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Lingva Latina
HANS H. 0RBERG LINGVA LATINA PER SE ILLVSTRATA COLLOQV1APERSONARVM DOMVS LATINA ANNOMMV COLLOQV1APERSONAR� © Hans H. 0rberg 1998 Ornnia proprietatis iura reservantur Ex officina typographica Special-Trykkeriet Viborg anno 1998,2001,2005 Imagines delineavit Peer Lauritzen ISBN 87-997016-6-9 LINGVA LATINA PER SE ILLVSTRATA p ARS I: F AMILIA ROMANA PARS II: ROMA AETERNA INDICES GRAMMATICA LATINA EXERCITIA LATINA I & II COLLOQVIA PERSONARVM SERMONES ROMANI Plautus: AMPHITRYO COMOEDIA CATILINA. Sallustius & Cicero Caesar: DE BELLO GALLICO Petronius: CENA TRIMALCHIONIS Domus Latina, Skovvangen 7 DK-8500 Grenaa, Dania www.lingua-latina.dk AD DISCIPVLVM Colloquia quae hoc libro eontinentur legenda sunt post singula capitula eius libri cui titulus est FAMILIA ROMANA: Colloquium I post Capitulum I, Colloquium II post Capitulum II, item eetera. Diseipulus qui hune ordinem sequetur in legendo nullas dec1inationes sibi ignotas inveniet nee ulla voeabula nova praeter pauea quae illustrantur in marginibus paginarum aut per se intelleguntur. Itaque his amicorum Romanorum eolloquiis legendis discipulus studiosus res grammatieas neeessarias et voeabula Latina frequentissima, quae in ipsis eapitulis iam eognovit, etiam eertius diseet ac memoria retinebit. Hans H 0rberg Suavis autem est narratio quae habet colloquia personarum CICERO, Partitiones oratoriae 32 INDEX COLLOQVIORVM Colloquium I Miircus, lialii 7 Colloquium II Delia, Libanus 9 Colloquium III Delia, Syra, Aemilia, liilia lO Colloquium IV Syra, Diivus, liilius 12 Colloquium V liilius, Diivus, Medus -
Anton Pannekoek: Ways of Viewing Science and Society
STUDIES IN THE HISTORY OF KNOWLEDGE Tai, Van der Steen & Van Dongen (eds) Dongen & Van Steen der Van Tai, Edited by Chaokang Tai, Bart van der Steen, and Jeroen van Dongen Anton Pannekoek: Ways of Viewing Science and Society Ways of Viewing ScienceWays and Society Anton Pannekoek: Anton Pannekoek: Ways of Viewing Science and Society Studies in the History of Knowledge This book series publishes leading volumes that study the history of knowledge in its cultural context. It aspires to offer accounts that cut across disciplinary and geographical boundaries, while being sensitive to how institutional circumstances and different scales of time shape the making of knowledge. Series Editors Klaas van Berkel, University of Groningen Jeroen van Dongen, University of Amsterdam Anton Pannekoek: Ways of Viewing Science and Society Edited by Chaokang Tai, Bart van der Steen, and Jeroen van Dongen Amsterdam University Press Cover illustration: (Background) Fisheye lens photo of the Zeiss Planetarium Projector of Artis Amsterdam Royal Zoo in action. (Foreground) Fisheye lens photo of a portrait of Anton Pannekoek displayed in the common room of the Anton Pannekoek Institute for Astronomy. Source: Jeronimo Voss Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6298 434 9 e-isbn 978 90 4853 500 2 (pdf) doi 10.5117/9789462984349 nur 686 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2019 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
The Devil's Mistress
1 THE DEVIL’S MISTRESS Genre: Historical tragedy Playwright: Brenda Love Zejdl This script is copyright protected and may not be reproduced, distributed or disseminated without the prior written permission of the author. Contact Information: Email: [email protected] Address: Dusni 1/928, Prague 11000, Czech Republic Cell phone: 011 (420) 739.078.229 Skype: brendazejdl The Devil’s Mistress 2 THE DEVIL’S MISTRESS SYNOPSIS: This play is inspired by actual incidents from 1620. Acts I and III are set in a prison in Leonberg, Germany and Act II takes place in the Prague castle. KATHARINA is the mother of the King’s Chief Mathematician, JOHANNES KEPLER. She is imprisoned in a dungeon and pressured to confess to witchcraft; first by treachery and then by intimidation through being shown torture instruments used on another woman while her son debates the validity of witchcraft trials with JEAN BODIN, the leading demonologist of that time, (in reality Bodin died in 1596, over 20 years before and never met Kepler). The result of this debate will determine her fate: freedom, torture or execution. This is an expose filled with the political intrigues and corruption that existed during these witch trials. CAST OF CHARACTERS: [7-8 actors needed if 2 can double, 2 women & 6 men] KATHARINA KEPLER: [60+ yrs old] Johanne Kepler’s mother, an herbalist unjustly jailed for witchcraft. Pious, and disliked by people in her village for meddling and insolence. JOHANNES KEPLER: [40-50yrs old]- Kepler was a slight man with a goatee, wears a dark suit with a starched ruff collar; he was slightly stooped from bending over his calculations and he squinted from bad eyesight. -
ACTA UNIVERSITATIS UPSALIENSIS Skrifter Rörande Uppsala Universitet B
ACTA UNIVERSITATIS UPSALIENSIS Skrifter rörande Uppsala universitet B. INBJUDNINGAR, 192 Redaktör: Per Ström Bild- och uppsatsredaktion: Carl Frängsmyr Layout: Grafisk service Vinjetter: Tryggve Nevéus Omslagsbild: Carolina Rediviva i vinterdräkt sett från söder. Gouache av Eric Österlund från 1800-talets andra hälft. Uppsala universitetsbibliotek. ISSN 0566-3091 ISBN 978-91-513-0829-6 Sättning: Grafisk service, Uppsala universitet Tr yck: DanagårdLiTHO AB, Ödeshög 2020 Kontakt med redaktionen Förfrågningar kring distribution och abonnemang, till exempel rörande levererad upplagas storlek eller önskemål om erhållande av seriens skrifter, riktas till redaktionen under följande e-postadress: [email protected] Promotionsfesten i Uppsala den 31 januari 2020 med Uppsala universitets inbjudningsskrifter 1844–2019. 175-årsregister över däri publicerade uppsatser, dokument, förordningar och biographica Sammanställt och försett med inledning av Carl Frängsmyr Innehåll Uppsala universitets inbjudningsskrifter 1844–2019. 175-årsregister över däri publicerade uppsatser, dokument, förordningar och biographica. Sammanställt och försett med inledning av Carl Frängsmyr 9 Program 75 Processionsordning 76 Promotionsarrangemang 77 Rektors hälsningsord 79 Universitetets och fakulteternas inbjudan 81 Promotorernas presentationer Teologiska fakulteten, av Mia Lövheim 83 Juridiska fakulteten, av Charlotta Zetterberg 85 Medicinska fakulteten, av Ulf Gyllensten 87 Farmaceutiska fakulteten, av Anna Orlova 89 Historisk-filosofiska fakulteten, avSven -
Dies Ist Eine Leseprobe Von Klett-Cotta. Dieses Buch Und Unser
Ulinka Rublack DER ASTRONOM UND DIE HEXE ◇ ◇ ◇ Johannes Kepler und seine Zeit Aus dem Englischen übersetzt von Hainer Kober KLETT-COTTA Klett-Cotta www.klett-cotta.de Die Originalausgabe erschien unter dem Titel »The Astronomer and the Witch. Johannes Kepler’s Fight for his Mother« im Verlag Oxford University Press, Oxford © 2015 by Ulinka Rublack Für die deutsche Ausgabe © 2018 by J. G. Cotta’sche Buchhandlung Nachfolger GmbH, gegr. 1659, Stuttgart Alle deutschsprachigen Rechte vorbehalten Printed in Germany Cover: Rothfos & Gabler, Hamburg unter Verwendung eines Fotos von © akg-images / Science Source Gesetzt von C.H.Beck.Media.Solutions, Nördlingen Gedruckt und gebunden von GGP Media GmbH, Pößneck ISBN 978-3-608-98126-1 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Für Francisco INHALT ◇ ◇ ◇ Zeitleiste mit den wichtigsten Lebensdaten und Veröffentlichungen von Johannes Kepler . 9 Anmerkung zu den Daten . 13 Liste der Abbildungen . 15 Liste der Abkürzungen . 19 Karten. 21 Prolog . 27 Einleitung . 35 1 Katharinas Leben . 53 2 Lutherisches Hofleben . 83 3 Das Jahr der Hexen . 105 4 Keplers Strategien . 127 5 Eine Familie reagiert . 151 6 Seelenbewegungen und Astrologie. 177 7 Der Prozess nimmt seinen Lauf . 203 8 Hexen im Land . 225 9 Katharinas Verhaftung. 243 10 Keplers Rückkehr . 257 11 Die Verteidigung. 273 12 Das Ende des Prozesses . 297 13 Keplers Traum. 321 Epilog . 353 Endnoten . 367 Zur weiteren Lektüre und Betrachtung empfohlen . 399 Danksagung . 401 Register . 405 ZEITLEISTE mit den wichtigsten Lebensdaten und Veröffentlichungen von Johannes Kepler ◇ ◇ ◇ 1571 Johannes Kepler wird am 27. -
European Southern Observatory Bulletin No. 1
EUROPEAN SOUTHERN OBSERVATORY BULLETIN NO. 1 The Governments of Belgium, the Federal Republic of Germany, France, the Netherlands, and Sweden have signed a Convention1) concerning the erection of a powerful astronomical observatory on Oetober 5, 1962. Ey this Convention a European organization for astronomic:ll researd1 in the SOllthern Hemisphere is created. The purpose of this organization is the con strllction, equipment, and operation of an astronomical observatory situated in the Southern Hemisphere. The initial program comprises the following sllbjects: 1. a 1.00 m photoelectrie tele cope, 2. a 1.50 m speetrographic tcleseope, 3. a 1.00 m Sd1midt telescope, 4. a 3.50 m tele cope, 5. allxiliary equipment neeessary to carry out research programs, 6. the buildings necessary to shelter the scientific equipment as weil as the administration of the observatory and the housing of personnel. The site of the observatory will be in the middle between the Pacific coast and the high duin of the Andes, 600 km north of Santiago de Chile, on La Silla. ') The ESO Management will on rcquest readily provide for copie, of ,he Pari, Convclllion of 5 Oetober 1962. Organisation Europeenne pour des Recherehes Astronomiques dans l'Hemisphere Austral EUROPEAN SOUTHERN OBSERVATORY BULLETIN NO. 1 November 1966 Edited by European Southern Observatory, Office of the Director 21 Am Bahnhof, 205 Hamburg 80, Fed. Rep. of Germany ESO BULLETIN NO. 1 CONTENTS O. Heckmann: Foreword 5 J. Ramberg: Bertil Lindblad 7 A doeument eoneerning the astronomical eomparison between South Afriea and Chile ................ 9 H. Siedentopf: Comparison between South Afriea and Chile 11 A. -
Les Potins D'uranie [249] Une Constellation Pour Le Web?
© Venngeist – Mars 2014 Les Potins d’Uranie [249] Une constellation pour le Web? Al Nath De par son impact sur la société et sur la diffusion des idées et des connaissances, l'avènement du World-Wide Web (WWW) à la fin du XXe siècle a souvent été mis sur le même pied que la mise au point, au XVe siècle, de la technique d'imprimerie utilisant des caractères métalliques mobiles par Johannes Gutenberg (voir encadrés ci-après). L'invention de Gutenberg fut honorée dans le ciel. En effet, pour célébrer son 350e anniversaire, l'allemand Johann Elert Bode1 fit apparaître une constellation qu'il baptisa Officina Typographica, en français l'Atelier de Typographie, dans son "Uranographia" de 1801. Non repris dans la liste des constellations modernes reconnues par l'Union Astronomique Internationale2, ce modeste astérisme était situé Fig. 1 – Extrait de l'atlas de Bode publié en 1801, entre le Grand Chien (Canis Major) et les pattes montrant, sur la gauche, la petite constellation arrières de la Licorne (Monoceros), dans ce qui est éphémère de l'Atelier de Typographie (Officina aujourd'hui la partie Nord de la Poupe (Puppis). Typographica) honorant l'invention de Gutenberg, Ce groupe d'étoiles à l'Est de Sirius ne fut pas illustrée par une presse, un présentoir de vraiment retenu dans la pratique astronomique. caractères mobiles d'imprimerie, des rouleaux On le retrouve tout au plus dans quelques atlas, et quelques autres accessoires. comme illustré ici, ou encore sur une planisphère http://www.potinsduranie.org/potins_249_201403.pdf publiée par Angelo Secchi en 1878. D'après ce que nous raconte Jérôme de Lalande3 dans son "Histoire Abrégée de l'Astronomie", lui et Bode s'étaient mis d'accord en 1798 pour créer deux nouvelles constellations: la "Presse de Gutemberg" [sic] et le "Globe de Montgolfier", commémorant deux innovations remarquables en Allemagne et en France respectivement. -
Keplers-Trial-Programme-Va-17.Pdf
Tim Watts EPLER’S TRIAL 9th November 2017 Lydia and Manfred Gorvy Lecture Theatre Victoria & Albert Museum KEPLER PRODUCTIONS would like to thank our sponsors: Our heartfelt thanks, too, goes to the participants in the discussion meetings at St John’s College, Cambridge, out of which much of the material for the opera emerged: Dr John Adamson Dr Mark Nicholls Dr Matthew Champion Prof Mignon Nixon Dr Adam Chau Prof John Rink Dr Stefan Hanss Prof Jacqueline Rose Prof Nick Jardine Prof Simon Schaffer Prof Sachiko Kusukawa Dr Ruth Scurr Prof John Toland Dr David Stuart Prof Juliet Mitchell Dr Charlotte Woodford Pre-performance discussion with Dame Marina Warner, Prof Ulinka Rublack, Prof Simon Schaffer, Dr Aura Satz and Tim Watts. EPLER’S TRIAL An opera by TIM WATTS with film by AURA SATZ based on The Astronomer and the Witch by ULINKA RUBLACK WILLIAM ASHFORD , director GRAHAM WALKER , conductor Cerys purser , Katharina Kepler TheoTheoDOREDORE Platt , Johannes Kepler Hugh Cutting , Daemon JOHN LOFTHOUSE , Einhorn / Magistrate Michael Bell , Schoolmaster / Gabelkhover LYNETTE ALCANTáALCANTáRARARARA , Ursula Reinbold OSIAN GUTHRIE , Young Johannes GESUALDO SIX & GUESTS Soprano: Ana Beard Fernández ( Dorothea Klebl ), Lucy Cox Countertenor: Guy James, Hamish McClaren Tenor: Josh Cooter, Michael Craddock Bass: Samuel Mitchell, Owain Park orchestra Flute – Charlotte Eves Oboe – Rachel Becker Cornetts – Jeremy West, Darren Moore Sackbut –Ellie Chambers Percussion – Carl Wikeley Harp – Tanya Houghton Organ / Harpsichord – Richard Gowers Violins –Julia Hwang, Stephanie Childress, Laura Rickard, Margaret Faultless Cello – Ghislaine McMullin Repetiteur: Richard Gowers Production KATE ROMANO , producer Vicky zenetzi , stage manager OLIVER ORWELL, AV Technician WILLIAM ASHFORD, costume & set design IZZY DABIRI, costume consultant opening soundscape by William Ashford introduction Born in 1571, Johannes Kepler is still one of the most admired astronomers who ever lived. -
Biography of Horace Welcome Babcock
NATIONAL ACADEMY OF SCIENCES H O R ACE W ELCOME B A B COC K 1 9 1 2 — 2 0 0 3 A Biographical Memoir by GEO R G E W . P R ESTON Any opinions expressed in this memoir are those of the author and do not necessarily reflect the views of the National Academy of Sciences. Biographical Memoir COPYRIGHT 2007 NATIONAL ACADEMY OF SCIENCES WASHINGTON, D.C. Photograph by Mount Wilson and Los Campanas Observatories HORACE WELCOME BABCOCK September 13, 1912−August 29, 2003 BY GEORGE W . P RESTON ORACE BABCOCK’S CAREER at the Mount Wilson and Palomar H(later, Hale) Observatories spanned more than three decades. During the first 18 years, from 1946 to 1964, he pioneered the measurement of magnetic fields in stars more massive than the sun, produced a famously successful model of the 22-year cycle of solar activity, and invented important instruments and techniques that are employed throughout the world to this day. Upon assuming the directorship of the observatories, he devoted his last 14 years to creating one of the world’s premier astronomical observatories at Las Campanas in the foothills of the Chilean Andes. CHILDHOOD AND EDUCATION Horace Babcock was born in Pasadena, California, the only child of Harold and Mary Babcock. Harold met Horace’s mother, Mary Henderson, in Berkeley during his student days at the College of Electrical Engineering, University of California. After brief appointments as a laboratory assis- tant at the National Bureau of Standards in 1906 and as a physics teacher at the University of California, Berkeley, in 1907, Horace’s father was invited by George Ellery Hale in 1908 to join the staff of the Mount Wilson Observatory (MWO), where he remained for the rest of his career. -
Cartes Et Constellations Anciennes Ou Disparues
CartesCartes etet constellationsconstellations anciennesanciennes ouou disparuesdisparues Patrice Février 2011 1 SommaireSommaire DDééfinitionfinition OrigineOrigine AstAst éérismesrismes UnUn peupeu dd ’’histoirehistoire LesLes grandsgrands cyclescycles mythologiquesmythologiques ReprRepr éésentationssentations etet cartescartes PtolPtol éémmééee AlmagesteAlmageste ZodiaqueZodiaque LesLes constellationsconstellations disparuesdisparues ConstellationsConstellations chinoiseschinoises 2 3 QuQu ’’estest --cece ququ ’’uneune constellation?constellation? Qui n’a jamais entendu parler de la Grande Ourse ou observé la casserole dans le ciel ? Qui ne s’est jamais posé la question de la signification de ces figures, qu’on appelle « constellations », illustrant le ciel nocturne ? En fait d’explication, il n’y en a qu’une : ces figures sont le fruit du hasard, de notre position dans l’espace, de notre vision du ciel en 2 dimensions et surtout de notre imagination … 4 OrigineOrigine desdes nomsnoms L'origine des noms de nos constellations est très ancienne. On a retrouvé en Arménie sur des dalles datant du 4e millénaire avant notre ère des représentations du Cygne, du Taureau ou du Lion. Les Babyloniens utilisaient déjà une bonne partie des constellations attribuées ensuite aux Grecs, en particulier celles du zodiaque. 5 On retrouve l’origine des constellations peu de temps après l’apparition de l’écriture, puisque des symboles cunéiformes représentant ces constellations ont été décelés sur des textes et des objets de civilisations aujourd’hui disparues, situées dans la vallée de l’Euphrate, il y a plus de 5 000 ans … Toutefois, il faudra attendre le IIème siècle ap. J-C. pour que l’astronome Grec Ptolémée procède à un découpage du ciel sur 1022 étoiles groupées en 48 constellations. Les constellations étaient ainsi la plupart du temps apparentées à des animaux ou figures mythologiques, dont l’utilité était aussi bien ésotérique (astrologie) que géographique, cartographique ou calendaire. -
Caput Medusae
john c. barentine ASTERISMS, SINGLE-SOURCE AND REBRANDS Uncharted Constellations Asterisms, Single-Source and Rebrands John C. Barentine Uncharted Constellations Asterisms, Single-Source and Rebrands 123 John C. Barentine TUCSON, AZ, USA SPRINGER PRAXIS BOOKS IN POPULAR ASTRONOMY Springer Praxis Books ISBN 978-3-319-27618-2 ISBN 978-3-319-27619-9 (eBook) DOI 10.1007/978-3-319-27619-9 Library of Congress Control Number: 2015958891 Springer Cham Heidelberg New York Dordrecht London © Springer International Publishing Switzerland 2016 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Cover illustration: “Lacerta, Cygnus, Lyra, Vulpecula and Anser”, plate 14 in Urania’s Mirror, a set of celestial cards accompanied by A familiar treatise on astronomy...byJehoshaphatAspin.London. -
Constellation Coloring Pages
Constellation coloring pages OU Lynx Johann Bode, Uranographia (1801) Plate 6 (Ursa Major) Leo Minor the Little Lion, Ursa Major the Big Bear Plate 7 (Bootes) Bootes the Herdsman, Canes Venatici the Hunting Dogs, Coma Berenices the Hair of Berenice, Corona Borealis the Northern Crown, Mons Maenalus the Mountain, Quadrant Muralis the Mural Quadrant Plate 8 (Cygnus) Cygnus the Swan, Hercules, Lyra the Harp, Ramus Pomifer the Apple branch, Sagitta the Arrow, Vulpecula the Fox Plate 9 (Ophiuchus) Antinous the Servant, Aquila the Eagle, Ophiuchus the Snake Handler, Scutum the Shield, Serpens the Snake, The Bull of Poniatowski Plate 10 (Pegasus) Delphinus the Dolphin, Equuleus the Foal, Pegasus the Flying Horse Plate 12 (Orion and Taurus) Canis Minor the Little Dog, Gemini the Twins, Orion the Hunter, Psalterium Georgianum the Harp, Taurus the Bull Plate 14 (Virgo) Cauda Hydrae, Ears of wheat, Hydra the Water Snake, Libra the Balance, Virgo the Maiden Plate 15 (Sagittarius) Ara the Altar, Corona Australis the Southern Crown, Lupus the Wolf, Norma the Carpenter's Square, Scorpius the Scorpion, Tubus Herschelii Major the Telescope of Uranus Plate 17 (Cetus) Apparatus Chemicus, Cetus the Whale or Sea Monster, Eridanus the River, Fornax the Furnace, Machina Electrica the Electrostatic Generator, Sculptor the Sculptor's Workshop Plate 18 (Canis Major) Argo Navis, Caelum the Sculptor's Chisel, Canis Major the Big Dog, Caput Hydrum, Columba the Dove, Hydra the Water Snake, Lepus the Hare, Lochium Funis the Nautical Line of Argo Navis, Monoceros the Unicorn, Officina Typographica the Printing Press, Pyxis the Compass of Argo Navis Plate 19 (Hydra) Antlia the Air Pump, Argo Navis, Centaurus the Centaur, Corvus the Crow, Crater the Cup, Felis the Cat, Hydra the Water Snake Exhibit: Galileo’s World.