University Micrcxilms International
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Integration of Mythical Creatures in the Harry Potter Series
University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 orange eyes. (Stone 235) Harry's first year introduces the The Integration of Mythical traditional serpentine dragon, something that readers Creatures in the Harry Potter can envision with confidence and clarity. The fourth year, however, provides a vivid insight on the break Series from tradition as Harry watches while “four fully grown, Terri Pinyerd enormous, vicious-looking dragons were rearing onto English 200D their hind legs inside an enclosure fenced with thick Fall 2014 planks of wood, roaring and snorting—torrents of fire were shooting into the dark sky from their open, fanged From the naturalistic expeditions of Pliny the mouths, fifty feet above the ground on their outstretched Elder, to the hobbit's journey across Middle Earth, necks” (Goblet 326). This is a change from the treasure the literary world has been immersed in the alluring hoarding, princess stealing, riddle loving dragons of presence of mythical and fabulous creatures. Ranging fantasy and fairy tales; these are beasts that can merely from the familiar winged dragon to the more unusual be restrained, not tamed. It is with this that Rowling and obscure barometz, the mythical creature brings with sets the feel for her series. The reader is told that not it a sense of imagined history that allows the reader to everything is as it seems, or is expected to be. Danger is become immersed in its world; J.K Rowling's best-selling real, even for wizards. Harry Potter series is one of these worlds. This paper will If the dragon is the embodiment of evil and analyze the presence of classic mythical creatures in the greed, the unicorn is its counterpart as the symbol of Harry Potter series, along with the addition of original innocence and purity. -
The Protrepticus of Clement of Alexandria: a Commentary
Miguel Herrero de Jáuregui THE PROTREPTICUS OF CLEMENT OF ALEXANDRIA: A COMMENTARY to; ga;r yeu'do" ouj yilh'/ th'/ paraqevsei tajlhqou'" diaskedavnnutai, th'/ de; crhvsei th'" ajlhqeiva" ejkbiazovmenon fugadeuvetai. La falsedad no se dispersa por la simple comparación con la verdad, sino que la práctica de la verdad la fuerza a huir. Protréptico 8.77.3 PREFACIO Una tesis doctoral debe tratar de contribuir al avance del conocimiento humano en su disciplina, y la pretensión de que este comentario al Protréptico tenga la máxima utilidad posible me obliga a escribirla en inglés porque es la única lengua que hoy casi todos los interesados pueden leer. Pero no deja de ser extraño que en la casa de Nebrija se deje de lado la lengua castellana. La deuda que contraigo ahora con el español sólo se paliará si en el futuro puedo, en compensación, “dar a los hombres de mi lengua obras en que mejor puedan emplear su ocio”. Empiezo ahora a saldarla, empleándola para estos agradecimientos, breves en extensión pero no en sinceridad. Mi gratitud va, en primer lugar, al Cardenal Don Gil Álvarez de Albornoz, fundador del Real Colegio de España, a cuya generosidad y previsión debo dos años provechosos y felices en Bolonia. Al Rector, José Guillermo García-Valdecasas, que administra la herencia de Albornoz con ejemplar dedicación, eficacia y amor a la casa. A todas las personas que trabajan en el Colegio y hacen que cumpla con creces los objetivos para los que se fundó. Y a mis compañeros bolonios durante estos dos años. Ha sido un honor muy grato disfrutar con todos ellos de la herencia albornociana. -
Famous Warsaw Legends
Famous Warsaw Legends Photo Main figure Description The Warsaw Mermaid Statue Presented as half fish and half woman. Images of a mermaid have been used on the crest of Warsaw as its symbol. From the middle of 14th century. Legend tells that once upon a time two mermaid sisters swam to the shores of the Baltic Sea from their home in the depths. They were truly beautiful, even though they had fish tails instead of legs. One of them decided to swim further towards the Danish straits. Now she can be seen sitting on a rock an the entry to the port of Copenhagen. The second swam to the seaside town, Gdańsk. And then, up the Vistula River (…)then she came out of the Water (…) to rest. She liked it so much that she decided to stay. The fishermen who used to live in this area noticed that when they were fishing, someone was agitating the waters of the Vistula River , tangling their nets and freeing fish from their traps. They decided to catch the culprit and get even with him once and for all. But when they heard the enchanting song of the mermaid, they gave up Polish Mermaid their plans and came to love the beautiful woman-fish. From that time, every evening, she entertained them with her wonderful singing. But one day, a rich merchant strolling on the banks of the Vistula River caught sight of the little mermaid. He decided to catch her and keep her as a prisoner, and then make money by showing her at fairs. -
The Senses in Early Modern England, 1558–1660
The senses in early modern England, 1558–1660 Edited by Simon Smith, Jacqueline Watson, and Amy Kenny MANCHESTER 1824 Manchester University Press Simon Smith, Jackie Watson, and Amy Kenny - 9781526146465 www.manchesteruniversitypress.co.ukDownloaded from manchesterhive.com at 09/27/2021 05:33:41PM via free access The senses in early modern England, 1558–1660 Simon Smith, Jackie Watson, and Amy Kenny - 9781526146465 Downloaded from manchesterhive.com at 09/27/2021 05:33:41PM via free access MUP_Smith_Printer.indd 1 02/04/2015 16:18 Simon Smith, Jackie Watson, and Amy Kenny - 9781526146465 Downloaded from manchesterhive.com at 09/27/2021 05:33:41PM via free access MUP_Smith_Printer.indd 2 02/04/2015 16:18 The senses in early modern England, 1558–1660 edited by simon smith, jackie watson and amy kenny Manchester University Press Simon Smith, Jackie Watson, and Amy Kenny - 9781526146465 Downloaded from manchesterhive.com at 09/27/2021 05:33:41PM via free access MUP_Smith_Printer.indd 3 02/04/2015 16:18 Copyright © Manchester University Press 2015 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. Published by Manchester University Press Altrincham Street, Manchester M1 7JA www.manchesteruniversitypress.co.uk British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for isbn 978 07190 9158 2 hardback First published 2015 The publisher has no responsibility for the persistence or accuracy of URLs for external or any third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. -
Lingva Latina
HANS H. 0RBERG LINGVA LATINA PER SE ILLVSTRATA COLLOQV1APERSONARVM DOMVS LATINA ANNOMMV COLLOQV1APERSONAR� © Hans H. 0rberg 1998 Ornnia proprietatis iura reservantur Ex officina typographica Special-Trykkeriet Viborg anno 1998,2001,2005 Imagines delineavit Peer Lauritzen ISBN 87-997016-6-9 LINGVA LATINA PER SE ILLVSTRATA p ARS I: F AMILIA ROMANA PARS II: ROMA AETERNA INDICES GRAMMATICA LATINA EXERCITIA LATINA I & II COLLOQVIA PERSONARVM SERMONES ROMANI Plautus: AMPHITRYO COMOEDIA CATILINA. Sallustius & Cicero Caesar: DE BELLO GALLICO Petronius: CENA TRIMALCHIONIS Domus Latina, Skovvangen 7 DK-8500 Grenaa, Dania www.lingua-latina.dk AD DISCIPVLVM Colloquia quae hoc libro eontinentur legenda sunt post singula capitula eius libri cui titulus est FAMILIA ROMANA: Colloquium I post Capitulum I, Colloquium II post Capitulum II, item eetera. Diseipulus qui hune ordinem sequetur in legendo nullas dec1inationes sibi ignotas inveniet nee ulla voeabula nova praeter pauea quae illustrantur in marginibus paginarum aut per se intelleguntur. Itaque his amicorum Romanorum eolloquiis legendis discipulus studiosus res grammatieas neeessarias et voeabula Latina frequentissima, quae in ipsis eapitulis iam eognovit, etiam eertius diseet ac memoria retinebit. Hans H 0rberg Suavis autem est narratio quae habet colloquia personarum CICERO, Partitiones oratoriae 32 INDEX COLLOQVIORVM Colloquium I Miircus, lialii 7 Colloquium II Delia, Libanus 9 Colloquium III Delia, Syra, Aemilia, liilia lO Colloquium IV Syra, Diivus, liilius 12 Colloquium V liilius, Diivus, Medus -
BAPS to BAPRAS the History of the Association 1986–2016
BAPS TO BAPRAS The History of the Association 1986–2016 Edited by A Roger Green BAPS TO BAPRAS British Association of Plastic Surgeons to British Association of Plastic, Reconstructive and Aesthetic Surgeons The History of the Association 1986–2016 Edited by A Roger Green BAPS to BAPRAS: The History of the Association 1986–2016 © 2016 The British Association of Plastic, Reconstructive and Aesthetic Surgeons. First edition printed in 2016 in the United Kingdom. British Library Cataloguing in Publication Data. A catalogue record for this book is available from the British Library. ISBN No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of The British Association of Plastic, Reconstructive and Aesthetic Surgeons. While every effort has been made to ensure the accuracy of the information contained in this publication, no guarantee can be given that all errors and omissions have been excluded. No responsibility for loss occasioned to any person acting or refraining from action as a result of the material in this publication can be accepted by The British Association of Plastic, Reconstructive and Aesthetic Surgeons or the contributors. Published by The British Association of Plastic, Reconstructive and Aesthetic Surgeons 35–43 Lincoln’s Inn Fields London WC2A 3PE www.bapras.org.uk Printed in the United Kingdom by Latimer Trend EDIT, DESIGN AND TYPESET Polymath Publishing Cover -
The Mediaeval Bestiary and Its Textual Tradition
THE MEDIAEVAL BESTIARY AND ITS TEXTUAL TRADITION Volume 1: Text Patricia Stewart A Thesis Submitted for the Degree of PhD at the University of St Andrews 2012 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/3628 This item is protected by original copyright The Mediaeval Bestiary and its Textual Tradition Patricia Stewart This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews 17th August, 2012 1. Candidate’s declarations: I, Patricia Stewart, hereby certify that this thesis, which is approximately 88 000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September, 2007 and as a candidate for the degree of PhD in May, 2008; the higher study for which this is a record was carried out in the University of St Andrews between 2007 and 2012. Date 17th August, 2012 signature of candidate ……… 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. Date 17th August, 2012 signature of supervisor ……… 3. Permission for electronic publication: (to be signed by both candidate and supervisor) In submitting this thesis to the University of St Andrews I understand that I am giving permission for it to be made available for use in accordance with the regulations of the University Library for the time being in force, subject to any copyright vested in the work not being affected thereby. -
An Account of the Μυρµηκολέων Or Ant-Lion
An account of the Μυρµηκολέων or Ant-lion By GEORGE C. DRUCE, F.S.A. Originally published in The Antiquaries Journal (Society of Antiquaries of London) Volume III, Number 4, October 1923 Pages 347-364 Version 2 August 2004 Introduction to the Digital Edition This text was prepared for digital publication by David Badke in October, 2003. It was scanned from the original text. Version 2, with corrected Druce biography, was produced in August, 2004. Author: George Claridge Druce was born in Surrey, England and lived there and at Wimbledon until 1923, when he retired from managing a distillery company and moved to Cranbrook, Kent. He was a member of the Kent Archaeological Society from 1909, as Secretary from 1925 to 1935 and then Vice-President until his death. He was a member of the Royal Archaeological Institute (1903-48, Council member 1921-28) and of the British Archaeological Association, joining in 1920, serving on its Council 1921-38 and then as Vice President (1938-48). He was elected a Fellow of the Society of Antiquaries (F.S.A.) of London in 1912 and served on its Council 1923-6. Druce travelled extensively (by bicycle) with his camera, and built up a unique collection of photographs and glass lantern slides, which in 1947 he presented to the Courtauld Institute in London. Although interested in almost all branches of antiquarian study, he specialized in the study of the bestiary genre, and was widely recognized as an authority on the influence of bestiaries on ecclesiastical sculpture and wood carving. He also studied manuscripts both in England and elsewhere. -
Tennessee Symbols and Honors
514 TENNESSEE BLUE BOOK Tennessee Symbols And Honors Official Seal of the State Even before Tennessee achieved statehood efforts were made by local govern- mental organizations to procure official seals. Reliable historians have assumed that as early as 1772 the Articles of the Agreement of the Watauga Association authorized the use of a seal. The Legislature of the state of Franklin, by an official act, provided “for procuring a Great Seal for this State,” and there is also evidence that a seal was intended for the Territory South of the River Ohio. The secretary of that territory requested the assistance of Thomas Jefferson in March, 1792, in “suggesting a proper device” for a seal. There is no direct evidence, however, that a seal was ever made for any of these predecessors of Tennessee. When Tennessee became a state, the Constitution of 1796 made provision for the preparation of a seal. Each subsequent constitution made similar provisions and always in the same words as the first. This provision is (Constitution of 1796, Article II, Section 15; Constitution of 1835, Article III, Section 15; Constitution of 1870, Article III, Section 15) as follows: There shall be a seal of this state, which shall be kept by the governor, and used by him officially, and shall be called “The Great Seal of the State of Tennessee.” In spite of the provision of the Constitution of 1796, apparently no action was taken until September 25, 1801. On that date committees made up of members from both the Senate and the House of Representatives were appointed. -
Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-1992 Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance Leon Stratikis University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Modern Languages Commons Recommended Citation Stratikis, Leon, "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance. " PhD diss., University of Tennessee, 1992. https://trace.tennessee.edu/utk_graddiss/2521 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Leon Stratikis entitled "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Paul Barrette, Major Professor We have read this dissertation and recommend its acceptance: James E. Shelton, Patrick Brady, Bryant Creel, Thomas Heffernan Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation by Leon Stratikis entitled Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance. -
Dragons and Serpents in JK Rowling's <I>Harry Potter</I> Series
Volume 27 Number 1 Article 6 10-15-2008 Dragons and Serpents in J.K. Rowling's Harry Potter Series: Are They Evil? Lauren Berman University of Haifa, Israel Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Berman, Lauren (2008) "Dragons and Serpents in J.K. Rowling's Harry Potter Series: Are They Evil?," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 27 : No. 1 , Article 6. Available at: https://dc.swosu.edu/mythlore/vol27/iss1/6 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Investigates the role and symbolism of dragons and serpents in J.K. Rowling’s Harry Potter series, with side excursions into Lewis and Tolkien for their takes on the topic. Concludes that dragons are morally neutral in her world, while serpents generally represent or are allied with evil. -
National Geographic's Presentation Of: The
NATIONAL GEOGRAPHIC’S PRESENTATION OF: THE SECRETS OF FREEMASONRY Research From The Library of: Dr. Robin Loxley, D.D. Copyright 2006 INTRODUCTION It is obvious that NATIONAL GEOGRAPHIC got a hold of information from other resources and decided to do a cable presentation on May 22, 2006, which narrates most of my website threads in short two hour special. It was humorous to see Masons being interviewed and trying to fool the public with flattering speech. I watched the National Geographic special entitled: THE SECRETS OF FREEMASONRY and I was humored to see some of what I’ve studied as coming out of the closet. My first response was: Where was National Geographic during the 1980s with this information? Anyways, it’s nice to know that they had an excellent presentation and I was impressed with how they went about explaining the layout of Washington D.C. I was laughing hysterically when a Mason was interviewed for his opinion about the PENTGRAM being laid out in a street design but incomplete. The Mason made a statement: “There is a line missing from the Pentagram so it’s not really a Pentagram. If it was a Pentagram, then why is there a line missing?” He downplays the street layout of the Pentagram with its bottom point touching the White House. The Mason was obviously IGNORANT of one detail that I caught right away as to why there was ONE LINE MISSING from the pentagram in the street layout. If you didn’t catch it, the right side of the pentagram star (Bottom right line) is missing from the street layout, thus it would prove that the pentagram wasn’t completed.