Save Outdoor Sculpture! . A Survey of Sculpture in Vtrginia

Compiled by Sarah Shields Driggs with John L. Orrock

J ' Save Outdoor Sculpture! A Survey of Sculpture in Virginia

Compiled by Sarah Shields Driggs with John L. Orrock

SAVE OUTDOOR SCULPTURE Table of Contents

Virginia Save Outdoor Sculpture! by Sarah Shields Driggs ...... I

Confederate Monuments by Gaines M Foster ...... 3

An Embarrassment of Riches: Virginia's Sculpture by Richard Guy Wilson . 5

Why Adopt A Monument? by Richard K Kneipper ...... 7

List of Sculpture in Vrrginia ...... 9

List ofVolunteers ...... 35

Copyright Vuginia Department of Historic Resources Richmond, Vrrginia 1996

Save Outdoor Sculpture!, was designed and SOS! is a project of the National Museum of American Art, Smithsonian Institution, and the National prepared for publication by Grace Ng Institute for the Conservation of Cultural Property. SOS! is supported by major contributions from Office of Graphic Communications the Pew Charitable Trusts, the Getty Grant Program and the Henry Luce Foundation. Additional assis­ Virginia Department of General Services tance has been provided by the National Endowment for the Arts, Ogilvy Adams & Rinehart, Inc., TimeWarner Inc., the Contributing Membership of the Smithsonian National Associates Program and Cover illustration: ''Ligne Indeterminee'~ Norfolk. Members of its Board, as well as many other concerned individuals. (Photo by David Ha=rd) items like lawn ornaments or commercial signs, formed around the state, but more are needed. and museum collections, since curators would be By the fall of 1995, survey reports were Virginia SOS! expected to survey their own holdings. pouring in, and the results were engrossing. Not The definition was thoroughly analyzed at only were our tastes and priorities as a Common­ by Sarah Shields Driggs the workshops, but gradually the DHR staff wealth being examined, but each individual sur­ reached the conclusion that it was best to allow veyor's forms were telling us what they had dis~ volunteers to survey whatever caught their eye. covered personally. Several of the volunteers O ucdoor sculptures enhance America's parks, more discoveries to make. The main intention of SOS! is to develop advo­ wrote letters and called to say how much they had plazas, traffic islands and courthouse squares. With the ambitious goal of inventorying cates for art, to challenge people to open their enjoyed the project, and that they'd never look at They may celebrate heroes, commemorate events every publicly accessible outdoor sculpture in the eyes and appreciate the art around them. And the world the same way again. Many said that from our history or simply beautify a space. United States, the organizers of SOS! chose to since DHR was interested in hearing what each their whole definition of art had changed. Public sculpture forms a visible summary of our recruit volunteers for several reasons. Local vol­ community considered their cultural resourc , Shon essays included here make some pre­ vision of ourselves and our communities; yet often unteers would know where sculpture was located, whether it was an obelisk or a world-famous hot li.mfaary assessment of the scope of Virginia's little thought is given to the sculpture's upkeep. and they would have better knowledge of archival dog stand, these guidelines were eliminating OJlle s ulprure, bur much more information can be Acid rain, pollution, acci­ resources for research. Most importantly, though, potentially interesting surveys. So our definition culled from the files for future scholarship. The dents, vandalism and the volunteers would still be there with their became more inclusive as the survey progressed, urveys can be consulted in the archives at the neglect have taken their knowledge and commitment to the sculpture afrer and this is reflected in the list of sculpcur . If a Department of Historic Resources and through toll on many sculp­ SOS! was over. region was surveyed early in the project, tl1e list Integrated Preservation Software, a resource data­ tures. Save Outdoor The project was coordinated in Virginia by may follow the original SOS! guidelines more base u ed by DHR. Results of the surveys will be Sculpture!, or SOS!, is an the Department of Historic Resources (DHR) rigorously. added ro ch Inventory of American Sculpture, a unprecedented nationwide with help from the Virginia Commission for the SOS! also hopes that the entbusfasm gener­ computerized database at the National Museum campaign to identify and Arts. During 1994 and 1995 over 200 volunteers ated locally will have significant long-term bene­ of American Arr. focus attention on outdoor attended training workshops and fanned out fits in each community. Public educacioo and Virginia's year-long SOS! survey was part of sculpture. across the state to search for sculpture. These vol­ local efforts to clean and maintain ch, rreasures a nationwide effort that has become the largest The National Institute for unteers counted and assessed the condition of are two possible results. A common mi con ep­ volunteer culrural project in America's history. the Conservation of Cultural over 700 works of art-including monuments to tion that plagues outdoor culpture is that if it cuJpcure bas been honored, a tremendous Property and the Smithsonian Confederate and Revolutionary heroes, religious was intended to be out in the elements, it must amount of information has been uncovered and Institution's National Museum of statues, folk art and contemporary sculpture. have been constructed to last forever. No one recorded, and many volunteers have had their eyes American Art initiated SOS!, Inventory reports list the artist, title, date, materi­ expects a car left outside to last a decade without opened to public art. By doing so, SOS! has stim­ inspired by the campaign to clean al, dimensions, location, history and condition of care, but most communities think nothing of ulated interest in caring for sculpture and treating the Statue of Liberty. SOS! aspires to each sculpture. Volunteers worked in teams or leaving a sculpture out for a century or more with it as a vital part of our rich cultural heritage. focus the attention of Americans on alone to inventory anywhere from one to 40 no maintenance. The SOS! survey includes an the sculpture that surrounds them in pieces. Distance travelled ranged from several elementary condition report for which volunteers Sarah Shields Driggs, an architectural historian, their own home towns. The counties to stepping into their garden. Some were coordinated Virgi.nia Save Outdoor Sculpture! for the were briefed during the training workshops. Statue of Liberty teaches us vol­ able to find programs from dedication cere­ Often communities will mobilize to clean and Department ofHistoric Resources. umes about our heritage. monies, articles and historic photographs. Some care for their local sculpture when they discover Photo on facing page: McCallum More Garden, What can we learn volunteers interviewed artists, and even talk to the hazards it is facing. Several groups have Mecklenburg County. (Photo by Brenda Arriaga) from our own town local reporters about the works they surveyed, square? while others were frustrated in their attempts to This booklet is a short find even a title for the sculpture in their area. summary of what we've What is outdoor sculpture? This was the learned so far. Volunteers most discussed question at the training work­ for Virginia SOS! sur­ shops. SOS! defined it as veyed over 700 sculp­ A three-dimensional artwork that is cast, tures and related objects carved, modeled, fabricated, fired or assem­ between September of bled in materials such as stone, wood, 1994 and October of metal, ceramic or plastic, located in an out­ 1995. A list of the sculp­ door setting, and is accessible to the public. tures is contained here, This left many things unsaid, but it is a start. along with thoughts by Types of sculpture that would be omitted were two scholars and an grave markers/tombstones, commemorative works activist on the meaning of that were not three-dimensional or sculptural the list. Sculpture is (such as obelisks), architectural structures such as still being identified, the Gateway Arch in St. Louis, architectural orna­ and there are many mentation such as a keystone, mass-produced "Fountain ofFaith': Falls Church. (Photo by David A. Edwards)

2 Interpreting the meaning of this Confederate statuary proves difficult and, of late, Confederate Monuments increasingly controversial. The sculpture itself contributes to this. Only a few (those in by Gaines M. Foster Arlington cemetery and at the Virginia Military Institute, for examples) take allegorical form. C onfeder~te monuments, silent sentinels of a patterns. The statue in Bath County, for example, And although memorials to officers are often Lost Cause, dot the physical and crowd the sym­ was made by McNeel, and local lore, probably heroic and martial, typical monuments to enlisted bolic landscape of the South. In the first decades apocryphal, has it that the company first sent a men are surprisingly matter-of-fact. They rarely after the Civil War, white southerners most often Union soldier. But Virginia's Confederate monu­ have martial poses; most feature a soldier at rest, placed Confederate monuments of funereal ments are probably more numerous and possibly not in attack or even at the ready. Such a pose design, simple obelisks for example, in cemeteries. more diverse and artistic than those of any other can hardly be interpreted as a call to arms or as Later, in the 1890s and, increasingly after 1900, southern state. Several factors contributed to this. any very definitive statement. Like the designs, they erected soldiers in the center of town. These Many of the war's battles took place in Virginia, the inscriptions offer limited help in fixing an became the most common statues since the Richmond served as the capital of the interpretation of these monuments. A few men­ majority of Confederate monuments were erected Confederacy, two of the South's most celebrated tion the defense of states rights, more refer only to between 1895 and 1912. The United Daughters leaders-Robert E. Lee and Stonewall Jackson­ the Cause and the Dead, most are cryptic at best. of the Confederacy, founded in 1895, played a were natives of the state, and Virginians pioneered Only one thing seems sure. This impressive central role in creating this marble and bronze cel­ several of the efforts to memorialize them and the sculptural legacy testifies to the importance white ebration of the Confederacy. But the Daughters Confederacy. Virginia thus became the site of Virginians, in the years between the Civil War were helped by aggressive companies that cam­ several large, ornate monuments paid for by and World War I, placed on memorializing the paigned to sell their products. One, the McNeel regional fund-raising campaigns. Even local com­ Confederacy. The process began in mourning the Robert E. Lee Monument, Richmond. (Photo by john Orrock) Marble Company of Marietta, Georgia, even munity efforts in the state, though, often resulted loss of the Confederacy and its dead, as southern­ offered easy credit terms (to ensure soldiers were in original statues designed by individuals rather ers placed funereal monuments in cemeteries. see only homage to self-sacrificing, dutiful soldiers honored before they died, of course) and free than simply bought from marble companies. The stone pyramid in Richmond's Hollywood or a symbol of "southern tradition." Still other marble breadboards to UDC officers who agreed Some of these sculptors were not Virginians, and Cemetery is one of the most distinctive, and southerners, African-Americans among them, see to buy a monument. As a result many almost all of the casting of the bronze was done strangely haunting, of these funereal monuments. in these monuments an affront, a reminder if not Confederate monuments were mass produced; outside the state. Nevertheless, five artists with Later, roughly from 1890 to 1912, as they placed a celebration of the days of slavery and white some even resembled the soldiers comfianies made Virginia ties-Edward Valentine, Moses Ezekiel, monuments of common soldiers in towns, the 11 supremacy. The problem lies not with the statues. for Civil War memorials in the North. William Couper, William L. Sheppard, and F. former Confederates celebrated what they consid­ They have become part of the landscape and his­ The placement and design of Virginia's William Sievers-designed several pieces. ered the justness of their cause, the glory of their tory of Virginia and the South. The problem lies Confederate monuments generally follow regional Some of their works honored individual leaders, and the heroism and loyalty of their in how southerners interpret that history, how Confederate leaders. Richmond's Monument armies. These monuments, though, celebrated they make these silent sentinels speak to new gen­ Avenue boasts a massive mounted Lee, by France's not just the past, but, like much public sculpture, erations. Confederate monuments inevitably M. Jean Antonin Mercie; an ornate tribute to a vision of what the present and future should be. serve as a reminder of that past, but they can Confederate president Jefferson Davis, by The absence of martial imagery indicates a South either be symbolic of its perpetuation or its trans­ Richmond's own Valentine; as well as statutes to at peace with its place in a reunited nation. The formation. Jackson, a second to him in Richmond; J.E. B. difference in designs between statues to leaders and soldiers also suggests that many in turn-of­ Stuart; and Matthew Fontaine Maury. Not just Gaines M Foster is a professor ofhistory at Richmond but other Virginia cities have monu­ the-century Virginia envisioned a society of aristo­ Louisiana State University in Baton Rouge. His cratic leaders and dutiful common men. And as ments to Lee and Jackson, and several other book, Ghosts of the Confederacy: Defeat, the Lost monuments not just to the cause and its dead but wartime leaders have statues honoring them. Cause, and the Emergence of the New South, also to the status quo, these memorials inevitably But Virginia's Confederate monuments, like 1865-1913 (198 7), established him as an expert on honored a society that subordinated African­ those in the rest of the South, more often hon­ Confederate sculpture. ored the Confederate private or enlisted man. Americans. After all, the cause that was memorial­ These include many obelisks and soldiers in a ized had included a defense of slavery, and the NOTE 111 variety of poses. The majority of the bronze or present was built on segregation. For more on Confederate monuments, see Stephen Davis, marble soldiers stand relaxed, holding their rifle Today, the interpretation of these truly "Empty Eyes, Marble Hand: The Confederate Monument in by the barrel as its butt rests on the ground. But silent sentinels has become even more problemat­ the South," Journal ofPopular Culture 16 (Wlnter 1982): 2- Virginia communities also chose soldiers holding ic. In a few cities, people have sought to have 21; John J. Winberry, "'Lest We Forget': The Confederate their rife at present arms (in Lynchburg, for exam­ them moved to ease the flow of traffic. The mon­ Monwnent and the Southern Townscape," Southeastern ple), holding a flag (in Norfolk), searching the uments' supporters decry this as sacrilege. For Geographer23 (November 1983): 107-21; Gaines M. Foster, horiwn (in Monterey), or simply with their arms some of their champions, these statues still stand Ghosts ofthe Confederacy: Defeat, the Lost Cause, and the Confederate Memorial, Bath County. (Photo by for the society defended by those they honored Emergence ofthe New South, 1865-1913 (New York: Oxford Wilma Mangione) folded (in Alexandria, for example). and created by those who erected them. Others University Press, 1987).

3 4

I Pump Elementary. One of the greatest treasures is An Embarrassment of Riches: the sculpture garden done between 1934 and 1938 at Fontainebleau in King William County by Hylah Virginia's Sculpture Edwards Robinson. Her children had left home when Mrs. Robinson, with no prior training as a by Richard Guy Wilson sculptor, began modeling in cement a series of figures that ranged from '~and Eve'' to a reclining "Greta Garbo" • "Foun d" pieces. of. rron an d oth er materials were used as armatures fur the figures and L e rultural wealth ofVrrginia overwhelms, and Washington (1847-68) surrounded by six native an automobile tire served as a mold for the edge, of one of the greatest revelations lies with its sculpture. sons (Jefferson, Henry, Marshall, Mason, Nelson and the bird baths. She sculpted her own self-portrait, a Beyond the prolific Civil War memorials a very dif-. Lewis), six allegorical figures with eagles, designed by variety of animals, "P<>Clbootas'', "Shirley Temple'', ferent picture emerges, ranging from historical Thomas Crawford and Randolph Rogers in Capitol "Charlie Chaplin'', a "Hawaiian Girl'', several of memorials such as E. J. Hamilton's Booker T. Square, Richmond The Commonwealth has the her children and at least twenty more people and Washington (1984) at Hampton University, to distinction of having commissioned, through objects. They sit in a remarkable display comment­ visionary folk sculpture such as Abe Criss's Deer Thomas Jefferson, one of the earliest pieces of ing on the conjunction of cinema, Vrrginia, personal (1985) in Midlothian. Sculptures function in many American monumental sculpture-the George George Washington Equestrian, llichmond. (Courtesy ofthe history, and figures from mythology. ways: they com­ Washington (1788-91), modeled from life by the Library ofVirginia) Wonderful conjunctions demonstrate the memorate wars Frenchman, Jean-Antoine Houdon, that graces the range ofVrrginia sculpture. Consider a comparison such as Charles rotunda in the Vrrginia State Capitol. This well­ has become passe since World War II, but a variation of the large Turkey (1955) by J. Norwood Keck's "The known sculpture was subsequently reproduced many has developed, the reutilization of sculptural frag­ Bosserman and Carl A Roseberg in Rockingham listening Post'' times across the United States including at the ments from demolished buildings as embellishments County which symbofues the areas primary product (1926) at Vrrginia Military Institute (1856) and the University and memorials. Among two of the most notable with the strange and almost surreal effect of another Lynchburg, or ofVuginia (1913). At the modem end of the spec­ "recycling'' of architectural sculpture are coincidentally livestock piece, ''Fanner Slopping the~' (1989) they may cele­ trum Vrrginia possesses the first Viet Nam War both eagles. The Art Deco Eagles by Rene by Richard Beyer, located along a commercial strip in brate commerce memorial (1982) in the United States at Westmore­ Chambellan, in front of the Best Corporate Falls Church. In Vrrginia many themes compete for such as RCA's land County. Among the most popular modem his­ Headquarters outside of Richmond used to be atop the public attention and demonstrate how important Nipper (c. 1950) torical sculptures is the nine-foot tall Bill "Bojangles'' the Airlines Terminal Building (1940) in New York sculpture has been for our landscape. in Fair&x. They Robinson (1973) in Richmond, by Jack Witt com­ Vrrginia also can claim a Beaux-Arts Eagle by A A can be private memorating the vaudeville singer and tap-dancer. Weinman, now at Hampden-Sydney College and Richard Guy Wtlwn, Chairman ofthe Department of meditations such Vuginia possesses what must be the most serving as a World War II memorial. This eagle used Architecturttl. History at the School ofArchitecture, as the Diamond widely known of recent sculptures, the gigantic-100 to adorn McKim, Mead and White's Pennsylvania University ofVtrgi.nia, Charlottesville, is a noted scholar Peters Mauso­ tons of cast brom.e-lwo Jtma or the Marine Corps Station (1902-11) also in New York specializing in the field ofAmerican design. leum, (c. 1982) War Memorial, (1945-51 ), in Arlington, by the , Although modem art seldom comes to mind designed by her Hungarian-born sculptor, Felix de Weldon. Weldon in thinking about Vrrginia, the state does possess a Photo on facing page: "The Listening Post': Lynchburg. husband where is amoqg the most important of recent figurative number of remarkable works, such as Alexander (Photo by Robert D. Cook) she is presented monumental sculptors in this country. He modeled Liberman's ''Th>pe f' (1986), Norfolk, an energetic, Photo beww: Turkey, Rockingham County. (Photo by Melba as a bride and as a mature woman. A huge diamond it on the funous photograph by Joe Rosenthal of the abstract interlocking ofsheet metal, or Hany Bertoias Myers) ring stands in front of the mausoleum! Or sculptures flag-raising on Mount Suribachi, February 23, 1945. Sowiding Piece (1978) in Richmond of swaying can be public affirmations such as the internationally­ The three surviving Marines posed as models, and de and chiming copper rods. Among the most known Swedish sculptor Carl Milles's Fountain of Weldon used photographs of the three who had per­ acclaimed works in Vuginia is "Dade Star P.uk" in Faith (date unknown) in Fairfax. Behind every ished. Both the strain of the action and the underly­ Rosslyn, (1979-84) by Nancy Holt. Designed as an sculpture stand individuals-those responsible for the ing heroism are captured in the thirty-foot tall figures. environmental work that is as much about its site as design, those who cast or otherwise made it, and then Architectural sculpture, or attachments to its forms, the piece commemorates Rosslyn. Every the people who had an inspiration, collected funds buildings plays an important role in conveying mes­ August 1st, the date of the acquisition of the land on and commissioned the piece. Such diversity, from sages. Among the many with intriguing histories is which the city was built, the shadows of the poles and the public to the private, and from the trained profes­ the pediment on Cabell Hall at the University of rods align with permanent lines laid out on the sional arrisJ: to the naive folk artist, is part ofVrrginias Vrrginia by George J. Z.Olnay (1898). The figures-­ ground But the large forms also speak of a deeper sculptural heritage. partially nude females-were intended to convey the more archetypal imagery, reconnecting the viewer History abounds in Vrrginia, and consequently classical spirit of Greco-Roman learning to the hea­ with the earth. sculptures dealing with the Commonwealth's past then students. Problems erupted when Z.Olnay could How to define folk sculpture can be trouble­ proliferate; notably P<>Clbontas (1906) by William not persuade any (proper) females to pose in the buff. some. It can range from works such as Wallace Ordway Partridge, which stands at Jamestown, and He finally prevailed upon the inhabitants of a local Elliott's nine foot high Lighthouse (c. 1941) in Americas second equestrian sculpture of George bordello to serve as models. Architectural sculpture Hampton, to a Totem Pole (1994) composed of pieces of clay done by a fourth grade class at Short 5 6 Confederate art or souvenirs at the Texas State the power of people and never underestimate Fair. Their incredible efforts, plus funding from the importance of public art to people! Dallas' Why Adopt A Monument? the Texas Department of Transportation through Adopt-A-Monument is a tribute to both, and a federal program established by the lntermodal hopefully our experiences and successes will stim­ by Richard K. Kneipper Surface Transportation Efficiency Act of 1991, ulate others to create their own Adopt-A­ ,,n will allow Adopt-A-Monument to commence the Monument programs in their communities. All it r eople today don't care about old outdoor families, all of whom contributed pennies, quar­ restoration of this important monument this takes is someone like you or your organization to sculptures." That was the consistent advice I ters and dollars. This event was followed the next spring. decide that adopting a monument is a good received in 1987-1988 when I proposed the for­ year by a Halloween Costume Party at the Dallas In 1992 Dallas Adopt-A-Monument was investment - a good investment in mation of Adopt-A-Monument in Dallas, Texas. Zoo that was attended by many hundreds of fam­ selected by the national Save Outdoor Sculpture! your community's future, a good "Too many charitable organizations" and "money ilies and children from youth organizations (SOS!) program of the National Museum of investment in your future and a is tight" were the other bits of advice offered. throughout Dallas, who enjoyed making home­ American Art of the Smithsonian Institution and good investment in our children's Ignoring such conventional wisdom, Dallas' made sculptures, learned about caring for outdoor the National Institution for the Conservation of future! Adopt-A-Monument was formed in 1988 and has art and contributed several thousand dollars. The Cultural Property to become its Dallas SOS! coor­ become a wonderful testimonial to the vast num­ publicity from these events attracted the interest dinator. With the help of another small army of bers of people who care about our art in public of a private donor, who contributed the remaining volunteers, including students in the Art History Richard Kneipper, an attorney places. Since its formation Adopt-A-Monument funds needed to complete the $20,000 restoration. Department at Southern Methodist University, we in Dallas, is the Chairman has restored 11 outdoor sculptures and monu­ Another exciting Adopt-A-Monument inventoried the location, history and condition and Co-Founder ofAdopt-A­ ments in Dallas at a cost of over $250,000, and event occurred in February 1990 when Dallas of over 275 outdoor monuments and sculp­ Monument in Dallas, Texas, we currently have two more in the restoration radio personality Ron Chapman ofKVIL-FM tures in the six-county Dallas PMSA. and an outspoken advocate of process for an additional approximately $40,000. asked his huge audience to contribute pennies, Thanks to a 1995 matching grant public art. We were also instrumental in saving "Genesis," a appropriately, on Lincoln's Birthday to restore the from SOS!, we are now engaged in huge outdoor wall mosaic by Miguel Covarrubias, historic George Bannerman Dealey Monument at creating, with the substantial from destruction, and it now resides triumphantly Dealey Plaza in Dallas. Thousands of KVIL lis­ expertise and assistance of on a wall outside our art museum. teners responded with several tons (literally!) of the School of Visual Arts at the University of And how did we do all of this? Through pennies. The response was so overwhelming that the incredible, diligent efforts and hard work of it was repeated for several days, and later was fol­ North Texas in hundreds and hundreds of volunteers who care lowed up with an equally well-received request to Denton, Texas, a program to train and Vandals muti/,ated the orginal fiberglass version about outdoor art. Adopt-A-Monument is a contribute dollars on Washington's Birthday (we educate public school teachers and other educators in the Dallas ofthe The Headman. The ensuing public out­ totally private volunteer effort with no paid staff thought about but rejected a similar plan for cry impired private donatiom; added to the imur­ PMSA, who would then teach and no overhead expenses - and thus 100 cents Grant's Birthday!). The pennies and dollars added ance reimbursement, these funds enab/,ed the scultptor to other teachers, who would then of every dollar we raise goes for restoration of our up to nearly $11,500, and the campaign went off cast a bronze duplicate. It now stands in the same public art. We work closely with the Office of the chart when the A. H. Belo Corporation, the teach their students, regarding Richmond wcation as the first statue - a testament to the emotional power ofpublic sculpture. (Photo by John Orrock) Cultural Affairs of the City of Dallas in an excel­ publisher of The Dallas Morning News which was the artistic and historical importance and role of art in lent example of how private-public partnerships founded by George Bannerman Dealey, con­ outdoor places. can succeed. We also team with a wide cross-sec­ tributed an additional $20,000. My message from the tion of individuals, organizations and companies Another wonderfully successful example above examples is clear - never throughout Dallas who care about our public art. was the collaboration between Adopt-A­ underestimate Since Adopt-A-Monument has no resources Monument and the Dallas Southern Memorial of its own (other than one very critical element­ Association in 1991 to raise the funds to restore a small, enthusiastic, creative and persistent core the historic Robert E. Lee and Confederate group), our role is to act as a catalyst to get local Soldier monument by A. P. Proctor. Almost individuals, organizations and companies excited $50,000 was raised during over one year of con­ about the artistic and historical heritage of our tinuous effort by this hard-working group of public art by helping to organize fund-raising civic-minded women. events to adopt a monument or part of a monu­ Our most recent successful collaboration ment. A wonderful example of this excitement was with the Dallas Chapter 6 of the United was "Indians and Wild Things", a fun party spon­ Daughters of the Confederacy, who in 1896 had sored by the Dallas area YMCA Indian Guides contributed Dallas' oldest, historically significant and Princesses programs, the Dallas Zoo and monument, the Confederate Monument by Adopt-A-Monument to raise money to restore the Frank Teich. This indefatigable group of southern "Bird and Reptile Mosaic" by Merritt Yearsley at heritage enthusiasts labored for over three years to the Dallas Zoo. The party was attended by nearly raise money from bake sales, garage sales, an one hundred kids in their Indian outfits and their annual "Confederate Christmas" party and sale of

7 8 AMELIA COUNTY Sculptures in Virginia * Sailors Creek Battlefield Memorial, artist unknown, dedicated 4/6/1990, Sailors Creek Battlefield Park. Confederate Memorial, artist unknown, dedicat­ ed 7/15/1905, Amelia County Courthouse. Le following is a list of sculpture surveyed by Confederate Memorial, artist unknown, dedicat­ volunteers for Virginia Save Outdoor Sculpture! ed 1899, Mary and Cassatt streets, Parksley. (SOS!) during 1994 and 1995. This is not a AMHERST COUNTY comprehensive list of Virginia's sculpture, but * Confederate Memorial, artist unknown, 1922, should be considered a stepping stone to more 100 Goodwin Street, Amherst. "Dark Star Park", Arlington. (Photo by David A. Edwards) information about public art across the common­ LOCATED AT VIRGINIA CENTER FOR THE wealth. If you would like to survey sculpture that CREATIVE ARTS: * Lyndon B. Johnson Memorial, artist is not included here, please contact the "3 Towers", by Kate Ritson, 1994. unknown, n.d., Lyndon B. Johnson Park. Department of Historic Resources. "That's Seven'', by Rodger Mack, 1993. "Jaycee's Creed", by Una Hanbury, 1969, Wilson Boulevard and Courthouse Road. The definition of outdoor sculpture used "Wmdbreak Steel", by Tom Lingeman, 1985. nationally for Save Outdoor Sculpture! is Untitled ("OE"), by Aharon Bezalel, 1994. "Invisible Forces", by Jim Sanborn, 1987-1988, 2500 Wilson Boulevard at Cleveland Street, "5 Lanterns", by Naomi Bitter, n.d. A three-dimensional artwork that is cast, Rosslyn. carved, modeled, fabricated, fired or assem­ "Swing Dunhoe Swing", by Hanno "Dark Star Park'', by Nancy Holt, dedicated bled in materials such as stone, wood, Ahrens, 1989. 6/1/84, Fairfax and Fort Myer drives. metal, ceramic or plastic, located in an out­ "Las Animas", by Leah Jacobson, 1991. door setting, and is accessible to the public. "David, Hoggit & Adoniyya'' , by Boaz Vaadia, "Bravo Bartok", by Rodger Mack, 1985. dedicated 6/26/1992, 1300 North 17th Street Sculptures that were excluded for various reasons "Burned House", by Greg Edmondson, 1992. Plaza. include grave markers and tombstones, architec­ "Bound Eros", artist unknown, n.d. "Cupid's Garden'', by Christopher Gardner, dedi­ tural ornament, commemorative works that are cated 2/14/1994, Oak and Clarendon streets. not sculptural (such as simple obelisks), and mass­ "Walnut Elm'', by Lorca Marello, n.d. produced sculpture. Museum collections are to "Moontree Series", by Lorca Marello, "Rebirth'', by Ano T chaknaktchian, 1987, 15 50 be surveyed separately by museum personnel. For 1987. Clarendon Boulevard. Three Geese, Accomack County. (Photo by William H Turner a further discussion of the criteria, please see the and David H Turner) "Stacked Maze", by Wanda Habenicht, 1987. "Interplay'', by John Safer, 1988, 1560 Wilson introduction. Boulevard. LOCATED AT SWEET BRIAR COLLEGE: Asterisks indicate a piece that was sur­ (*) Christ, artist unknown, founded by Granite Curvilinear Sculpture, by Charles Perry, 1988- veyed but deemed outside the criteria established CITY OF ALEXANDRIA Bronze Co., n.d. 1989, 2345 Crystal Drive. by national SOS! These pieces will not appear in designed by John Elder, sculpted ''Appomattox'', "Bob Walking'', artist unknown, n.d. "Communications", by Gilbert Franklin, 1988, the Inventory of American Sculpture, but the sur­ by Casper Buberl, 1889, Prince and Washington Ceramic Chip Sculpture, by Ann Lindquist, 1100 Wilson Boulevard. veys are filed at the Department of Historic streets. 1991. Resources. ''Anna & David", by Miriam Schipiro, dedicated Ben Franklin, by G. W Lundeen, 1989, 100 Actual titles appear in quotes. Titles listed Daisy Williams Monument, artist 10/22/1987, 1525 Wilson Boulevard. Daingerfield Road. without quotes were created to differentiate unknown, 1884-1885. "Chicago Titan'', by Raymond Kaskey, 1991, "Generations", by A. Joseph Kinkel, 1985, 601 among the overwhelming number of unknown "Bobby's Kite", by Robert Cooke, n.d. 1530 Wilson Boulevard, Rosslyn. North Fairfax Street. and untitled pieces surveyed. Because many sculp­ "Serendipity'', by Lin Emery, 1981. "Two or Three", by Dennis Jones, dedicated tures were recorded this way, alphabetical order "Brio", by Jimilu Mason, dedicated 4/2/1983, 10/10/1987, 4601 North Fairfax Drive. Market Square, 300 Block King Street. "Tulikivi", by Julia B. A. Brooks, 1990. within each city or county seemed arbitrary. Rough Granite Slabs and Pool, artist unknown, "My World", by Susan Overstreet Carter, "Elk", artist unknown, n.d., 318 Prince Street. n.d., 1100-1110 North Glebe Road. ACCOMACK COUNTY 1991. "Justice Delayed, Justice Denied", by Raymond Netherlands Carillon and Panthers, Mrs. E. Van Francis Makemie Memorial, artist unknown, Kaskey, 1994-5, U.S. Court House. APPOMATTOX COUNTY Den Grinten (Bells), Paul Konig (Panthers), dedi­ copy of an Alexander Stirling Calder, 1908, Cross cated 5/5/1960, north of Arlington National Confederate Memorial, by J. Henry Brown, ded­ and Back streets, Accomac. ALBEMARLE COUNTY Cemetery, off Marshall Highway. icated 6/6/1906, Appomattox Courthouse. Three Geese, by William H. and David H. "James Monroe", by Attilio Piccirilli, 1897, "Navy-Marine Memorial", by Ernesto Begni Del Turner, 1995, Boston Road, Pungoteague. Ashlawn-Highland. ARLINGTON Piatta, dedicated 1934, Lady Bird Johnson Park. Fish, by William Turner, 1995, Main and High * Marble Pyramid, artist unknown, n.d., 4201 "The Hiker", by Theodora A. R. Kitson, dedicat­ streets, Wachapreague. Wilson Boulevard. ed 7/24/1965, between Memorial Bridge and Arlington National Cemetery.

9 10 "The United States Marine Corps War "Philip Kearny Monument'', by E. C. Potter, BOTETOURT COUNIT CAROLINE COUNIT Memorial", (commonly known as the lwo Jima 1914. * Confederate Memorial Obelisk, artist Confederate Memorial, by J. Henry Brown, ded­ Memorial) by Felix de Weldon, dedicated Theodore Wmt Grave, artist unknown, 1908. unknown, dedicated 7/20/1902, Route 11, icated 7/25/1906, Caroline County Courthouse, 11/10/1954, Arlington Boulevard and Ridge Emerson Hamilton Grave, artist unknown, Buchanan. Bowling Green. Road. c. 1890. * Confederate Monument, founded by A. J. "Seabees Memorial", by Felix de Weldon, 1971, Henry W. Lawton Grave, by Myra Wray, 1904, Botetourt County Courthouse, between Memorial Bridge and Arlington National Reynolds Richards, 1922. Fincastle. Cemetery. William Worth Belknap Grave, by Carl "Madonna and Child", by William H. ''American Militia'', by Felix de Weldon, dedicat­ Rohl-Smith, 1897. Rutherford, circa 1987, 540 Lee Lane, Fincastle. ed 1966, Army National Guard Readiness Center, Saint Fiacre, by William H. Rutherford, n.d., George Mason Drive. Benjamin F. Kelley Grave, by W S. Davis, c. 1861. 540 Lee Lane, Fincastle. "Minute Man'', by Felix de Weldon, 1965, Army McKee Grave, artist unknown, c. 1890. National Guard Readiness Center, George Mason CITY OF BRISTOL Christman Grave, artist unknown, c. 1899. Drive. Landmark Bridge Between Two States, artist LOCATED AT ARLINGTON NATIONAL CEMETERY: Emerson Whitman Grave, by Gutzon unknown, 1915, State Street and Third Street. Borglum, c. 1913. * ''Ann.ored Forces Memorial", artist Confederate Memorial, artist unknown, dedicat­ unknown, n.d. Watkins Grave, artist unknown, c. 1890. ed 5/27/1910, State and Randall streets. "Field Marshall Sir John Dill", by Richard Worsham Meade Grave, by The Bristol War Memorial, by Maria Kirby­ Herbert Hasaltine, 1950. Hartley, 1894. Smith, dedicated Memorial Day, 1991, Confederate Memorial, by Moses Ezekiel, Sargent Grave, by Hans Schuler, 1911. Cumberland and Lee streets. dedicated 6/14/1914. "Newsboy 'Extra! Extra'", by Joe Kintel, 1987, Thomas]. "Stonewall" Jackson, Charlottesvilk. BATH COUNIT "lOlst Airborne Division Memorial", artist 320 Bob Morrison Boulevard. (Courtesy ofthe Library ofVirginia) unknown, n.d. Confederate Memorial, by McNeel Marble Company, dedicated 9/20/1922, Bath County "Rear Admiral Richard Evelyn Byrd", by CARROLL COUNTY Courthouse, Warm Springs. Felix de Weldon, dedicated 11/13/1961. Confederate Memorial, artist unknown, dedicat­ Christ, by Don Blanchard, 1990-1991, Routes "Military Nurses Memorial", by Frances ed 7/4/1908, Carroll County Courthouse, 633 and 635. Rich, dedicated 1939. Hillsville. "Giggling Spirit'', by Ann Sams, 1992, River Ridge Ranch, Millboro. CHARLOTIE COUNIT t Scrap Metal Horse, by Ann Sams, 1993, River Confederate Memorial, artist unknown, dedicat­ Ridge Ranch, Millboro. ed 8/27/1901, Charlotte County Courthouse. Pinwheel, by William Ferguson, 1994, River Busts of Claudio, Augusto, Cesare, Nerone, Ridge Ranch, Millboro. Domitian, and Trajan, possibly by Alexander Galt, before 1930, Charlotte County Library. CrIT OF BEDFORD "Elk's Rest", by Eli Harvey, 1909, Elks National CrIT OF CHARLOTIESVILLE Cemetery, Bedford. Thomas J. "Stonewall" Jackson, by Charles Elk, by Eli Harvey, 1904, Elks National Home, Keck, dedicated 10/19/1921, Jackson Park. Bedford. Confederate Memorial, by American Bronze Foundry Co., dedicated May 5, 1909, Albemarle BEDFORD COUNIT "Today's Miner': Buchanan County. (Photo by County Courthouse. David A. Edwards) Rhinoceroses, by Mark Cline, completed "Saint Thomas Aquinas", by Father Henry 6/23/1992, Route 460 and Wheatland Road, "Hearts on a Porch Swing", by G. W Lundeen, Mascotte, late 1970s, Alderman and Kent roads. Bedford. 1986, 320 Bob Morrison Boulevard. "Faces of Belief", by David Breeden, 1987, "Boy on Bicycle", by Blair Muhlestein, n.d., 320 Thomas Jefferson Memorial Church. BLAND COUNIT Bob Morrison Boulevard. "Oasis", by David Breeden, 1990, 853 West Confederate Memorial, artist unknown, 1911, Main Street. Bland County Courthouse. BUCHANAN CoUNIT "The United States Marine Corps ~r Memorial': "Professors in Conference", by David Breeden, Arlington. (Photo by David A. Edwards) "Today's Miner'', by Gary Prazen, 1982, 1986-1987, Piedmont Virginia Community Buchanan County Courthouse, Grundy. College.

11 12 Lewis and Clark, by Charles Keck, dedicated "George Washington'', copy of original by * Monument to 28th Regiment CITY OF EMPORIA 11/21/1919, West Main and Ridge streets. Jean-Antoine Houdon, dedicated 1913. New York Volunteers, artist Confederate Memorial, artist "Paul Goodloe McIntire", by Cathe Mowinckel, unknown, 1902, National Homer, by Moses Ezekiel, dedicated unknown, 1910, Greensville dedicated 6/11/1961, 200 Second Street, NW Military Cemetery. 6/10/1907. County Courthouse. "Unfolding Minds", by David Breeden, 1991, Thomas Jefferson, by Lloyd Lillie, dedicat­ * Cannon Monument, artist Paul Cale Elementary School. ed 4/13/1978. unknown, c. 1867, National ESSEX COUNTY Military Cemetery. "Benefactress", by David Breeden, 1989, Kluge Thomas Jefferson, by Moses Ezekiel, dedi­ Confederate Memorial, artist Children's Rehabilitation Center. cated 6/15/1910. unknown, 1906-1909, Essex "Family'', by David Breeden, 1981, 411 East Confederate Monument, by Casper CUMBERLAND COUNTY County Courthouse, High Street. Buber!, 1893, University Cemetery. * Memorial to Nash P. Snead, Tappahannock. M.D., artist unknown, circa 1955, Lion with Cub, Foundries CITY OF CHESAPEAKE High Street, Cartersville. D'Art, Paris, n.d., Route 17, "The Prophets", by Bernhard Zuckermann, * Confederate Memorial, artist Tappahannock. 1960, Chesapeake Memorial Garden. unknown, dedicated 11/28/1901, Bibles, by Bernhard Zuckermann, 1966, Cumberland County Courthouse. CITY OF FAIRFAX Chesapeake Memorial Garden. * Grave Stone of Charles Irving Confederate Memorial, by J. F. Thornton, artist unknown, c. Confederate Memorial Dinwiddie Manning, September 1890, CHESTERFIELD COUNTY 1842, Oak Hill Plantation, County. (Photo by David A. Edwards) Fairfax City Cemetery. * Henricus Obelisk, artist unknown, dedicated Cumberland State Forest. John Q. Marr Memorial, artist 1910, Henricus Park. unknown, dedicated 6/1/1904, CITY OF DANVILLE * Henricus Cross, artist unknown, dedicated Fairfax County Courthouse. 1911, Henricus Park. * UDC Marker, artist unknown, dedicated 1927, Danville Museum of Fine Arts and History. COUNTY OF FAIRFAX Deer, by Abel Criss, 1985, 12520 Old Buckingham Road, Midlothian. * Last Capitol of the Confederacy Monument, * Grotto, artist unknown, c. 1910, St. Mary's designed by W Byrd, B. Beard, and J. Burns, Catholic Church, Clifton. Figure Holding Globe, by Maurice Beane, dedi­ 1/6/1995, Danville Museum of Fine Arts and cated 5/5/1994, 12701 North Kingston Avenue, "Nipper", artist unknown, circa 1950, 8731 Lee History. Chester. Highway. (Sculpture was moved to Baltimore, Harry Wooding Memorial, artist unknown, n.d., Maryland after the survey was completed.) Confederate Memorial, artist unknown, 1903, City Hall. Chesterfield County Courthouse. Baptismal Font, artist unknown, c. 1910, St. Mary's Catholic Church, Clifton. Girl with Ducks, artist unknown, n.d., LOCATED IN THE GREEN HILL CEMETERY: Arboretum VI, Midlothian. * Arnett Cemetery Plot, artist unknown, Bear with Fish, by T. R., 1993, Intersection of circa 1891. Route 123 and Interstate 95. CLARKE COUNTY * Cast Iron Fence, artist unknown, circa 1920. The Swimmer, by Parker, 1990, Lake Newport "The Aviator': Charlottesville. (Photo by Marc Wagner) * Monument to the Clarke County Confederate Boisseau Grave, by Van Gunden, circa 1872. Olympic Swimming Pool. Dead, carved by Deahl Messrs. & Bros., 1892, Shelton Mausoleum, artist unknown, circa Bent Metal Plate Form, by Katzen, 1975, Robert E. Lee, by Henry Shrady and Leo Route 340, Old Chapel. 1891. Fenwick Library, George Mason University. Lentelli, dedicated 5/21/1924, Lee Park, Market Confederate Memorial, artist unknown, dedicat­ Holland Grave, founded by Gross and Rowe, Bent Rusted Metal Column, artist unknown, c. and Jefferson streets. ed 7/21/1900, Clarke County Courthouse, circa 1889. 1985, George Mason University. LOCATED ON THE UNIVERSITY OF VIRGINIA Berryville. Barrett Grave, artist unknown, circa 1904. CAMPUS: Bowed Figure, by David Roberts, 1948-1949, CITY OF FALLS CHURCH Letitia F. Walker Monument, artist unknown, Cabell Hall Pediment, by George Julian Route 620, Boyce. "Farmer Slopping Pigs", by Richard Beyer, circa 1877. Zolnay, dedicated 6/14/1898. 5/6/1989, 1231 West Broad. Dula Long Mausoleum, artist unknown, circa George Rogers Clark, by Robert Aitken, CRAIG COUNTY LOCATED AT THE NATIONAL MEMORIAL PARK, 1928. dedicated 11/3/1921, University Avenue. Confederate Memorial, artist unknown, dedicat­ 7 400 LEE HIGHWAY: Confederate Memorial, by M. Hayes, dedi­ "Tutorial", by David Breeden, 1986. ed May 1912, Craig County Courthouse, New "The Breeze", artist unknown, n.d. cated 9/3/1878. "The Aviator", by Gutzon Borglum, 1918. Castle. Christ, possibly by Bernhard Zuckermann, n.d.

Thomas Jefferson, by Bitter, 1915-16. DINWIDDIE COUNTY "La Sirene", by Denys Puech, 1901. CULPEPER COUNTY "Virginia White-tailed Deer'', by William Confederate Memorial, by Ben Campbell, dedi­ "The Sunsinger", by Carl Milles, n.d. * Monument to Pennsylvania Soldiers, artist H. Turner. cated 11/27/1909, Dinwiddie County Female Figure, by William Couper, 1886. unknown, 1909, National Military Cemetery. Courthouse.

13 14 "The Last Supper", by Bernhard n.d., Cedar Creek Grade, near Shenandoah GILES COUNTY Zuckermann, 1971. County boundary. Weathervane, artist unknown, n.d., Giles County "Merope", by Randolph Rogers, n.d. * Ramseur Monument, artist unknown, 1919, Courthouse, Pearisburg. Memorial to the Four Chaplains, by Route 11 South, near Belle Grove Plantation. Confederate Memorial, artist unknown, 1909, Constantino Nivola, dedicated 9/25/1955. * 128th New York Regiment Monument at Giles County Courthouse, Pearisburg. "Family Love", by Bernhard Zuckermann, Cedar Creek, artist unknown, 1907, Route 11 1970. South, near Belle Grove Plantation. GLOUCESTER COUNTY "Companions", by Bernhard Zuckermann, * Cedar Creek Monument, artist unknown, c. * Confederate Memorial, artist unknown, dedi­ 1970. 1925-1929, Route 11 South, near Belle Grove cated 10/18/1889, Gloucester County Plantation. Pieta, by Berhard Zuckermann, 1972. Courthouse. Christ at Gethsemane, by Bernhard "Fountain of Faith'', by Carl Milles, n.d. Pocahontas, by Adolf Sehring, November 1994, Zuckermann, 1968, Shenandoah Memorial Park. Main Street, Gloucester. Mother and Child, artist unknown, n.d. Veteran's Memorial, designed by Mathews International Corp., dedicated 5/25/1992, GOOCHLAND COUNTY FAUQUIER COUNTY Shenandoah Memorial Park. * James Pleasants Memorial, artist unknown, * Mosby Monument, artist unknown, 1928, Memorial to Lt. Col. Richard Snowden dedicated 6/1/1929, Cardwell and Genito roads. Main Street, Marshall. Andrews & the First Maryland Battery, C.S.A., * Confederate Memorial, artist unknown, dedi­ John Marshall Memorial, by P. Bryant Baker, by P. Bryant Baker, n.d., Stephenson Road and cated 6/22/1918, Goochland County 1958, 14 Main Street, Warrenton. Martinsburg Pike. Courthouse.

FLOYD COUNTY CITY OF FREDERICKSBURG GRAYSON COUNTY Confederate Memorial, artist unknown, dedicat­ Confederate Memorial, Franklin County. (Photo by Rachel * Religious Freedom Monument, artist Confederate Memorial, by Henry Brown, dedi­ ed 7/4/1904, Floyd County Courthouse. Denham) unknown, 1932, Washington and Pitt streets. cated 1911, Grayson County Courthouse, War Memorial, artist unknown, n.d., Floyd LOCATED AT BOONES MILL: * Mary Washington Monument, William J. Independence. County Courthouse. "D.C. Test Piece", by Jim Hudson, n.d. Crawford, architect, erected 12/22/1893, dedicat­ "ISAMU", by Jim Hudson, n.d. ed 5/10/1894, Washington and Pitt streets. FRANKLIN COUNTY "Norfretari Goes to Georgia'', by Jim Abstract Box and Triangular Forms, by Anne "The Real King Alfred", by Jeff Fetty, October Hudson, n.d. Newton, c. 1975, 813 Sophia Street. 1994, Benjamin Franklin Middle School, Rocky Mount. "Carrara Bianco", by Jim Hudson, n.d. George Washington Bust, by Paul W Bartlett, 1929, behind Fredericksburg Visitor Center. Confederate Memorial, artist unknown, dedicat­ FREDERICK COUNTY ed 12/2/1910, Franklin County Courthouse, Hugh Mercer, by Edward V. Valentine, 1906, Rocky Mount. * Cedar Creek Church Marker, artist unknown, Washington Avenue and Fauquier Street. "To The Confederate Dead", by the Monumental Bridge Company, 6/4/1874, Confederate Cemetery, Washington and Amelia streets. Corinne Young Herndon Grave, artist unknown, circa 1932, Confederate Cemetery, Washington Booker T. Washington, City ofHampton. (Photo by David Hazzard) and Amelia streets.

LOCATED AT MARYE's HEIGHTS NATIONAL CITY OF HAMPTON BATTLEFIELD: Executive Towers Sculpture, artist unknown,, * Pennsylvania Volunteer Monument, artist circa 1970, Executive and Tower drives. unknown, dedicated 6/26/1906. Confederate Memorial, artist unknown, dedicat­ * Butterfield 5th Corps Monument, artist ed 9/29/1901, St. John's Episcopal Church. unknown, 1900. Kecoughtan Indian Monument, by Mico Kirkland Monument, by Felix de Weldon, Kaufman and David Willment, 1957, dedicated 9/29/1965, Sunken Road. Emancipation Drive. Humphreys Monument, by Herbert Lighthouse, by Wallace Elliott, 1941, 903 Beach Adams, dedicated 11/11/1908. "Farmer Slopping Pigs': Falls Church. (Photo by John Orrock) Road.

15 16 "First From the Sea; First to the Stars", by "Love Essence", by Esther K. Ausburger, Eagles, by Rene Chambellan, 1940, Best Products Barry Johnston, 1986, Hampton City Hall. 1994. Corporate Headquarters, Parham Road and LOCATED ON THE HAMPTON UNIVERSITY Interstate 95. CAMPUS: HENRICO COUNTY Noah's Ark, artist unknown, n.d., Faithful Booker T. Washington, by E. J. Hamilton, * 1711 Flood Monument, artist unknown, 1772, Friends Pet Cemetery. 1984. Curles Neck Farm. "Slow Dance", by Charles B. Foster, 1993, Lewis William Jackson Palmer, by Evelyn Beatrice * Westland Shopping Center Sign, by Moore Ginter Botanical Garden. Longman, 1928. Sign Company, 1963, Westland Shopping Center. Our Lady of Grace, ai;tist unknown, n.d., St. Hollis, Burke, Fissell, by Evelyn Beatrice * Confederate Memorial, artist unknown, n.d., Mary's Hospital. Longman, 1930. Emmanuel Church, 1214 Wilmer Avenue. Saint Francis of Assisi, artist unknown, dedicat­ Abraham Lincoln, by A Bertram Pegram, * The Markel Building, Haig Jamogochian, ed 1966, St. Mary's Hospital. dedicated 1914. architect, 1964, 5310 Markel Road. Diamond Peters Mausoleum, designed by * Schultz Graves, artist unknown, n.d., Angelo Peters, c. 1982, Forest Lawn Cemetery. HANOVER COUNTY Emmanuel Church, 1214 Wilmer Avenue. "Triumph Over Tragedy'', by Linda Gissen, * Frank E. Brown Fountain, by Unberto "Hannabelle", by Linda Ramer, December 1991, April 1985, Forest Lawn Cemetery. lnnoanti.and Webel, 1969, Randolph-Macon 7650 East Parham Road. Saint Joseph and the Christ Child, artist College, Ashland. "Tim'', by Tim O'Kane, 1968, Ruby F. Carver unknown, n.d., St. Joseph's Villa. * Laura Yancey Jones Fountain, by Laura Elementary School. Dooley Sundial, by Ernest S. Leland, Summer Reitzel, dedicated 7/17/1982, between Thompson Totem Pole, Henrico County. (Photo by john Orrock) Totem Pole, efforts directed by Lee Hazelgrove, 1930, St. Joseph's Villa. Street and Hanover Avenue, Ashland. 1993, Short Pump Elementary School. LoCATED AT WESTiiAMPTON MEMORIAL PARK: Fireman, by Jack Witt, before 10/1990, 101 "The Muffler Men'', by Roy Hendrick and Ted "Garden of Peace", by Bernhard Thompson Street, Ashland. "Menhire", 1984. Seal, 1981 and 1988, 6309 Horsepen Road. Zuckermann, 1975. "Edging Away'', by Ken Greenleaf; n.d., Best "Rainbow Maker'', 1982. "Scissors", by Jack Curtland, c. 1970, 6201 "The Prophets", by Bernhard Zuckermann, Products, 1417 4 Washington Highway, Ashland. Lakeside Avenue. 1958. ''Ako's Enso", by Michael Todd, 1976, Best CITY OF HAR.ruSONBURG "Marlboro Man'', by Herman Calhoun, 1995, Kneeling Girl, artist unknown, n.d. Products, 14174 Washington Highway, Ashland. 2808 Kenwood Avenue. "Liberty'', by Charles Keck, 7/4/1924, South "Christ at the Well", by Bernhard ''War Bonnet'', by Joel Perlman, 1973, Best Liberty and South Main streets. "Lighthouse", by Bob Light, 1993, 8103 Zuckermann, 1970. Products, 1417 4 Washington Highway, Ashland. Elk, Woodman Road. • artist unknown, 1931, Elk's Club, 482 South "Upper Room'', by Bernhard Zuckermann, Dr. Bill Wallace Fountain, by Clifford Earl, ded­ Main Street. "Sheet Metal Statues", (Lions), by W H. 1967. icated 1986, 16492 MLC Lane, Rockville. Mullins, n.d., Chamberlayne and Wilmer ''Virtue", by J. W Fiske, circa 1897, Rockingham Garden of Time Sundial, by Bernhard "Birthrite", by Jack Witt, 1983, Randolph­ avenues. County Courthouse. Zuckermann, 1966. Macon College, Ashland. Cardinal Richelieu, by H. Allouard, n.d., 4605 "Justice", artist unknown, circa 1897, "The First Miracle at Cana'', by Bernhard ''Arboreal Fonn'', by Marie Zoe Greene, 1986, Carpenter Road. Rockingham County Courthouse. Zuckermann, 1969. Randolph-Macon College, Ashland. "Departure", by Kenneth Beer, 1960, 936 Oak "The Four Seasons", by Bernhard "La Tene", by Charles Sthreshley, 1983, 319 Hill Drive. Zuckermann, 1975. James Street, Ashland. "Span'', by Kenneth Beer, 1970, 936 Oak Hill LoCATED AT WASHINGTON MEMORIAL PARK: LoCATED AT 405 DUNCAN STREET, AsHI.AND Drive. * Cross, artist unknown, n.d. AND CREATED BY CHARLES STHRESHLEY: Arboretum Gates, by Kenneth Beer, 1986, James "Rolyat'', 1983. Madison University. "The Last Supper'', artist unknown, n.d. Elephant Head Newel Post, 1984. James Madison Bust, by Kenneth Beer, 1976, "The Lord's Prayer", artist unknown, n.d. "Nameless", 1986. James Madison University. "Little Host Fountain'', by Bernhard Zuckermann, 1953. "Hook'', 1989. LoCATED ON EASTERN MENNONITE "Good Shepherd Colonnade", by "Fractal Factor'', 1988. UNIVERSITY CAMPUS: Bernhard Zuckermann, 1964. "Pitt City'', 1990. "Summer Ecstasy'', by Esther K. Ausburger, 1978. Christ in the Shape of a Cross, by "Garden Table", 1984 "Reader's Guide to an Open Wmdow'', Bernhard Zuckermann, 1969. "HBCF', 1982. by Jerold R. Lapp, 1985. "Masonic Memorial", by Bernhard "Honor of Miro", 1985. "Unfolding'', by Judith R. Lee, 1982. Diamond Peters Mausoleum, Henrico County. (Photo by Sarah Zuckermann, 1963. "Nomono", circa 1984. Driggs) "Four Apostles", by Bernhard Zuckermann, "Flames", by David A. Kanagy, 1982. "Monolith'', 1982. 1969. 17 18 "Christ at Gethsemane", by Bernhard LANCASTER COUNTY Civil War Monument, artist unknown, 1889, Zuckermann, 1962. Confederate Memorial, artist unknown, unveiled Snickersville Turnpike. July 1872, Lancaster County Courthouse. Confederate Soldier's Memorial, by F. W. HIGHLAND COUNTY Sievers, 1907, Loudoun County Courthouse, Confederate Memorial, by A. M. Kerr Marble CITY OF LEXINGTON Leesburg. Works, 1918, Highland County Courthouse, Thomas J. "Stonewall" Jackson Monument, by George Catlett Marshall Memorial, by R Fiore, Monterey. Edward V. Valentine, 1890, Stonewall Jackson 1980, Loudoun County Courthouse, Leesburg. Memorial Cemetery. CITY OF HOPEWELL LOCATED AT 0ATLANDS PLANTATION, Old George, Matthew S. Kahle carved the origi­ LEESBURG: * Confederate Memorial, artist unknown, 1949, nal sculpture in 18'84; Branko Medenica cast the ''Vierge d'Antun'', artist unknown, c. 1937. Randolph Road. • bronze replica in 1992, Washington and Lee Pan, artist unknown, n.d. * Union Monument, artist unknown, 1865, City University. Point National Cemetery. Cyrus McCormick Monument, by John Brcin, Cast Iron Dog, artist unknown, n.d. Bust of Peter Francisco, Gorham Foundry, 1973, c. 1930, Washington and Lee University. Aphrodite with Eros, artist unknown, c. 1891. 300 Main Street. LoCATED ON VIRGINIA MILITARY INSTITUTE Sundial, artist unknown, 1717. World War I Memorial, by John Cortesini, CAMPUS: LoUISA COUNTY 1921, Washington Circle. Thomas J. "Stonewall" Jackson Confederate Memorial by William L. Sheppard, "In Gear'', by Matthew Fine, c. 1990, Main and Monument, by Moses Ezekiel, copy dedi­ dedicated 8/17/1905, Louisa County Courthouse. Broadway streets. "The Defender': King William County. (Photo by cated 6/19/1912. John Orrock) "Virginia Mourning Her Dead", by Moses LUNENBURG COUNTY ISLE OF WIGHT COUNTY Ezekiel, cast 5/15/1900, dedicated 6/23/1906. Girl with Birdbath Confederate Memorial, artist unknown, dedicat­ Angel, artist unknown, c. 1921, 14477 Benns Francis H. Smith Monument, by Ferrucio ed 8/12/1916, Lunenburg County Courthouse. Church Boulevard. Bench (3) Legnaioli, 1931. ''Adam and Eve" "Spirit ofYouth'', by Attilio Piccirilli, dedi­ CITY OF LYNCHBURG JAMES CITY COUNTY "Pocahontas" cated 6/13/1939. John Warwick Daniel Monument, by Moses Chair, artist unknown, c. 1980, 7787 Richmond Lions on Gate Posts (2) General George C. Marshall Monument, Ezekiel, 1914, Park Avenue between Floyd and Road, Toano. Pelican Birdbath by Augusto Bazzano, dedicated 11/11/1978. 9th streets. "Pocahontas", by William Ordway Partridge, c. Girl with Lily George Washington, by William James Firefighter's Memorial Fountain, copy of the 1906, Jamestown. Hubard, copy of Houdon, cast 1856. "Vanity Fair'' original, dedicated 7/4/1976, Miller Park. "Captain John Smith'', by William Couper, c. Water Pitcher, founded by Glamorgan Co., "Joe on the Birdbath'' 1907, Jamestown. LOUDOUN COUNTY September 1890, 525 ParkAvenue. Untitled Female "The Right Light'', by J. Seward Johnson, Jr., The Water Carrier, artist unknown, before 1880, KING GEORGE COUNTY Female Figure n.d., Pare City Centre, Route 7. Clay Street Reservoir. *World War I Memorial, artist unknown, 1935, "Hylah'' George Morgan Jones, by Solon Borglum, dedi­ King George County Courthouse. "Cupid in Infancy'' cated 1911, Old Jones Library, Rivermont * Dahlgren Howitzers, designed by John A. "Nero" Avenue. Dahlgren, 1864, Dahlgren Naval Research Lab. "Children in the Heart'' Gregory Willis Hayes Bust, artist unknown, after Dahlgren Bust, by Theo Mills, cast 11/10/1952, 1906, 2058 Garfield Avenue. Dahlgren Naval Research Lab. "The Defender'' "The Temptation of Saint Anthony" "Fortitude, Kindliness, and Vision'', by Brenda Putnam, 1943, Spring Hill Cemetery. KING WILLIAM COUNTY "Spring" "Garden of Apostles", by Bernhard Confederate Memorial, artist unknown, dedicat­ "Leda and the Swan'' Zuckermann, 1975, Fort Hill Burial Park. ed 1901-1903, King William County Female Figure by Edward Hickson, n.d., Virginia Courthouse. "Two Deer'', Birdbath Baptist Hospital. LoCATED AT FONTAINEBLEAU, CREATED BY "Greta Garbo" "Olympic Runner'', by Alfonso Umana, 1973, HYLAH EDWARDS ROBINSON, 1934-1938: "Charlie Chaplin'' E. C. Glass High School. "June" "The Ballet Dancer'' Body Parts, by Suzanna Watkins, 1980-1981, "The Hawaiian" Girl with Birdbath Randolph-Macon Women's College. "The Deer'' "Virginia Mourning Her Dead': Lexington. (Courtesy of Dancer, American Art Foundry, n.d., Randolph­ Coat of Arms Virginia Military Institute) Draped Female Figure Macon Women's College.

19 20

I Cherub with Basket, artist unknown, n.d., 1508 Fountain, artist unknown, n.d. CITY OF NORFOLK Linden Avenue. Ram's Head Planter, artist unknown, n.d. * Father Ryan Marker, artist unknown, dedicat­ Stone Female Figure, by Peter W Williams, n.d., Boy and Girl, artist unknown, n.d. ed 5/22/1900, Elmwood Cemetery. 1508 Linden Avenue. Maiden, artist unknown, n.d. Norfolk Downtown Monument & Circle LOCATED AT MONUMENT TERRACE, BEGIN­ Urn, artist unknown, n.d. Fountain, by Stewart Dawson, 1972, NING AT 9TH AND COURT STREETS: Commercial Place. Urn with Bow and Flower Design, artist "The Listening Post", by Charles Keck, 1926. unknown, n.d. "Ligne Indeterminee", by Bernar Vener, 1987, World Trade Center, 101 Main Street. Confederate Memorial, by Von Mueller, Pineapple, artist unknown, n.d. dedicated 5/4/1900. The Norfolk Confederate Monument, by Gargoyles, artist unknown, n.d. World War II Memorial, artist unknown, William Couper, dedicated 5/16/1907, Main Shrine, artist unknown, n.d. 1976. Street and Commercial Place. Column Capital, artist unknown, n.d. Korean War Memorial, artist unknown, Untitled (EVMS sculpture), by Victor Pickett, 1976. Two Children, artist unknown, n.d. 1984, Eastern Virginia Medical School. Vietnam Memorial, artist unknown, 1976. Child with Wheat, artist unknown, n.d. Baptismal Font, artist unknown, n.d. Pot with Carved Flowers, artist unknown, n.d.

CITY OF NEWPORT NEWS "Collis Potter Huntington as a Young Man'', by ''Animal Forms': Montgomery County. (Photo by Steve Anna Hyatt Huntington, 1965, 26th and West Bickley) avenues. Confederate Memorial, by Lawson & Newton, MONTGOMERY COUNTY contractors, dedicated 5/27/1909, Courthouse * Confederate Memorial, artist unknown, dedi­ Road. cated 1883, Montgomery County Courthouse, "Healing Christ", by Timothy Duffield, 1984, Christiansburg. Mary Immaculate Hospital. ''Animal Forms", by Dean Carter, 1991 , Virginia "The Ships", by Edward L. Martin, dedicated Tech Veterinary School. 9/18/1988, Christopher Newport University. "Father and Son'', by James Mills, n.d., 300 Reaching Jaguar, by Anna Hyatt Huntington, South Main Street, Blacksburg. before 1973, Mariner's Museum Entrance. "Polytech Marker", by Beverly Pepper, 1983, LOCATED AT PENINSULA MEMORIAL PARK: Virginia Tech Library Plaza. * Heliochronometer, founded by Thomas]. "Stonewall" Jackson Equestrian Monument, "Open Secret", by Sheila Carrasco, 1989, 622 Matthews International, dedicated 1972. Manassas. (Photo by David A. Edwards) North Main Street, Blacksburg. "The Good Shepherd", by Bernhard Holncaust Memorial No,folk. (Photo by David Ha=rd) Zuckermann, 1966. NELSON COUNTY "Christ at Gethsemane", by Bernhard CITY OF MANASSAS "The Flame of Liberty'', by Bill Wagner, dedicat­ Hurricane Camille Memorial, artist unknown, Zuckermann, 1966. ed 7/4/1976, City Hall Plaza. dedicated 10/2/1995, Route 56, Massie's Mill. Thomas J. "Stonewall" Jackson Equestrian "The Prophets", by Bernhard Zuckermann, "The Leading Edge", by John Safer, 1989, One Momunent, by Joseph Pollia, dedicated Confederate Memorial, by Richard Checchini, 1959. 8/31/1940, Visitor Center, Manassas National Commercial Place. 1965, Nelson County Courthouse, Lovingston. "Wisdom - Jesus in the Temple", by Battlefield Park. Omni Hotel Neon Light Towers, by Boyd "Four Freedoms", by Walter Russell, n.d., Bernhard Zuckermann, 1963. Mefferd, dedicated 9/4/1973, Waterside Drive Swannanoa, Afton Mountain. MATHEWS COUNTY "The Chalice", by Bernhard Zuckermann, and Water Street. "The Christ of the Blue Ridge", by Walter 1958. "John Wesley: Father of Methodism", Shriner "Our Confederate Soldier", artist unknown, Russell, dedicated 7/29/1950, Swannanoa, Afton "Sermon on the Mount'', by Bernhard and Holland Associates, architects, 1995, Virginia dedicated 10/12/1912, Mathews County Mountain. Courthouse. Zuckermann, 1971. Wesleyan College. LoCATED AT OAK RIDGE ESTATES, ROUTE 653 "First Miracle", by Bernhard Zuckermann, "Trope I", by Alexander Liberman, 1986, 240 SOUTH OF LOVINGSTON: MECKLENBURG COUNTY 1964. Corporate Boulevard. Bench with Flute Player, artist unknown, n.d. McCallum More Garden, various artists, twenti­ "Devotion", by Bernhard Zuckermann, n.d. Holocaust Memorial, by Victor Pickett, 1993, Well, artist unknown, n.d. eth century, Chase City. Jewish Community Center of Tidewater.

21 22 • Untitled (Policeman's Bell), by Victor Pickett, Confederate Memorial, by Gaddess Brothers, Fountain, artist unknown, n.d., Crawford and LoCATED AT BRANDON PLANTATION: 1984, City Hall Plaza. 1873, Northumberland County Courthouse, High streets. Boy with Dolphin, artist unknown, "The Tourists", by Chaim Cross, 1959, Heathsville. Richard Dale Monument, by William Couper, executed after 1926. Waterside Festival Place. 1901, Washington and North streets. ''Wmter'', artist unknown, executed after NOTIOWAY COUNTY "Regatta'', by William Wainwright, 1976, Sails, artist unknown, n.d., Park and High streets. 1926. Confederate Memorial, artist unknown, dedicat­ Downtown Waterfront Esplanade. Spanish War Veterans Monument, by Theodora "Spring'', artist unknown, executed after ed 7/20/1893, Nottoway County Courthouse. "Douglas MacArthur Wading Ashore at A. R. Kitson, dedicated 5/23/1942, Crawford 1926. Inchon, Korea'', by Kyong Sung Kim, 1957, Parkway and North streets. PITISYLVANIA COUNTY "Summer'', artist unknown, executed after MacArthur Square. Confederate Memorial, artist unknown, unveiled 1926. Confederate Dead Monument, artist unknown, Douglas MacArthur Statue, by Walter Hancock, 6/15/1893, High and Court streets. ''Autumn'', artist unknown, executed after dedicated 6/8/1988, Pittsylvania County 1968, MacArthur Square. 1926. Courthouse, Chatham. Fawn, by William Turner, 1989, Children's Child at Pool with Flowers, artist Hospital of the King's Daughters. CITY OF PORTSMOUTH unknown, executed after 1926. Five Children at Play, by Antonio Tobias * Priest's Memorial, by Ennis, n.d., St. Paul's Satyr with Flute, artist unknown, executed Mendez, 1995, Children's Hospital of the King's Catholic Church. after 1926. Daughters. * Francis Devlin Memorial, artist unknown, c. Satyr with Tambourine, artist unknown, "My Marsden'', by Matthew Fine, 1994, executed after 1926. Children's Hospital of the King's Daughters. Garden Planter, artist unknown, executed "Unity", by Peruka Ccopacatty, 1982, Jewish after 1926. Community Center of Tidewater. Um, artist unknown, executed after 1926. LOCATED ON NORFOLK ACADEMY CAMPUS:

"Bar Rounder'', by John Van Alscine, 1987. PRINCE WILLIAM COUNTY Untitled, by Guy Dill, n.d. Memorial, to World ~r II, Prince Edward County. (Photo by Mary Prevo and Paul Mueller) "The United States Marine Corps War "David's Song'', by Jeffrey Funk, dedicated Memorial", by Felix de Weldon, copyright 1954, 6/12/1995. PRINCE EDWARD COUNTY Quantico Marine Corps Base, Highway 1. "Between Classes", by J. Seward Johnson, * Sailors Creek Monument, artist unknown, "Crusading for Right'', by Charles Peyre, 1918, Jr., n.d. 1928, Rural Route 619. Butler Hall, Quantico Marine Corps Base. "Crazy for You'', by Frederic A. Crist, dedi­ * L Francis Griffin Monument, by Simmons cated April 1995. Monument Company, 9/5/1988, Farmville. PULASKI COUNTY "Stele XCVI Quetzal", by Clyde Lynds, 1992. * Confederate Cemetery Obelisk, artist * Native Stone Arch, artist unknown, 1907, LOCATED ON THE OLD DOMINION UNNERSITY unknown, n.d., Farmville. Pulaski County Courthouse. CAMPUS: * Kappa Delta Sorority Bench, artist unknown, Fountain, artist unknown, dedicated 1986, "Free Form.", by Victor Pickett, 1966. dedicated 1972, Longwood College. Jackson Park, Pulaski. "Space Disk'', by Victor Pickett, 1985. * Longwood College Bell, by Charles Van Confederate Memorial, by F. William Sievers, Valkenburgh, 1896, Longwood College. 1906, Pulaski County Courthouse. Red Metal Planes, by Jacqueline Jenkins, c. 1oan ofArc': Prince Edward County. (Courtesy of 1981. Longwood Center for Visual Arts) Memorial to World War II Dead, by A A CITY OF RADFORD "Painted Steel #2", by Inger Pincus, 1980. Weinman, 1906-1910, placed on site and dedicat­ 1855, St. Paul's Catholic Church. ed 1967, Hampden-Sydney College. Mary Draper Ingles Monument, artist * U.S.S. Cumberland and U.S.S. Congress NORTHAMPTON COUNTY Confederate Memorial, designed by Charles M. unknown, after 1815, Westside Cemetery. Memorial, artist unknown, n.d., U.S. Naval Blue Herons, by David Turner, dedicated Walsh, dedicated 10/11/1900, High and "Transcendent Together'', by Charlie Brouwer, Hospital. 1/29/1992, Northampton-Accomack Memorial Randolph streets, Farmville. 1992, 406 Harvey Street. * John Saunders Memorial, by John Haviland, Hospital, Nassawadox. Joan of Arc Equestrian, by Anna V. Hyatt Steel Boxes, by Paul Frets, 1967-1968, 406 n.d., U.S. Naval Hospital. Confederate Memorial, artist unknown, dedicat­ Huntington, c. 1915, Longwood Center for the Harvey Street. Portsmouth Light Artillery Monument, artist ed 1913, Northampton County Courthouse, Visual Arts, Farmville. Steel Boxes with Projecting Portion, by Paul unknown, n.d., City of Portsmouth Park. Eastville. Frets, 1967-1968, 406 Harvey Street. Parker Monument, artist unknown, n.d., Oak PRINCE GEORGE COUNTY LoCATED ON THE RADFORD UNNERSITY Grove Cemetery. NORTHUMBERLAND COUNTY * Confederate Memorial, artist unknown, 1908, CAMPUS: Prince George County Courthouse. Albert Morris Memorial, artist unknown, c. "Jubilation'', by Michie! J. Van Der Sommen, * Joan of Arc, copy of original by Henri 1907, Roseland Cemetery, Reedville. 1989, Willett Hall. Chapu, 1918, Radford Library.

23 24 "Speculations on Nature", by Howitzer Monument, by "The Dancing Man'', by Allen Jessee, 1978, "Mr. Smedley'', by Jack Witt, 1985, 6th Street Deborah Lagrasse, 1991. Casper Buberl and William Bellevue School, 2301 East Grace Street. Marketplace. "Steel Construction No.I", Sheppard, 1892, Harrison "Untitled Heads #1, #2", by Kevin M. Kelley, "Our Lady of Lourdes", artist unknown, brought by Phoebe Helman, 1968. Street and Grove Avenue. 1993, 5051 Northampton Street. to site c. 1970, St. Paul's Catholic Church. "Torso Ombre", by Betty Sounding Piece, by Harry "Saint Sebastian'', by Gregory Kelley, 1985, Saint Theresa, artist unknown, brought to site c. Branch, 1988. Bertoia, 1978, Federal Reserve 1101 Carlisle Avenue. 1970, St. Paul's Catholic Church. Bank, 7th and Byrd streets. "Totemic IX'', by W Glenn "Crying Angel", by John Anderson, c. 1991, 3 Saint Paul, artist unknown, brought to site c. Phifer, 1983. "Richmond Tripodal", by North Lombardy Street. 1970, St. Paul's Catholic Church. James Rosati, 1974, Nations­ "Procession'', by Mary "Rachel Weeping For Her Children'', by Linda "Corporate Presence", by David Phillips, 1985, Bank Building, 12th and Brownstein, 1989. Gissen, 1987, Cathedral of the Sacred Heart. James Center, 9th and Cary streets. Main streets. "Monumental Holistic "Memory", by Leo Friedlander, 1956, Virginia "Wmd's Up", by Lloyd Lillie, 1986, James "Quadrature", by Robert XXII", by Betty Gold, 1983. War Memorial, 621 Belvidere Street. Center, 9th and Cary streets. Engman, 1985, Crestar Building, 10th and Main First Virginia Regiment Memorial, by Ferruccio World War II Monument, by A. P. Grappone & RAPPAHANNOCK COUNTY: streets. Legnaioli, 1930, Park and Stuart avenues. Sons, dedicated 7/12/1947, Maury Cemetery. * Washington Town Marker, Bill "Bojangles" Robinson, by Christopher Columbus, by Ferruccio Legnaioli, "Father Time", artist unknown, c. 1920, Mount artist unknown, 1949, Gay Christopher Columbus, Richmond. Jack Witt, 1973, Adams and cast 1926, Byrd Park. Calvary Cemetery. Street, Washington. (Photo by Sarah Driggs and john Orrock) Leigh streets. A. P. Hill Monument, by William Ludwell Mount Calvary Shrine, artist unknown, c. 1920, * Grimsley Memorial, by J. G. Hippocrates, by Menelaos Sheppard, 1892, Laburnum and Hermitage Mount Calvary Cemetery. Thomas, c. 1890, Gay Street, Washington. Kata£giotis, dedicated 5/9/1985, East Marshall avenues. Sally Magee Monument, artist unknown, c. Confederate Monument, artist unknown, and 11th streets. "Three Bears Group", by Anna Hyatt 1845, Shockoe Cemetery. April 1898, Gay Street, Washington. "Connecticut'', by Paul DiPasquale, n.d., Huntington, 1941, MCV Hospital, 12th Street. Nannie Caskie Monument, designed by The Diamond. "Park Guardian'', by Charles Pool, 1993, Professor A. Lavella, c. 1894, Shockoe Cemetery. CITY OF RICHMOND "Liberty'', based upon Bartholdi's original, Belvedere and Idlewood streets. Elks Monument, artist unknown, dedicated * Christopher Newport Cross, artist unknown, Friedly-Vorshardy Co., dedicated 2/11/1951, Baker School Ornamentation, artist unknown, 5/9/1905, Riverview Cemetery. dedicated 6/10/1907, Shockoe Slip. Chimborazo Park. c. 1935, Baker and Paul streets. Fraternal Order of Eagles Monument, designed * World War I Monument, by J. H. Brown, Francis Asbury, by F. William Sievers, 1921, East End Middle School Sculpture, Charles M. by F. L. Gnajon, n.d., Riverview Cemetery. dedicated 5/30/1923, Maury Cemetery. 1900 East Franklin Street. Robinson, architect, c. 1925, 37th and M streets. Pearl A. Lipscomb Monument, artist unknown, * Street Fountain, by Ferruccio Legnaioli, 1909, Confederate Soldiers and Sailors Monument, Bull's Heads, artist unknown, 1886, 17th 1929, Riverview Cemetery. Shockoe Slip. by William L. Sheppard, dedicated 5/30/1894, Street Market. Three Alligators, artist unknown, c. 1984, 29th Street and Libby Terrace. "Vigil", by Lester Van Winkle, dedicated Jefferson Hotel, Franklin and Adams streets. 9/26/1983, 1201 Broad Rock Boulevard. Woman Holding a Wedge, artist unknown, c. 1990, 2709 West Main Street. Saint Catherine, by Jack Witt, 1989-1990, St. Catherine's School. Saint Christopher, by Jack Witt, before 1978, St. Christopher's School. "Wheels", by Roy Johnson, June 1983, Brown's Island. "The Headman'', by Paul Di Pasquale, c. 1992, Brown's Island. Cherub, artist unknown, n.d., General Assembly Building, 910 Capitol Street. Cherub, artist unknown, n.d., General Assembly Building, 910 Capitol Street. Police Memorial Statue, by Maria Kirby­ Smith, 1987, 6th Street Marketplace. Richmond Light Infantry Blues, by Wilfred 0. Maury Monument, Richmond. (Photo by Sarah Driggs) ''Memory': Richmond. (Courtesy ofthe Library ofVirginia) Boettiger, dedicated 10/20/1978, 6th Street Marketplace. 25 26 James Dooley Sundial, by Ernest S. Daphne, artist unknown, n.d., Executive Angel (Rueger), by Julius ''Aurora'', by Albert Paley, 1990, Leland, summer 1930, Maymont Park, Mansion. C. Loester, c. 1930. Roanoke Regional Airport. outside Hampton Street entrance. ''Young Faun'', by Attilio Piccirilli, 1898, James Monroe Tomb, Arching Metal Forms on Stone, "Three Graces", after Canova, artist Executive Mansion. designed by Albert artist unknown, n.d., 2518 unknown, n.d., Maymont Park. LoCATED WITHIN MONROE PARK: Lybrock, 1859. Williamson Road. Lion Fountain, artist unknown, n.d., * World War II Memorial, designed by Hayes Grave, by George "Freedom, Justice, and Maymont Park. Charles M. Gillette, dedicated 2/25/1945. Julian Zolnay; 1911. Compassion'', by David Breeden, 1989, 215 Church Avenue. * Fitzhigh Lee Monument, artist Pickett's Monument, LOCATED ON MONUMENT AVENUE: unknown, dedicated 4/21/1955. artist unknown, 1888. Epperly Elvis Shrine, by Kim and Don Epperly; begun August * Cannon Marker, by AM Co., dedicated Joseph Bryan Monument, by William John Tyler Memorial, 1986, 605 Riverland Road SE. 5/31/1915. Couper, dedicated 6/10/1911. designed by * Cannon Marker, by Revere Cannon Co., RaymondAverill, 1915. Wtlliam Wickham Monument, by Edward ROCKINGHAM COUNTY dedicated December 1938. V. Valentine, cast 3/10/1891. Angel (Varina Anne Davis), by George Rockingham Turkey (North), by Matthew Fontaine Maury Monument, by Monroe Park Fountain, founded by Julian Zolnay, 1899. Carl A. Roseburg, 1955, U.S. F. William Sievers, 1929, at Belmont Robinson Iron Company; 1977-1978. Avenue. Woman and Cross, by Route 11, near northern county LoCATED AT 901 EAsT BYRD STREET: boundary. Robert E. Lee Monument, by Maurius Jean Santo Saccomanno, "Maternal Figure", by John Torres, 1974. Antonin Mercie, dedicated 5/29/1890, at Allen 1899. W.A. Jones Memorial, Richmond County. Rockingham Turkey (South), by by Avenue. Female Figure, by John Torres, n.d. (Photo Virginia Boudreaux) Carl A. Roseburg, 1955, U.S. Route 11, near southern county J. E. B. Stuart Monument, by Fred ''Woman I", by John Torres, 1975. RICHMOND COUNTY boundary. Moynihan, 1906, at Lombardy Street. ''Woman II", by John Torres, 1975. W. A. Jones Memorial, by Don Mariano

Thomas J. "Stonewall" Jackson "Richmond", by Barry Tinsley; c. 1990. Benlliure, dedicated 6/20/1926, Warsaw. RUSSELL COUNTY Equestrian Monument, by F. William Sievers, "Crystal", by John Torres, 1986. Confederate Memorial, artist unknown, 1914, 1919, at Boulevard. CITY OF ROANOKE "dassical Form'', by John Torres, 1975. Russell County Courthouse, Lebanon. Jefferson Davis Memorial, by Edward V. "Spirit Arch'', by John Torres, 1986. Dog Fountain, artist unknown, n.d., Salem and Valentine, dedicated 6/3/1907, at Davis Market streets. CITY OF SALEM Avenue. The Roanoke Star, construction firm unknown, * Fort Lewis Marker, founded by Marstellar LoCATED WITHIN CAPITOL SQUARE: 1949, top of Mill Mountain. Corp., 1927, West Main Street. * Vtrginia Zero Milestone, by Ferruccio "Force One: Consciousness is Crucial", by John * Andrew Lewis Marker, founded by Marstellar Legnaioli, dedicated 1/25/1929. Rietta, 1975, 210 Franklin Road, SW Corp., 1902, East Hill Cemetery. Wtlliam Smith, by William L. Sheppard, Board Monument, by New England Granite dedicated 5/30/1906. Company, June 1889, East Hill Cemetery. Thomas J. "Stonewall" Jackson, by John Confederate Memorial, artist unknown, dedicat­ Henry Foley; 1873. ed 6/3/1910, Main Street and College Avenue. Office Building Entrance Group, by Ferruccio Legnaioli, 1922. SHENANDOAH COUNTY Angel (Varina Anne Davis Grave), Richmond. (Photo by by Charles Rudy; 1957. Edgar Allan Poe, Tricia Pearsall) * Confederate Memorial, W N. Cox & Co., Henry day, by Joel Tanner Hart, 1847. contractor, dedicated 5/12/1898, St. Matthew's Harry Flood Byrd, by William M. McVey, LoCATED IN HOLLYWOOD CEMETERY, SOUTH Cemetery; New Market. erected 6/10/1975. CHERRY STREET: 54th Pennsylvania Infantry Monument, J. L. Hunter Holmes McGuire, M.D., by Davies' Tomb, artist unknown, 1857. Smith, contractor, dedicated 10/25/1905, U.S. William Couper, dedicated 1/7/1904. Confederate Memorial Pyramid, Charles Route 11, New Market. George Washington Equestrian, by H. Dimmock, architect, 1869. SMYTH COUNTY Thomas Crawford and Randolph Rogers, "Grief", by Edward V. Valentine, 1873. Confederate Memorial, artist unknown, 1903, 1847-1868. Jefferson Davis, by George Julian Zolnay; Smyth County Courthouse, Marion. Nymph on a Sea Serpent, by Harriet 1899. Hosmer, before 1908, Executive Mansion. Dog, founded by Hayward, Bartlett & Co., SPOTSYLVANIA COUNTY "The Gold", by Jimilu Mason, 1985, c. 1850. 15th Regiment New Jersey Volunteers Monuments, Executive Mansion. Spotsylvania County. (Photo by James C Hill) * Meade Pyramid, by E.T. D. Meyers, 1898, Angel (Cabell), by Harry Lewis Raul, 1927. Fredericksburg/Spotsylvania National Battlefield.

27 28 23rd New Jersey Memorial, by T. Manson & Fish Fountain, artist unknown, c. 1930. Son, dedicated 5/12/1909, Salem Church Road and Route 3. CITY OF STAUNTON 15th Regiment New Jersey Volunteers * John Lewis Memorial, artist unknown, n.d., Monument, byT. Manson & Son, 1908, Gypsy Hill Park. Heatherstone Road and Route 3. Confederate Dead Monument, by Victor Pathia, 15th Regiment New Jersey Volunteers dedicated September 1888, Thornrose Monument, byT Manson & Son, 1909, Bloody Cemetery. Angle, Spotsylvania Battlefield Park. Statler Brothers Monument, artist unknown, Scarecrow, by Ron Elliot & Brian Yost, erected dedicated 5/10/1994, Gypsy Hill Park. 9/26/1995, 5043 Plank Road. LOCATED AT 765 MIDDLEBROOK AVENUE, Bench Balls, Virginia Beach. (Photo by Mike Newbill and Triangular Form, by Donna English, n.d., Route CREATED 1992-1995 BY WILUAM FERGUSON: Betsy Gough-Dijulio) 3 and State Route 1680. Sphere. LOCATED AT THE BOARDWALK AND LISTED Paper Doll Chain. STREET: STAFFORD COUNTY Open Book. Sandcastle, built by EDAW Inc., landscape architects, c. 1993, 36th Street. "In the Name of Christ the King", by Georg J. Flower Pots. Tober, 1930, Telegraph Road and Jefferson Davis Columns, built by EDAW Inc., landscape Sphere and Arrow. Highway. architects, c. 1993, 34th Street. Ballerina's Shoes. Leftwich Memorial, by Felix de Weldon, dedicat­ Sculpted Brick Structure, Tauwell County. (Photo by David "Delight", by Mike Cunningham, dedicat­ ed 11/18/1985, Heywood Hall, Quantico Marine Crutches. A. Edwards) ed 6/4/1992, 33rd Street. Corps Base. Beach Balls, built by EDAW Inc., landscape CITY OF SUFFOLK Tidewater Veterans. Memorial, by Talbot & LoCATED AT CHATHAM MANOR: architects, c. 1993, 31st Street. War Memorial, by Joseph Pollia, 1929, Cedar Associates, dedicated 5/30/1988, 19th Street. Woman with Flowers, artist unknown, c. Hermit Crabs, built by EDAW Inc., landscape Hill Cemetery. "'G' in Motion'', by J. L. Sides, 1987, Gibson 1930. architects, c. 1993, 29th Street. "Character Comer'', artist unknown, dedicated Pavilion, 1081 19th Street. Well, artist unknown, c. 1930. School of Fish, built by EDAWinc., landscape 9/11/1991, Washington and Main streets. "Tunnel Vision'', by Matthew Fine, 1987, architects, c. 1993, 28th Street. Cherub Birdbath, artist unknown, c. 1930. Commerce Bank, 5101 Cleveland Street. Shells, built by EDAW Inc., landscape SUSSEX COUNTY "Eye of Hugo", by Matthew Fine, 1991, architects, c. 1993, 26th Street. Confederate Memorial, by the McNeel Marble Runnymeade Corporation, 2010 Parks Avenue. Birds in Flight, built by EDAW Inc., land­ Company, 1912, Sussex County Courthouse. "Movement VII", by Matthew Fine, 1992, scape architects, c. 1993, 18th Street. Cleveland Street. Leaping Fish, built by EDAW Inc., landscape TAZEWELL COUNTY '~cent'', by J. L. Sides, c. 1993, 420 North architects, c. 1993, 8th Street. Sculpted Brick Structure, by Johnny Birdneck Road. Sea Turtles, built by EDAW Inc., landscape Hagermann and Tom Foley, 1987, Railroad and "The Asunder Box'', by Lawrence Mednick, c. architects, c. 1993, 6th Street. Second streets, Richlands. 1990, Runnymeade Corporation, 2010 Parks Confederate Memorial, artist unknown, 1903, Avenue. Porpoises Atop Globes, built by EDAW Inc., landscape architects, c. 1993, 5th Street. Tazewell County Courthouse. "Pennant'', by Lin Emery, dedicated 7/22/1989, Three-Tiered Metal Sculpture, by Ted Guenther, Virginia Beach Public Library, Central Branch. WARREN COUNTY 1980, Bluefield College. "Native American'', by Peter Toth, dedicated * Mosby Monument, designed by Alexandria Four-Tiered Metal Sculpture, by Ted Guenther, 7/15/1976, MountTrashmore City Park. Marble Works, dedicated 9/23/1899, Prospect Leftwich Memorial, Stafford County. (Photo by john 1980, Bluefield College. Confederate Memorial, by Charles Walsh, dedi­ Hill Cemetery. Elliott) cated 11/15/1905, City Municipal Center. * World War I and World War II Memorial, CITY OF VIRGINIA BEACH Satyr, artist unknown, c. 1920. "The Seat ofWtsdom'', by Victor Pickett, dedi­ artist unknown, after 1945, Warren County Aluminum Polyhedron, by Copeland, Isreal, & Boy & Girl with Goat, artist unknown, c. cated 3/14/1995, Catholic High School. Courthouse, Front Royal. Noveck, Architects, c. 1981, 701 Lynnhaven 1930. "Hole Notes", by Larry Mednick, n.d., Prism "The Cadet'', by Edward J. Fraughton, 1991, Parkway. Boy with Musical Instrument; artist Plaza, 4455 South Boulevard. Randolph-Macon Military Academy, Front Royal. Three Fish, by William H. Turner, c. 1986, unknown, c. 1930. Rough, Pointed Marble Slab with Circular Confederate Memorial, by McNeel Marble Virginia Marine Science Museum. Demeter/Ceres, artist unknown, c. 1930. Hole, by Matthew Fine, n.d., 780 Lynnhaven Works, dedicated 7/4/1911, Warren County "Light Garden'', by Dale Eldred, 1988, Pavilion Parkway/Winwood Center. Courthouse, Front Royal. Sundial, artist unknown, c. 1930. Convention Center. Abstract Spiral, by Lawrence Mednick, n.d., 780 Soldier's Circle Monument, carved by John B. Boy & Girl with Dog, artist unknown, c. Lynnhaven Parkway/Winwood Center. Graver, 1882, Prospect Hill Cemetery. 1930. 29 30 WASHINGTON COUNTY Massachusetts Soldier's Monument, Confederate Memorial, by F. by M. H. Mosman, 1907, Friends of Virginia SOS! William Sievers, 1906, Washington Winchester National Cemetery. Adams, Karen Crickenberger, Dorie Harrell, Nancy G. County Courthouse, Abingdon. Pennsylvania Soldier's Monument, Albers, John Crickenberger, Sam Harvey, David by R. F. Bringhurst, 1890, Albers, Kathy Crowther, Elizabeth Haynes, Judith WESTMORELAND COUNTY Winchester National Cemetery. Allen, Juanita Dafoe, Lisa Hazzard, David Confederate Memorial, Bevan & Monument to the Unknown and Allen, Mark Dahlan, Husky Hedden, Mary M. Sons, dedicated 11/13/1876, Unrecorded Dead, by T. Delahunty, Alvanos, Diane Daniel, Katherine Heintzleman, Stephanie Westmoreland County Courthouse, dedicated 6/6/1879, Mount Hebron Alvanos, John Davis, Patricia Hensley, Terry Montross. Cemetery. Andrews, C. Thomas Di Pasquale, Paul Higgins, Ronald Vietnam Memorial, by Michael Memorial to Maryland Soldiers, by Andrews, Lake Dickson, Brooke Hill, James C. Vanderson, dedicated 5/30/1982, John O'Brian, dedicated 6/6/1880, Annas, Teresa Denham, Rachel Hill, Tucker Westmoreland County Courthouse, Mount Hebron Cemetery. Arcari, Michelle Diehl, Melody Hoffman, Mary Montross. Memorial to Vrrginia's 398th, artist Armstrong, Marge Diehl, Nathan Holloway, Robert Lord Botetourt, Williamsburg. unknown, dedicated 6/6/1879, Atkinson, Elizabeth CITY OF WILLIAMSBURG Diehl, Noel Honich, Francis (Photo by David Hazzard) Mount Hebron Cemetery. Baggett, Peggy Dijulio, Betsy Hoover, Anna B. "Prometheus", by Peter Stewart, 1991, Balance, Todd J. Dooley, Matt Howard, Janet 128 Indian Springs Road. WYTHE COUNTY Barker, Vera Eades, Joyce Hubbard, Sandra "Untitled", (Cast Iron Slab Form), by John Confederate Memorial, artist unknown, dedicat­ Baxter, Andrew Edwards, David Inman, Gary Brazenell, n.d., 609 Indian Springs Court. ed 5/25/1900, Wythe County Courthouse, Benson, Nicholas Eikmeier, Jennifer James, Ann Carr Three Children, artist unknown, n.d., Wytheville. Berry, Ann Elliot, Grace James, Curtia Williamsburg Community Hospital. Bickley, Steve Elliot, John M. James, Dana "Maenad", by Pat Winter, Johnson Atelier, YORK Bimler, Kurt R. Ewell, Carrington Jenkins, Bill founder, n.d., Williamsburg Community COUNTY Birch, Barbara Fagerburg, Mark Jenkins, Margaret B. Hospital. Bob's Camera Falley, Betty Jensen, Jill *White Bogen-Garrett, Petie Fallon, Joan Jester, Clarkie LOCA.TED ON THE CAMPUS OF THE COLLEGE OF French Cross Boggs, Charles Parker Fariello, Anna Jones, Thomas W WILLIAM AND MARY: to War Boudreaux, Virginia Farley, Kitty Jones, Virginia M. Dead, artist Lord Botetourt, by Richard Hayward, 1772- Bowman, Hilda H. Ferguson, Willie Kelly, Patricia unknown, 3, Swem Library. Brelsford, Janis Finley, Lisa Servia Kime, Mrs. Penn 1781, Lord Botetourt, by Gordan Kray, 1993, Wren Brooks, Joan Foster, Gaines Kneebone, John Yorktown. Building. Brown, David Fralin, Jack Kneipper, Richard "James Blair'', by Lewis Cohen, 1993, Wren "Percy the Brown, Cluny Francis, Maxine Kostelny, Elizabeth Bear'', artist Building. Brouwer, Charlie Friarson, Melinda Kuhlthau, A. Robert unknown, Bullock, Marshall Frick-Mayes, Amy Kunzo, Kim "Oliver'', by Robert Engman, 1979, Barksdale n.d., Route Burge, Barbara Galovic, Amy Field. Lamont, Phyllis 17 near Buder, Colleen Garber, Bonnie Laurant, Darrell "Curled UPC", by Lila Katzen, 1979, Yorktown. Caldwell, Martha Gardner-Clay, Jo Ann Ledford, Tom Muscarelle Museum. Saint Joan Calhoun, Frances B. Gibson, Keith Liddell, Ana Marie "SaiiJe I", by Joseph Henry Lonas, c. 1983, of Arc, artist Carrington, James Giles, Leslie Lightner, Lea Muscarelle Museum. unknown, Chambers, Tom Glover, Elaine H. Lipscomb, Joanne "Spring'', by J. Seward Johnson, Jr., 1979, 1954, 9041 Chen, Pat Grant, Gary Lipscomb, Robert Sunken Garden. Route 17, Chenault, Annette Graves, James Roderick Liskey, W M. Wayne Yorktown Victory Monument, 10rk "Great Blue Heron with Marsh Wren and Yorktown. Chernault, Tracy Gregson, Chris Lortscher, Frank Coun-ty. (Photo by David Hazzard) Turtle", by David H. Turner, n.d., Crim Dell. Clark, Robin E. Griggs, Kay P. Maass, Terri Clarke, Ollie Groff, Roxanne Maisano, Marilyn Yorktown Victory Monument, by J. Q. A Ward, CITY OF WINCHESTER Clement, Meg Gwaltney, Heather Mangione, Wilma 1881, Yorktown. "The Peacemakers", by Frank Hendler, dedicated Clover, Cecile Gwin, Hugh S. Manos, Cynthia 10/22/1992, Shenandoah University. Greek Sculptures at Nick's Seafood Restaurant, Cook, Robert D. Hadsel, Winifred Marilla, Sharon artist unknown, n.d., Water Street, Yorktown. Confederate Soldier's Monument, by Frederick Courson, Glenn Hammel, Rob Marolla, Matt C. Hibbard, dedicated 11/15/1916, Court Square. Courtois, Pierre Harbaugh, Sandra Masters, Michael Craddock, Frank Harman, Henry Mayes,Amy Crawford, Irma B. Harmon, Misti Mayes, William

31 32 Mazik, Lisa Potterfield, Thomas T. Tom Brown Hardware McCoy, Mary Hille Prevo, Mary Ugincius, Leila McGranahan, Cara J. Pritchard, Karen Upshur, Elias McGraw, Tammy Quate, Susan Van Handel, Lori Meadows, Nancy A. Ramsey, Catherine Vautrot, Bonnie Miller, Donna Rau, David Vautrot, Jay Miller, Hugh Reynolds, Judy Veloz, Nick Miller-Pecora, Judy Rice, Betty Ann Via, David Montagna, Dennis Rice, Clive Vosmik, Julie Morris, Rebecca Lee Ring, Shane Wagner, Marc Mott, Melanie Robinson, David Wake, Bob Mueller, Paul Robinson, Deborah Walker, Dorothy Mullen, Carla A. Robinson, Straughan Weiland, Nancy Myers, Melba Robinson, Walter Werner, Nancy B. Naismith, John Roddenberry, Deborah Whitacre, Susan Newbill, Mike B. Rose, Bart Whitehead, Sandra Newcomb, Thomas Rowlett, Reverie Whitehorne, Ellen Ng, Grace Salmon, Emily Whitehorne, Joe Nichols, Alice Sams, Ann Whitmore, Jane Nichols, Susan Savery, Suzanne Willett, Skip and the SOS! staff Schlesinger, Alberta Williams, Barbara S. Nock, L. Floyd Schroll, Charles Williams, Gary M. Nolte, Ed Seipel, Joe Wilson, Richard Guy Nolte, Kelly Shields, Amy Wilson, Rosaline O'Leary, Elizabeth Shields, Peggy Winter, Jill Olsen, Anne Silsand, Holly Winter, Patricia M. Orrock, John Smith, Bob Wise, Alex Orrock, Louise Smith, Dolores C. Wolf, George Ossolinski, Christine Smith, Irene Wood, Pamela Kay Pait, Sandra L. Smith, Richard P. Wood, Peggy Palmer, Meade Snyder, Phyllis Wood, Valerie Paris, George South, Carissa Woodham, Alexandra Paris, Micheline Steele, Lucy Woodward, Deborah Payne, Janet Steen, Aaron Woodworth, W Warren Pearsall, Josiah Stewart, John G. Woods, Dixie Pearsall, Tricia Sullivan, Robert Worsham, Gibson Peppenger, Wesley Taylor, Jason Yaworsky, Sarah Peters, Susie Tennis, Melinda Yetzer, Carol A. Phinney, Lucy Thomas, Deborah B. Young, Jane Pisarek, John Tice, Douglas 0. Young, John Potter, Edmund Todd, Giles

Special thanks to Frank, Katie, and Clare Driggs

The preparation of Save Outdoor Sculpture! A Survey of Sculpture .in Virginia was financed in part with federal funds from the U. S. Department of the Interior, through the Department of Historic Resources, Commonwealth of Virginia. Under Title VI of the Civil Rights Act of 1964 and Section 504 of the Rehabilitation Act of 1973, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin or handicap in irs federally assisted programs. If yon believe that you have been discriminated against in any pro­ gram or activity described herein, or if you desire further information, please write to: Office of Equal Opportunity, U. S. Department of the Interior, Washington, D.C. 20240. The contents and opinions of this book do nor necessarily reflect the views or policies of the Department of the ~nterior, nor does any n1ention of trade names or comn1ercial products constitute endorsement or recommendation by the Department of rhe Interior. The Virginia Department of Historic Resources, in accordance with the Americans with Disabilities Act, will make this publi­ cation available in braille, large print or audio tape upon request. Please allow 4-6 weeks for delivery.

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