12 AUGUST 2017 “For There Is Nothing Either Good Or Bad, but Thinking Makes It So.“ Hamlet, Act II, Scene 2
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Boomalakka July 2004.Pub
oomalakk B N EWS FROM THE ST PAUL’ S COLLEGE UNION A SESQUICENTENARY PLANNING BEGINS Planning for the College’s Sesquicentenary in 2006 The achievements of the College Foundation are a has begun with the appointment of a College Alumni great success story: some $20 million Relations Officer. Here, Selwyn Owen introduces acquired by donations of all sizes (plus interest and himself and his plans for the position: capital gains) from hundreds – not thousands! – of My prime responsibility is to help many Paulines devoted College men who, at the persistent and reconnect with their College peers and to the wider charmingly tactful encouragement from our chairmen, Pauline community. Robert Albert and Lloyd Waddy, have continued Since the College’s centenary in 1956 numbers have (repeatedly) to do what they can for College. We all increased and the complexity of the College has grown. need to understand that Paul’s will always need our With the prospect of sesquicentenary celebrations in financial support. There is a limit to how much of the 2006, it was decided that an officer be appointed to College’s maintenance costs can be borne by men handle the planning and management of these events to currently in residence. The upkeep of our beautiful ensure that they are successful, appropriate and sandstone heritage buildings does not come cheaply and enjoyable. Since 2002, the Sesquicentenary there are always new calls for facilities and services to Committee has been working on a programme of give our men an enriching and unforgettable beginning celebrations which will serve to strengthen the sense of to their adult lives. -
The Tragedy of Julius Caesar ______
THE TRAGEDY OF JULIUS CAESAR ___________________________ by Dan Gurskis based on the play by William Shakespeare THE TRAGEDY OF JULIUS CAESAR FADE IN: A STATUE OF JULIUS CAESAR in a modern military dress uniform. Then, after a moment, it begins. First, a trickle. Then, a stream. Then, a rush. The statue is bleeding from the chest, the neck, the arms, the abdomen, the hands — dozens of wounds. DISSOLVE TO: EXT. HILLY COUNTRYSIDE — DAY Late winter. The ground is mottled with patches of snow and ice. BURNED IN are the words: "Kosovo, soon after the unrest." Somewhere in the distance, an open-topped Jeep bounces along a rutted, twisting road. INT. OPEN-TOPPED JEEP — MOVING FLAVIUS and MARULLUS, two military officers in uniform, occupy the front passenger's seat and the rear seat, respectively. An ENLISTED MAN is behind the wheel. The three ride in silence for a moment, huddled against the cold, wind whipping through their hair. There is a casual almost careless air to the men. If they do not feel invincible, they feel at the very least unconcerned. Even the machine gun mounted on the rear of the Jeep goes unattended. Just then, automatic sniperfire RINGS OUT of the surrounding woods. The windshield SHATTERS. The driver's forehead explodes in a spray of blood and bone. He slumps over the steering wheel, pulling it hard to the side. ANGLE ON THE JEEP swerving off the road, flipping down an embankment. All three men are thrown from the Jeep, which comes to rest on its side. The driver, clearly dead, lies wide-eyed in a ditch. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Grade 10 Literature Mini-Assessment Excerpt from Julius Caesar, Act III, Scene Ii
Grade 10 Literature Mini-Assessment Excerpt from Julius Caesar, Act III, Scene ii by William Shakespeare This grade 10 mini-assessment is based on an excerpt from Julius Caesar, Act III, Scene ii by William Shakespeare and a video of the scene. This text is considered to be worthy of students’ time to read and also meets the expectations for text complexity at grade 10. Assessments aligned to the Common Core State Standards (CCSS) will employ quality, complex texts such as this one. Questions aligned to the CCSS should be worthy of students’ time to answer and therefore do not focus on minor points of the text. Questions also may address several standards within the same question because complex texts tend to yield rich assessment questions that call for deep analysis. In this mini- assessment there are seven selected-response questions and one paper/pencil equivalent of technology enhanced items that address the Reading Standards listed below. Additionally, there is an optional writing prompt, which is aligned to both the Reading Standards for Literature and the Writing Standards. We encourage educators to give students the time that they need to read closely and write to the source. While we know that it is helpful to have students complete the mini-assessment in one class period, we encourage educators to allow additional time as necessary. Note for teachers of English Language Learners (ELLs): This assessment is designed to measure students’ ability to read and write in English. Therefore, educators will not see the level of scaffolding typically used in instructional materials to support ELLs—these would interfere with the ability to understand their mastery of these skills. -
Stephen Harrington Thesis
PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production. -
Julius Caesar © 2015 American Shakespeare Center
THE AMERICAN SHAKESPEARE CENTER STUDY GUIDE Julius Caesar © 2015 American Shakespeare Center. All rights reserved. The following materials were compiled by the Education and Research Department of the American Shakespeare Center, 2015. Created by: Cass Morris, Academic Resources Manager; Sarah Enloe, Director of Education and Research; Ralph Cohen, ASC Executive Founding Director and Director of Mission; Jim Warren, ASC Artistic Director; Jay McClure, Associate Artistic Director; ASC Actors and Interns. Unless otherwise noted, all selections from Julius Caesar in this study guide use the stage directions as found in the 1623 Folio. All line counts come from the Norton Shakespeare, edited by Stephen Greenblatt et al, 1997. The American Shakespeare Center is partially supported by a grant from the Virginia Commission for the Arts and the National Endowment for the Arts. American Shakespeare Center Study Guides are part of Shakespeare for a New Generation, a national program of the National Endowment for the Arts in partnership with Arts Midwest. -2- Dear Fellow Educator, I have a confession: for almost 10 years, I lived a lie. Though I was teaching Shakespeare, taking some joy in pointing out his dirty jokes to my students and showing them how to fight using air broadswords; though I directed Shakespeare productions; though I acted in many of his plays in college and professionally; though I attended a three-week institute on teaching Shakespeare, during all of that time, I knew that I was just going through the motions. Shakespeare, and our educational system’s obsession with him, was still a bit of a mystery to me. -
Julian Morrow
Julian Morrow Co-founder of The Chaser; Entertaining MC and speaker Julian Morrow is a comedian and television producer and is best known for being a member of the satirical team The Chaser. Julian has made a career of public nuisance in various forms, co-founding satirical media empire The Chaser and joke company Giant Dwarf, as well as making TV shows including The Election Chaser, CNNNN, The Chaser’s War on Everything, The Hamster Wheel and The Checkout. His work has been nominated, unsuccessfully, for many awards, and prosecuted successfully in many courts. More about Julian Morrow: In recent years, he was taken to claiming credit for the work of others as Executive Producer of Lawrence Leung’s series Choose Your Own Adventure and Unbelievable, Eliza and Hannah Reilly’s Growing Up Gracefully and Sarah Scheller & Alison Bell’s The Letdown (which on the 2018 AACTA Award for Best TV Comedy). In 2012 and 2013 he lowered standards at ABC Radio National as host of Friday Drive, a program which led to huge career opportunities for its Monday-Thursday host, Waleed Aly. In 2015, Julian founded Giant Dwarf theatre at 199 Cleveland Street Redfern, a venue which has been described as “absolutely hilarious” by his accountant. Over the years, Julian has interviewed countless people whose cache he tries to cash in on in his CV including Edward Snowden, Christopher Hitchens, Sting, Nobel Peace Prize winner Leymah Gbowee, Marc Newsome and the curator of TED Chris Anderson. Due to the unavailability of several respected media commentators, in 2009 Julian was invited to give the Andrew Olle Media Lecture, an honour he later demeaned by creating The Annual Inaugural Chaser Lecture. -
A Framework for RDF Data Exploration and Conversion
A Framework for RDF Data Exploration and Conversion Master Thesis Gaurav Singha Roy Riemenschneiderstr. 2, 53117 Bonn [email protected] Matriculation number 2539517 Bonn, 12th January, 2015 Rheinische Friedrich-Wilhelms-Universität Bonn Informatik – Enterprise Information Systems Professor Dr. Sören Auer Declaration I hereby declare and confirm that this thesis is entirely the result ofmy own original work. Where other sources of information have been used, they have been indicated as such and properly acknowledged. I further declare that this or similar work has not been submitted for credit elsewhere. Bonn, Gaurav Singha Roy iii Acknowledgement Firstly, I would like to thank Dr. Sören Auer for his valuable time and guidance during the master thesis duration, for providing insightful and innovative solutions, and for being accessible whenever I needed. I would also like to thank Judie Attard and Dr. Fabrizio Orlandi, for their mentorship and constant guidance throughout the thesis. A special thanks especially to Judie, for her dedication and relentless help, which was a major reason for the completion of the thesis in such a small span of time. I would also like to thank my biggest idol, my uncle, Joydip Homchowd- hury, who is an innovator, an artist and a superhero. His constant guidance and vision in the past years made my life colourful with software engineering, and he had introduced me to computer science in the first place. Last but not the least, I would like to thank my parents for their support, even when distance was such a huge barrier. And finally, a special thanks to Adela, for her patience and love which has not bounds. -
Commercial Radio Australia
MEDIA RELEASE 22 September 2016 Chris Taylor and Andrew Hansen to host the 28th annual Australian Commercial Radio Awards Chris Taylor and Andrew Hansen, best known as members of the comedy group The Chaser, will host the 28th annual Australian Commercial Radio Awards (ACRAs) in Melbourne. Chris and Andrew were part of the full Chaser team that made their radio debut on Triple M (2003) with The Friday Chaser. They have worked on radio throughout their careers and in 2015 toured their live show, a parody of celebrity Q&As entitled In Conversation with Lionel Corn. Chris is currently a regular co-host of the Merrick & Australia national drive show on Triple M and presenter of the We Was Robbed, alongside HG Nelson on Kinderling Kids Radio on DAB+ digital radio. Writers, producers and stars of the TV shows Media Circus (2014-15), The Hamster Wheel (2011- 2013), Yes We Canberra! (2010), The Chaser’s War On Everything (2006-9), The Chaser Decides (2004, 2007), CNNNN (2002-3) and The Election Chaser (2001). Their shows won two AFI awards and two Logies. The ACRAs recognise excellence in radio broadcasting across news, talk, sport, music and entertainment. Commercial Radio Australia chief executive officer, Joan Warner said: “The ACRAs are the highlight of the year for the radio industry and we look forward to Chris and Andrew hosting the awards this year in Melbourne.” Radio announcers joining Chris and Andrew on stage to present awards will include: Hamish & Andy – Hit Network (Hamish Blake & Andy Lee) Jonesy & Amanda – WSFM (Brendan Jones & Amanda Keller) Kate, Tim & Marty – Nova Network (Kate Ritchie, Tim Blackwell & Marty Sheargold) Neil Mitchell – 3AW Rove & Sam – 2Day FM (Rove McManus & Sam Frost) Merrick Watts – Triple M, Southern Cross Austereo Jo & Lehmo – Gold 104.3 (Jo Stanley & Anthony Lehmann) Mike E & Emma – The Edge (Michael Etheridge & Emma Chow) The list of ACRA finalists is available here. -
The Chaser's Media Circus
ABC TV Media Release ABC ANNOUNCES PLAN TO REPLACE THE CHASER’S MEDIA CIRCUS WITH CAT VIDEOS ABC TV management has confirmed it hopes to replace the second series of The Chaser’s Media Circus with cat videos. “As soon as we can find enough left wing cats who instinctively hate Australia, they’ll be replaced,” said an ABC representative. Media Circus – the game show about the news game hosted by Craig Reucassel with Fake Fact Checker Chas Licciardello – returns to ABC on Thursday 10 September at 8pm. It is produced by the creative team behind The Chaser and The Checkout, including Ben Jenkins, Zoë Norton Lodge, Scott Abbot, Andrew Hansen and Julian Morrow. ABC management confirmed that for the second series the show has been moved out of the news division to allow it to be more biased and have less rigorous vetting of the studio audience. Filmed in front of a live audience each week shortly before broadcast, The Chaser’s Media Circus brings together journalists and comedians to dissect the week’s news through a time- honoured technique of media criticism: the trivia quiz. Last year’s guests included George Negus, Senator Nick Xenophon, Lenore Taylor, Chris Kenny, Ellen Fanning, Tracey Spicer, Hugh Riminton, Peter Berner, Dave Hughes and Tom Gleeson, a number of whom have not yet refused to return for Series Two. The new series will also feature Media Circus first timers including Peter Greste and John Safran. Prime Minister Abbott has confirmed he will allow government front benchers to appear on the show. But the producers are lobbying him to have this decision reversed. -
Andrew Hansen
Andrew Hansen Comedian, musician, MC and The Chaser star Andrew Hansen is a comedian, pianist, guitarist, composer and vocalist as well as a writer and performer who is best known as a member of the Australian satirical team on ABC TV’s The Chaser. Andrew is very versatile on the corporate stage too. He can MC an event, give a custom-written comedy presentation or even compose and perform a song if inspired to do so. Andrew’s radio work includes shows on Triple M as well as composing and starring in the musical comedy series and ARIA Award winning album The Blow Parade (triple j, 2010). The Chaser’s TV shows include Media Circus (2014-15), The Hamster Wheel (2011-2013), Yes We Canberra! (2010), The Chaser’s War On Everything (2006-9), The Chaser Decides (2004, 2007) and CNNNN (2002-3). On the Seven network, Andrew produced The Unbelievable Truth (2012). He has also appeared as a guest on most Australian TV shows that have guests. In print he wrote for the humorous fortnightly newspaper The Chaser (1999-2005), eleven Chaser Annuals (Text Publishing, 2000-10), and for the recently launched Chaser Quarterly (2015). On stage Andrew composed and starred in the musical Dead Caesar (Sydney Theatre Company), did two national tours with The Chaser, and two live collaborations with Chris Taylor (One Man Show, 2014 and In Conversation with Lionel Corn, 2015). The Chaser team also runs a cool theatre in Sydney called Giant Dwarf. Andrew composed all The Chaser’s songs as well as the theme music for Media Circus and The Chaser’s War On Everything. -
ANZAC Girls Presskit
FOREVER young FOREVER brave FOREVER IN OUR hearts COMING SOON Introduction Honouring the Centenary of the commencement of WW1, ANZAC Girls is a moving new six-part series based on the unique, and rarely told true stories of Australian and New Zealand nurses serving at Gallipoli and the Western Front. In WW1 over 3,500 young Australian and New Zealand women served as nurses with the two fledgling nations’ army services. Nearly 300 were decorated for courage beyond the call of duty. Facing the brutality of war, they were remarkable women, doing extraordinary work, serving amidst bombing raids, poison gas and terrible disease – saving lives and transforming the spirits of the soliders. But through it all they experienced exceptional friendship, love, success and heartbreak. Drawing on the book The Other ANZACS by Peter Rees as well as from diaries, letters, photographs and historical achievements ANZAC Girls is based on real events and real people - Alice (Georgia Flood), Elsie (Laura Brent), Olive (Anna McGahan), Hilda (Antonia Prebble) and Grace (Caroline Craig). Like their brothers, fathers, lovers and husbands, these ANZAC Girls are our heroes. But they were also just ordinary girls – our sisters, our daughters, ourselves – looking for adventure, love, fun and friendship. This is their story... Over 3,720 Australian and New Zealand nurses served overseas during World War One. Fifty-six were awarded the Royal Red Cross. Two hundred and ten were awarded the Associate Red Cross. Only seven ANZAC nurses were awarded Military Medals. Key Cast Sister Alice Ross King Georgia Flood Sister Hilda Steele Antonia Prebble Sister Elsie Cook Laura Brent Synopsis Sister Olive Haynes Anna McGahan Matron Grace Wilson Caroline Craig It’s World War One and the number of Australian and New Zealand army troops deployed to Europe and the Middle East begins to swell.