Appendix Apéndice Anhang Appendice Appendix Appendice Bilaga Apêndice Lampiran

Total Page:16

File Type:pdf, Size:1020Kb

Appendix Apéndice Anhang Appendice Appendix Appendice Bilaga Apêndice Lampiran Appendix EN/ES/DE/FR/NL/IT/SV/PT/CN/RU/ID Apéndice Anhang Appendice Appendix Appendice Bilaga Apêndice Lampiran MZX300APPEND-WL-1A Tone List Lista de tonos Klangfarbenliste Liste des sonorités Toonlijst Lista dei timbri 1 Group Name Nombre del grupo Gruppenname Nom de groupe Groepsnaam Nome di gruppo 2 Number Número Nummer Numéro Nummer Numero 3 Tone Name Nombre del tono Klangfarbenname Nom de sonorité Toonnaam Nome di timbro Changement de Program Change Cambio de programa Programmwechsel Programmaverandering Cambio di programma 4 programme MSB de selección de Bank Select MSB Bankwahl MSB MSB sélection de banque Bankselectie MSB MSB di selezione banco 5 banco 6 Line Select Selección de línea Line-Wahl Sélection de ligne Regelselectie Selezione linea Tonlista Lista dos sons Daftar Nada 1 Gruppnamn Nome do grupo Nama Grup 2 Nummer Número Nomer 3 Tonnamn Nome do som Nama Nada 4 Programändring Mudança de programa Ganti Program 5 Bankval MSB MSB de seleção de banco MSB Pilih Bank 6 Linjeval Seleção de linha Pilih Baris 12 3 456 12 3 456 PIANO ELEC PIANO 0053 ELEC.PIANO 3 4 4 Direct PIANO 0001 GRAND PIANO CONCERT 0 2 DSP ELEC PIANO 0054 ELEC.PIANO 4 4 5 Direct PIANO 0002 GRAND PIANO BRIGHT 1 2 Direct ELEC PIANO 0055 ELEC.PIANO 5 4 6 Direct PIANO 0003 GRAND PIANO MELLOW 0 3 DSP ELEC PIANO 0056 ELEC.PIANO 6 4 13 Direct PIANO 0004 POP PIANO 0 5 DSP ELEC PIANO 0057 ELEC.PIANO 7 4 14 Direct PIANO 0005 ROCK PIANO 1 3 DSP ELEC PIANO 0058 ELEC.PIANO 8 4 15 Direct PIANO 0006 JAZZ PIANO 1 4 DSP ELEC PIANO 0059 60’S E.PIANO 1 4 7 Direct PIANO 0007 DANCE PIANO 1 1 5 Direct ELEC PIANO 0060 60’S E.PIANO 2 4 8 Direct PIANO 0008 DANCE PIANO 2 1 6 DSP ELEC PIANO 0061 60’S E.PIANO 3 4 9 DSP PIANO 0009 GRAND PIANO MODERN 0 4 DSP ELEC PIANO 0062 60’S E.PIANO 4 4 10 DSP PIANO 0010 GRAND PIANO CLASSIC 0 9 Direct ELEC PIANO 0063 60’S E.PIANO 5 4 11 DSP PIANO 0011 GRAND PIANO DOLCE 0 10 DSP ELEC PIANO 0064 60’S E.PIANO 6 4 12 DSP PIANO 0012 GRAND PIANO STUDIO 0 17 DSP ELEC PIANO 0065 DYNO ELEC.PIANO 1 4 16 DSP PIANO 0013 LA PIANO 1 7 Direct ELEC PIANO 0066 DYNO ELEC.PIANO 2 4 17 Direct PIANO 0014 TACK PIANO 0 18 DSP ELEC PIANO 0067 DIGITAL E.PIANO 1 5 2 Direct PIANO 0015 MONO PIANO 1 0 6 Direct ELEC PIANO 0068 DIGITAL E.PIANO 2 5 3 Direct PIANO 0016 MONO PIANO 2 0 7 DSP ELEC PIANO 0069 DIGITAL E.PIANO 3 5 4 Direct PIANO 0017 HONKY-TONK 1 3 2 Direct ELEC PIANO 0070 DIGITAL E.PIANO 4 5 5 Direct PIANO 0018 HONKY-TONK 2 3 4 Direct ELEC PIANO 0071 DIGITAL E.PIANO 5 5 6 Direct PIANO 0019 OCTAVE PIANO 1 3 3 Direct ELEC PIANO 0072 DIGITAL E.PIANO 6 5 7 Direct PIANO 0020 OCTAVE PIANO 2 3 5 Direct ELEC PIANO 0073 DIGITAL E.PIANO 7 5 8 Direct PIANO 0021 GRAND PIANO WIDE 0 8 Direct ELEC PIANO 0074 DIGITAL E.PIANO 8 5 9 Direct PIANO 0022 BRIGHT PIANO WIDE 1 8 Direct ELEC PIANO 0075 DIGITAL E.PIANO 9 5 10 Direct PIANO 0023 HONKY-TONK WIDE 3 6 Direct ELEC PIANO 0076 DIGITAL E.PIANO 10 5 11 Direct PIANO 0024 STRINGS PIANO 0 11 DSP ELEC PIANO 0077 ANALOG E.PIANO 1 5 12 DSP PIANO 0025 SYNTH-STR.PIANO 0 12 Direct ELEC PIANO 0078 ANALOG E.PIANO 2 5 13 DSP PIANO 0026 CHOIR PIANO 0 14 Direct ELEC PIANO 0079 CHORUS E.PIANO 1 4 18 Direct PIANO 0027 VOICE PIANO 0 16 Direct ELEC PIANO 0080 CHORUS E.PIANO 2 4 19 Direct PIANO 0028 PIANO PAD 0 13 Direct ELEC PIANO 0081 PHASER E.PIANO 1 4 20 DSP PIANO 0029 PIANO CHIME 0 15 Direct ELEC PIANO 0082 PHASER E.PIANO 2 4 21 DSP PIANO 0030 ELEC.GRAND PIANO 2 2 Direct ELEC PIANO 0083 TREMOLO E.PIANO 1 4 22 DSP PIANO 0031 MODERN E.G.PIANO 2 3 Direct ELEC PIANO 0084 TREMOLO E.PIANO 2 4 23 DSP PIANO 0032 CHORUS E.G.PIANO 2 4 Direct ELEC PIANO 0085 WAH E.PIANO 1 4 24 DSP PIANO 0033 ELEC.GRAND PIANO WIDE 2 5 Direct ELEC PIANO 0086 WAH E.PIANO 2 4 25 DSP PIANO 0034 HARPSICHORD 1 6 2 DSP ELEC PIANO 0087 AMP E.PIANO 1 4 26 DSP PIANO 0035 HARPSICHORD 2 6 3 Direct ELEC PIANO 0088 AMP E.PIANO 2 4 27 DSP PIANO 0036 HARPSICHORD 3 6 6 Direct ELEC PIANO 0089 CRUNCH E.PIANO 4 28 DSP PIANO 0037 HARPSICHORD 4 6 7 Direct ELEC PIANO 0090 DIZZY E.PIANO 4 29 DSP PIANO 0038 COUPLED HARPSICHORD 6 4 DSP ELEC PIANO 0091 E.PIANO 1 WIDE 4 30 Direct PIANO 0039 HARPSICHORD WIDE 6 8 Direct ELEC PIANO 0092 E.PIANO 2 WIDE 5 14 Direct PIANO 0040 HARPSICHORD & STRINGS 6 5 Direct ELEC PIANO 0093 MELLOW E.PIANO 4 31 Direct PIANO 0041 USER 1 0 65 ELEC PIANO 0094 STRINGS E.PIANO 4 32 Direct PIANO 0042 USER 2 1 65 ELEC PIANO 0095 SYN-STR E.PIANO 4 33 Direct PIANO 0043 USER 3 2 65 ELEC PIANO 0096 CHOIR E.PIANO 4 34 Direct PIANO 0044 USER 4 3 65 ELEC PIANO 0097 E.PIANO PAD 4 35 Direct PIANO 0045 USER 5 4 65 ELEC PIANO 0098 OFF VELO.CLAVI 1 7 2 Direct PIANO 0046 USER 6 5 65 ELEC PIANO 0099 OFF VELO.CLAVI 2 7 3 Direct PIANO 0047 USER 7 6 65 ELEC PIANO 0100 CLAVI 1 7 4 Direct PIANO 0048 USER 8 7 65 ELEC PIANO 0101 CLAVI 2 7 5 Direct PIANO 0049 USER 9 8 65 ELEC PIANO 0102 CLAVI 3 7 6 Direct PIANO 0050 USER 10 9 65 ELEC PIANO 0103 CLAVI WIDE 7 7 Direct ELEC PIANO 0051 ELEC.PIANO 1 4 2 Direct ELEC PIANO 0104 WAH CLAVI 1 7 8 DSP ELEC PIANO 0052 ELEC.PIANO 2 4 3 Direct ELEC PIANO 0105 WAH CLAVI 2 7 9 DSP 2 12 3 456 12 3 456 ELEC PIANO 0106 CRUNCH CLAVI 7 10 DSP ORGAN 0180 PIPE ORGAN 1 19 2 Direct ELEC PIANO 0107 VIBRAPHONE 1 11 2 DSP ORGAN 0181 PIPE ORGAN 2 19 3 Direct ELEC PIANO 0108 VIBRAPHONE 2 11 3 Direct ORGAN 0182 PIPE ORGAN 3 19 4 Direct ELEC PIANO 0109 VIBRAPHONE 3 11 4 Direct ORGAN 0183 PIPE ORGAN 4 19 5 Direct ELEC PIANO 0110 VIBRAPHONE WIDE 11 5 Direct ORGAN 0184 CHAPEL ORGAN 1 19 6 Direct ELEC PIANO 0111 CELESTA 8 2 Direct ORGAN 0185 CHAPEL ORGAN 2 19 7 Direct ELEC PIANO 0112 BRIGHT CELESTA 8 3 DSP ORGAN 0186 ORGAN FLUTE 19 8 Direct ELEC PIANO 0113 GLOCKENSPIEL 9 2 Direct ORGAN 0187 TREMOLO ORGAN FLUTE 19 9 Direct ELEC PIANO 0114 MUSIC BOX 1 10 2 Direct ORGAN 0188 THEATER ORGAN 19 10 Direct ELEC PIANO 0115 MUSIC BOX 2 10 3 DSP ORGAN 0189 REED ORGAN 20 2 Direct ELEC PIANO 0116 ORGEL 10 4 DSP ORGAN 0190 PUFF ORGAN 20 5 Direct ELEC PIANO 0117 MARIMBA 12 2 Direct ORGAN 0191 USER 31 0 66 ELEC PIANO 0118 MARIMBA WIDE 12 3 Direct ORGAN 0192 USER 32 1 66 ELEC PIANO 0119 SINE MARIMBA 12 4 Direct ORGAN 0193 USER 33 2 66 ELEC PIANO 0120 XYLOPHONE 13 2 Direct ORGAN 0194 USER 34 3 66 ELEC PIANO 0121 BALIMBA 13 3 Direct ORGAN 0195 USER 35 4 66 ELEC PIANO 0122 LOG DRUMS 13 4 Direct ORGAN 0196 USER 36 5 66 ELEC PIANO 0123 TUBULAR BELL 14 2 Direct ORGAN 0197 USER 37 6 66 ELEC PIANO 0124 CHURCH BELLS 14 3 DSP ORGAN 0198 USER 38 7 66 ELEC PIANO 0125 CARILLON 14 4 Direct ORGAN 0199 USER 39 8 66 ELEC PIANO 0126 USER 11 10 65 ORGAN 0200 USER 40 9 66 ELEC PIANO 0127 USER 12 11 65 DRAWBAR ORGAN 0201 VTW BASIC FULL 0 96 DSP ELEC PIANO 0128 USER 13 12 65 DRAWBAR ORGAN 0202 VTW BASIC 4+ 1 96 DSP ELEC PIANO 0129 USER 14 13 65 DRAWBAR ORGAN 0203 VTW BASIC 3 BOTTOM 2 96 DSP ELEC PIANO 0130 USER 15 14 65 DRAWBAR ORGAN 0204 VTW BASIC 2 3 96 DSP ELEC PIANO 0131 USER 16 15 65 DRAWBAR ORGAN 0205 VTW 880800008 4 96 DSP ELEC PIANO 0132 USER 17 16 65 DRAWBAR ORGAN 0206 VTW BASIC 3++ VARI 5 96 DSP ELEC PIANO 0133 USER 18 17 65 DRAWBAR ORGAN 0207 VTW BASIC 3 VARI 6 96 DSP ELEC PIANO 0134 USER 19 18 65 DRAWBAR ORGAN 0208 VTW BASIC HOLLOW 7 96 DSP ELEC PIANO 0135 USER 20 19 65 DRAWBAR ORGAN 0209 VTW BASIC GREEN 8 96 DSP ELEC PIANO 0136 USER 21 20 65 DRAWBAR ORGAN 0210 VTW BASIC ARCHED 9 96 DSP ELEC PIANO 0137 USER 22 21 65 DRAWBAR ORGAN 0211 VTW BASIC COMPING 10 96 DSP ELEC PIANO 0138 USER 23 22 65 DRAWBAR ORGAN 0212 VTW BASIC CHORD 11 96 DSP ELEC PIANO 0139 USER 24 23 65 DRAWBAR ORGAN 0213 VTW BASIC LFFT 12 96 DSP ELEC PIANO 0140 USER 25 24 65 DRAWBAR ORGAN 0214 VTW BASIC GOSPEL 13 96 DSP ELEC PIANO 0141 USER 26 25 65 DRAWBAR ORGAN 0215 VTW BASIC COMPING VARI 14 96 DSP ELEC PIANO 0142 USER 27 26 65 DRAWBAR ORGAN 0216 VTW BASIC 3RD 15 96 DSP ELEC PIANO 0143 USER 28 27 65 DRAWBAR ORGAN 0217 VTW 3RD BASIC 3+ 16 96 DSP ELEC PIANO 0144 USER 29 28 65 DRAWBAR ORGAN 0218 VTW 3RD BASIC 4 VARI 17 96 DSP ELEC PIANO 0145 USER 30 29 65 DRAWBAR ORGAN 0219 VTW 3RD COMPING VAR 18 96 DSP ORGAN DRAWBAR ORGAN 0220 VTW 3RD FULL C1 19 96 DSP ORGAN 0146 ELEC.ORGAN 1 16 2 DSP DRAWBAR ORGAN 0221 VTW BASIC SIZZLE 20 96 DSP ORGAN 0147 ELEC.ORGAN 2 16 3 Direct DRAWBAR ORGAN 0222 VTW BASIC GREEN+ 21 96 DSP ORGAN 0148 ELEC.ORGAN 3 16 4 Direct DRAWBAR ORGAN 0223 VTW 16+FUNDAMENTAL 22 96 DSP ORGAN 0149 ELEC.ORGAN 4 16 5 Direct DRAWBAR ORGAN 0224 VTW COMPING+ 23 96 DSP ORGAN 0150 PERC.ORGAN 1 17 2 DSP DRAWBAR ORGAN 0225 VTW COMPING VAR1 24 96 DSP ORGAN 0151 PERC.ORGAN 2 17 3 DSP DRAWBAR ORGAN 0226 VTW FUNDAMENTAL COMP 25 96 DSP ORGAN 0152 PERC.ORGAN 3 17 4 DSP DRAWBAR ORGAN 0227 VTW TEST PRINCIPAL SIN 26 96 DSP ORGAN 0153 PERC.ORGAN 4 17 5 DSP DRAWBAR ORGAN 0228 VTW GOSPEL ADD 27 96 DSP ORGAN 0154 ROCK ORGAN 1 18 2 DSP DRAWBAR ORGAN 0229 VTW GOSPEL 3RD 28 96 DSP ORGAN 0155 ROCK ORGAN 2 18 3 Direct DRAWBAR ORGAN 0230 VTW COMPING 3RD+ 29 96 DSP ORGAN 0156 ROCK ORGAN 3 18 4 Direct DRAWBAR ORGAN 0231 VTW SACRIFICE 30 96 DSP ORGAN 0157 ROCK ORGAN 4 18 5 DSP DRAWBAR ORGAN 0232 VTW LEAVE 31 96 DSP ORGAN 0158 JAZZ ORGAN 1 17 6 DSP DRAWBAR ORGAN 0233 VTW EWAY 32 96 DSP ORGAN 0159 JAZZ ORGAN 2 17 7 DSP DRAWBAR ORGAN 0234 VTW ROLL IT 33 96 DSP ORGAN 0160 JAZZ ORGAN 3 17 8 Direct DRAWBAR ORGAN 0235 VTW L’OVE 34 96 Direct ORGAN 0161 JAZZ ORGAN 4 17 9 DSP DRAWBAR ORGAN 0236 VTW WHITER 35 96 DSP ORGAN 0162 ELEC.ORGAN 5 16 6 DSP DRAWBAR ORGAN 0237 VTW EXCITED 36 96 DSP ORGAN 0163 ELEC.ORGAN 6 16 7 DSP DRAWBAR ORGAN 0238 VTW INSIDENT 37 96 DSP ORGAN 0164 ELEC.ORGAN 7 16 8 Direct DRAWBAR ORGAN 0239 VTW GR VARI 38 96 DSP ORGAN 0165 ELEC.ORGAN 8 16 9 DSP DRAWBAR ORGAN 0240 VTW BLUES VAR 39 96 DSP ORGAN 0166 ELEC.ORGAN 9 16 10 DSP DRAWBAR ORGAN 0241 VTW REGGAE VAR
Recommended publications
  • The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
    The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below).
    [Show full text]
  • Making Music from Around the World
    The Birmingham Botanical Gardens Making Music From Around The World The Birmingham Botanical Gardens & Glasshouses Introduction In the Music National Curriculum, one of the general requirements for study throughout Key Stages 1, 2 and 3 is the inclusion of music from ‘a variety of cultures, Western and non-Western’. However, it is not always that easy to find ways of introducing a multicultural dimension to the teaching of music in the classroom. At the Botanical Gardens we have an exciting collection of musical instruments made from natural materials, which come from around the world. These instruments are available for workshop sessions, which allow the pupils to explore a new world of sound and learn more about the places they come from and the people who make them. This booklet describes the fascinating instruments available; the plant materials used in their construction and practical fun activities that can be carried out with the pupils at the Gardens. Acknowledgements Many thanks must go to Andy Wilson from Knock on Wood for supplying us with most of our instruments and helpful background information. Musical Instruments Africa Bean Pod Rattle Perhaps the simplest rattle of them all. This example is the pod of the Royal Poinciana tree from Madagascar. Baobab Rattle Another simple rattle using the fruit and seeds of the Baobab tree. Another kind of seed pod rattle. Possibly using Capala fruits from the Passiflora group of plants threaded onto a stick. Nyatiti Uses a calabash as the body of the instrument which acts as the sound box. Musical Instruments Africa Caxixi (Kasheeshee) A strong, split cane woven basket rattle from Cameroon.
    [Show full text]
  • Following the Trail of the Snake: a Life History of Cobra Mansa “Cobrinha” Mestre of Capoeira
    ABSTRACT Title of Document: FOLLOWING THE TRAIL OF THE SNAKE: A LIFE HISTORY OF COBRA MANSA “COBRINHA” MESTRE OF CAPOEIRA Isabel Angulo, Doctor of Philosophy, 2008 Directed By: Dr. Jonathan Dueck Division of Musicology and Ethnomusicology, School of Music, University of Maryland Professor John Caughey American Studies Department, University of Maryland This dissertation is a cultural biography of Mestre Cobra Mansa, a mestre of the Afro-Brazilian martial art of capoeira angola. The intention of this work is to track Mestre Cobrinha’s life history and accomplishments from his beginning as an impoverished child in Rio to becoming a mestre of the tradition—its movements, music, history, ritual and philosophy. A highly skilled performer and researcher, he has become a cultural ambassador of the tradition in Brazil and abroad. Following the Trail of the Snake is an interdisciplinary work that integrates the research methods of ethnomusicology (oral history, interview, participant observation, musical and performance analysis and transcription) with a revised life history methodology to uncover the multiple cultures that inform the life of a mestre of capoeira. A reflexive auto-ethnography of the author opens a dialog between the experiences and developmental steps of both research partners’ lives. Written in the intersection of ethnomusicology, studies of capoeira, social studies and music education, the academic dissertation format is performed as a roda of capoeira aiming to be respectful of the original context of performance. The result is a provocative ethnographic narrative that includes visual texts from the performative aspects of the tradition (music and movement), aural transcriptions of Mestre Cobra Mansa’s storytelling and a myriad of writing techniques to accompany the reader in a multi-dimensional journey of multicultural understanding.
    [Show full text]
  • Exhibition Music Workshops
    EXHIBITION an interactive exhibition with contemporary musical instruments, sound installations and devices, audiovisual displays, games and talks. MUSIC concert with Victor Gama’s unique Pangeia Instrumentos and music compositions. WORKSHOPS music and instrument building workshops for kids and adults in the gallery space or at local schools. Paul Hamlyn Hall, Royal Opera House, Londres, Reino Unido Paul Hamlyn Hall, Royal Opera House, Londres, Reino Unido 'the event's most impressive and resonant mix of sound, vision and concept was Instrumentos, an exhibition/performance in the beautiful Paul Hamlyn Hall by Angola-born inventor and musician Victor Gama. Each instrument is a beautiful object; each implies a different audio-visual journey that's both ethnic and high tech.' The Guardian VISION A space of free experimentation and performance for the visitor INSTRUMENTOS is an exhibition of the The new digital technologies have allowed Pangeia Instrumentos series of the de-materialization of the musical contemporary musical instruments. These instrument and consequently making are acoustic musical instruments, sound music without the object. In designing devices and sound installations designed new instruments we make use of those and built through a process of same technologies to re-materialize the experimentation with design, sound and object while using form and design as music. variables in writing new music. Hub National Centre for Craft & Design, United Kingdom EXHIBITION Since 1999 PangeiArt has developed an award winning exhibition that is part of a collection of more then thirty unique contemporary musical instruments designed by musician/composer Victor Gama. Among the instruments are the Toha, a visitors are invited to touch and play the type of harp made with 42 strings to be instruments on display.
    [Show full text]
  • Built-In Music Data Lists • Listas De Datos De Música Incorporados
    14M10APPEND-WL-1A.fm 1 ページ 2018年8月9日 木曜日 午後12時8分 269 WARM SYNTH-BRASS 1 62 35 381 SINE LEAD 80 2 494 SALUANG 77 43 608 GM TENOR SAX 66 0 270 WARM SYNTH-BRASS 2 62 38 DSP 382 VELO.SINE LEAD 80 44 495 SULING BAMBOO 2 77 42 609 GM BARITONE SAX 67 0 271 ANALOG SYNTH-BRASS 62 36 383 SYNTH SEQUENCE 80 8 496 OUD 1 105 11 610 GM OBOE 68 0 EN/ES/DE/FR/NL/IT/SV/PT/CN/TW/RU/TR 272 80'S SYNTH-BRASS 62 2 384 SEQUENCE SAW 81 15 497 OUD 2 105 42 611 GM ENGLISH HORN 69 0 273 TRANCE BRASS 63 32 385 SEQUENCE SINE 80 7 498 SAZ 15 4 612 GM BASSOON 70 0 274 TRUMPET 1 56 32 DSP 386 8BIT ARPEGGIO 1 80 9 499 KANUN 1 15 5 613 GM CLARINET 71 0 Built-in Music Data Lists • Listas de datos de música incorporados • 275 TRUMPET 2 56 2 387 8BIT ARPEGGIO 2 80 45 500 KANUN 2 15 33 614 GM PICCOLO 72 0 276 TRUMPET 3 56 36 DSP 388 8BIT WAVE 80 35 501 BOUZOUKI 105 43 615 GM FLUTE 73 0 277 MELLOW TRUMPET 56 3 389 SAW ARPEGGIO 1 81 8 502 RABAB 105 44 616 GM RECORDER 74 0 Listen der vorinstallierten Musikdaten • Listes des données de musique intégrées • 278 MUTE TRUMPET 59 1 390 SAW ARPEGGIO 2 81 9 503 KEMENCHE 110 44 617 GM PAN FLUTE 75 0 279 AMBIENT TRUMPET 56 33 DSP 391 VENT LEAD 82 32 504 NEY 1 72 10 618 GM BOTTLE BLOW 76 0 280 TROMBONE 57 32 392 CHURCH LEAD 85 32 505 NEY 2 72 41 619 GM SHAKUHACHI 77 0 Ingebouwde muziekgegevenslijsten • Liste dei dati musicali incorporati • 281 JAZZ TROMBONE 57 33 393 DOUBLE VOICE LEAD 85 34 506 ZURNA 111 9 620 GM WHISTLE 78 0 282 FRENCH HORN 60 32 394 SYNTH-VOICE LEAD 85 1 507 ARABIC ORGAN 16 7 621 GM OCARINA 79 0 283 FRENCH HORN
    [Show full text]
  • TC 1-19.30 Percussion Techniques
    TC 1-19.30 Percussion Techniques JULY 2018 DISTRIBUTION RESTRICTION: Approved for public release: distribution is unlimited. Headquarters, Department of the Army This publication is available at the Army Publishing Directorate site (https://armypubs.army.mil), and the Central Army Registry site (https://atiam.train.army.mil/catalog/dashboard) *TC 1-19.30 (TC 12-43) Training Circular Headquarters No. 1-19.30 Department of the Army Washington, DC, 25 July 2018 Percussion Techniques Contents Page PREFACE................................................................................................................... vii INTRODUCTION ......................................................................................................... xi Chapter 1 BASIC PRINCIPLES OF PERCUSSION PLAYING ................................................. 1-1 History ........................................................................................................................ 1-1 Definitions .................................................................................................................. 1-1 Total Percussionist .................................................................................................... 1-1 General Rules for Percussion Performance .............................................................. 1-2 Chapter 2 SNARE DRUM .......................................................................................................... 2-1 Snare Drum: Physical Composition and Construction .............................................
    [Show full text]
  • WAVEDRUM Owner's Manaul
    Owner´s Manual E 2 1 Thank you for purchasing the Korg WAVEDRUM THE FCC REGULATION WARNING (for USA) dynamic percussion synthesizer. This equipment has been tested and found to comply This owner’s manual contains a great deal of informa- with the limits for a Class B digital device, pursuant tion that will help you understand the WAVEDRUM to Part 15 of the FCC Rules. These limits are and play it to its fullest potential. In order- to ensure designed to provide reasonable protection against that you are taking complete advantage of your harmful interference in a residential installation. This WAVEDRUM, please read this manual carefully and equipment generates, uses, and can radiate radio fre- use the product as directed. quency energy and, if not installed and used in accor- dance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a Precautions particular installation. If this equipment does cause harmful interference to radio or television reception, Location which can be determined by turning the equipment off and on, the user is encouraged to try to correct the Using the unit in the following locations can result in a interference by one or more of the following mea- malfunction. sures: • In direct sunlight • Reorient or relocate the receiving antenna. • Locations of extreme temperature or humidity • Increase the separation between the equipment • Excessively dusty or dirty locations and receiver. • Locations of excessive vibration • Connect the equipment into an outlet on a circuit • Close to magnetic fields different from that to which the receiver is con- Power supply nected.
    [Show full text]
  • ~········R.~·~~~ Fiber-Head Connector ______Grating Region
    111111 1111111111111111111111111111111111111111111111111111111111111 US007507891B2 (12) United States Patent (10) Patent No.: US 7,507,891 B2 Lau et al. (45) Date of Patent: Mar. 24,2009 (54) FIBER BRAGG GRATING TUNER 4,563,931 A * 111986 Siebeneiker et al. .......... 841724 4,688,460 A * 8/1987 McCoy........................ 841724 (75) Inventors: Kin Tak Lau, Kowloon (HK); Pou Man 4,715,671 A * 12/1987 Miesak ....................... 398/141 Lam, Kowloon (HK) 4,815,353 A * 3/1989 Christian ..................... 841724 5,012,086 A * 4/1991 Barnard ................... 250/222.1 (73) Assignee: The Hong Kong Polytechnic 5,214,232 A * 5/1993 Iijima et al. ................... 841724 5,381,492 A * 111995 Dooleyet al. ................. 385112 University, Kowloon (HK) 5,410,404 A * 4/1995 Kersey et al. ............... 356/478 5,684,592 A * 1111997 Mitchell et al. ............. 356/493 ( *) Notice: Subject to any disclaimer, the term of this 5,848,204 A * 12/1998 Wanser ........................ 385112 patent is extended or adjusted under 35 5,892,582 A * 4/1999 Bao et al. ................... 356/519 U.S.c. 154(b) by 7 days. 6,201,912 Bl * 3/2001 Kempen et al. ............... 385/37 6,274,801 Bl * 8/2001 Wardley.. ... ... ..... ... ... ... 841731 (21) Appl. No.: 11/723,555 6,411,748 Bl * 6/2002 Foltzer .......................... 38517 6,797,872 Bl 9/2004 Catalano et al. (22) Filed: Mar. 21, 2007 6,984,819 B2 * 112006 Ogawa .................. 250/227.21 7,002,672 B2 2/2006 Tsuda (65) Prior Publication Data 7,015,390 Bl * 3/2006 Rogers . ... ... ... ..... ... ... ... 841723 7,027,136 B2 4/2006 Tsai et al.
    [Show full text]
  • Culture Box: Brazil
    INTRODUCTION: Brazil, officially the Federative Republic of Brazil (Portuguese: República Federativa do Brasil, is the largest country in both South & and Latin America. THIS BOX INCLUDES: 1. Portuguese – English Dictionary 2. Map 3. Currency 4. Pernambuco book and CD 5. Bahia doll – small 6. Decorative bowl 7. Capoeira 8. Toucan magnet 9. Music CD 10. Flag 11. Images from Brazil Culture Box: Brazil PORTUGUESE – ENGLISH DICTIONARY DESCRIPTION The item is a Portuguese to English dictionary. Culture Box: Brazil FLAG DESCRIPTION The item is a large Brazilian flag. This design was started in 1889 with 21 stars, and this 27 star version was adopted in 1992. The stars in the celestial sphere at the center represent the states of the country. The green field represented the family of Pedro I, first emperor of Brazil. The gold diamond represented the family of Maria Leopoldina, the wife of Pedro I. Culture Box: Brazil CURRENCY DESCRIPTION The Brazilian centavos are the sub-units of the Brazilian real (reais, pl.). Modern Reais were adopted in 1994. One 2R$ bill is also included Culture Box: Brazil BAHIA DOLL DESCRIPTION This miniature Bahia doll models the types of blouses, skirts, and head wraps worn by women in the Bahia state during past centuries. While this type of dress may be worn today, it may be found more likely in ceremonial and folk holidays or events. These are popular tourist items from Bahia. Culture Box: Brazil TOUCAN MAGNET DESCRIPTION A colorfully painted and crafted wooden toucan (tucano) with a magnet attached to the back Culture Box: Brazil GOURD BOWL DESCRIPTION Made from a gourd vegetable, this beautifully decorated item has been painted brown with a floral design inside that has been sealed to protect the paint.
    [Show full text]
  • Sample Library Catalog 2006
    AMG | ART VISTA | BARDSTOWN AUDIO | BELA D MEDIA | BEST SERVICE | BIG FISH AUDIO | BOLDER SOUNDS | CKSDE DAN DEAN PRO | DISCOVERY SOUND | EASTWEST | FIXED NOISE | GARRITAN | NATIVE INSTRUMENTS | NUMERICAL SOUND POST MUSICAL INSTRUMENTS | PRECISIONSOUND | SONIC IMPLANTS | SONIC REALITY | SONICCOUTURE | SOUNDLABEL SPIRIT CANYON AUDIO | TAP SPACE | VIENNA SYMPHONIC LIBRARY | ZERO-G SAMPLE LIBRARY CATALOG 2006 ForFor more more information: information: www.native-instruments.com www.native-instruments.com Welcome Welcome to the first sample library catalog for the Native Instruments samplers Kontakt, Battery, Kompakt, and Intakt. This catalog features a huge selection of over 130 professional and award winning sample libraries from various sample developers. You will find anything from Orchestral to Electronic, featuring the best available sample libraries in the world. All libraries are specifically designed for the Native Instruments software samplers Kontakt, Battery, Intakt and Kompakt. Some of these libraries contain special versions of Kompakt, Intakt or Kontakt Player and don´t necessarily need the full version of the sampler. Since 2003, Kontakt has fast become the standard in software sampling. Over 50 companies all over the world chose Kontakt or Battery to be their favourite platform for developing sample libraries and over 100.000 users are currently using the Kontakt engine with Kontakt, Kompakt, Intakt, Battery or Kontakt Player. If you want to know more about the sampler products or sample libraries, please visit the Native
    [Show full text]
  • Jurgita Nagrockytė DAMBRELIO RAIDA LIETUVOS MUZIKINIUOSE
    VYTAUTO DIDŽIOJO UNIVERSITETAS HUMANITARINIŲ MOKSLŲ FAKULTETAS ETNOLOGIJOS IR FOLKLORISTIKOS KATEDRA Jurgita Nagrockytė DAMBRELIO RAIDA LIETUVOS MUZIKINIUOSE ANSAMBLIUOSE Magistro baigiamasis darbas Etninės kultūros studijų programa, valstybinis kodas 62407H101 Etnologijos studijų kryptis Vadovas prof. habil. dr. Romualdas Apanavičius ___________ ___________ (Moksl. laipsnis, vardas, pavardė) (Parašas) (Data) Apginta doc. dr. Jonas Vaičenonis ___________ ____________ (Fakulteto dekanas) (Parašas) (Data) Kaunas, 2010 1. TURINYS 1. TURINYS ....................................................................................................................................... 1 2. SANTRAUKA................................................................................................................................ 2 3. SUMMARY.................................................................................................................................... 3 4. ĮVADAS ......................................................................................................................................... 4 5. DAMBRELIO ISTORIJA, ATSIRADIMO PRIELAIDOS LIETUVOJE..................................... 7 5.1 Dambrelio raida pasaulyje ....................................................................................................... 7 5.2 Dambrelio istorinė raida .......................................................................................................... 9 5.3 Dambrelio istoriniai atradimai Europoje ir Jungtinėje karalystėje .........................................
    [Show full text]
  • (EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli
    FAMILY (EN) GROUP (EN) KEYWORD (EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli Wind Accordions Accordion Strings Zithers Accord‐zither Percussion Drums Adufe Strings Musical bows Adungu Strings Zithers Aeolian harp Keyboard Organs Aeolian organ Wind Others Aerophone Percussion Bells Agogo Ogebe ; Ugebe Percussion Drums Agual Agwal Wind Trumpets Agwara Wind Oboes Alboka Albogon ; Albogue Wind Oboes Algaita Wind Flutes Algoja Algoza Wind Trumpets Alphorn Alpenhorn Wind Saxhorns Althorn Wind Saxhorns Alto bugle Wind Clarinets Alto clarinet Wind Oboes Alto crumhorn Wind Bassoons Alto dulcian Wind Bassoons Alto fagotto Wind Flugelhorns Alto flugelhorn Tenor horn Wind Flutes Alto flute Wind Saxhorns Alto horn Wind Bugles Alto keyed bugle Wind Ophicleides Alto ophicleide Wind Oboes Alto rothophone Wind Saxhorns Alto saxhorn Wind Saxophones Alto saxophone Wind Tubas Alto saxotromba Wind Oboes Alto shawm Wind Trombones Alto trombone Wind Trumpets Amakondere Percussion Bells Ambassa Wind Flutes Anata Tarca ; Tarka ; Taruma ; Turum Strings Lutes Angel lute Angelica Percussion Rattles Angklung Mechanical Mechanical Antiphonel Wind Saxhorns Antoniophone Percussion Metallophones / Steeldrums Anvil Percussion Rattles Anzona Percussion Bells Aporo Strings Zithers Appalchian dulcimer Strings Citterns Arch harp‐lute Strings Harps Arched harp Strings Citterns Archcittern Strings Lutes Archlute Strings Harps Ardin Wind Clarinets Arghul Argul ; Arghoul Strings Zithers Armandine Strings Zithers Arpanetta Strings Violoncellos Arpeggione Keyboard
    [Show full text]