Art in Public Places (Map) Based on Art in Public Places

Total Page:16

File Type:pdf, Size:1020Kb

Art in Public Places (Map) Based on Art in Public Places Art in Public Places (Map) Based on Art in Public Places Artist Last Artist First Title Location Name Name Les Paul Guitar Mural Hughes Milree 100 Broadway, Nashville TN Sam Davis LeQuire Alan 4001 Harding Road, Nashville TN The Flutist Varo Marton 1 Symphony Place, Nashville TN Blowing Bubbles Faxon Russell 4715 Harding Pike, Nashville TN Anticipation Faxon Russell 505 Deaderick Street, Nashville TN Piecing It All Together Cooper Michael 600 Church Street, Nashville TN Something in the Air Noland Bill 1900 Belmont Blvd, Nashville TN Chet Atkins Faxon Russell Corner of Fifth Avenue North and Union Street, Nashville TN Ed and Bernice Johnson and Faxon Russell 1900 Belmont Blvd, Nashville TN Mary Benedictio Mutt G. & S. 1101 Lebanon Pike, Nashville TN Women Suffrage Memorial LeQuire Alan 600 Charlotte Avenue, Nashville TN Orpheus and Eurydice Kaskey Ray 1 Symphony Place, Nashville TN Samaritan Wise Scott 4715 Harding Pike, Nashville TN Foliated Scroll Bloomer Kent 615 Church Street, Nashville TN Page 1 of 85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places Medium Type Painting Mural Bronze Sculpture Marble Sculpture Bronze Sculpture Cold cast bronze Sculpture Painting on Stone Mural Bronze Sculpture Bronze stool and guitar on a granite plynth Sculpture Bronze Sculpture Stone Sculpture Bronze sculpture Sculpture Limestone Sculpture Indiana limestone Sculpture Aluminum Frieze Page 2 of 85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places Description Latitude Longitude 36.1624 -86.77491 36.12856 -86.8366 Statue commemorating Kenneth D Schermerhorn, Music Director and Conductor of the Nashville 36.15961 -86.77594 Symphony Orchestra from 1983-2005. 36.11975 -86.85343 A statue of a woman with legs crossed sitting on a bench and leaning forward. 36.16489 -86.78184 36.16281 -86.78186 36.13564 -86.79456 A sculpture of a young Chet Atkins seated on a stool and playing the guitar. 36.16466 -86.78102 36.13264 -86.79473 36.14883 -86.73239 36.16527 -86.78382 Relief sculpture above main entrance of Schermerhorn Symphony Center 36.16017 -86.77575 36.11975 -86.85343 a contemporary adaptation of a classical foliated scroll motif. Inspired by 19th century Beaux Arts 36.16215 -86.78205 students picturing ornament from the ancient temple of Jupiter. It is composed of an undulating "palmette" and spiral repetition with leAvenues, flowers, and scrolls. It is situated 40 feet off the ground below the windows on the library's North façade. Page 3 of 85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places Davidson Service Council District Zip Codes Mapped Location County Border Counties Districts (GIS) Outlines (GIS) (GIS) (GIS) (36.1624, -86.77491) 1 1 20 29 2005 (36.12856, -86.8366) 1 1 10 5 2005 (36.15961, -86.77594) 1 1 20 29 2005 (36.11975, -86.85343) 1 2 32 5 2005 (36.16489, -86.78184) 1 1 20 1 2005 (36.16281, -86.78186) 1 1 20 1 2005 (36.13564, -86.79456) 1 1 19 36 2005 (36.16466, -86.78102) 1 1 20 1 2005 (36.13264, -86.79473) 1 1 19 36 2005 (36.14883, -86.73239) 1 1 20 11 2005 (36.16527, -86.78382) 1 1 20 40 2005 (36.16017, -86.77575) 1 1 20 29 2005 (36.11975, -86.85343) 1 2 32 5 2005 (36.16215, -86.78205) 1 1 20 1 2005 Page 4 of 85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places Police Council School Board Zip Codes Neighborhoods Precincts Districts (old) Districts (old) 1 13 7 30396 50 8 22 6 30816 1 13 7 30396 50 8 32 6 30816 1 13 7 16571 1 13 7 16169 50 5 12 6 15804 1 13 7 16169 50 5 12 6 15804 3 13 7 15800 1 13 7 16169 1 13 7 30396 50 8 32 6 30816 1 13 7 16169 50 Page 5 of 85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places Dancing on Air Hastings Jack 1 Terminal Drive, Nashville TN Sergeant Alvin C. York de Weldon Felix 600 Charlotte Avenue, Nashville TN Ariel Emery Lin 2500 West End Avenue, Nashville TN History in Stained Glass Baker Gus 1101 19th Avenue South, Nashville TN Arial Triangle [from the Gravity Bennyworth Steve 1900 Belmont Blvd, Nashville TN Series] Airport Sun Project Eldred Dale 1 Terminal Drive, Nashville TN Flights of Fantasy Hunter Sherri Warner 1 Terminal Drive, Nashville TN The Birth of Apollo Eskridge Casey 1 Symphony Place, Nashville TN Wetlands Murals in Restrooms Tupper Kathy 7311 Hwy 100, Nashville TN Nashville, A History through Haas Richard 615 Church Street, Nashville TN Maps and Aerial Views The Recording Angel Flack Audrey 1 Symphony Place, Nashville TN Athena Parthenos LeQuire Alan 2500 West End Ave, Nashville TN Page 6 of 85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places Airframe aluminum and metal foil Sculpture Bronze with green patina on green Swedish granite Sculpture Sculpture: bronze with brown patina; Mobile Base: concrete covered with aggregate pebbles 83 Stained glass medallions Stained Glass Cortin Steel Sculpture Light interference and transformation panels Sculpture Concrete Mosaic Bronze sculpture as centerpiece of fountain Sculpture Paint Mural Oil on Canvas Mural Bronze Sculpture Gypsum cement reinforced with fiberglass over metal Sculpture armature, marble base, gold leaf (23.75 karat), paint Page 7 of 85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places 2 mobiles with colorful bent metal pieces 36.13132 -86.66929 A full length portrait of Sergeant Alvin C. York, a WWI soldier. He stands with feet wide apart and has a 36.1656 -86.78275 rifle raised to his proper right shoulder as if he's about to shoot. He wears a combat uniform which includes a helmet, boots, wrapped leg coverings A five piece mobile of crescent-shaped forms. Each of the forms is approximately 2-3 feet long and is 36.14764 -86.81311 connected to and pivots around a central support form. The mobile rests on a bronze plinth, h. 2", which is slightly smaller than the cement base beneath 36.14564 -86.79765 36.13379 -86.79611 Colorful panels along the truss system and ticketing lobby wall that change dependent upon sun and 36.13081 -86.66897 shadows. An interactive play and rest area outside of the Ground Transportation area. Four mosaic sculptures 36.13163 -86.66884 and a mosaic bench portraying a smiling airplanes and a flying carpet. The bench depicts various flying creatures along a blue sky with clouds and the sun. Two figures topping a fountain, one with a lyre and one with a horn. 36.15993 -86.77611 The women's restroom contains a mural depicting spring and summer, while the men's restroom 36.06089 -86.91456 depicts fall and winter. The seasonal changes in the wetlands are shown. Eight scenes showing the development of Nashville from 1800 to 2001. Inspired by The Gallery of 36.16215 -86.78205 Maps in the Vatican commissioned in 1580 by Pope Gregory XIII. The mural culminates in a half medallion above the entry doors. Bronze angel holding a fountain pen and tablet 36.1592 -86.77571 Athena Parthenos with shield and spear, holding Nike in right hand. Includes snake representing the 36.14986 -86.81346 people of Athens, Pegasus and Sphinx (on helmut), Medusa (on breastplate), Battle of the Amazons (on shield), and Battle of the Lapiths and Centaurs (on sa Page 8 of 85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places (36.13132, -86.66929) 1 1 6 38 2005 (36.1656, -86.78275) 1 1 20 40 2005 (36.14764, -86.81311) 1 1 25 40 2005 (36.14564, -86.79765) 1 1 20 36 2005 (36.13379, -86.79611) 1 1 19 36 2005 (36.13081, -86.66897) 1 1 6 38 2005 (36.13163, -86.66884) 1 1 6 38 2005 (36.15993, -86.77611) 1 1 20 29 2005 (36.06089, -86.91456) 1 2 34 32 2005 (36.16215, -86.78205) 1 1 20 1 2005 (36.1592, -86.77571) 1 1 20 29 2005 (36.14986, -86.81346) 1 1 25 40 2005 Page 9 of 85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places 3 18 9 15807 1 13 7 16169 5 15 6 30406 5 13 6 30406 5 12 6 15804 3 18 9 15807 3 18 9 15807 1 13 7 30396 50 8 34 6 16173 1 13 7 16169 50 1 13 7 30396 50 5 15 6 30406 Page 10 of85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places Waveform: Pan American Blues Sheng Shan Shan 1 Terminal Drive, Nashville TN Owen Bradley Smith Gary Ernest 1 Music Square East, at Division Street, Nashville TN Phoenix Limor Livin 1900 Belmont Blvd, Nashville TN Confluence Medwedeff John 1515 Fifth Ave North, Nashville TN Founding Fathers Cenotaph Mims Puryear 1101 19th Avenue South, Nashville TN Roy Orbison Tribute Statue Hendon Rob 1611 Roy Acuff Place, Nashville TN Confederate Private Monument Zolnay George Julian 2500 West End Avenue, Nashville TN Hillsboro Village Mural Rudloff Andee 1602 21st Avenue South, Nashville TN King John of England, Moses, Harriton David Historic Metro Courthouse, 1 Public Justinian of Rome, Justice Square, Nashville, TN Isabelle and Calvin Faxon Russell 1718 Patterson Street, Nashville TN Our Past, Your Future Goller-Brown and Sterling and Ian 1524 Gallatin Avenue, Nashville TN Lawrence Page 11 of85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places Cold cast processed glass Sculpture Bronze sculpture on a pedestal of concrete Sculpture Unknown metal Sculpture Steel Sculpture Bas-relief on granite Relief Fiberglass and Paint Sculpture Bronze on a limestone and granite base Sculpture House paint on brick Mural Glass Sculpture Bronze on granite bench Sculpture Spray Paint Mural Page 12 of85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places A series of 82 glass panels ranging in length from 7.5 feet to 14.5 feet.
Recommended publications
  • Illustrations of Selected Works in the Various National Sections of The
    SMITHSONIAN INSTITUTION libraries 390880106856C A«T FALACr CttNTRAL. MVIIION "«VTH rinKT OFFICIAI ILLUSTRATIONS OF SELECTED WORKS IN THE VARIOUS NATIONAL SECTIONS OF THE DEPARTMENT OF ART WITH COMPLETE LIST OF AWARDS BY THE INTERNATIONAL JURY UNIVERSAL EXPOSITION ST. LOUIS, 1904 WITH AN INTRODUCTION BY HALSEY C. IVES, CHIEF OF THE DEPARTMENT DESCRIPTIVE TEXT FOR PAINTINGS BY CHARLES M. KURTZ, Ph.D., ASSISTANT CHIEF DESCRIPTIVE TEXT FOR SCULPTURES BY GEORGE JULIAN ZOLNAY, superintendent of sculpture division Copyr igh r. 1904 BY THE LOUISIANA PURCHASE EXPOSITION COMPANY FOR THE OFFICIAL CATALOGUE COMPANY EXECUTIVE OFFICERS OF THE DEPARTMENT OF ART Department ' B’’ of the Division of Exhibits, FREDERICK J. V. SKIFF, Director of Exhibits. HALSEY C. IVES, Chief. CHARLES M. KURTZ, Assistant Chief. GEORGE JULIAN ZOLNAY, Superintendent of the Division of Sculpture. GEORGE CORLISS, Superintendent of Exhibit Records. FREDERIC ALLEN WHITING, Superintendent of the Division of Applied Arts. WILL H. LOW, Superintendent of the Loan Division. WILLIAM HENRY FOX Secretary. INTRODUCTION BY Halsey C. Ives “All passes; art alone enduring stays to us; I lie bust outlasts the throne^ the coin, Tiberius.” A I an early day after the opening of the Exposition, it became evident that there was a large class of visitors made up of students, teachers and others, who desired a more extensive and intimate knowledge of individual works than could be gained from a cursory view, guided by a conventional catalogue. 11 undreds of letters from persons especially interested in acquiring intimate knowledge of the leading char¬ acteristics of the various schools of expression repre¬ sented have been received; indeed, for two months be¬ fore the opening of the department, every mail carried replies to such letters, giving outlines of study, courses of reading, and advice to intending visitors.
    [Show full text]
  • National Register of Historic Places Continuation Sheet Name of Property
    NPS Form 10-900-a (Rev. 8/2002) 0MB No. 1024-0018 (Expires 1 -31 -2009) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet Name of Property County and State Section number ____ Page ____ Name of multiple property listing (if applicable) SUPPLEMENTARY LISTING RECORD NRIS Reference Number: 08000689 Date Listed: 7/15/08 Property Name: Centennial Park County: Davidson State: TN This property is listed in the National Register of Historic Places in accordance with the attached nomination documentation subject to the following exceptions, exclusions, or amendments, notwithstanding the National Park Service certification included in the nomination documentation. Signature of tb6 Keeper Date of Action Amended Items in Nomination: SectionS: Category of Property This large-scale, multi-component park is best categorized as a district; the nomination is hereby amended to categorize the property as a District. The Tennessee State Historic Preservation Office was notified of this amendment. DISTRIBUTION: National Register property file Nominating Authority (without nomination attachment) NPS Form 10-900 (Oct. 1990) 2280 United States Department of the Interior National Park Service JUN 0 4 2008 National Register of Historic Places NAT> "ESS** OF H|STORIC PUCES Registration Form NAT-ONAt PARK SERVICE This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking V in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions.
    [Show full text]
  • Save Outdoor Sculpture!
    Save Outdoor Sculpture! . A Survey of Sculpture in Vtrginia Compiled by Sarah Shields Driggs with John L. Orrock J ' Save Outdoor Sculpture! A Survey of Sculpture in Virginia Compiled by Sarah Shields Driggs with John L. Orrock SAVE OUTDOOR SCULPTURE Table of Contents Virginia Save Outdoor Sculpture! by Sarah Shields Driggs . I Confederate Monuments by Gaines M Foster . 3 An Embarrassment of Riches: Virginia's Sculpture by Richard Guy Wilson . 5 Why Adopt A Monument? by Richard K Kneipper . 7 List of Sculpture in Vrrginia . 9 List ofVolunteers . 35 Copyright Vuginia Department of Historic Resources Richmond, Vrrginia 1996 Save Outdoor Sculpture!, was designed and SOS! is a project of the National Museum of American Art, Smithsonian Institution, and the National prepared for publication by Grace Ng Institute for the Conservation of Cultural Property. SOS! is supported by major contributions from Office of Graphic Communications the Pew Charitable Trusts, the Getty Grant Program and the Henry Luce Foundation. Additional assis­ Virginia Department of General Services tance has been provided by the National Endowment for the Arts, Ogilvy Adams & Rinehart, Inc., TimeWarner Inc., the Contributing Membership of the Smithsonian National Associates Program and Cover illustration: ''Ligne Indeterminee'~ Norfolk. Members of its Board, as well as many other concerned individuals. (Photo by David Ha=rd) items like lawn ornaments or commercial signs, formed around the state, but more are needed. and museum collections, since curators would be By the fall of 1995, survey reports were Virginia SOS! expected to survey their own holdings. pouring in, and the results were engrossing. Not The definition was thoroughly analyzed at only were our tastes and priorities as a Common­ by Sarah Shields Driggs the workshops, but gradually the DHR staff wealth being examined, but each individual sur­ reached the conclusion that it was best to allow veyor's forms were telling us what they had dis~ volunteers to survey whatever caught their eye.
    [Show full text]
  • Read the Fall 2013 Newsletter
    FRIENDS OF HOLLYWOOD CEMETERY NEWS FROM FRIENDS OF HOLLYWOOD CEMETERY NONPROFIT ORG. 412 South Cherry Street U.S. POSTAGE Richmond, Virginia 23220 PAID PERMIT NO. 671 23232 A Gateway Into History WWW.HOLLYWOODCEMETERY.ORG FALL 2013 • VOLUME 4, NUMBER 2 On Schedule and Under Budget Phase II Monument and Fence Repair Half Complete he most extensive project of repair and restoration Veronica Huynl, William (“Will”) Oakes, and Katherine Tin Hollywood’s history is entering its fourth year. Ragan. While Robert Mosko has been working offsite Based upon an in depth 2007 study of the condition to complete the restoration of the Palmer fence, the of cemetery monuments and fences conducted by “crew” completes assignments in Richmond based upon Robert Mosko (Mosko Cemetery Company), Friends of scheduling arranged by phone at the beginning of each Hollywood began raising funds in 2009 to address the week. challenge. Because of its size, the project has been undertaken in phases. Phase I involving Presidents Circle and surrounding sections was begun in 2010 and completed in March, 2012. Five hundred two (502) monuments and forty-seven (47) fences were repaired/restored. One fence and one monument are still a work in progress. Phase II involving the oldest sections of Hollywood and some of its greatest challenges was begun in April, 2012. Restoration interns kneel at the Norton plot restored tablets. The scope of work includes fourteen hundred two (1,402) From left: Katherine Ragan, William (“Will”) Oakes, and monuments and eighty-one (81) fences. Over half the Veronica Huynl monuments have been addressed as well as sixty-nine (69) fences.
    [Show full text]
  • Tennessee State Library and Archives CONFEDERATE VETERAN RECORDS, 1904-1941
    State of Tennessee Department of State Tennessee State Library and Archives CONFEDERATE VETERAN RECORDS, 1904-1941 COLLECTION SUMMARY Creator: Confederate veteran (Nashville, Tenn.) Inclusive Dates: 1904-1941, bulk 1911-1932 Scope & Content: These records of the Confederate Veteran magazine contains accounts, a biographical sketch of the magazine’s founder, S. A. Cunningham, a resolution in Cunningham’s honor, by-laws and minutes of the magazine trustees, a contract with the Publishers Adjusting Association, and a list of the Cunningham Memorial Committee members and contributors to the Cunningham Memorial Fund. Of special note is a copy of “Key Words,” a puzzle that was used by the Confederate War Department and given to an officer to decipher in 1863. The collection also contains a reprint of sheet music, “Dixie’s Land,” by Daniel Decatur Emmett. Correspondence and essays make up the majority of the collection. The correspondence spans the years 1904-1932 and consists of letters to the editor and to Mrs. E. D. (Edith Drake) Pope, who assumed editorial duties after Cunningham’s death in 1913. The essays could possibly be submissions to the Confederate Veteran, and several are marked with editing notes. Lastly, the series includes five black and white photos of the Civil War prison on Johnson’s Island, Ohio, ca. 1925. Pictured are the Confederate Soldiers’ Cemetery, blockhouse, gate, and Sandusky Bay. Physical Description/Extent: 0.5 cubic feet Accession/Record Group Number: Ac. No. 2011-020 Language: English Permanent Location: I-C-1 Repository: Tennessee State Library and Archives, 403 Seventh Avenue North, Nashville, Tennessee, 37243-0312 Administrative/Biographical History Nashville-based Confederate Veteran magazine was founded in 1893 by Sumner Archibald Cunningham, who also edited it.
    [Show full text]
  • Extensions of Remarks
    25904 EXTENSIONS OF REMARKS September 30, 1987 EXTENSIONS OF REMARKS A MODEST PROPOSAL ON THIRD result of their overwhelming debt burden, then national trading system, thus increasing in­ WORLD DEBT their democratic governments will surely fall. stability within the international financial The same is true for the Philippines. This system. HON. ROBERT GARCIA should not be allowed to happen. Confronting (6) In order for the United States trade the debt crisis is one way of preventing it. deficit to decline, substantial growth must OF NEW YORK occur on an international scale, particularly IN THE HOUSE OF REPRESENTATIVES The debt commission, which is patterned in the developing countries. after the highly successful Greenspan Com­ Wednesday, September 30, 1987 (7) Current policies and existing mecha­ mission on Social Security, would make a nisms for resolving the debt crisis have Mr. GARCIA. Mr. Speaker, I am introducing thorough study of this problem, as well as pro­ failed to produce adequate new capital flow legislation today that will, hopefully, help to re­ posed solutions, by drawing on the expertise in part because of the constraints imposed solve the Third World debt crisis. The bill, of persons from the public and private sector. by the old debt. The heavily indebted coun­ which I am introducing along with my col­ It would consist of 17 Members from both tries of Latin America, Africa, and Asia are league, WALTER FAUNTROY, would establish a parties: Seven to be chosen by the President, not recovering economically and the pros­ bipartisan commission to study the debt crisis. five by the Speaker of the House, and five by pects are small for improvements in coming Identical legislation is being introduced in the the majority leader in the other body.
    [Show full text]
  • Wisconsin Magazine of History
    r I Wisconsin Magazine of History Father Marquette Goes to Washington: The Marquette Statue Controversy E. DAVID CRONON Chief Buffalo and Other Wisconsin-related Art in the l^ational Captol JOHN O. HOLZHUETER The Prophet and the Mummyjums: Isaac Bullard and the Vermont Pilgrims of 1817 F. GERALD HAM French Colonial Attitudes and the Exploration ofjolliet and Marquette CORNELIUS J. JAENEN Harry Elmer Barnes JUSTUS D. DOENECKE Published by the State Historical Society of Wisconsin / Vol. 56, No. 4 / Summer, 1973 THE STATE HISTORICAL SOCIETY OF WISCONSIN JAMES MORTON SMITH, Director Officers E. DAVID CRONON, President GEORGE BANTA, JR., Honorary Vice-President JOHN C. GEILFUSS, First Vice-President E. E. HOMSTAD, Treasurer HOWARD W. MEAD, Second Vice-President JAMES MORTON SMITH, Secretary Board of Curators Ex Officio PATRICK J. LUCEY, Governor of the State CHARLES P. SMITH, State Treasurer ROBERT C. ZIMMERMAN, Secretary of State JOHN C. WEAVER, President of the University MRS. GORDON R. WALKER, President of the Women's Auxiliary Term Expires, 1972 E. DAVID CRONON ROBERT A. GEIIRKE BEN GUTHRIE FRANCIS PAUL PRUCHA, S.J. Madison Ripon Lac du Flambeau Milwaukee SCOTT M. CUTLIP JOHN C. GEILFUSS MRS. R. L. HARTZELL J. WARD RECTOR Madison Milwaukee Grantsburg Milwaukee MRS. ROBERT E. FRIEND MRS. HOWARD T. GREENE ROBERT H. IRRMANN CLIFFORD D. SWANSON Hartland Milwaukee Beloit Stevens Point Term Expires, 1973 THOMAS H. BARLAND MRS. RAYMOND J. KOLTES FREDERICK I. OLSON DONALD C. SLICHTER Eau Claire Madison Wauwatosa Milwaukee E. E. HOMSTAD CHARLES R. MCCALLUM F. HARWOOD ORBISON DR. LOUIS C. SMITH Black River Falls Hubertus Appleton Lancaster MRS.
    [Show full text]
  • Art in Public Places
    Art in Public Places Title Artist Last Name Les Paul Guitar Mural Hughes Sam Davis LeQuire The Flutist Varo Blowing Bubbles Faxon Anticipation Faxon Piecing It All Together Cooper Something in the Air Noland Chet Atkins Faxon Ed and Bernice Johnson and Mary Faxon Benedictio Mutt Women Suffrage Memorial LeQuire Orpheus and Eurydice Kaskey Samaritan Wise Foliated Scroll Bloomer Dancing on Air Hastings Sergeant Alvin C. York de Weldon Page 1 of 128 09/28/2021 Art in Public Places Artist First Name Milree Alan Marton Russell Russell Michael Bill Russell Russell G. & S. Alan Ray Scott Kent Jack Felix Page 2 of 128 09/28/2021 Art in Public Places Location 100 Broadway, Nashville TN 4001 Harding Road, Nashville TN 1 Symphony Place, Nashville TN 4715 Harding Pike, Nashville TN 505 Deaderick Street, Nashville TN 600 Church Street, Nashville TN 1900 Belmont Blvd, Nashville TN Corner of Fifth Avenue North and Union Street, Nashville TN 1900 Belmont Blvd, Nashville TN 1101 Lebanon Pike, Nashville TN 600 Charlotte Avenue, Nashville TN 1 Symphony Place, Nashville TN 4715 Harding Pike, Nashville TN 615 Church Street, Nashville TN 1 Terminal Drive, Nashville TN 600 Charlotte Avenue, Nashville TN Page 3 of 128 09/28/2021 Art in Public Places Medium Type Painting Mural Bronze Sculpture Marble Sculpture Bronze Sculpture Cold cast bronze Sculpture Painting on Stone Mural Bronze Sculpture Bronze stool and guitar on a granite plynth Sculpture Bronze Sculpture Stone Sculpture Bronze sculpture Sculpture Limestone Sculpture Indiana limestone Sculpture Aluminum Frieze Airframe aluminum and metal foil Sculpture Bronze with green patina on green Swedish granite Sculpture Page 4 of 128 09/28/2021 Art in Public Places Description Latitude 36.1624 36.12856 Statue commemorating Kenneth D Schermerhorn, Music Director and Conductor of the Nashville 36.15961 Symphony Orchestra from 1983-2005.
    [Show full text]
  • Davis Louise Littleton Pa
    State of Tennessee Department of State Tennessee State Library and Archives 403 Seventh Avenue North Nashville, Tennessee 37243-0312 DAVIS, LOUISE LITTLETON (1911?-1995) PAPERS 1890-1994 (THS COLLECTION) Processed by: Gregory G. Poole Archival Technical Services Date Completed: May 9, 2003 Location: THS I-L-M THS ac. no. 778 and 914 Microfilm No. 1710 MICROFILMED INTRODUCTION This finding aid focuses on the papers of Louise Littleton Davis, journalist and historian, of Nashville, Tennessee. Although spanning the years 1890-1994, the papers are largely concentrated around Davis’ career as a journalist and historian in the 1960s through the 1980s. Davis’ career as a journalist began at the Nashville Tennessean in 1943 and continued until her retirement in 1984. The bulk of the collection is concerned with her writings for that newspaper. The Louise Davis Collection is composed of approximately 22 cubic feet of material. The collection is arranged according to series, including: correspondence, genealogical records, notebooks, photographs, speeches, subject files, writings and several miscellaneous items. The collection was presented to the Tennessee Historical Society as legatee in the estate of Louise Little Davis. There are no restrictions on the material. Single photocopies of unpublished materials in the Louise Littleton Davis Papers may be made for individual or scholarly research. Usage of any photographic materials and documents in this collection should include reference to the Tennessee Historical Society, Nashville, Tennessee. SCOPE AND CONTENT NOTE The Louise Littleton Davis Papers containing approximately 22 cubic feet of material and 1123 photographs span the period 1890 through 1994, although concentrated between 1960-1994.
    [Show full text]
  • Sam Davis Reader a Compilation Sam Davis Christian Youth Camps
    Sam Davis Reader A Compilation Sam Davis Christian Youth Camps "Sam Davis questioned by General Dodge," by Harold Van Schmidt. NOTE: In accordance with Title 17 U.S.C. section 107, any copyrighted material herein is distributed without profit or payment to those who have expressed prior interest in receiving this information for non-profit research and educational purposes only. For further information please refer to: http://www.law.cornell.edu/uscode/17/107.shtml SAM DAVIS Ella Wheeler Wilcox in The Confederate Veteran. When the Lord calls up earth's heroes To stand before His face, Oh, many a name unknown to fame Shall ring from that high place! And out of a grave in the Southland, At the just God's call and beck, Shall one man rise with fearless eyes And a rope about his neck. For men have swung from gallows Whose souls were white as snow. Not how they die or where, but why, Is what God's records show. And on that mighty ledger, Is writ Sam Davis' name-- For honor's sake he would not make A compromise with shame. The great world lay before him, For he was in his youth. With love of life young hearts are rife, But better he loved truth. He fought for his convictions, And when he stood at bay He would not flinch or stir one inch From honor's narrow way. They offered life and freedom If he would speak the word; In silent pride he gazed aside As one who had not heard. They argued, pleaded, threatened-- It was but wasted breath.
    [Show full text]
  • The Times of Skinker Debaliviere November 1986
    The TIMES SKINKER DEBALIVIERE VOL. 17, NO. 7 NOVEMBER 1986 FREE The oldest neighborhood newspaper in St. Louis New Bi-State . Facility Captures Spirit Of DeBaliviere Area When the new Bi-State DeBaliviere Station Garage opens next month at DeBaliviere and Delmar Boulevard in St. Louis, Mo., a dream will be realized to build a major transit facil- ity which blends into the rich fabric of one of St. Louis' best revitalized urban areas — the DeBaliviere neighborhood. The design for the $18 million building was created by Mackey & Associates, Inc., an architectural, planning, and interior design firm that has played a major role in designing the rebirth of St. Louis and the DeBaliviere Place neighborhood. When fully operational on Dec. 1, the 360,000 square foot facility at 560 DeBaliviere will accommodate more than 200 buses in Bi- State Development Agency's Transit System. The garage will be used for vehicle parking, bus maintenance, and routine repair. Al- though it will be in use twenty-four hours a day, peak traffic hours for the garage will be from 4 to 6 am. and 5 to 7 p.m. The structure also houses management offices, bus dis- patching, driver education, and training. It is Bi-State's third facility of its type in the StIouis metropolitan area. According to Ripley Rasmus, project designer for Mackey & Associates, the build- ing's unique design responds to the texture, detail, and scale of the surrounding urban neighborhood of brick low-rise residential and commercial structures. "Because we wanted to draw on a flavor of St.
    [Show full text]
  • Metro-Owned Artwork Conditions Assessment Report
    Conditions Assessment Report for Metro-Owned Artworks This baseline condition assessment and history of Metro-owned public artworks was completed by Metro Arts during the summer and fall of 2017. The creation of such a master inventory and conditions assessment came as a recommendation in the Metro Public Art Community Investment Plan adopted in May 2017 and discussion with several Metro departments during 2016 when the Donated Artwork Policy was developed and adopted. Metro Arts is aware that there are ongoing maintenance challenges with public artworks found on Metro property. Often these works do not have a formal “owner” and they are not being cared for and oftentimes long-term neglect turns into major expense. Our department has cautioned against the city accepting donations of permanent artworks prior to considering the long-term cost and personnel implications of taking care of these assets. Questions about the extent and the condition of the Metro-owned public artwork collection also arose as Metro Parks and the Hillsboro-West End Neighborhood Association began to address the repairs needed at Pedro Silva’s iconic artwork Sea Serpents, known locally as The Dragon, in Fannie Mae Dees Park. This Executive Summary includes a brief description of the assessment and immediate recommendations for Metro-owned artworks1. A detailed inventory, which includes a brief history and description of the current condition of each, is included in the longer report. Starting from an existing Metro Arts database of Art in Public Places in Nashville-Davidson County, staff identified artworks on Metro property and visited these artworks to gather preliminary data.
    [Show full text]