DOCSLIB.ORG

Nov 16 – May 17 How to Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nov 16 – May 17 How to Book Nov 16 – May 17 How to book Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm See p52 for Sunday and holiday opening times Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances Day Tickets £18 / £15 tickets available in person on the day of the performance No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure Captioned Touch Tour Audio-Described Relaxed Performance 2 TRAVELEX £15 TICKETS The National Theatre NT Future is supported by Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Workshops Partner The National Theatre’s Supporter for New Writing Partner for Lighting International Hotel Partner and Energy The Dorfman Partner Pouring Partner Official Hotel Partner of the National Theatre 3 Twelfth Night Ugly Lies the Bone Playing from 15 February Playing from 22 February Consent Us/Them 28 March – 17 May 16 January – 18 February Dublin Oldschool My Country; 24 – 31 January a work in progress 28 February – 22 March 4 Lost Without Words Hedda Gabler 4 – 18 March 5 December – 21 March LOVE The Red Barn 6 December – 10 January Playing until 17 January Peter Pan Amadeus Playing until 4 February Playing until 18 March 5 Twelfth Night by William Shakespeare Olivier Theatre Cast includes A ship is wrecked on the rocks. Viola Oliver Chris is washed ashore but her twin brother Daniel Ezra Sebastian is lost. Determined to survive Phoebe Fox on her own, she steps out to explore Tamsin Greig a new land. Tamara Lawrance Doon Mackichan So begins a whirlwind of mistaken Daniel Rigby identity and unrequited love. The nearby households of Olivia and Orsino are Director overrun with passion.Even Olivia’s upright Simon Godwin housekeeper Malvolia is swept up in Designer the madness. Soutra Gilmour Lighting Designer Where music is the food of love, and James Farncombe nobody is quite what they seem, anything Movement Director proves possible. Shelley Maxwell Simon Godwin (‘Man and Superman, Music The Beaux’ Stratagem’) directs this joyous Michael Bruce new production with Tamsin Greig as a Sound Designer transformed Malvolia. Christopher Shutt Fight Director Kev McCurdy 6 Thu 6 7.00 FEBRUARY Fri 7 7.30 Sat 8 CAP 2.00 Wed 15 7.30 7.30 Thu 16 7.30 Mon 10 7.30 Fri 17 7.30 Tue 11 CAP 7.30 Sat 18 7.30 Wed 12 2.00 Mon 20 7.30 7.30 Tue 21 7.30 Thu 13 7.30 Wed 22 7.00 Sat 15 2.00 Thu 23 7.30 7.30 Fri 24 7.30 Mon 17 7.30 Sat 25 2.00 7.30 Additional performances to MARCH be announced Wed 1 7.30 NT Live Broadcast Thu 2 7.30 on Thu 6 Apr Fri 3 7.30 Sat 4 2.00 7.30 Thu 9 7.30 Photography (Tamsin Greig) Fri 10 7.30 by Frederike Helwig Sat 11 2.00 7.30 Mon 13 7.30 Mon 20 7.30 Talks and events Tue 21 7.30 Wed 22 2.00 Simon Godwin 7.30 Tue 21 Mar, 6pm, Thu 23 7.30 Olivier, £5/£4 Fri 24 AD 7.30 Sat 25 AD TT 2.00 Tamsin Greig 7.30 Fri 24 Mar, 3pm, Mon 27 7.30 Olivier, £6/£5 Tue 28 7.30 Wed 29 7.30 In Context – Shakespeare’s Thu 30 7.30 Fri 31 7.30 Comedies: Character, Plot and Language Mon 27 Mar, 2 – 5pm, APRIL Cottesloe Room, £25/£20 Sat 1 2.00 7.30 Mon 3 7.30 Tue 4 7.30 Wed 5 7.30 7 Ugly Lies the Bone a new play by Lindsey Ferrentino Lyttelton Theatre Cast includes ‘Beauty is but skin deep, ugly lies the Kate Fleetwood bone; beauty dies and fades away, but Director ugly holds its own.’ Indhu Rubasingham After three tours in Afghanistan and Set Designer months in a severe burns unit, Jess finally Es Devlin returns to Florida. In a small town on the Video Designer Space Coast, as the final shuttle is about Luke Halls to launch, Jess must confront her scars, Costume Designer and a home that may have changed even Johanna Coe more than her. Lighting Designer Oliver Fenwick Experimenting with a pioneering virtual Music and Sound reality therapy, she builds a breathtaking Ben and Max new world where she can escape her Ringham pain. There, she begins to restore her Fight Directors relationships, her life and, slowly, herself. Rachel Bown-Williams Award-winning American playwright and Ruth Cooper- Lindsey Ferrentino makes her UK debut Brown of with this honest and funny new drama, RC-Annie Ltd. directed by Indhu Rubasingham (‘The Motherf**ker with the Hat’). 8 FEBRUARY Wed 22 7.30 Thu 23 7.30 Fri 24 7.30 Sat 25 7.30 Mon 27 7.30 Tue 28 7.30 MARCH Wed 1 7.00 Thu 2 7.30 Fri 3 7.30 Sat 4 2.15 7.30 Fri 10 7.30 Sat 11 2.15 7.30 Mon 13 7.30 Tue 14 7.30 Wed 15 2.15 Photography by Mads Perch 7.30 Thu 23 7.30 Fri 24 7.30 Sat 25 CAP 2.15 Talks and events 7.30 Mon 27 7.30 Lindsey Ferrentino and Tue 28 2.15 Indhu Rubasingham 7.30 Wed 29 CAP 7.30 Fri 3 Mar, 6pm, Thu 30 7.30 Lyttelton, £5/£4 Fri 31 AD 7.30 New Rehabilitation Therapies and Virtual Pain Management APRIL Wed 29 Mar, 6pm, Sat 1 AD TT 2.15 Cottesloe Room, £6/£5 7.30 Additional performances to be announced Sponsored by 9 A co-production with Out of Joint Consent a new play by Nina Raine Dorfman Theatre Cast to be Why is Justice blind? Is she impartial? announced Or is she blinkered? Director Friends Ed and Matt take opposing Roger Michell briefs in a rape case. The key witness is Set Designer a woman whose life seems a world away Hildegard Bechtler from theirs. At home, their own lives begin Costume Designer to unravel as every version of the truth is Dinah Collin challenged. Lighting Designer Rick Fisher ‘Consent’, Nina Raine’s powerful, painful, Sound Designer funny play sifts the evidence from every John Leonard side and puts justice in the dock. Nina Raine’s previous work includes ‘Tiger Country’, and the Olivier-nominated ‘Tribes’. The Dorfman Partner 10 MARCH MAY Tue 28 7.30 Mon 1 7.30 Wed 29 7.30 Tue 2 7.30 Thu 30 7.30 Wed 3 2.30 Fri 31 7.30 7.30 Thu 4 7.30 Fri 5 7.30 APRIL Sat 6 CAP 2.30 7.30 Sat 1 7.30 Mon 8 7.30 Mon 3 7.30 Tue 9 2.30 Tue 4 7.00 7.30 Wed 5 7.30 Wed 10 7.30 Thu 6 2.30 Thu 11 7.30 7.30 Fri 12 7.30 Fri 7 7.30 Sat 13 2.30 Sat 8 2.30 7.30 7.30 Mon 15 7.30 Mon 10 7.30 Tue 16 2.30 Tue 11 7.30 7.30 Wed 12 7.30 Wed 17 7.30 Thu 13 2.30 Lovers (6) © Jarek Puczel 7.30 Sat 15 2.30 7.30 Mon 17 7.30 Talks and events Tue 18 2.30 7.30 Roger Michell Wed 19 7.30 Wed 12 Apr, 6pm, Thu 20 7.30 Fri 21 7.30 Dorfman, £5/£4 Sat 22 2.30 7.30 Revenge on Stage Mon 24 CAP 7.30 Tue 18 Apr, 6pm, Tue 25 2.30 Cottesloe Room, £6/£5 7.30 Wed 26 7.30 A Question of Consent Thu 27 7.30 Wed 26 Apr, 6pm, Fri 28 AD 7.30 Dorfman, £5/£4 Sat 29 AD TT 2.30 7.30 11 A co-production with Bristol Old Vic Peter Pan by JM Barrie devised by the Companies Olivier Theatre Cast Set Designer HHHHH Saikat Ahamed Michael Vale ‘Something to delight Suzanne Ahmet Costume the whole family’ Marc Antolin Designer ‘The Times’ Benji Bower Katie Sykes Will Bower Lighting All children, except one, Lois Chimimba Designer grow up... Richie Crago Aideen Malone This winter, JM Barrie’s much- Laura Cubitt Music loved tale takes flight. When Phoebe Fildes Benji Bower Peter Pan, the leader of the Lost Anna Francolini Sound Designer Boys, loses his shadow during Ruth Hammond Dominic Bilkey a visit to London, headstrong Felix Hayes Movement Wendy helps him reattach Paul Hilton Director it. In return she is invited to John Leader Dan Canham Neverland – where Tinker Bell Amaka Okafor Aerial Director the fairy, Tiger Lily and the John Gwen Hales vengeful Captain Hook await. Pfumojena Puppetry Ekow Quartey Designer Following the acclaimed ‘Jane Jessica Temple and Director Eyre’, Sally Cookson brings her Dan Wheeler Toby Olié wondrously inventive ‘Peter Pan’ Madeleine Fight Directors to the NT after a sell-out run at Worrall Rachel Bown- Bristol Old Vic. Exploring the Director Williams and possibilities and pain of growing Sally Cookson Ruth Cooper- up, it’s a riot of magic, mischief, Dramaturg Brown of RC- music and make-believe.
Load more

Recommended publications
  • L'histoire Vraie D'un Jeune Prodige
    L’HISTOIRE VRAIE D’UN JEUNE PRODIGE Synergy Cinéma présente Un film de Morgan Matthews Royaume-Uni - Durée 1h51 - Format Scope - Son 5.1 SORTIE LE 10 JUIN 2015 matériel presse téléchargeable sur www.synergycinema.com Programmation Distribution Presse Paname Distribution Synergy Cinema Laurence Granec et Karine Ménard 143 rue de Rennes 50 rue de Ponthieu 92, rue de Richelieu 75006 Paris 75008 Paris 75002 Paris Tél. : 01 40 44 72 55 Tél. : 09 50 01 37 90 Tél. : 01 47 20 36 66 [email protected] [email protected] [email protected] SYNOPSIS Nathan est un adolescent souffrant de troubles autistiques et prodige en mathématiques. Brillant mais asocial, il fuit toute manifestation d’affection, même venant de sa mère. Il tisse pourtant une amitié étonnante avec son professeur anticonformiste Mr. Humphreys, qui le pousse à intégrer l’équipe britannique et participer aux prochaines Olympiades Internationales de Mathématiques. De la banlieue anglaise à Cambridge en passant par Taipei, la vie de Nathan pourrait bien prendre un tour nouveau… A PROPOS DE LA PRODUCTION DU DOCUMENTAIRE À LA FICTION Pour Morgan Matthews, le chemin jusqu’au Monde de Nathan, période plus longue de la vie des personnages, en l’occurrence son premier long-métrage, a démarré avec son travail sur une une dizaine d’années divisée en deux grandes parties. » trilogie de films documentaires consacrés à des compétitions étonnantes. Parmi ceux-ci, Beautiful Young Minds (2007) suit des Rafe Spall, qui interprète le rôle du professeur de mathématiques, élèves se préparant à participer aux Olympiades Internationales M. Humphreys, souligne que si Morgan Matthews réalise ici de Mathématiques.
    [Show full text]
  • The 200 Plays That Every Theatre Major Should Read
    The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986)
    [Show full text]
  • Prieur Dissertation 6 18 10
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title In the System: Art, Prison, and the Performance of Social Welfare Permalink https://escholarship.org/uc/item/0rq886vg Author Prieur, Nina Billone Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California In the System: Art, Prison, and the Performance of Social Welfare By Nina Billone Prieur A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Shannon Jackson, Chair Professor Angela Y. Davis Professor Shannon Steen Professor Rebecca McLennan Fall 2010 In the System: Art, Prison, and the Performance of Social Welfare © 2010 by Nina Billone Prieur Abstract In the System: Art, Prison, and the Performance of Social Welfare by Nina Billone Prieur Doctor of Philosophy in Performance Studies Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Shannon Jackson, Chair Over the past three decades, the state of California has launched the largest prison construction project in history. The United States has followed California’s lead by massively expanding its penal system and radically dismantling its welfare system. The country currently incarcerates not only more people, but also a greater percentage of its population than any other nation in the world. During this same period, increasing numbers of artists have intervened in the spaces between the U.S. prison and welfare systems. San Francisco has served as a crucible for these endeavors, which constitute a defining feature of the emerging field of community-based performance.
    [Show full text]
  • Donmar Warehouse Projects Ltd HEAD of FINANCE
    Donmar Warehouse Projects Ltd HEAD OF FINANCE Responsible to: Executive Director Responsible for: Management Accountant, Finance Assistant Location 3 Dryden Street, London WC2E 9NA Term of employment Full time, permanent position Working Hours 40 hours per week and evening work where necessary Salary Dependent on experience ABOUT THE DONMAR “Powerhouses do not come much smaller, nor more powerful, than the Donmar Warehouse” Sunday Times “The Donmar is a credit to the British stage” Observer “One of the glories of London’s theatre scene” Evening Standard The Donmar Warehouse, led by Michael Longhurst, Artistic Director and Henny Finch, Executive Director, is a 251-seat subsidised theatre located in the heart of Covent Garden in London’s West End. Since 1992 the Donmar has built a reputation for artistic excellence as one of the UK’s leading producing theatres. From our iconic warehouse space in the heart of London’s West End, we create world-class theatre with international impact. Our intimate auditorium offers audiences – 95,000 annually - a unique shared experience, and an unparalleled connection with performers. We believe that representation matters; diversity of identity, of perspective, of lived experience enriches our work and our lives. We develop new artists and future audiences through our renowned training programmes and our Discover educational activity in schools and communities. We share the theatre we make widely through transfers, tours and on screen. A registered charity, with a turnover of around £7m/year, the Donmar is funded by a combination of Arts Council England investment (7%), box office (35%) fundraising from individuals, Trusts and Foundations and corporate sponsorships (53%), and other income (5%).
    [Show full text]
  • PBS Western Reserve President's Report
    PBS Western Reserve President’s Report Fall 2020 Volume 14, Issue 4 New local production spotlights area female veterans The story of female veterans is as varied as the story of females in all walks of life. The new local The PBS Western Reserve production VETERANS OF AMERICA—OUR HEROES IN UNIFORM: THEY SERVED TOO highlights many President’s Report of the challenges and successes of area women in uniform. Examples include a young mother who is published for the now serves in the Army Reserve, a young couple who are both veterans, a female general and a Northeastern Educational nurse who is in the reserves. Television of Ohio Inc. Board of Directors, major The show also speaks about Sharon Lane, a Canton resident who was the first female casualty of funders of the station the Vietnam War. In addition, it touches on female veterans’ high rate of homelessness and how and other community Summit County Executive Ilean Shapiro has gotten involved in helping homeless female veterans. The members interested in the production premiered on PBS Western Reserve on Wednesday, Nov. 11, as part of our programming for Veterans Day. organization’s activities. MASTERPIECE celebrates its 50th year! Jan. 10, 2021, marks the 50th anniversary of MASTERPIECE, the iconic PBS drama series that sparked America’s infatuation with British television. The series recently unveiled its slate of the next 1 Programming & Local unforgettable dramas. Productions Elizabeth Is Missing (Sunday, Jan. 3, at 9 pm) Glenda Jackson won a coveted BAFTA award for her role as a woman in the grip of dementia, 2 Community Outreach searching for her missing friend.
    [Show full text]
  • Nine Night at the Trafalgar Studios
    7 September 2018 FULL CASTING ANNOUNCED FOR THE NATIONAL THEATRE’S PRODUCTION OF NINE NIGHT AT THE TRAFALGAR STUDIOS NINE NIGHT by Natasha Gordon Trafalgar Studios 1 December 2018 – 9 February 2019, Press night 6 December The National Theatre have today announced the full cast for Nine Night, Natasha Gordon’s critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper’s ‘Debut Awards’. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast. Directed by Roy Alexander Weise (The Mountaintop), Nine Night is a touching and exuberantly funny exploration of the rituals of family. Gloria is gravely sick. When her time comes, the celebration begins; the traditional Jamaican Nine Night Wake. But for Gloria’s children and grandchildren, marking her death with a party that lasts over a week is a test. Nine rum-fuelled nights of music, food, storytelling and laughter – and an endless parade of mourners. The production is designed by Rajha Shakiry, with lighting design by Paule Constable, sound design by George Dennis, movement direction by Shelley Maxwell, company voice work and dialect coaching by Hazel Holder, and the Resident Director is Jade Lewis.
    [Show full text]
  • Golden Gulag
    GOLDEN GULAG AMERICAN CROSSROADS EDITED BY EARL LEWIS, GEORGE LIPSITZ, PEGGY PASCOE, GEORGE SÁNCHEZ, AND DANA TAKAGI GOLDENGULAG PRISONS, SURPLUS, CRISIS, AND OPPOSITION IN GLOBALIZING CALIFORNIA RUTHWILSONGILMORE UNIVERSITY OF CALIFORNIA PRESS BERKELEY LOS ANGELES LONDON University of California Press, one of the most distinguished uni- versity presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and nat- ural sciences. Its activities are supported by the UC Press Founda- tion and by philanthropic contributions from individuals and insti- tutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2007 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Gilmore, Ruth Wilson, 1950–. Golden gulag : prisons, surplus, crisis, and opposition in globalizing California / Ruth Wilson Gilmore. p. cm—(American crossroads ; 21). Includes bibliographical references and index. isbn-13: 978-0-520-22256-4 (cloth : alk. paper) isbn-10: 0-520-22256-3 (cloth : alk. paper) isbn-13: 978-0-520-24201-2 (pbk. : alk. paper) isbn-10: 0-520-24201-7 (pbk. : alk. paper) 1. Prisons—California. 2. Prisons—Economic aspects—California. 3. Imprisonment—California. 4. Criminal justice, Administration of—California. 5. Discrimination in criminal justice administration—California. 6. Minorities—California. 7. California—Economic conditions. I. Title. II. Series. HV9475.C2G73 2007 365'.9794—dc22 2006011674 Manufactured in the United States of America 15 14 13 12 111098765 This book is printed on New Leaf EcoBook 60, containing 60% postconsumer waste, processed chlorine free; 30% de-inked recycled fiber, elemental chlorine free; and 10% FSC-certified virgin fiber, to- tally chlorine free.
    [Show full text]
  • Performing History Studies in Theatre History & Culture Edited by Thomas Postlewait Performing HISTORY
    Performing history studies in theatre history & culture Edited by Thomas Postlewait Performing HISTORY theatrical representations of the past in contemporary theatre Freddie Rokem University of Iowa Press Iowa City University of Iowa Press, Library of Congress Iowa City 52242 Cataloging-in-Publication Data Copyright © 2000 by the Rokem, Freddie, 1945– University of Iowa Press Performing history: theatrical All rights reserved representations of the past in Printed in the contemporary theatre / by Freddie United States of America Rokem. Design by Richard Hendel p. cm.—(Studies in theatre http://www.uiowa.edu/~uipress history and culture) No part of this book may be repro- Includes bibliographical references duced or used in any form or by any and index. means, without permission in writing isbn 0-87745-737-5 (cloth) from the publisher. All reasonable steps 1. Historical drama—20th have been taken to contact copyright century—History and criticism. holders of material used in this book. 2. Holocaust, Jewish (1939–1945), The publisher would be pleased to make in literature. 3. France—His- suitable arrangements with any whom tory—Revolution, 1789–1799— it has not been possible to reach. Literature and the revolution. I. Title. II. Series. The publication of this book was generously supported by the pn1879.h65r65 2000 University of Iowa Foundation. 809.2Ј9358—dc21 00-039248 Printed on acid-free paper 00 01 02 03 04 c 54321 for naama & ariel, and in memory of amitai contents Preface, ix Introduction, 1 1 Refractions of the Shoah on Israeli Stages:
    [Show full text]
  • Eekly Ntertainment
    Choose Your Next Adventure EEKLY Get where you want to go with an NTERTAINMENT outstanding deal on a quality vehicle! JANUARY 29 - FEBRUARY 4, 2021 SCENIC CHEVROLET BUICK GMC CADILLAC SUBARU WWW.SCENICGMAUTOS.COM 2300 ROCKFORD ST. MOUNT AIRY, N.C. 336-789-9011 70044186 Tamara Lawrance and Hayley Atwell in “The Long Song” Frank Fleming BODY SHOP WE WORK WITH ALL INSURANCE COMPANIES! 2162 SPRINGS RD. MOUNT AIRY, NC 336-786-9244 WWW.FRANKFLEMINGBODYSHOP.ORG 70044188 5 Year Warranty On A slave Buildings 8x12, 10x12, 10x16, 10x20, 12x16 no more 12x20, 12x24 Sheds & More! Come Visit! www.shedsbydesign.com No Credit Check • Rent to Own 90 Days Same As Cash 24-36-48 Month Payment Plans 336-755-3171 70044191B 809 Fowler Rd Just Down The Road From Clayton Homes & Mount Airy Toyota Do you have a passion for helping others? Join our team today. Apply at HomeInstead.com/771 or call (336) 789-4472 70044185A PAID TRAINING | SUPPORTIVE OFFICE STAFF | PART & FULL TIME SCHEDULES Each Home Instead® franchise is independently owned and operated. © 2020 Home Instead, Inc. Page 2 — Friday, January 29, 2021 — The Mount Airy News SPORTS THIS WEEK ON THE COVER FRIDAY, JAN 29 8:00 pm (10) WGHP Boxing Premier TUESDAY, FEB 2 Champions. Caleb Plant vs. Caleb Truax. A tale of pride and prejudice: ‘The Long Song’ 2:00 pm (32) ESPN2 ITF Tennis Austra- (Live) (2h) 7:00 pm (32) ESPN2 (33) ESPN NCAA lian Open. Semifinal. (3h) 8:30 pm (7) WXLV NBA Basketball Los Basketball (Live) (2h) 5:00 pm (32) ESPN2 NCAA Gymnastics Angeles Lakers at Boston Celtics.
    [Show full text]
  • Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays
    This cover was created with the Lighting Department. Lighting is used to create moments of stage magic. The choices a Lighting Designer makes about how a set and actors are lit have a major impact on the mood and atmosphere of a scene. The National’s Lighting department deploys everything from flood or spotlight to complex automated lights, controlled via a lighting data network. Sep 16 – Feb 17 020 7452 3000 nationaltheatre.org.uk Find us online How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm See p29 for Sunday and holiday opening times Hedda Gabler LOVE Amadeus Playing from 5 December 6 December – 10 January Playing from 19 October Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances Day Tickets £15 / £18 tickets available in person on the day of the performance No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Peter Pan The Red Barn A Pacifist’s Guide to Playing from 16 November 6 October – 17 January the War on Cancer 14 October – 29 November Access symbols used in this brochure Captioned Touch Tour British Sign Language Relaxed Performance Audio-Described TRAVELEX £15 TICKETS The National Theatre NT Future is Partner for Sponsored by in partnership
    [Show full text]
  • Praesens-Film AG Präsentiert PRODUCTION NOTES
    Praesens-Film AG präsentiert X + Y PRODUCTION NOTES Ab 9. April im Kino Dauer: 111 Minutes Pressekontakt: Filmbüro, Valerio Bonadei, [email protected], +41 79 653 65 03 1 CAST Asa Butterfield……………………………..……………………….... Nathan Ellis Rafe Spall………………………………………….……………Martin Humphreys Sally Hawkins…………………………………………………………………Julie Ellis Eddie Marsan……………………………………………………….Richard Grieve Jo Yang……………………………………………………………………….Zhang Mei Martin McCann……………………………………………………….Michael Ellis Jake Davies…………………………………………..…………………Luke Shelton Alex Lawther…………………………………………………………..Isaac Cooper Alexa Davies…………………………………….……………………Rebecca Dunn Orion Lee…………………………………………………………………Deng Laoshi Percelle Ascott………………………………………………………….Ben Morgan Suraj Rattu……………………………..…………………………………Pav Kamdar Edward Baker-Close…….………………………………Nathan (9 years old) 2 X+Y Synopsis A young maths genius sees logic thwarted by one truly baffling equation: love. Teenage maths prodigy Nathan (Asa Butterfield) struggles when it comes to building relationships with other people, not least with his mother, Julie (Sally Hawkins). In a world difficult to comprehend, he finds comfort in numbers. And when Nathan is taken under the wing of unconventional and anarchic teacher, Mr. Humphreys (Rafe Spall), the pair forge an unusual friendship. Eventually, Nathan’s talents win him a place on the UK National team at the International Mathematics Olympiad (IMO) and the team travel to a training camp in Taiwan, under the supervision of squad leader Richard (Eddie Marsan). In unfamiliar surroundings, Nathan is confronted by a series of unexpected challenges — not least the unfamiliar feelings he begins to experience for his Chinese counterpart, the beautiful Zhang Mei (Jo Yang), feelings that develop when the young mathematicians return to England for the IMO, held at Trinity College, Cambridge. From suburban England to bustling Taipei and back again, this original and heart-warming film tracks the funny and complex relationships that Nathan builds, as he is confronted by the irrational nature of love.
    [Show full text]
  • English 252: Theatre in England 2006-2007 * [Optional Events
    English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E.
    [Show full text]