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Casio PX-S3000 Built-In Music Data Lists

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PXS3000APD-WL-1A.fm 1 ページ ２０１８年１１月１９日 月曜日 午後１２時２２分 1/4 056 VERSATILE NYLON GUITAR 24 8 PIPE 280 VEENA 1 104 36 394 GM CHOIR AAHS 52 0 057 VERSATILE STEEL GUITAR 25 8 168 SOLO FLUTE 1 73 32 281 VEENA 2 104 37 395 GM VOICE DOO 53 0 058 VERSATILE SINGLE COIL E.GUITAR 27 9 169 SOLO FLUTE 2 73 33 282 SHANAI 111 1 396 GM SYNTH-VOICE 54 0 JA/EN/ES/DE/FR/NL/IT/SV/PT/CN/TW/RU/TR BASS 1 170 FLUTE 1 73 1 283 BANSURI 72 9 397 GM ORCHESTRA HIT 55 0 059 ACOUSTIC BASS 1 32 1 171 FLUTE 2 73 36 284 PUNGI 111 8 398 GM TRUMPET 56 0 060 ACOUSTIC BASS 2 32 32 DSP 172 JAZZ FLUTE 1 73 2 285 TABLA 116 41 399 GM TROMBONE 57 0 内蔵音楽データ一覧 • Built-in Music Data Lists • Listas de datos de 061 RIDE BASS 32 33 173 JAZZ FLUTE 2 73 37 DSP 286 ANGKLUNG TREM. 12 40 400 GM TUBA 58 0 062 FINGERED BASS 1 33 6 174 PICCOLO 72 32 287 GENDER 11 40 401 GM MUTE TRUMPET 59 0 063 FINGERED BASS 2 33 5 175 RECORDER 74 32 288 CAK 25 12 402 GM FRENCH HORN 60 0 música incorporados • Listen der vorinstallierten Musikdaten • Listes des 064 FINGERED BASS VELO.SLAP 1 33 33 176 PAN FLUTE 1 75 32 289 CUK 24 40 403 GM BRASS 61 0 065 FINGERED BASS VELO.SLAP 2 33 32 177 PAN FLUTE 2 75 33 290 CELLO FINGERED 32 12 404 GM SYNTH-BRASS 1 62 0 066 FINGERED BASS 3 33 1 178 BOTTLE BLOW 76 32 291 SASANDO 46 40 405 GM SYNTH-BRASS 2 63 0 données de musique intégrées • Ingebouwde muziekgegevenslijsten • Liste 067 FINGERED BASS 4 33 2 179 WHISTLE 78 1 292 SHORT SULING 77 40 GM TONES 2 (65～128) 068 FINGERED BASS 5 33 3 180 OCARINA 79 32 293 SULING BAMBOO 1 77 41 406 GM SOPRANO SAX 64 0 069 FINGERED BASS 6 33 4 181 SHAKUHACHI 77 32 294 SALUANG 77 43 407 GM ALTO SAX 65 0 dei dati musicali incorporati • Listor över inbyggda musikdata • Listas dos 070 FINGERED BASS 7 33 7 182 PIPE SECTION 72 33 295 SULING BAMBOO 2 77 42 408 GM TENOR SAX 66 0 071 PICKED BASS 1 34 1 183 FLUTE & OBOE 73 38 296 OUD 1 105 11 409 GM BARITONE SAX 67 0 072 PICKED BASS 2 34 2 SYNTH 1 297 OUD 2 105 42 410 GM OBOE 68 0 dados de música incorporados • 内置音乐数据列表 • 內置音樂資料列表 • 073 MUTE PICKED BASS 34 5 184 SUPER SAW LEAD 1 81 16 298 SAZ 15 4 411 GM ENGLISH HORN 69 0 074 SLAP BASS 1 36 1 185 SUPER SAW LEAD 2 81 17 DSP 299 KANUN 1 15 5 412 GM BASSOON 70 0 075 SLAP BASS 2 36 32 186 TRANCE POLY LEAD 81 18 300 KANUN 2 15 33 413 GM CLARINET 71 0 Списки встроенных музыкальных данных • Dahili Müzik Veri Listeleri 076 SLAP BASS 3 36 2 187 TRANCE PLUCK 81 38 DSP 301 BOUZOUKI 105 43 414 GM PICCOLO 72 0 077 FINGER SLAP BASS 1 36 5 188 PROGRESSIVE PLUCK 81 39 DSP 302 RABAB 105 44 415 GM FLUTE 73 0 078 FINGER SLAP BASS 2 36 4 189 SAW PLUCK 81 40 DSP 303 KEMENCHE 110 44 416 GM RECORDER 74 0 079 FINGER SLAP BASS 3 36 35 190 DIRTY PLUCK 80 38 DSP 304 NEY 1 72 10 417 GM PAN FLUTE 75 0 音色リスト Tone List Lista de tonos Klangfarbenliste Liste des sonorités Toonlijst Lista dei timbri 080 CHORUS FINGERED BASS 1 33 39 DSP 191 POP LEAD 81 43 305 NEY 2 72 41 418 GM BOTTLE BLOW 76 0 081 CHORUS FINGERED BASS 2 33 8 DSP 192 HOUSE CHORD SYNTH 81 44 DSP 306 ZURNA 111 9 419 GM SHAKUHACHI 77 0 カテゴリー名 Category Name Nombre de la categoría Kategoriename Nom de catégorie Categorienaam Nome di categoria 082 PHASER FINGERED BASS 33 40 DSP 193 POPULAR PLUCK 1 81 19 DSP 307 ARABIC ORGAN 16 7 420 GM WHISTLE 78 0 番号 Number Número Nummer Numéro Nummer Numero 083 AMP FINGERED BASS 33 38 DSP 194 POPULAR PLUCK 2 81 20 DSP 308 ARABIC STRINGS 48 7 421 GM OCARINA 79 0 084 WAH FINGERED BASS 1 33 36 DSP 195 VOCAL CHOP SYNTH 1 85 16 ETHNIC 2 422 GM SQUARE LEAD 80 0 音色名 Tone Name Nombre del tono Klangfarbenname Nom de sonorité Toonnaam Nome di timbro 085 WAH FINGERED BASS 2 33 9 DSP 196 VOCAL CHOP SYNTH 2 85 17 309 ER HU 1 110 9 423 GM SAW LEAD 81 0 Program Change Cambio de programa Programmwechsel Changement de programme Programmaverandering Cambio di programma プログラムチェンジ 086 WAH SLAP BASS 1 36 36 DSP 197 X SYNTH LEAD 1 81 7 310 ER HU 2 110 40 424 GM CALLIOPE 82 0 バンクセレクトMSB Bank Select MSB MSB de selección de banco Bankwahl MSB MSB sélection de banque Bankselectie MSB MSB di selezione banco 087 WAH SLAP BASS 2 36 34 DSP 198 X SYNTH LEAD 2 80 36 311 ER HU 3 110 41 425 GM CHIFF LEAD 83 0 DSPトーン DSP Tone Tono DSP DSP-Klangfarbe Sonorité DSP DSP-toon Timbro DSP 088 CHORUS SLAP BASS 36 33 199 X SYNTH LEAD 3 81 32 DSP 312 ER HU 4 110 42 426 GM CHARANG 84 0 089 AMP SLAP BASS 36 3 DSP 200 X SYNTH LEAD 4 80 37 313 YANG QIN 1 15 2 427 GM VOICE LEAD 85 0 Tonlista Lista dos sons 音色列表 音色列表 Перечень тембров Ton Listesi 090 FRETLESS BASS 35 32 201 X SYNTH LEAD 5 81 33 314 YANG QIN 2 15 3 428 GM FIFTH LEAD 86 0 091 CHORUS FRETLESS BASS 35 33 DSP 202 X SYNTH LEAD 6 80 6 315 YANG QIN 3 15 34 429 GM BASS+LEAD 87 0 Kategorinamn Nome da categoria 类别名 類別名 Название категории Kategori İsmi 092 AMP FRETLESS BASS 35 34 DSP 203 VA SYNTH 1 80 3 316 ZHENG 1 107 8 430 GM FANTASY 88 0 BASS 2 204 VA SYNTH 2 80 4 317 ZHENG 2 107 40 431 GM WARM PAD 89 0 Nummer Número 编号 編號 Номер Numara 093 SYNTH-BASS 1 39 3 205 VA SYNTH 3 80 5 318 PI PA 1 105 8 432 GM POLYSYNTH 90 0 Tonnamn Nome do som 音色名 音色名 Название тембра Ton İsmi 094 SYNTH-BASS 2 38 6 DSP 206 VA SYNTH SEQ-BASS 1 81 10 319 PI PA 2 105 9 433 GM SPACE CHOIR 91 0 Programändring Mudança de programa 程序变化 程式變化 Смена программы Program Değişikliği 095 SYNTH-BASS 3 38 1 207 VA SYNTH SEQ-BASS 2 81 11 320 PI PA 3 105 40 434 GM BOWED GLASS 92 0 Bankval MSB MSB de seleção de banco 库选择MSB 庫選擇MSB Выбор банка, старший разряд Bank Seçimi MSB 096 SYNTH-BASS 4 38 2 208 VA SYNTH SEQ-BASS 3 81 12 321 CHINESE HARP 46 33 435 GM METAL PAD 93 0 DSP-ton Som DSP DSP 音色 DSP 音色 ЦОС-тембр DSP Tonu 097 SYNTH-BASS 5 39 1 209 VA SYNTH SEQUENCE 1 81 13 322 DI ZI 1 72 8 436 GM HALO PAD 94 0 098 SYNTH-BASS 6 39 2 210 VA SYNTH SEQUENCE 2 81 14 323 DI ZI 2 72 40 437 GM SWEEP PAD 95 0 099 SYNTH-BASS 7 38 32 DSP 211 EDM KICK & BASS 96 8 324 XIAO 77 8 438 GM RAIN DROP 96 0 100 SYNTH-BASS 8 39 33 212 EDM LEAD SYNTH 96 36 325 SHENG 1 109 8 439 GM SOUND TRACK 97 0 PIANO 035 MARIMBA 12 32 014 OCTAVE STRINGS 48 34 048 SLOW CHOIR 52 32 101 SYNTH-BASS 9 39 4 213 EDM PER SYNTH 97 10 326 SHENG 2 109 40 440 GM CRYSTAL 98 0 PIANO 036 XYLOPHONE 13 1 015 ORCHESTRA HIT 1 55 4 049 VOICE DOO 53 32 102 SYNTH-BASS 10 39 5 214 EDM LAZER 1 96 9 327 SUO NA 1 111 10 441 GM ATMOSPHERE 99 0 001 GRAND PIANO CONCERT 0 3 037 CELESTA 8 1 016 ORCHESTRA HIT 2 55 32 050 VOICE UUH 53 33 103 SYNTH-BASS 11 38 4 215 EDM LAZER 2 96 10 328 SUO NA 2 111 32 DSP 442 GM BRIGHTNESS 100 0 002 GRAND PIANO BRIGHT 1 1 038 GLOCKENSPIEL 9 1 017 ORCHESTRA HIT 3 55 33 DSP 051 SYNTH-VOICE 1 54 1 104 SYNTH-BASS 12 38 5 216 EDM THEME SYNTH 1 96 11 329 CAVAQUINHO 104 38 443 GM GOBLINS 101 0 003 GRAND PIANO MELLOW 0 2 039 MUSIC BOX 10 32 018 BRASS & STRINGS 48 36 DSP 052 SYNTH-VOICE 2 52 36 105 SYNTH-BASS 13 39 6 217 EDM THEME SYNTH 2 96 34 330 VIOLA CAIPIRA 104 39 444 GM ECHOES 102 0 004 STAGE PIANO 0 1 DSP 040 ORGEL 10 33 DSP VIOLIN 053 VOICE ENSEMBLE 54 2 106 ORGAN BASS 39 7 218 EDM THEME HIT 97 8 331 BERIMBAU 104 40 445 GM SF 103 0 005 ROCK PIANO 1 2 041 TUBULAR BELL 14 32 019 SOLO VIOLIN 40 32 054 SYNTH-VOICE PAD 54 32 107 VERSATILE ELECTRIC BASS 1 33 10 219 EDM BRASS HIT 96 12 332 PANDEIRO 116 40 446 GM SITAR 104 0 006 JAZZ PIANO 1 5 042 CHURCH BELLS 14 33 DSP 020 VIOLIN 40 33 055 WARM VOX 89 32 108 VERSATILE ELECTRIC BASS 2 33 24 220 EDM BASS 97 9 333 BANJO 105 32 447 GM BANJO 105 0 007 AMBIENT PIANO 0 39 DSP ORGAN 021 SLOW VIOLIN 40 34 056 SPACE CHOIR 91 32 BRASS 221 EDM SE BEND 96 13 334 MUTE BANJO 105 1 448 GM SHAMISEN 106 0 008 POP PIANO 0 32 DSP ORGAN 022 VIOLA 41 32 057 STAR VOICE 91 33 DSP 109 STEREO BRASS 61 1 DSP 222 EDM SE VOX SYNTH 96 14 335 STEEL DRUMS 114 1 449 GM KOTO 107 0 009 DANCE PIANO 1 3 DSP 001 JS ORGAN 17 32 DSP 023 CELLO 42 32 058 ECHO VOICE 102 32 110 SOLO TRUMPET 56 1 223 EDM SE WHITE 96 15 336 FIDDLE 1 110 32 450 GM THUMB PIANO 108 0 010 LA PIANO 1 4 002 RTF FD ORGAN 16 32 DSP 024 SLOW CELLO 42 33 OTHERS 111 SYNTH-BRASS 1 62 32 224 EDM SE 96 35 337 SHAMISEN 106 32 451 GM BAGPIPE 109 0 011 TACK PIANO 0 33 003 ROCK OD ORGAN 18 32 DSP 025 CONTRABASS 43 32 GUITAR 1 112 BRASS 61 2 SYNTH 2 338 KOTO 107 32 452 GM FIDDLE 110 0 012 MONO PIANO 0 4 004 TREMOLO ORGAN 16 5 DSP 026 VIOLIN SECTION 48 6 001 NYLON GUITAR VELO.SLIDE 24 32 113 BRASS SECTION 1 61 3 225 SAW LEAD 1 81 1 339 THUMB PIANO 108 32 453 GM SHANAI 111 0 013 HONKY-TONK 1 3 32 005 DP ORGAN 16 4 DSP 027 STRING QUARTET 48 37 002 STEEL GUITAR VELO.SLIDE 25 32 114 BRASS SECTION 2 61 4 226 SAW LEAD 2 81 2 DSP 340 BAGPIPE 109 32 454 GM TINKLE BELL 112 0 014 HONKY-TONK 2 3 34 DSP 006 JAZZ ORGAN 1 17 33 DSP 028 HARP 1 46 32 003 NYLON STR.GUITAR 1 24 1 115 BRASS SECTION 3 61 37 227 SAW LEAD 3 81 3 341 FIDDLE 2 110 33 455 GM AGOGO 113 0 015 OCTAVE PIANO 1 3 33 007 JAZZ ORGAN 2 17 34 DSP 029 HARP 2 46 34 DSP 004 NYLON STR.GUITAR 2 24 2 116 AMBIENT BRASS 61 38 DSP 228 MELLOW SAW LEAD 81 4 GM TONES 1 (1～64) 456 GM STEEL DRUMS 114 0 016 OCTAVE PIANO 2 3 35 008 ELEC.ORGAN 1 16 1 DSP 030 HARP & STRINGS 49 3 005 NYLON STR.GUITAR 3 24 4 DSP 117 BIG BAND BRASS 61 32 229 PULSE SAW LEAD 81 5 342 GM PIANO 1 0 0 457 GM WOOD BLOCK 115 0 017 STRINGS PIANO 0 34 009 ELEC.ORGAN 2 16 2 DSP PAD 006 STEEL STR.GUITAR 1 25 1 118 HARD BRASS 61 5 230 TRANCE LEAD 81 6 343 GM PIANO 2 1 0 458 GM TAIKO 116 0 018 PIANO PAD 0 35 010 ELEC.ORGAN 3 16 33 DSP PAD 1 007 STEEL STR.GUITAR 2 25 2 119 BRASS SFZ 61 33 231 SS LEAD 81 34 344 GM ELEC.GRAND PIANO 2 0 459 GM MELODIC TOM 117 0 019 MODULATED PIANO 0 36 DSP 011 ELEC.ORGAN 4 16 34 DSP 001 SYNTH-STRINGS 1 51 32 DSP 008 STEEL STR.GUITAR 3 25 3 120 BRASS VELO.FALL 61 34 232 SQUARE LEAD 1 80 32 345 GM HONKY-TONK 3 0 460 GM SYNTH-DRUM 118 0 020 VOICE PIANO
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    SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2018 FROM ORGAN TO GAMELAN: JAVANESE CATHOLIC MUSICAL TRADITIONS IN YOGYAKARTA, CENTRAL JAVA Elizabeth Hamilton SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the Catholic Studies Commons, Ethnomusicology Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Hamilton, Elizabeth, "FROM ORGAN TO GAMELAN: JAVANESE CATHOLIC MUSICAL TRADITIONS IN YOGYAKARTA, CENTRAL JAVA" (2018). Independent Study Project (ISP) Collection. 2939. https://digitalcollections.sit.edu/isp_collection/2939 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. FROM ORGAN TO GAMELAN: JAVANESE CATHOLIC MUSICAL TRADITIONS IN YOGYAKARTA, CENTRAL JAVA Elizabeth Hamilton ISP Adviser: Emilie Coakley, PhD Candidate at the University of Pittsburgh SIT Study Abroad Indonesia: Arts, Religion, and Social Change Fall 2018 FROM ORGAN TO GAMELAN 1 Table of Contents Acknowledgements ……………………………………………………………………………… 2 Introduction……………………………………………………………………………………. 3-6 Vatican II: A Bridge to Inculturation …………………………………………………………. 7-9 Pushing Keys, Striking Gongs, and Strumming Strings ……………………………………. 10-13 Pusat Musik Liturgi: The Center of Catholic Music ……………………………………….. 14-15 A Little Black Book with Red-Lined Pages ………………………………………………... 16-17 Tensions Between Traditional and Progressive Church Musicians ………………………... 18-19 Where Do We Find Music in Mass? ……………………………………………………….. 20-23 Music Gives Muscles to the Skeleton of Prayer …………………………………………… 24-26 With the Angels and Saints, We, Too, Sing ………………………………………………..
  • Mary Gottschalk Cultures of the Middle East 220 Professor Abdelrahim Salih Final Paper Music in the Middle East

    Mary Gottschalk Cultures of the Middle East 220 Professor Abdelrahim Salih Final Paper Music in the Middle East

    Gottschalk 1 Mary Gottschalk Cultures of the Middle East 220 Professor Abdelrahim Salih Final Paper Music in the Middle East The “Middle East” is a term to describe the areas of North Africa and East Asia, where there is a deep cultural history and diverse people, commonly grouped in this term for their cultural similarities. As with trade, information, and innovation, music and the arts moved and assimilated throughout the area. Music pervades the culture in aspects of religion, tradition, and entertainment, and differs according to various conceptions of music based within those religious and cultural ideals. This paper will discuss some of the similarities and differences in middle eastern music: in the instruments as they relate to location, conceptions as they are formed by Muslim doctrine, and traditions based in their respective time periods. Instruments / Place Musical instruments in the middle east range in the complexity, skill needed to play, and type. Broad classifications consist of percussion, bowed, plucked, and wind instruments (Touma 1996 109). A predominant stringed instrument is known as the ‟ud, which literally means “wood”, but it has many names and variations throughout the world (Miller and Shahriari 2006 204). The ‟ud, or al‟ud “…is a fretless, plucked short-necked lute with a body shaped like half a pear” (Touma 1996 109). Its history traces back to the eighth century BCE with changes in size and number of strings, and today is commonly seen with “…five „courses‟ of strings, a course being a pair tuned in unison” (Miller and Shahriari 2006 204). The lack of frets allows the musician to articulate fine gradations of tone, strumming with either a plectrum or fingernails over the middle of the „ud‟s body (Miller and Shahriari 2006 205).
  • Musical Explorers Is Made Available to a Nationwide Audience Through Carnegie Hall’S Weill Music Institute

    Musical Explorers Is Made Available to a Nationwide Audience Through Carnegie Hall’S Weill Music Institute

    Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 WEILL MUSIC INSTITUTE Joanna Massey, Director, School Programs Amy Mereson, Assistant Director, Elementary School Programs Rigdzin Pema Collins, Coordinator, Elementary School Programs Tom Werring, Administrative Assistant, School Programs ADDITIONAL CONTRIBUTERS Michael Daves Qian Yi Alsarah Nahid Abunama-Elgadi Etienne Charles Teni Apelian Yeraz Markarian Anaïs Tekerian Reph Starr Patty Dukes Shanna Lesniak Savannah Music Festival PUBLISHING AND CREATIVE SERVICES Carol Ann Cheung, Senior Editor Eric Lubarsky, Senior Editor Raphael Davison, Senior Graphic Designer ILLUSTRATIONS Sophie Hogarth AUDIO PRODUCTION Jeff Cook Weill Music Institute at Carnegie Hall 881 Seventh Avenue | New York, NY 10019 Phone: 212-903-9670 | Fax: 212-903-0758 [email protected] carnegiehall.org/MusicalExplorers Musical Explorers is made available to a nationwide audience through Carnegie Hall’s Weill Music Institute. Lead funding for Musical Explorers has been provided by Ralph W. and Leona Kern. Major funding for Musical Explorers has been provided by the E.H.A. Foundation and The Walt Disney Company. © Additional support has been provided by the Ella Fitzgerald Charitable Foundation, The Lanie & Ethel Foundation, and
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's

    Visual Metaphors on Album Covers: an Analysis Into Graphic Design's

    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.