-hand side of the screen, click onto ONLINE DATABASES. Click POWER LIBRARY under “Databases by Subject,” or “General Reference.” o Follow the directions and enter the barcode number on your Township Library card. -
Greek Mythology: Heroes
Greek Mythology: Heroes Baldwin’s Mythology Heroes ● Odysseus ● Heracles (Hercules) ● Jason ● Theseus ● Achilles ● Perseus Odysseus ● Legendary Hero in Greek Mythology ● King of the island of Ithaca and the protagonist in Homer’s epic The Odyssey ● It all started over a woman... Odysseus (continued) ● Odysseus was one of the suitors that wanted to marry Helen, step-daughter of king Tyndareus of Sparta. However, there suitors, so they drew straws. As a result, Menelaus drew the lucky straw, while Odysseus married Penelope. ● Helen was abducted by Prince Paris of Troy, so all suitors were summoned to help Menelaus in his quest to bring her back. ● After the Greeks reached Troy and the war started, Odysseus played a particularly influential role as an advisor. He maintained the morale of the Greeks in a high level and managed to keep everyone sane. Odysseus (continued) ● Odysseus was most famous in the war for his contribution to create the Trojan Horse, a huge wooden horse that was supposed to be a gift to the Trojans by the retreating Greeks. The Trojans accepted the gift joyfully and started celebrating around it. When the night fell and everyone was drunk, the Greek warriors, who had hidden in the hollow body of the horse, revealed themselves and slew the Trojans, winning the war. Hercules ● Heracles (or Hercules) is best known as the strongest of all mortals, and even stronger than many gods. ● He was the last mortal son of Zeus, and the only man born of a mortal woman to become a god upon his death. ● Terrible things happened to him because of Hera's hatred, a hatred that he was not responsible for. -
Heroic Pattern Chart Perseus King Arthur
HEROIC PATTERN CHART PERSEUS THESEUS HERCULES KING ARTHUR PROPHECY Will kill grandfather, Oracle to Aegeus not to Tiresias confirms that Would become King of Acrisius open wineskin Father is Zeus, and that England Heracles will be immortal UNUSUAL Zeus as liquid stream of Aegeus drunk & Poseidon Zeus stops the sun for Uther visits Ygraine BIRTH/ gold also involved three days to sleep with disguised as her husband; Alcmene, disguised as her at birth, handed over to CONCEPTION husband Merlin PRECOCIOUS Sent to sea in a chest/ Raised by single mom; Super-strong: survives Raised by a foster family CHILDHOOD rescued by Zeus/ attacks Herculesʼ lion skin being abandoned in a field; (Ector) in Wales Foster-child at 7 years old kills 2 snakes in his crib CALL TO King Polydectesʼ At 15, mother reveals his Eurystheus calls on him to Pulls sword from stone at a ADVENTURE challenge to get him out true identity; he takes on complete his Labours. tournament of the way his fatherʼs gifts and (Initial refusal) heads to Athens to claim his birthright. QUEST The Medusaʼs head Free the Athenians from 10-12 Labours (two didnʼt Create the Round Table— the curse of the Minotaur count) unify England; ultimately they embark on the Quest for the Holy Grail HELPERS/GIFTS Athena & Hermes in Father leaves sword & Childhood lessons by Merlinʼs magic; disguise; objects: pair of sandals; experts (bow, wrestling, All his knights winged sandals, leather Ariadne gives him ball of etc.) bag, helmet of thread to get out of the Iolaus helps with the invisibility; sickle- Labyrinth Hydra; Athenaʼs rattles, etc. -
Myth Made Fact Lesson 7: Perseus with Dr
Myth Made Fact Lesson 7: Perseus with Dr. Louis Markos Outline: The four greatest heroes of Greek mythology: Perseus Jason Theseus Hercules Setting Hesiod was a contemporary of Homer, late 8th century. Hesiod lived in Greece as a farmer. The four ages of man: o Golden Age: Live close to nature, close to the gods, and close to ourselves, a world before greed, before man cut open the earth for rare metals to kill each other o Silver Age: long youth that was happy, but they became violent and foolish and they were hidden under the earth o Bronze Age: men were warlike and fierce o Iron Age: this is the current age, far away from the Golden Age, we’ve lost a sense of shame and piety, we’ve lost our center and our balance o This concept is ubiquitous, that we are falling away. Hesiod adds a fifth age between the Bronze and Iron, and he calls it the age of heroes. There is almost a rebirth of the Golden Age with soldiers who fight for honor. This is when basically all of Greek mythology takes place (1500 BC – 1150 BC). o The Trojan War is the end of the Golden Age. o Every Greek tragedy takes place during that Golden Age, except a play about the Persian War, which is written as though the Persian war is taken place in a mythic Golden Age. Perseus Perseus is the son of Zeus. Acrisios heard a prophecy that Danae will give birth to a child who will kill him, so he locks Danae in a tower. -
Perseus, the Maiden Medusa, and the Imagery of Abduction
HESPERIA 76 (2007) PERSEUS, THE MAIDEN Pages 73-ios MEDUSA, AND THE IMAGERY OF ABDUCTION ABSTRACT on Classical the author that the of Focusing red-figure vases, argues appearance the beautiful Medusa, which has been explained previously as an evolutionary development from the monstrous Archaic type, is determined by discursive context rather than by chronology. Painters used the beautiful Gorgon to certain about Perseus's it is not clear convey messages victory, though always whether she ismeant to evoke humor or pathos. The author further shows that Medusa's death was figured as a perversion of the erotic abductions common s to many Greek myths, and points out the beautiful Gorgon affinities with as abducted maidens such Persephone, Thetis, and Helen. on Among the events depicted the Pseudo-Hesiodic shield of Herakles is scene the flight of Perseus from Medusas sisters.1 The poet renders the in unforgettably vivid terms: Tai ?? uet' ccutov Topyovec ccttatito? xe koci on (paxal eppcoovio ??peva? uocTc?eiv. etc! ?? %?copou ??auocvxo? on 1. For useful suggestions drafts ?awouaecov ??%eoK? gcxko? juey?Acoopuuay?q) of this article, I thank Hedreen, Guy Kai em ?? Laurialan Reitzammer, Albert Hen ?c^?a ?ay?co?/ ?covpoi ?pcxKovxe ?OIG) richs, and the two anonymous Hes ?7Ul?)p?UVT' ?7UK\)pTG)OVT? Kapnva. reviewers. I am also to xco peria grateful Atxjia?ov ?' apa y?* p?v?i ?' ?x?paaaov o?ovxa? and to Melissa Haynes audiences ?ypia ?Epicopivco. ?nl ?? ?Eivo?ai Kapf|voi? at and Harvard Rutgers University Topy??oi? ??ov??TO p?ya? Oo?oc. University for their advice and sug and to the of gestions, Department And after him rushed the Gorgons, unapproachable and unspeakable, at Classics Harvard University, which as longing to seize him: they trod upon the pale adamant, the shield covered the cost of the illustrations. -
Perseus Son of Zeus, Heroic Vanquisher of Hippodameia
Perseus Son of Zeus, heroic vanquisher of Hippodameia. the Gorgon Medusa. "And I expect every one of my King Acrisius of Argos was loyal subjects to contribute a gift warned by an oracle that he to the bride price," he said, would be killed in time by a son looking meaningfully at Perseus. born to his daughter Danae. So he "What have you to offer?" promptly locked Danae up in a tower and threw away the key. When Perseus did not answer But the god Zeus got in, right away, Polydectes went on: disguised as a shower of gold, "A team of horses? A chariot of with the result that Perseus was intricate devising? Or a coffer of born. So Acrisius straightaway gems perhaps?" stuck daughter and infant into a brazen chest and pushed it out to Perseus fidgeted uncomfortably. sea. Perhaps he expected it to "If it meant you'd leave my sink like a stone, but instead it mother alone, I'd gladly give you floated quite nicely, fetching up anything I owned - which on a beach on the island of unfortunately is precious little. Seriphos. Here a fisherman Horses, chariot, gems, you name named Dictys came upon the it - if I had 'em, they'd be yours. unusual bit of flotsam and The sweat of my brow, the gain adopted a protective attitude of my strong right arm, whatever. toward its contents. Thus Perseus I'd go out and run the marathon if had the advantage of a pure and they were holding the Olympics simple role model as he grew to this year. -
Perseus & Phineus / Ricci
J. Paul Getty Museum Education Department Gods, Heroes and Monsters Curriculum Information and Questions for Teaching Perseus Confronting Phineus..., Sebastiano Ricci Perseus Confronting Phineus with the Head of Medusa Sebastiano Ricci Italian, about 1705–1710 Oil on canvas 25 3/16 x 30 5/16 in. 86.PA.591 In Greek mythology, the hero Perseus was famous for killing Medusa, the snake-haired Gorgon whose grotesque appearance turned men to stone. This painting, however, shows a later episode from the hero's life. At Perseus's wedding, the celebration was interrupted by a mob led by Phineus, an unsuccessful suitor to his fiancé Andromeda. After a fierce battle, Perseus warned his allies to turn away their eyes while he revealed the head of Medusa to his enemies. In the midst of battle, Phineus and his cohorts are turned to stone. Ricci depicted the fight as a forceful, vigorous battle. In the center, Perseus lunges forward, his muscles taut as he shoves the head of Medusa at Phineus and his men. One man holds up a shield, trying to reflect the horrendous image and almost losing his balance. Behind him, soldiers already turned to stone are frozen in mid-attack. All around, other men have fallen and are dead or dying. Ricci used strong diagonals and active poses to suggest energetic movement. About the Artist Sebastiano Ricci (Italian, 1659–1734) One of the principal figures in the revival of Venetian painting in the 1700s, Sebastiano Ricci came from a noted family of artists. After formal artistic training in Venice, he traveled widely, working in Vienna, London, and Paris. -
Myths and Legends: Perseus, a Famous Hero of Ancient Greece by E.M
Myths and Legends: Perseus, a famous hero of ancient Greece By E.M. Berens, adapted by Newsela staff on 10.20.16 Word Count 737 Level 850L TOP: Perseus with the head of Medusa by Benvenuto Cellini, Wikimedia Commons. BOTTOM: The constellation Perseus and Caput Medusæ, plate 6 in Urania's Mirror, a set of celestial cards. Greek mythology evolved thousands of years ago. There was a need to explain natural events, disasters and events in history. Myths were created about gods and goddesses who had special powers and human feelings. These ideas were passed down in beliefs and stories. A Warning Of Death Perseus was one of the most legendary Greek heroes. His father was Zeus, the king of the gods. His mother was Danae, the daughter of the mythical king Acrisius, who ruled the city of Argos, in Greece. Acrisius had been warned that a son of Danae would cause his death. To keep her from having children, he locked Danae inside a tower. However, Zeus descended through the roof of the tower, and the lovely Danae became his wife. This article is available at 5 reading levels at https://newsela.com. For four years this remained a secret. One evening, Acrisius passed by Danae's room and heard a young child crying inside. This led to his discovery of his daughter's marriage to Zeus. Enraged, Acrisius ordered the mother and child to be placed in a chest and thrown into the sea. But it was not the will of Zeus that they should die. He told Poseidon, the god of the sea, to calm the troubled waters, helping the chest float safely to the island of Seriphus. -
Collection of Hesiod Homer and Homerica
COLLECTION OF HESIOD HOMER AND HOMERICA Hesiod, The Homeric Hymns, and Homerica This file contains translations of the following works: Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod. Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer). Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod". This file contains only that portion of the book in English; Greek texts are excluded. Where Greek characters appear in the original English text, transcription in CAPITALS is substituted. PREPARER'S NOTE: In order to make this file more accessable to the average computer user, the preparer has found it necessary to re-arrange some of the material. The preparer takes full responsibility for his choice of arrangement. A few endnotes have been added by the preparer, and some additions have been supplied to the original endnotes of Mr. Evelyn-White's. Where this occurs I have noted the addition with my initials "DBK". Some endnotes, particularly those concerning textual variations in the ancient Greek text, are here ommitted. PREFACE This volume contains practically all that remains of the post- Homeric and pre-academic epic poetry. I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. -
Cellini's Perseus and Medusa: Configurations of the Body
CELLINI’S PERSEUS AND MEDUSA: CONFIGURATIONS OF THE BODY OF STATE by CHRISTINE CORRETTI Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Dissertation Advisor: Professor Edward J. Olszewski Department of Art History CASE WESTERN RESERVE UNIVERSITY January, 2011 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Christine Corretti candidate for the Doctor of Philosophy degree.* (signed) Professor Edward J. Olszewski (chair of the committee) Professor Anne Helmreich Professor Holly Witchey Dr. Jon S. Seydl (date) November, 2010 *We also certify that written approval has been obtained for any proprietary material contained therein. 1 Copyright © 2011 by Christine Corretti All rights reserved 2 Table of Contents List of Illustrations 4 Abstract 9 Introduction 11 Chapter 1 The Story of Perseus and Medusa, an Interpretation 28 of its Meaning, and the Topos of Decapitation Chapter 2 Cellini’s Perseus and Medusa: the Paradigm of Control 56 Chapter 3 Renaissance Political Theory and Paradoxes of 100 Power Chapter 4 The Goddess as Other and Same 149 Chapter 5 The Sexual Symbolism of the Perseus and Medusa 164 Chapter 6 The Public Face of Justice 173 Chapter 7 Classical and Grotesque Polities 201 Chapter 8 Eleonora di Toledo and the Image of the Mother 217 Goddess Conclusion 239 Illustrations 243 Bibliography 304 3 List of Illustrations Fig. 1 Benvenuto Cellini, Perseus and Medusa, 1545-1555, 243 Loggia dei Lanzi, Florence, Italy. Fig. 2 Donatello, Judith and Holofernes, c. 1446-1460s, Palazzo 244 Vecchio, Florence, Italy. Fig. 3 Heracles killing an Amazon, red figure vase.