Further Reflections on the Revolution in France
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TIMELINE of ROMAN IMPERIAL COINAGE
27 26 25 24 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 B.C. AUGUSTUS 16 Jan 27 BC AUGUSTUS CAESAR Other title: e.g. Filius Augustorum Aureus 7.8g KEY TO METALLIC COMPOSITION Quinarius Aureus GOLD Gold Aureus 25 silver Denarii Gold Quinarius 12.5 silver Denarii SILVER Silver Denarius 16 copper Asses Silver Quinarius 8 copper Asses DE-BASED SILVER from c. 260 Brass Sestertius 4 copper Asses Brass Dupondius 2 copper Asses ORICHALCUM (BRASS) Copper As 4 copper Quadrantes Brass Semis 2 copper Quadrantes COPPER Copper Quadrans Denarius 3.79g 96-98% fine Quinarius Argenteus 1.73g 92% fine Sestertius 25.5g Dupondius 12.5g As 10.5g Semis Quadrans TIMELINE of ROMAN IMPERIAL COINAGE B.C. 27 26 25 24 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 1 2 3 4 5 6 7 8 9 10 11 A.D.A.D. denominational relationships relationships based on Aureus Aureus 7.8g 1 Quinarius Aureus 3.89g 2 Denarius 3.79g 25 50 Sestertius 25.4g 100 Dupondius 12.4g 200 As 10.5g 400 Semis 4.59g 800 Quadrans 3.61g 1600 8 7 6 5 4 3 2 1 1 2 3 4 5 6 7 8 91011 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 19 Aug TIBERIUS TIBERIUS Aureus 7.75g Aureus Quinarius Aureus 3.87g Quinarius Aureus Denarius 3.76g 96-98% fine Denarius Sestertius 27g Sestertius Dupondius 14.5g Dupondius As 10.9g As Semis Quadrans 3.61g Quadrans 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 TIBERIUS CALIGULA CLAUDIUS Aureus 7.75g 7.63g Quinarius Aureus 3.87g 3.85g Denarius 3.76g 96-98% fine 3.75g 98% fine Sestertius 27g 28.7g -
Currency, Bullion and Accounts. Monetary Modes in the Roman World
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography 1 Currency, bullion and accounts. Monetary modes in the Roman world Koenraad Verboven in Belgisch Tijdschrift voor Numismatiek en Zegelkunde/ Revue Belge de Numismatique et de Sigillographie 155 (2009) 91-121 Finley‟s assertion that “money was essentially coined metal and nothing else” still enjoys wide support from scholars1. The problems with this view have often been noted. Coins were only available in a limited supply and large payments could not be carried out with any convenience. Travelling with large sums in coins posed both practical and security problems. To quote just one often cited example, Cicero‟s purchase of his house on the Palatine Hill for 3.5 million sesterces would have required 3.4 tons of silver denarii2. Various solutions have been proposed : payments in kind or by means of bullion, bank money, transfer of debt notes or sale credit. Most of these combine a functional view of money („money is what money does‟) with the basic belief that coinage in the ancient world was the sole dominant monetary instrument, with others remaining „second-best‟ alternatives3. Starting from such premises, research has focused on identifying and assessing the possible alternative instruments to effectuate payments. Typical research questions are for instance the commonness (or not) of giro payments, the development (or underdevelopment) of financial instruments, the monetary nature (or not) of ancient debt notes, the commonness (or not) of payments in kind, and so forth. Despite Ghent University, Department of History 1 M. -
Coins and Medals Including Renaissance and Later Medals from the Collection of Dr Charles Avery and Byzantine Coins from the Estate of Carroll F
Coins and Medals including Renaissance and Later Medals from the Collection of Dr Charles Avery and Byzantine Coins from the Estate of Carroll F. Wales (Part I) To be sold by auction at: Sotheby’s, in the Upper Grosvenor Gallery The Aeolian Hall, Bloomfield Place New Bond Street London W1 Days of Sale: Wednesday 11 and Thursday 12 June 2008 10.00 am and 2.00 pm Public viewing: 45 Maddox Street, London W1S 2PE Friday 6 June 10.00 am to 4.30 pm Monday 9 June 10.00 am to 4.30 pm Tuesday 10 June 10.00 am to 4.30 pm Or by previous appointment. Catalogue no. 31 Price £10 Enquiries: James Morton, Tom Eden, Paul Wood, Jeremy Cheek or Stephen Lloyd Cover illustrations: Lot 465 (front); Lot 1075 (back); Lot 515 (inside front and back covers, all at two-thirds actual size) in association with 45 Maddox Street, London W1S 2PE Tel.: +44 (0)20 7493 5344 Fax: +44 (0)20 7495 6325 Email: [email protected] Website: www.mortonandeden.com This auction is conducted by Morton & Eden Ltd. in accordance with our Conditions of Business printed at the back of this catalogue. All questions and comments relating to the operation of this sale or to its content should be addressed to Morton & Eden Ltd. and not to Sotheby’s. Important Information for Buyers All lots are offered subject to Morton & Eden Ltd.’s Conditions of Business and to reserves. Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may well be higher or lower than the range of figures given and there are no fixed “starting prices”. -
Small Change and Big Changes: Minting and Money After the Fall of Rome
This is a repository copy of Small Change and Big Changes: minting and money after the Fall of Rome. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/90089/ Version: Draft Version Other: Jarrett, JA (Completed: 2015) Small Change and Big Changes: minting and money after the Fall of Rome. UNSPECIFIED. (Unpublished) Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Small Change and Big Changes: It’s a real pleasure to be back at the Barber again so soon, and I want to start by thanking Nicola, Robert and Jen for letting me get away with scheduling myself like this as a guest lecturer for my own exhibition. I’m conscious that in speaking here today I’m treading in the footsteps of some very notable numismatists, but right now the historic name that rings most loudly in my consciousness is that of the former Curator of the coin collection here and then Lecturer in Numismatics in the University, Michael Hendy. -
"The Famous Doctor Stearns"
1935.] The Famous Dr. Stearns 317 "THE FAMOUS DOCTOR STEARNS" A BIOGRAPHICAL SKETCH OF DR. SAMUEL STEARNS WITH A BIBLIOGRAPHY BY JOHN C. L. CLARK' ENJAMIN STEARNS and Dinah Wheeler were B married at Lancaster, in the Massachusetts Bay Province, 11 September, 1738, by the Rev. John Prentice. Benjamin was of Concord, as, too, was Dinah's father, Josiah Wheeler, who migrated to Lancaster about the end of the preceding century. Her mother was Martha Prescott, daughter of John Prescott, Jr., and granddaughter of the founder of Lancaster. The homestead whither Benjamin Stearns came to dwell with his wife's parents lay at the easterly base of Wataquadock Hill, in Bolton, which had been incorporated as a township, from Lancaster territory, in 1738. A path from the door led to the easterly bound "Bay Road"^ running a little to the north of the house. Besides carrying on the farm of a hundred and fifty acres, which his wife inherited from her father three months after their marriage, the husband made, and doubtless mended, shoes, for in deeds he is described as "cordwainer." In one document Mrs. Stearns is called "spinster,"—no meaningless epithet applied to this old-time housewife, among whose possessions when she died were "2 great Wooling Wheels."^ Plenty of wholesome work for the boys and girls born into this New England household! ^Mr. J.C.L. Clark, of Lancaster, Mass., who made a life study of Dr. Samuel Stearns, died at Lancaster, Sept. 6, 1036. «Middlesex Deeds, XXIII, 403. 'Worcester Probate Becords, Series A, Case 55621. 318 American Antiquarian Society [Oct., To the prudence and energy of old Josiah Wheeler his grandchildren owed the comfort, if not affluence, in which they grew to maturity. -
Experimental Investigation of Silvering in Late Roman Coinage
Mat. Res. Soc. Symp. Proc. Vol. 712 © 2002 Materials Research Society Experimental investigation of silvering in late Roman coinage C. Vlachou, J.G. McDonnell, R.C. Janaway Department of Archaeological Sciences, University of Bradford, BD7 1DP, UK. ABSTRACT Roman Coinage suffered from severe debasement during the 3rd century AD. By 250 AD., the production of complex copper alloy (Cu-Sn-Pb-Ag) coins with a silvered surface, became common practice. The same method continued to be applied during the 4th century AD for the production of a new denomination introduced by Diocletian in 293/4 AD. Previous analyses of these coins did not solve key technological issues and in particular, the silvering process. The British Museum kindly allowed further research at Bradford to examine coins from Cope’s Archive in more detail, utilizing XRF, SEM-EDS metallography, LA-ICP-MS and EPMA. Metallographic and SEM examination of 128 coins, revealed that the silver layer was very difficult to trace because its thickness was a few microns and in some cases it was present under the corrosion layer. Results derived from the LA-ICP-MS and EPMA analyses have demonstrated, for the first time, the presence of Hg in the surface layers of these coins. A review of ancient sources and historic literature indicated possible methods which might have been used for the production of the plating. A programme of plating experiments was undertaken to examine a number of variables in the process, such as amalgam preparation, and heating cycles. Results from the experimental work are presented. ITRODUCTION Coinage in the Late Roman Period suffered from severe debasement. -
A Handbook of Greek and Roman Coins
CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Library CJ 237.H64 A handbook of Greek and Roman coins. 3 1924 021 438 399 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021438399 f^antilioofcs of glrcfjaeologj) anU Antiquities A HANDBOOK OF GREEK AND ROMAN COINS A HANDBOOK OF GREEK AND ROMAN COINS G. F. HILL, M.A. OF THE DEPARTMENT OF COINS AND MEDALS IN' THE bRITISH MUSEUM WITH FIFTEEN COLLOTYPE PLATES Hon&on MACMILLAN AND CO., Limited NEW YORK: THE MACMILLAN COMPANY l8 99 \_All rights reserved'] ©jcforb HORACE HART, PRINTER TO THE UNIVERSITY PREFACE The attempt has often been made to condense into a small volume all that is necessary for a beginner in numismatics or a young collector of coins. But success has been less frequent, because the knowledge of coins is essentially a knowledge of details, and small treatises are apt to be un- readable when they contain too many references to particular coins, and unprofltably vague when such references are avoided. I cannot hope that I have passed safely between these two dangers ; indeed, my desire has been to avoid the second at all risk of encountering the former. At the same time it may be said that this book is not meant for the collector who desires only to identify the coins which he happens to possess, while caring little for the wider problems of history, art, mythology, and religion, to which coins sometimes furnish the only key. -
The Muse of Fire: Liberty and War Songs As a Source of American History
3 7^ A'£?/</ THE MUSE OF FIRE: LIBERTY AND WAR SONGS AS A SOURCE OF AMERICAN HISTORY DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Kent Adam Bowman, B.A., M.A Denton, Texas August, 1984 Bowman, Kent Adam, The Muse of Fire; Liberty and War Songs as a Source of American History. Doctor of Philosophy (History), August, 1984, 337 pp., bibliography, 135 titles. The development of American liberty and war songs from a few themes during the pre-Revolutionary period to a distinct form of American popular music in the Civil War period reflects the growth of many aspects of American culture and thought. This study therefore treats as historical documents the songs published in newspapers, broadsides, and songbooks during the period from 1765 to 1865. Chapter One briefly summarizes the development of American popular music before 1765 and provides other introductory material. Chapter Two examines the origin and development of the first liberty-song themes in the period from 1765 to 1775. Chapters Three and Four cover songs written during the American Revolution. Chapter Three describes battle songs, emphasizing the use of humor, and Chapter Four examines the figures treated in the war song. Chapter Five covers the War of 1812, concentrating on the naval song, and describes the first use of dialect in the American war song. Chapter Six covers the Mexican War (1846-1848) and includes discussion of the aggressive American attitude toward the war as evidenced in song. -
426 © Lonely Planet Publications
© Lonely Planet Publications INDEX Latin Quarter & Jardins literature 33-8 bookshops, see Shopping See also separate indexes for: des Plantes 343-6 metro, art inside 226 subindex Arts p430 longer-term rentals 334 music 42-3, 307-12 boucheries 380, 5 Louvre & Les Halles 336-7 philosophy 38-9 boules 322, see also Sports Drinking p430 Marais & Bastille 337-42 sculpture 41, 181 & Activities subindex Eating p431 Montmartre & Pigalle theatre 44-5, 315-16 Bourse de Commerce 90 Gay & Lesbian 357-8 visual arts 39-41 boutique hotels, see Sleep- Paris p434 Montparnasse 349-50 Assemblée Nationale 127 ing subindex INDEX Nightlife p434 Opéra & Grands Boul- Astérix 385 bowling 322, see also Shopping p434 evards 353-4 ATMs 404 Sports & Activities Sights p435 St-Germain, Odéon & auberges 225 subindex Sleeping p437 Luxembourg 346-9 Auvers-sur-Oise 382-4, 383 brasseries 226, see Sports & activities 318-24, see av des Champs-Élysées also Eating subindex bread 233 Activities p438 also Sports & Activities 138, 69 Breton, André 36 Top Picks p438 subindex addresses 85 B Brown, Dan 88, 195 agricultural fair 13 B&Bs 334, see also Sleeping buffets 226 13e arrondissement & Chi- air travel 388-9 subindex bureaux de change 404-5 natown 161, 164, 162-3 airports 388-9 babysitting 397 bus travel 391-2 accommodation 355 ambulance 400 Balabus 407 tours 407 drinking 297-8 Amélie 44 ballet 312 business hours 198, 228, food 274-6 amusement parks 384-5 ballooning, see Sports & 396, see also inside front 15e arrondissement 165, Ancien Régime 22 Activities subindex cover 166-7 -
A Companion to the French Revolution Peter Mcphee
WILEY- BLACKwELL COMPANIONS WILEY-BLACKwELL COMPANIONS TO EUROPEAN HISTORY TO EUROPEAN HISTORY EDIT Peter McPhee Wiley-blackwell companions to history McPhee A Companion to the French Revolution Peter McPhee Also available: e Peter McPhee is Professorial Fellow at the D BY University of Melbourne. His publications include The French Revolution is one of the great turning- Living the French Revolution 1789–1799 (2006) and points in modern history. Never before had the Robespierre: A Revolutionary Life (2012). A Fellow people of a large and populous country sought to of both the Australian Academy of the Humanities remake their society on the basis of the principles and the Academy of Social Sciences, he was made of popular sovereignty and civic equality. The a Member of the Order of Australia in 2012 for drama, success, and tragedy of their endeavor, and service to education and the discipline of history. of the attempts to arrest or reverse it, have attracted scholarly debate for more than two centuries. the french revolution Contributors to this volume Why did the Revolution erupt in 1789? Why did Serge Aberdam, David Andress, Howard G. Brown, it prove so difficult to stabilize the new regime? Peter Campbell, Stephen Clay, Ian Coller, What factors caused the Revolution to take Suzanne Desan, Pascal Dupuy, its particular course? And what were the Michael P. Fitzsimmons, Alan Forrest, to A Companion consequences, domestic and international, of Jean-Pierre Jessenne, Peter M. Jones, a decade of revolutionary change? Featuring Thomas E. Kaiser, Marisa Linton, James Livesey, contributions from an international cast of Peter McPhee, Jean-Clément Martin, Laura Mason, acclaimed historians, A Companion to the French Sarah Maza, Noelle Plack, Mike Rapport, Revolution addresses these and other critical Frédéric Régent, Barry M. -
Downloaded on 2019-04-30T23:20:12Z
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Cork Open Research Archive UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Constantine I and a new Christian golden age: a secretly Christian reverse type identified? Author(s) Woods, David Publication date 2018-09 Original citation Woods, David (2018) 'Constantine I and a New Christian Golden Age: A Secretly Christian Reverse Type Identified?' Greek, Roman and Byzantine Studies, 58, pp. 366-388. Type of publication Article (peer-reviewed) Link to publisher's https://grbs.library.duke.edu/article/view/16063 version Access to the full text of the published version may require a subscription. Rights © 2018 David Woods. http://creativecommons.org/licenses/by/3.0/ Item downloaded http://hdl.handle.net/10468/7749 from Downloaded on 2019-04-30T23:20:12Z Constantine I and a New Christian Golden Age: A Secretly Christian Reverse Type Identified? David Woods HE PURPOSE of this paper is to explore the significance of a reverse type used on solidi struck in the name of T Constantine I (306–337) alone at the mints of Nico- media, Sirmium, Ticinum, and Trier during his vicennial year starting on 26 July 325.1 This type depicts what is usually described as two interlaced wreaths surrounded by the legend CONSTANTINVS AVG ( fig. 1).2 With the exception of the issue from Trier, Constantine used this type as part of the coinage struck for donatives as he stopped in the various mint-towns during the course of his journey from Nicomedia to Rome.3 The only minor variation between the mints is that the coins from Sirmium, Ticinum, and Trier always depict a single star cen- 1 The standard catalogue of the coinage of Constantine I remains Patrick M. -
Byzantine Coinage
BYZANTINE COINAGE Philip Grierson Dumbarton Oaks Research Library and Collection Washington, D.C. © 1999 Dumbarton Oaks Trustees for Harvard University Washington, D.C. All rights reserved Printed in the United States of America Second Edition Cover illustrations: Solidus of Justinian II (enlarged 5:1) ISBN 0-88402-274-9 Preface his publication essentially consists of two parts. The first part is a second Tedition of Byzantine Coinage, originally published in 1982 as number 4 in the series Dumbarton Oaks Byzantine Collection Publications. Although the format has been slightly changed, the content is fundamentally the same. The numbering of the illustrations,* however, is sometimes different, and the text has been revised and expanded, largely on the advice and with the help of Cécile Morrisson, who has succeeded me at Dumbarton Oaks as advisor for Byzantine numismatics. Additions complementing this section are tables of val- ues at different periods in the empire’s history, a list of Byzantine emperors, and a glossary. The second part of the publication reproduces, in an updated and slightly shorter form, a note contributed in 1993 to the International Numismatic Commission as one of a series of articles in the commission’s Compte-rendus sketching the histories of the great coin cabinets of the world. Its appearance in such a series explains why it is written in the third person and not in the first. It is a condensation of a much longer unpublished typescript, produced for the Coin Room at Dumbarton Oaks, describing the formation of the collection and its publication. * The coins illustrated are in the Dumbarton Oaks and Whittemore collections and are re- produced actual size unless otherwise indicated.