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The Tragedy of Julius Caesar ______
THE TRAGEDY OF JULIUS CAESAR ___________________________ by Dan Gurskis based on the play by William Shakespeare THE TRAGEDY OF JULIUS CAESAR FADE IN: A STATUE OF JULIUS CAESAR in a modern military dress uniform. Then, after a moment, it begins. First, a trickle. Then, a stream. Then, a rush. The statue is bleeding from the chest, the neck, the arms, the abdomen, the hands — dozens of wounds. DISSOLVE TO: EXT. HILLY COUNTRYSIDE — DAY Late winter. The ground is mottled with patches of snow and ice. BURNED IN are the words: "Kosovo, soon after the unrest." Somewhere in the distance, an open-topped Jeep bounces along a rutted, twisting road. INT. OPEN-TOPPED JEEP — MOVING FLAVIUS and MARULLUS, two military officers in uniform, occupy the front passenger's seat and the rear seat, respectively. An ENLISTED MAN is behind the wheel. The three ride in silence for a moment, huddled against the cold, wind whipping through their hair. There is a casual almost careless air to the men. If they do not feel invincible, they feel at the very least unconcerned. Even the machine gun mounted on the rear of the Jeep goes unattended. Just then, automatic sniperfire RINGS OUT of the surrounding woods. The windshield SHATTERS. The driver's forehead explodes in a spray of blood and bone. He slumps over the steering wheel, pulling it hard to the side. ANGLE ON THE JEEP swerving off the road, flipping down an embankment. All three men are thrown from the Jeep, which comes to rest on its side. The driver, clearly dead, lies wide-eyed in a ditch. -
12 AUGUST 2017 “For There Is Nothing Either Good Or Bad, but Thinking Makes It So.“ Hamlet, Act II, Scene 2
29 JUNE – 12 AUGUST 2017 “For there is nothing either good or bad, but thinking makes it so.“ Hamlet, Act II, Scene 2. Ramsey Island, Dargonwater. Friday. June. DIRECTOR ASSISTANT DIRECTOR MARK KILMURRY SHAUN RENNIE CAST CREW ROY DESIGNER ANDREW HANSEN HUGH O’CONNOR NEVILLE LIGHTING DESIGNER DAVID LYNCH BENJAMIN BROCKMAN ANGUS SOUND DESIGNER DARYL WALLIS CRAIG REUCASSEL DRAMATURGY GORDON JANE FITZGERALD CHRIS TAYLOR STAGE MANAGER STEPHANIE LINDWALL WITH SPECIAL THANKS TO: ASSISTANT STAGE MANAGER SLADE BLANCH / DANI IRONSIDE Jacqui Dark as Denise, WARDROBE COORDINATOR Shaun Rennie as DJ Kirk, ALANA CANCERI Vocal Coach Natasha McNamara, MAKEUP Kanen Breen & Kyle Rowling PEGGY CARTER First performed by Stephen Joseph Theatre, Scarborough in May 1992. NEVILLE’S ISLAND @Tim Firth Copyright agent: Alan Brodie Representation Ltd. www.alanbrodie.com RUNNING TIME APPROX 2 HOURS 10 MINUTES INCLUDING INTERVAL 02 9929 0644 • ensemble.com.au TIM FIRTH – PLAYWRIGHT Tim’s recent theatre credits include the musicals: THE GIRLS (West End, Olivier Nomination), THIS IS MY FAMILY (UK Theatre Award Best Musical), OUR HOUSE (West End, Olivier Award Best Musical) and THE FLINT STREET NATIVITY. His plays include NEVILLE’S ISLAND (West End, Olivier Nomination), CALENDAR GIRLS (West End, Olivier Nomination) SIGN OF THE TIMES (West End) and THE SAFARI PARTY. Tim’s film credits include CALENDAR GIRLS, BLACKBALL, KINKY BOOTS and THE WEDDING VIDEO. His work for television includes MONEY FOR NOTHING (Writer’s Guild Award), THE ROTTENTROLLS (BAFTA Award), CRUISE OF THE GODS, THE FLINT STREET NATIVITY and PRESTON FRONT (Writer’s Guild “For there is nothing either good or bad, but thinking makes it so.“ Award; British Comedy Award, RTS Award, BAFTA nomination). -
Grade 10 Literature Mini-Assessment Excerpt from Julius Caesar, Act III, Scene Ii
Grade 10 Literature Mini-Assessment Excerpt from Julius Caesar, Act III, Scene ii by William Shakespeare This grade 10 mini-assessment is based on an excerpt from Julius Caesar, Act III, Scene ii by William Shakespeare and a video of the scene. This text is considered to be worthy of students’ time to read and also meets the expectations for text complexity at grade 10. Assessments aligned to the Common Core State Standards (CCSS) will employ quality, complex texts such as this one. Questions aligned to the CCSS should be worthy of students’ time to answer and therefore do not focus on minor points of the text. Questions also may address several standards within the same question because complex texts tend to yield rich assessment questions that call for deep analysis. In this mini- assessment there are seven selected-response questions and one paper/pencil equivalent of technology enhanced items that address the Reading Standards listed below. Additionally, there is an optional writing prompt, which is aligned to both the Reading Standards for Literature and the Writing Standards. We encourage educators to give students the time that they need to read closely and write to the source. While we know that it is helpful to have students complete the mini-assessment in one class period, we encourage educators to allow additional time as necessary. Note for teachers of English Language Learners (ELLs): This assessment is designed to measure students’ ability to read and write in English. Therefore, educators will not see the level of scaffolding typically used in instructional materials to support ELLs—these would interfere with the ability to understand their mastery of these skills. -
Stephen Harrington Thesis
PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production. -
Julius Caesar © 2015 American Shakespeare Center
THE AMERICAN SHAKESPEARE CENTER STUDY GUIDE Julius Caesar © 2015 American Shakespeare Center. All rights reserved. The following materials were compiled by the Education and Research Department of the American Shakespeare Center, 2015. Created by: Cass Morris, Academic Resources Manager; Sarah Enloe, Director of Education and Research; Ralph Cohen, ASC Executive Founding Director and Director of Mission; Jim Warren, ASC Artistic Director; Jay McClure, Associate Artistic Director; ASC Actors and Interns. Unless otherwise noted, all selections from Julius Caesar in this study guide use the stage directions as found in the 1623 Folio. All line counts come from the Norton Shakespeare, edited by Stephen Greenblatt et al, 1997. The American Shakespeare Center is partially supported by a grant from the Virginia Commission for the Arts and the National Endowment for the Arts. American Shakespeare Center Study Guides are part of Shakespeare for a New Generation, a national program of the National Endowment for the Arts in partnership with Arts Midwest. -2- Dear Fellow Educator, I have a confession: for almost 10 years, I lived a lie. Though I was teaching Shakespeare, taking some joy in pointing out his dirty jokes to my students and showing them how to fight using air broadswords; though I directed Shakespeare productions; though I acted in many of his plays in college and professionally; though I attended a three-week institute on teaching Shakespeare, during all of that time, I knew that I was just going through the motions. Shakespeare, and our educational system’s obsession with him, was still a bit of a mystery to me. -
Petrarch and Boccaccio Mimesis
Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The -
SSH – October 2007
VOLUME ONE NUMBER FIFTY-FIVE OCTOBER’07 CIRCULATION 22,000 ALEXANDRIA BEACONSFIELD CHIPPENDALE DARLINGTON ERSKINEVILLE KINGS CROSS NEWTOWN PADDINGTON REDFERN SURRY HILLS WATERLOO WOOLLOOMOOLOO ZETLAND WRAPPED THE BEST WITH LOVE BURGERS Local charity celebrates 15 years of good service IN TOWN PAGE 6 The Review PAGE 9 Emily, Charles Firth and Nick at Darlington Newsagency Photo: Ali Blogg Manic Times surprises Most people would recognise Charles Firth as one of the original reporters on Over-reaction? CNNNN and the Election Chaser. And while he remains the Chaser’s War Riot police on Sydney streets Photo: Lisa Hogben on Everything US correspondent, he has returned to Australia as Editor in Chief of Sydney’s newest rag, the Manic Times. If you expect the paper to be more satirical stories from the wayward Firth and friends, then you will be Nicholas McCallum McKinley, Urban Guerrillas’ Ken and the Philippines. Stewart and Iraq Veterans Against Whilst one man was arrested pleasantly surprised. It would seem that the only the War and former US Marine Matt for squirting sauce upon the conclusions to draw from the Howard speaking out against the war pro-American banner, many in Nicholas McCallum the way of gonzo [journalism] in APEC Summit are that when and APEC. the crowd were perplexed as to why Australia,” Firth said, “We’d like to Sydney protests it does so The protest was proceeding the NSW police would permit two After spending the last two years have one 5000 word gonzo piece peacefully and that NSW police peacefully with many questioning demonstrations with opposing views in the States writing his first book, every issue.” are still getting it wrong when the need for such a heavy police to come into such close quarters. -
The Chaser's Media Circus
ABC TV Media Release ABC ANNOUNCES PLAN TO REPLACE THE CHASER’S MEDIA CIRCUS WITH CAT VIDEOS ABC TV management has confirmed it hopes to replace the second series of The Chaser’s Media Circus with cat videos. “As soon as we can find enough left wing cats who instinctively hate Australia, they’ll be replaced,” said an ABC representative. Media Circus – the game show about the news game hosted by Craig Reucassel with Fake Fact Checker Chas Licciardello – returns to ABC on Thursday 10 September at 8pm. It is produced by the creative team behind The Chaser and The Checkout, including Ben Jenkins, Zoë Norton Lodge, Scott Abbot, Andrew Hansen and Julian Morrow. ABC management confirmed that for the second series the show has been moved out of the news division to allow it to be more biased and have less rigorous vetting of the studio audience. Filmed in front of a live audience each week shortly before broadcast, The Chaser’s Media Circus brings together journalists and comedians to dissect the week’s news through a time- honoured technique of media criticism: the trivia quiz. Last year’s guests included George Negus, Senator Nick Xenophon, Lenore Taylor, Chris Kenny, Ellen Fanning, Tracey Spicer, Hugh Riminton, Peter Berner, Dave Hughes and Tom Gleeson, a number of whom have not yet refused to return for Series Two. The new series will also feature Media Circus first timers including Peter Greste and John Safran. Prime Minister Abbott has confirmed he will allow government front benchers to appear on the show. But the producers are lobbying him to have this decision reversed. -
Andrew Hansen
Andrew Hansen Comedian, musician, MC and The Chaser star Andrew Hansen is a comedian, pianist, guitarist, composer and vocalist as well as a writer and performer who is best known as a member of the Australian satirical team on ABC TV’s The Chaser. Andrew is very versatile on the corporate stage too. He can MC an event, give a custom-written comedy presentation or even compose and perform a song if inspired to do so. Andrew’s radio work includes shows on Triple M as well as composing and starring in the musical comedy series and ARIA Award winning album The Blow Parade (triple j, 2010). The Chaser’s TV shows include Media Circus (2014-15), The Hamster Wheel (2011-2013), Yes We Canberra! (2010), The Chaser’s War On Everything (2006-9), The Chaser Decides (2004, 2007) and CNNNN (2002-3). On the Seven network, Andrew produced The Unbelievable Truth (2012). He has also appeared as a guest on most Australian TV shows that have guests. In print he wrote for the humorous fortnightly newspaper The Chaser (1999-2005), eleven Chaser Annuals (Text Publishing, 2000-10), and for the recently launched Chaser Quarterly (2015). On stage Andrew composed and starred in the musical Dead Caesar (Sydney Theatre Company), did two national tours with The Chaser, and two live collaborations with Chris Taylor (One Man Show, 2014 and In Conversation with Lionel Corn, 2015). The Chaser team also runs a cool theatre in Sydney called Giant Dwarf. Andrew composed all The Chaser’s songs as well as the theme music for Media Circus and The Chaser’s War On Everything. -
The Chaser Team
The Chaser Team Satirical Entertainment The Chaser is a satirical media empire which rivals Rupert Murdoch’s News Corp in all fields except power, influence, popularity and profitability. The Chaser is the group behind ABC TV series The Election Chaser (2001), CNNNN (2002) and CNNNN Live (2003) which together have lost a host of Australian and international TV comedy awards. However, their credibility-building run of losses ended in 2004 when CNNNN tied with Kath & Kim to win the Logie for Most Outstanding TV Comedy. In 2005 they won the Logie for Most Outstanding TV Comedy with the hugely popular, The Chaser Decides (ABC). In 2006, the team returned to ABC TV with The Chaser’s War On Everything, which won them two AFI Awards (Best Comedy and Best Comedy Performer for Andrew Hansen), as well as several court appearances. The show returned in 2009. Extremely popular in the corporate arena, The Chaser Team offer a range of speaking and entertainment options tailored to client’s needs. As hosts and presenters, they are beautifully irrelevant with just the right amount of professionalism. As after dinner and keynote speakers, they can present custom-written satirical songs and parodies of corporate presentations including powerpoint and trivia quizzes. More about The Chaser: The Chaser was founded in 1999 as a fortnightly satirical newspaper produced out of a spare bedroom by The Chaser Team: Charles Firth, Craig Reucassel, Julian Morrow, Dominic Knight, Andrew Hansen, Chas Licciardello and Chris Taylor. Since those humble beginnings, the Chaser team has lost its humility and has produced ClassicTM comedy in all media, including print, online, radio, television and Christmas crackers. -
Ever Thus to Tyrants
EVER THUS TO TYRANTS The plot to overthrow Julius Caesar is either treachery or an attempt to save the Republic, depending on your opinions of the figures involved. Historians have long debated whether Caesar was an accomplished leader or, as the conspirators argue, a power-hungry tyrant. What does Shakespeare’s play tell us? Legend has it that Marcus Brutus uttered “sic semper tyrannis” MARCH 2019 (“ever thus to tyrants”) as he and the other conspirators assassinated Julius Caesar. The phrase has also gained notoriety because John WRITTEN BY: Wilkes Booth allegedly shouted the phrase as he fatally shot KEE-YOON NAHM Abraham Lincoln. Booth, who at one time played Mark Antony in (FESTIVAL DRAMATURG) Shakespeare’s play, was aware of the phrase’s attribution to Brutus. He wanted to connect his murder to the death of Julius Caesar, THIS ARTICLE IS ABOUT: CAESAR perhaps to justify the deed. But Brutus probably never said these words. The Roman historian Plutarch does not mention this in his account of Caesar’s life, although the assassination is described in gruesome detail. Shakespeare relied heavily on Plutarch to write his play, and so Brutus in Julius Caesar does not say the infamous line either. However, some of the other conspirators are eager to label Caesar a tyrant. Immediately after the assassination, Cinna shouts for all to hear, “Liberty! Freedom! Tyranny is dead!” By the time that Brutus and Antony give their funeral speeches, part of the public has adopted this viewpoint, calling the late Caesar a tyrant. Earlier in the play, we see Cassius first develop this narrative. -
Year 7 – Unit 3 Rhetoric and Julius Caesar
Making Meaning in English: Appendix 1 - The Art of Rhetoric Making Meaning in English: Appendix 1 Year 7 – Unit 3 Rhetoric and Julius Caesar 1 Making Meaning in English: Appendix 1 - The Art of Rhetoric Rhetoric and Julius Caesar – contents Key knowledge Rhetorical figures 4 Parts of speech 4 The three charioteers 4 The five parts of rhetoric 5 Key quotations form famous speeches 5 Characters in Julius Caesar 5 Plot of Julius Caesar 6 Key quotations from Julius Caesar 6 Section 1 The origins of rhetoric 7 Background to Shakespeare’s Julius Caesar 9 Julius Caesar Act 1 scene 2 – Vocabulary in action 10 Julius Caesar Act 1 scene 2 12 Act 1 scene 2: Check your understanding 18 The first part of rhetoric: Invention 20 Alliteration 22 Rhetorical questions 24 Satan from Paradise Lost 27 Your analysis: How does Satan use rhetoric to persuade his army to support him? 28 Grammar: Auxiliary verbs in verb phrases 29 Creation – Argument 30 Section 2 The Life of Cicero 31 Julius Caesar Act 2 scene 2 – Vocabulary in action 33 Julius Caesar Act 2 scene 2: “The heavens themselves blaze forth the death of princes” 35 Act 2 scene 2: Check your understanding 39 The second Part of Rhetoric: Arrangement 40 Anaphora 43 Transferred epithets 45 Cicero: attack dog of the Roman Forum 47 Your analysis: How did Cicero use rhetoric to make Catiline appear guilty? 48 Grammar: Participles of the Verb 49 Creation – Argument 50 Section 3 Julius Caesar - Act 3 scene 1 – The Senate 51 Julius Caesar Act 3 scene 2 – Vocabulary in action 54 Julius Caesar Act 2 scene 2: “Lend