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Lingva Latina
HANS H. 0RBERG LINGVA LATINA PER SE ILLVSTRATA COLLOQV1APERSONARVM DOMVS LATINA ANNOMMV COLLOQV1APERSONAR� © Hans H. 0rberg 1998 Ornnia proprietatis iura reservantur Ex officina typographica Special-Trykkeriet Viborg anno 1998,2001,2005 Imagines delineavit Peer Lauritzen ISBN 87-997016-6-9 LINGVA LATINA PER SE ILLVSTRATA p ARS I: F AMILIA ROMANA PARS II: ROMA AETERNA INDICES GRAMMATICA LATINA EXERCITIA LATINA I & II COLLOQVIA PERSONARVM SERMONES ROMANI Plautus: AMPHITRYO COMOEDIA CATILINA. Sallustius & Cicero Caesar: DE BELLO GALLICO Petronius: CENA TRIMALCHIONIS Domus Latina, Skovvangen 7 DK-8500 Grenaa, Dania www.lingua-latina.dk AD DISCIPVLVM Colloquia quae hoc libro eontinentur legenda sunt post singula capitula eius libri cui titulus est FAMILIA ROMANA: Colloquium I post Capitulum I, Colloquium II post Capitulum II, item eetera. Diseipulus qui hune ordinem sequetur in legendo nullas dec1inationes sibi ignotas inveniet nee ulla voeabula nova praeter pauea quae illustrantur in marginibus paginarum aut per se intelleguntur. Itaque his amicorum Romanorum eolloquiis legendis discipulus studiosus res grammatieas neeessarias et voeabula Latina frequentissima, quae in ipsis eapitulis iam eognovit, etiam eertius diseet ac memoria retinebit. Hans H 0rberg Suavis autem est narratio quae habet colloquia personarum CICERO, Partitiones oratoriae 32 INDEX COLLOQVIORVM Colloquium I Miircus, lialii 7 Colloquium II Delia, Libanus 9 Colloquium III Delia, Syra, Aemilia, liilia lO Colloquium IV Syra, Diivus, liilius 12 Colloquium V liilius, Diivus, Medus -
Les Potins D'uranie [249] Une Constellation Pour Le Web?
© Venngeist – Mars 2014 Les Potins d’Uranie [249] Une constellation pour le Web? Al Nath De par son impact sur la société et sur la diffusion des idées et des connaissances, l'avènement du World-Wide Web (WWW) à la fin du XXe siècle a souvent été mis sur le même pied que la mise au point, au XVe siècle, de la technique d'imprimerie utilisant des caractères métalliques mobiles par Johannes Gutenberg (voir encadrés ci-après). L'invention de Gutenberg fut honorée dans le ciel. En effet, pour célébrer son 350e anniversaire, l'allemand Johann Elert Bode1 fit apparaître une constellation qu'il baptisa Officina Typographica, en français l'Atelier de Typographie, dans son "Uranographia" de 1801. Non repris dans la liste des constellations modernes reconnues par l'Union Astronomique Internationale2, ce modeste astérisme était situé Fig. 1 – Extrait de l'atlas de Bode publié en 1801, entre le Grand Chien (Canis Major) et les pattes montrant, sur la gauche, la petite constellation arrières de la Licorne (Monoceros), dans ce qui est éphémère de l'Atelier de Typographie (Officina aujourd'hui la partie Nord de la Poupe (Puppis). Typographica) honorant l'invention de Gutenberg, Ce groupe d'étoiles à l'Est de Sirius ne fut pas illustrée par une presse, un présentoir de vraiment retenu dans la pratique astronomique. caractères mobiles d'imprimerie, des rouleaux On le retrouve tout au plus dans quelques atlas, et quelques autres accessoires. comme illustré ici, ou encore sur une planisphère http://www.potinsduranie.org/potins_249_201403.pdf publiée par Angelo Secchi en 1878. D'après ce que nous raconte Jérôme de Lalande3 dans son "Histoire Abrégée de l'Astronomie", lui et Bode s'étaient mis d'accord en 1798 pour créer deux nouvelles constellations: la "Presse de Gutemberg" [sic] et le "Globe de Montgolfier", commémorant deux innovations remarquables en Allemagne et en France respectivement. -
Cartes Et Constellations Anciennes Ou Disparues
CartesCartes etet constellationsconstellations anciennesanciennes ouou disparuesdisparues Patrice Février 2011 1 SommaireSommaire DDééfinitionfinition OrigineOrigine AstAst éérismesrismes UnUn peupeu dd ’’histoirehistoire LesLes grandsgrands cyclescycles mythologiquesmythologiques ReprRepr éésentationssentations etet cartescartes PtolPtol éémmééee AlmagesteAlmageste ZodiaqueZodiaque LesLes constellationsconstellations disparuesdisparues ConstellationsConstellations chinoiseschinoises 2 3 QuQu ’’estest --cece ququ ’’uneune constellation?constellation? Qui n’a jamais entendu parler de la Grande Ourse ou observé la casserole dans le ciel ? Qui ne s’est jamais posé la question de la signification de ces figures, qu’on appelle « constellations », illustrant le ciel nocturne ? En fait d’explication, il n’y en a qu’une : ces figures sont le fruit du hasard, de notre position dans l’espace, de notre vision du ciel en 2 dimensions et surtout de notre imagination … 4 OrigineOrigine desdes nomsnoms L'origine des noms de nos constellations est très ancienne. On a retrouvé en Arménie sur des dalles datant du 4e millénaire avant notre ère des représentations du Cygne, du Taureau ou du Lion. Les Babyloniens utilisaient déjà une bonne partie des constellations attribuées ensuite aux Grecs, en particulier celles du zodiaque. 5 On retrouve l’origine des constellations peu de temps après l’apparition de l’écriture, puisque des symboles cunéiformes représentant ces constellations ont été décelés sur des textes et des objets de civilisations aujourd’hui disparues, situées dans la vallée de l’Euphrate, il y a plus de 5 000 ans … Toutefois, il faudra attendre le IIème siècle ap. J-C. pour que l’astronome Grec Ptolémée procède à un découpage du ciel sur 1022 étoiles groupées en 48 constellations. Les constellations étaient ainsi la plupart du temps apparentées à des animaux ou figures mythologiques, dont l’utilité était aussi bien ésotérique (astrologie) que géographique, cartographique ou calendaire. -
Caput Medusae
john c. barentine ASTERISMS, SINGLE-SOURCE AND REBRANDS Uncharted Constellations Asterisms, Single-Source and Rebrands John C. Barentine Uncharted Constellations Asterisms, Single-Source and Rebrands 123 John C. Barentine TUCSON, AZ, USA SPRINGER PRAXIS BOOKS IN POPULAR ASTRONOMY Springer Praxis Books ISBN 978-3-319-27618-2 ISBN 978-3-319-27619-9 (eBook) DOI 10.1007/978-3-319-27619-9 Library of Congress Control Number: 2015958891 Springer Cham Heidelberg New York Dordrecht London © Springer International Publishing Switzerland 2016 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Cover illustration: “Lacerta, Cygnus, Lyra, Vulpecula and Anser”, plate 14 in Urania’s Mirror, a set of celestial cards accompanied by A familiar treatise on astronomy...byJehoshaphatAspin.London. -
Constellation Coloring Pages
Constellation coloring pages OU Lynx Johann Bode, Uranographia (1801) Plate 6 (Ursa Major) Leo Minor the Little Lion, Ursa Major the Big Bear Plate 7 (Bootes) Bootes the Herdsman, Canes Venatici the Hunting Dogs, Coma Berenices the Hair of Berenice, Corona Borealis the Northern Crown, Mons Maenalus the Mountain, Quadrant Muralis the Mural Quadrant Plate 8 (Cygnus) Cygnus the Swan, Hercules, Lyra the Harp, Ramus Pomifer the Apple branch, Sagitta the Arrow, Vulpecula the Fox Plate 9 (Ophiuchus) Antinous the Servant, Aquila the Eagle, Ophiuchus the Snake Handler, Scutum the Shield, Serpens the Snake, The Bull of Poniatowski Plate 10 (Pegasus) Delphinus the Dolphin, Equuleus the Foal, Pegasus the Flying Horse Plate 12 (Orion and Taurus) Canis Minor the Little Dog, Gemini the Twins, Orion the Hunter, Psalterium Georgianum the Harp, Taurus the Bull Plate 14 (Virgo) Cauda Hydrae, Ears of wheat, Hydra the Water Snake, Libra the Balance, Virgo the Maiden Plate 15 (Sagittarius) Ara the Altar, Corona Australis the Southern Crown, Lupus the Wolf, Norma the Carpenter's Square, Scorpius the Scorpion, Tubus Herschelii Major the Telescope of Uranus Plate 17 (Cetus) Apparatus Chemicus, Cetus the Whale or Sea Monster, Eridanus the River, Fornax the Furnace, Machina Electrica the Electrostatic Generator, Sculptor the Sculptor's Workshop Plate 18 (Canis Major) Argo Navis, Caelum the Sculptor's Chisel, Canis Major the Big Dog, Caput Hydrum, Columba the Dove, Hydra the Water Snake, Lepus the Hare, Lochium Funis the Nautical Line of Argo Navis, Monoceros the Unicorn, Officina Typographica the Printing Press, Pyxis the Compass of Argo Navis Plate 19 (Hydra) Antlia the Air Pump, Argo Navis, Centaurus the Centaur, Corvus the Crow, Crater the Cup, Felis the Cat, Hydra the Water Snake Exhibit: Galileo’s World. -
As Nossas Constelações
As Nossas Constelações A origem de algumas constelações pivotais ao longo da Eclíptica parece remontar a muitos séculos antes da nossa Era. O Touro, o Leão ou o Escorpião estão documentados desde remota antiguidade, na Mesopotâmia. Outras constelações têm origem clássica. Por fim, veremos o contributo moderno da era da expansão marítima europeia (em especial nas constelações que povoam os céus austrais). Origens, o Zodíaco Na Mesopotâmia, foi agilizada uma divisão da esfera em três “caminhos” ou faixas (com referência ao equador celeste), desde cedo, no segundo milénio (os “caminhos” de Anu, Enlil e Ea). Posteriormente, a astronomia documentada nos MUL.APIN (ver infra) antecipa o zodíaco ao estabelecer 17 ou 18 “markers” ou balizas (nem todos especificamente situados na Eclíptica) para o percurso da Lua (Sin), que atravessava os “caminhos” previamente referidos (sistema análogo aos Nakshatras Hindus, decerto relacionado). A redução para 12 estará comprometida com a divisão ideal do ano em outros tantos meses solares, determinados pelo calendário adoptado. De acordo com Lis Brack-Bernsen e Hermann Hunger, o zodíaco foi, antes de mais “…percebido como sistema de arcos ao longo do horizonte, sobre os quais as constelações nasciam”. Eram utilizadas estrelas como referência inicial, ab initio não especificamente o ponto vernal “matemático” (Franz Kugler, Bartel van der Waerden e Otto Neugebauer). As inscrições MUL.APIN (compêndio babilónico que lida com aspectos diversos da astronomia/astrologia descritiva e resume provavelmente material mais antigo) terão sido compiladas por volta de 1000 A.C., datando o exemplar recuperado mais antigo do sétimo século. Uma interpretação moderna foi efectuada por Hermann Hunger e David Pingree (Mul.Apin: An Astronomical Compendium in Cuneiform, 1989). -
Constellations Concept Booklet Dan Lovallo 1 Constellations Algorithm A1) Selection of Constellation in Relation to Location: E.G
constellations concept booklet dan lovallo 1 constellations algorithm a1) Selection of constellation in relation to location: e.g. - Select constellations between Ecliptic and Celestial Equator - Number of constellation selection: 4 a2) Extraction of constellation in accordance to original default orientations CANCER a3) Extraction of constellation into vectorial points a1 a2 a3 b1) Overlapping of 4 sets of constellation points above one another. Sequence dependent on Constellation chart. b2) Vertical distances between each layer of constellation points relates to the relative real scale positions of those constellations. b3) Connection of points through single polyline to define total sequencing of constellation points. b1 b2 b3 c1) Panelling in accordance to the connected lines. Each panel is triangulated, governed by the closest two lines which form the edges of the panel. c2) Removal of panel based on random algorithm, which simulates the random connectivity of the constellations’ relative geographical locations. c3) Orientation of final output - select horizontal or vertical. c1 c2 c3 2 night sky photograph 3 visible stars chart 4 official constellations chart 5 chinese constellations chart Dunhuang Star map is one of the first known graphical representation of stars from ancient Chinese astronomy, dated to the Tang Dynasty (618–907) 6 chinese constellations chart 28 Chinese Constellations (asterisms) 7 chinese constellations chart 28 Chinese Constellations (asterisms) 8 egyptian constellations chart the zodiacal and para-zodiacal -
Notable Scientists
NOTABLE SCIENTISTS A TO Z OF SCIENTISTS IN SPACE AND ASTRONOMY DEBORAH TODD AND JOSEPH A. ANGELO,JR. A TO Z OF SCIENTISTS IN SPACE AND ASTRONOMY Notable Scientists Copyright © 2005 by Deborah Todd and Joseph A. Angelo, Jr. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Todd, Deborah. A to Z of scientists in space and astronomy / Deborah Todd and Joseph A. Angelo, Jr. p. cm.—(Notable scientists) Includes bibliographical references and index. ISBN 0-8160-4639-5 (acid-free paper) 1. Astronomers—Biography. 2. Space sciences—Biography. I. Angelo, Joseph A. II. Title. III. Series. QB35.T63 2005 520'.92'2—dc22 2004006611 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Joan M. Toro Cover design by Cathy Rincon Chronology by Sholto Ainslie Printed in the United States of America VB TECHBOOKS 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. “I know nothing with any certainty, but the sight of stars makes me dream.” —Vincent Van Gogh “All of us are truly and literally a little bit of stardust.” —William Fowler To the loves on this very tiny planet who have sprinkled their stardust into my life and believed in my dreams. -
Rare & Fine Books Manuscripts
Rare & Fine Books Manuscripts including Recent Acquisitions Rulon-Miller Books Saint Paul, Winter 2018 Rulon-Miller Books 400 Summit Avenue Saint Paul, MN 55102-2662 USA *** Catalogue 158 To order call toll-free (800) 441-0076 Outside the U.S. please call (651) 290-0700 Email: [email protected] Web: www.rulon.com All major credit cards accepted We will gladly supply pictures for any item TERMS • All books are guaranteed genuine as described, and are returnable for any reason during the first week after receipt. Please notify us as soon as possible if an item is being returned. • Prices are net, plus sales taxes where applicable. Shipping charges are extra and are billed at cost. • Foreign accounts should make payments in US dollars by wire, credit card, or postal money order, or with a check in US dollars drawn on a US bank. Bank charges may apply. Note to our Readers While the NUC (National Union Catalogue) counts in our catalogue descriptions remain accurate, as well as those from other hard-copy sources, OCLC (Online Computer Library Center) counts, and those from other online databases, may not be. While we have taken the time to check items in this catalogue where online counts are cited, and assume them to be correct, we also recognize that searches using different qualifiers will often turn up different results, and most all should probably be taken as measure of approximation. Front Cover Image: Item #333 Back Cover Image: Item #152 Catalogue 158 1 1. Accarisio, Alberto. Vocabolario et grammat- modern science of acoustics. -
University Micrcxilms International
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material subm itted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
The Unthinkable Botanical Gardens: Poems
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 1-1-2013 The Unthinkable Botanical Gardens: Poems Travis Oliver Green Smith University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Literature Commons Recommended Citation Smith, Travis Oliver Green, "The Unthinkable Botanical Gardens: Poems" (2013). Electronic Theses and Dissertations. 1189. https://egrove.olemiss.edu/etd/1189 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. THE UNTHINKABLE BOTANICAL GARDENS: POEMS A Thesis presented in partial fulfillment of requirements for the degree of Master of Fine Arts in the Department of English The University of Mississippi by TRAVIS OLIVER GREEN SMITH May 2013 Copyright Travis Oliver Green Smith 2013 ALL RIGHTS RESERVED ABSTRACT The Unthinkable Botanical Gardens is a book of poems in five sections. The first, third, and fifth sections present a speaker navigating a wondrous and often hostile world. The second and fourth sections are long poems: “Zodiac B,” a sequence inspired by obsolete or forgotten constellations, and “Elbow Island,” which tells the story of the beluga whales exhibited in Barnum’s American Museum. ii DEDICATION For my mother, my father, and Leah. iii ACKNOWLEDGMENTS Many thanks to my thesis advisor, Dr. Ann Fisher-Wirth, as well as the other members of my committee, Professor Beth Ann Fennelly and Dr. Gregory Heyworth. I also wish to thank and acknowledge to the editors of the following journals, in which some of these poems appeared: William Guzzardi at Wag’s Revue; Ross White and Matthew Olzmann, editors of Another and Another: An Anthology from the Grind Daily Writing Series; Emily Rosko at Crazyhorse; Juliana Daugherty at Meridian; June Rockefeller at Redivider; and Justin Runge at Parcel. -
The Celestial 88 Constellations and Alternate Spellings
The Celestial 88 Constellations and alternate spellings Andromeda Androméde Antlia Machine Pneumatique; Luftpumpe; Máquina Neumática; Antlia Pneumatica Apus Oiseau de Paradis; Paradiesvogel (Paradisvogel); Ave del Paraíso; L'Ermite Aquarius Verseau; Wassermann; Acuario; Aquario Aquila Aigle; Adler; Aguila; A Aguia Ara Autel; Altar Aries Bélier; Widder; Carnero Auriga Cocher; Fuhrmann; Cochero; Cocheiro Boötes Bouvier; Bärenhüter; Boyero; Bootes; O Boieiro, Boots; Archtophylax Caelum Burin; Grabstichel; Cincel o El Buril; Camelopardalis Camelopardis; Camelopardal; Camelopardalus; Camelopardus; Camelopard; Cameelopard; Girafe; Giraffe; Jirafa; Giraffa Cancer Cancre; Écrevisse; Krebs; Cangrejo Canes Venatici Chiens de Chasse; Jagdhunde; Perros de Caza; Os Lebreiros Canis Major Grand Chien; Grosser Hund (Grosse Hund); Can Mayor; Caõ Maior Canis Minor Petit Chien; Kleiner Hund (Kleine Hund); Can Menor; Caõ Menor Capricornus Capricorn; Capricorne; Steinbock; Capricornio Carina Quille; Kiel des Schiffes; La Quilla Cassiopeia Cassiopée; Casiopea; Cassiepea; Cassiopea Centaurus Centaur; Centaure; Zentaur; Centauro Cepheus Céphée; Cefeo; Cepheo Cetus Baleine; Walfisch (Wallfisch); Ballena; Pistris; A Baleia Chamaeleon Chameleon; Caméléon; Chamäleon; Camaleón; Cameleon Circinus Compas; Zirkel; Compás Columba Colombe de Noé; Taube; Paloma, Columba Noachi Coma Berenices Chevelure de Berenice; Haar der Berenike; La Cabellera de Berenice; Haupthaar der Berenice; E Cabelleira de Berenice; das Haar der Berenice Corona Australis Couronne Australe; Südliche