Sam Davis Reader a Compilation Sam Davis Christian Youth Camps
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Illustrations of Selected Works in the Various National Sections of The
SMITHSONIAN INSTITUTION libraries 390880106856C A«T FALACr CttNTRAL. MVIIION "«VTH rinKT OFFICIAI ILLUSTRATIONS OF SELECTED WORKS IN THE VARIOUS NATIONAL SECTIONS OF THE DEPARTMENT OF ART WITH COMPLETE LIST OF AWARDS BY THE INTERNATIONAL JURY UNIVERSAL EXPOSITION ST. LOUIS, 1904 WITH AN INTRODUCTION BY HALSEY C. IVES, CHIEF OF THE DEPARTMENT DESCRIPTIVE TEXT FOR PAINTINGS BY CHARLES M. KURTZ, Ph.D., ASSISTANT CHIEF DESCRIPTIVE TEXT FOR SCULPTURES BY GEORGE JULIAN ZOLNAY, superintendent of sculpture division Copyr igh r. 1904 BY THE LOUISIANA PURCHASE EXPOSITION COMPANY FOR THE OFFICIAL CATALOGUE COMPANY EXECUTIVE OFFICERS OF THE DEPARTMENT OF ART Department ' B’’ of the Division of Exhibits, FREDERICK J. V. SKIFF, Director of Exhibits. HALSEY C. IVES, Chief. CHARLES M. KURTZ, Assistant Chief. GEORGE JULIAN ZOLNAY, Superintendent of the Division of Sculpture. GEORGE CORLISS, Superintendent of Exhibit Records. FREDERIC ALLEN WHITING, Superintendent of the Division of Applied Arts. WILL H. LOW, Superintendent of the Loan Division. WILLIAM HENRY FOX Secretary. INTRODUCTION BY Halsey C. Ives “All passes; art alone enduring stays to us; I lie bust outlasts the throne^ the coin, Tiberius.” A I an early day after the opening of the Exposition, it became evident that there was a large class of visitors made up of students, teachers and others, who desired a more extensive and intimate knowledge of individual works than could be gained from a cursory view, guided by a conventional catalogue. 11 undreds of letters from persons especially interested in acquiring intimate knowledge of the leading char¬ acteristics of the various schools of expression repre¬ sented have been received; indeed, for two months be¬ fore the opening of the department, every mail carried replies to such letters, giving outlines of study, courses of reading, and advice to intending visitors. -
Brochure Design by Communication Design, Inc., Richmond, VA 877-584-8395 Cheatham Co
To Riggins Hill CLARKSVILLE MURFREESBORO and Fort Defiance Scroll flask and .36 caliber Navy Colt bullet mold N found at Camp Trousdale . S P R site in Sumner County. IN G Stones River S T Courtesy Pat Meguiar . 41 National Battlefield The Cannon Ball House 96 and Cemetery in Blountville still 41 Oaklands shows shell damage to Mansion KNOXVILLE ST. the exterior clapboard LEGE Recapture of 441 COL 231 Evergreen in the rear of the house. Clarksville Cemetery Clarksville 275 40 in the Civil War Rutherford To Ramsey Surrender of ST. County Knoxville National Cemetery House MMERCE Clarksville CO 41 96 Courthouse Old Gray Cemetery Plantation Customs House Whitfield, Museum Bradley & Co. Knoxville Mabry-Hazen Court House House 231 40 “Drawing Artillery Across the Mountains,” East Tennessee Saltville 24 Fort History Center Harper’s Weekly, Nov. 21, 1863 (Multiple Sites) Bleak House Sanders Museum 70 60 68 Crew repairing railroad Chilhowie Fort Dickerson 68 track near Murfreesboro 231 after Battle of Stones River, 1863 – Courtesy 421 81 Library of Congress 129 High Ground 441 Abingdon Park “Battle of Shiloh” – Courtesy Library of Congress 58 41 79 23 58 Gen. George H. Thomas Cumberland 421 Courtesy Library of Congress Gap NHP 58 Tennessee Capitol, Nashville, 1864 Cordell Hull Bristol Courtesy Library of Congress Adams Birthplace (East Hill Cemetery) 51 (Ft. Redmond) Cold Spring School Kingsport Riggins Port Royal Duval-Groves House State Park Mountain Hill State Park City 127 (Lincoln and the 33 Blountville 79 Red Boiling Springs Affair at Travisville 431 65 Portland Indian Mountain Cumberland Gap) 70 11W (See Inset) Clarksville 76 (Palace Park) Clay Co. -
Book Otice: Kentucky Soldiers and Their Regiments in the Civil War
Book otice: Kentucky Soldiers and Their Regiments in the Civil War Abstracted from the Pages of Contemporary ewspapers Written by Dan Reigle for the Ohio Civil War Genealogy Journal , Vol. XIV (2010), No. 3. Five volumes, each covering one year of the 1861-1865 period. Steven L. Wright. Utica KY: McDowell Publications. Copyright by author, 2009. (Ordering information is at the end of this notice.) Thanks to Don Rightmyer, editor of Kentucky Ancestors , for making us aware of this new resource. In the Winter 2010 issue of Kentucky Ancestors , Don used the word “monumental” to describe this newly-published set of books, stating that they make “a tremendous contribution to the published history of the experiences of Kentucky men during the Civil War.” I agree, having used the books immediately after receiving them to annotate Darrell Helton’s submission of documents on the engagements at Cotton Hill, south of Charleston WV in November 1861. We all know the unique value of newspaper research in our Civil War research and our genealogical research , and we also know how painfully difficult it can be to locate relevant newspapers and then to find in them the information we need. Mr. Wright has done a lot of heavy lifting for us. His objective was clearly stated in the Preface to the first volume: “This work is not about the big battles, although there is generally enough reference information to find the reports and narratives peppered through various issues of the newspapers from their correspondents. I have attempted to provide an adequate amount of abstracted information to allow researchers to follow up on their own interests, or simply to see a simplified version of events as they happened. -
Art in Public Places (Map) Based on Art in Public Places
Art in Public Places (Map) Based on Art in Public Places Artist Last Artist First Title Location Name Name Les Paul Guitar Mural Hughes Milree 100 Broadway, Nashville TN Sam Davis LeQuire Alan 4001 Harding Road, Nashville TN The Flutist Varo Marton 1 Symphony Place, Nashville TN Blowing Bubbles Faxon Russell 4715 Harding Pike, Nashville TN Anticipation Faxon Russell 505 Deaderick Street, Nashville TN Piecing It All Together Cooper Michael 600 Church Street, Nashville TN Something in the Air Noland Bill 1900 Belmont Blvd, Nashville TN Chet Atkins Faxon Russell Corner of Fifth Avenue North and Union Street, Nashville TN Ed and Bernice Johnson and Faxon Russell 1900 Belmont Blvd, Nashville TN Mary Benedictio Mutt G. & S. 1101 Lebanon Pike, Nashville TN Women Suffrage Memorial LeQuire Alan 600 Charlotte Avenue, Nashville TN Orpheus and Eurydice Kaskey Ray 1 Symphony Place, Nashville TN Samaritan Wise Scott 4715 Harding Pike, Nashville TN Foliated Scroll Bloomer Kent 615 Church Street, Nashville TN Page 1 of 85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places Medium Type Painting Mural Bronze Sculpture Marble Sculpture Bronze Sculpture Cold cast bronze Sculpture Painting on Stone Mural Bronze Sculpture Bronze stool and guitar on a granite plynth Sculpture Bronze Sculpture Stone Sculpture Bronze sculpture Sculpture Limestone Sculpture Indiana limestone Sculpture Aluminum Frieze Page 2 of 85 10/02/2021 Art in Public Places (Map) Based on Art in Public Places Description Latitude Longitude 36.1624 -86.77491 36.12856 -86.8366 Statue commemorating Kenneth D Schermerhorn, Music Director and Conductor of the Nashville 36.15961 -86.77594 Symphony Orchestra from 1983-2005. -
Sam Davis Home Smyrna, Tennessee August 2007 – May 2008
Sam Davis Home Smyrna, Tennessee August 2007 – May 2008 Tour Guide and Intern Contact: Anita Teague, Executive Director [email protected] During my time at the Sam Davis Home, I was responsible for guiding guests through the main house and grounds of the historic site. I also worked in the gift shop and museum as a retail associate and receptionist. In addition, I assisted the Educational Coordinator and Event Coordinator with various educational programs and events that took place throughout the year at the site. Through this process, I learned about public history and leadership as a public historian for college credit at Middle Tennessee State University. As part of an independent study during my final semester at MTSU, I developed an education program that the staff could implement for groups that visit the Sam Davis Home. I researched the background information for this program, curriculum standards, teacher expectations, and staff expectations to complete a comprehensive program. The program, Children in the Civil War, provides teachers with activities to complete before and after their visit to the Sam Davis Home, so students gain a better understanding of the subject. Table of Contents Summary Outline Script Pre-Activities Post-Activies Handouts and Worksheets Summary This education program was developed to help students learn about the life of children on plantations during the American Civil War. This program will cover the child’s role within the family, with special emphasis on the Davis family children. It will also cover the day in the life of a child including chores and school, and manners and morals. -
Bowling Green Civil War Round Table Newsletter History
Western Kentucky University TopSCHOLAR® Bowling Green Civil War Round Table Newsletter History 2-2017 Bowling Green Civil War Round Table Newsletter (Feb. 2017) Manuscripts & Folklife Archives Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/civil_war Part of the Military History Commons, and the United States History Commons Recommended Citation Folklife Archives, Manuscripts &, "Bowling Green Civil War Round Table Newsletter (Feb. 2017)" (2017). Bowling Green Civil War Round Table Newsletter. Paper 8. https://digitalcommons.wku.edu/civil_war/8 This Newsletter is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Bowling Green Civil War Round Table Newsletter by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. 1 Founded March 2011 – Bowling Green, Kentucky President –Tom Carr; Vice President - Jonathan Jeffrey; Secretary – Carol Crowe-Carraco; Treasurer – Robert Dietle; Advisors – Glenn LaFantasie and - Greg Biggs (Program Chair and President-Clarksville CWRT) The Bowling Green, KY Civil War Round Table meets on the 3rd Tuesday of each month (except June, July, and December). Email: [email protected] We meet at 7:00 p.m. on Tuesday, February 21st in Cherry Hall 125 on the Campus of Western Kentucky University. Our meetings are always open to the public. Members please bring a friend or two – new recruits are always welcome. Our Program for February 2017: Who is buried in Lovell Harrison Rousseau’s grave? At Cave Hill Cemetery in Louisville, Kentucky, at the head of the thousands of graves of Union soldiers, is a monument to Lovell H. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Com pany 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9325494 “War at every man’s door” : The struggle for East Tennessee, 1860—1869. (Volumes I and n) Fisher, Noel Charles, Ph.D. -
Published Monthly in the Interest of Confederate Veterans and Kindred Topics
Page 1 of 85 Confederate Veteran June 1909 Created by Margie Daniels PUBLISHED MONTHLY IN THE INTEREST OF CONFEDERATE VETERANS AND KINDRED TOPICS Entered at the post office at Nashville, Tenn., as second class matter. Contributors are requested to use only one side of the paper, and to abbreviate as much as practicable. These suggestions are important. Where clippings are sent copy should be kept, as the VETERAN cannot untake to return them, Advertising rates furnished on application The date to a subscription is always given to the month before it ends. For instance, if the VETERAN is ordered to begin with January, the date on mail will be December, and the subscriber is entitled to that number. The civil war was too long ago to be called the late war, and when correspondent use that term " War between the States" will be substituted. The terms "New South" and " lost cause" are objectionable to the VETERAN. OFFICIALLY REPRESENTS: UNITED CONFEDERATE VETERANS, UNITED DAUGHTERS OF THE CONFEDERACY, SONS OF VETERANS, AND OTHER ORGANIZATIONS, CONFEDERATED SOUTHERN MEMORIAL ASSOCIATION The VETERAN is approved and indorsed officially by a larger and more elevated patronage, doubtless, than any other publication in existence. Though men deserve, they may not win success, The brave will honor the brave, vanquished none the less. PRICE, $1.00 PER YEAR.}. SINGLE COPY, 10 CENTS} VOL. XVII. NASHVILLE, TENN., JUNE, 1909. No. 6 S.A.CUNNINGHAM, PROPRIETOR CV Page 2 of 85 Confederate Veteran June 1909 Created by Margie Daniels OFFICIAL ORDERS ABOUT THE REUNION According to the long established custom, the Division Commander of the State in which the Reunion is to be held will be the chief marshal of the parade. -
History with an Attitude: Alaska in Modern Russian Patriotic Rhetoric
Andrei A. Znamenski, Memphis/USA History with an Attitude: Alaska in Modern Russian Patriotic Rhetoric Guys, stop your speculations and read books. One of my re cent discoveries is Kremlev. Here is a real history of Russia. One reads his books and wants to beat a head against a wall from the realization of how much we lost due to corruption, treason and the stupidity of our rulers – tsars, general secret aries and presidents. What wonderful opportunities we had in the past and how much we have lost!1 A nationalist blogger about the ultra-patriotic popular his tory “Russian America: Discovered and Sold” (2005) by Sergei Kremlev In Russian-American relations, Alaska is doomed to remain a literary-political metaphor – some sort of a stylistic figure of speech whose original meaning faded away being re placed with an imagined one.2 Writer Vladimir Rokot (2007) On the afternoon of October 18, 1867, a Siberian Line Battalion and a detachment of the US Ninth Infantry faced each other on a central plaza of New Archangel (Figure 1), the capital of Russian America, prepared for the official ceremony of lowering the Russian flag and of raising the Stars and Stripes. This act was to finalize the transfer of Alaska (Figure 2) from Russia to the United States, which bought the territory for $ 7.2 million. At 4 PM, Captain Aleksei Peshchurov gave orders to lower the Russian flag. After this, Brigadier General Lovell Rousseau, a representative of the US Government, ordered the American flag to be raised. Salutes were fired. This ceremony ended a brief seventy-year presence of the Russian Empire in northwestern North America.3 Driven by short-term strategic goals, Russian emperor Alexander II decided to get rid of his overseas posses sion, which represented 6 per cent of the Russian Empire territory. -
Josiah Bushnell Grinnell
Josiah Bushnell Grinnell: Radical Abolitionist Through and Through Will Hamilton Class of 2017 Content Warning: This essay includes direct quotes from historical sources and transcripts which use derogatory racial epithets. On June 14, 1866 congressman Lovell Rousseau Democrats were strongly against abolition, and while the from Kentucky cornered Josiah Bushnell Grinnell, a Republican coalition was frmly antislavery, Congress’ representative from Iowa, in the east front house portico dominant party lacked unity regarding when, how, and of the United States Capitol building and repeatedly beat why abolition should occur. It is important to note Grinnell with an iron-tipped cane until the cane broke. that the Republican Party was still in its fedgling stage: The incident was the culmination of several months as a combination of former Free-Soilers, Whigs, and of fery arguments between Rousseau and Grinnell, other progressives, the party’s umbrella ideology was which devolved over the course of 1866 into a bitter constantly evolving before the war broke out. vendetta consisting of personal attacks exchanged on Once the war broke out, Union politicians the House foor.1 On the surface, the caning of Grinnell faced an unprecedented national crisis which created by Rousseau was yet another incident illustrative of the the necessity for leaders to abandon their personal violent tensions between leaders from different parts ambitions and agendas and compromise on the of the country endemic of the Civil War and early Capitol foor, or in clandestine meetings in the dead Reconstruction eras. However, the caning represents a of night, in order to preserve the United States. -
National Register of Historic Places Continuation Sheet Name of Property
NPS Form 10-900-a (Rev. 8/2002) 0MB No. 1024-0018 (Expires 1 -31 -2009) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet Name of Property County and State Section number ____ Page ____ Name of multiple property listing (if applicable) SUPPLEMENTARY LISTING RECORD NRIS Reference Number: 08000689 Date Listed: 7/15/08 Property Name: Centennial Park County: Davidson State: TN This property is listed in the National Register of Historic Places in accordance with the attached nomination documentation subject to the following exceptions, exclusions, or amendments, notwithstanding the National Park Service certification included in the nomination documentation. Signature of tb6 Keeper Date of Action Amended Items in Nomination: SectionS: Category of Property This large-scale, multi-component park is best categorized as a district; the nomination is hereby amended to categorize the property as a District. The Tennessee State Historic Preservation Office was notified of this amendment. DISTRIBUTION: National Register property file Nominating Authority (without nomination attachment) NPS Form 10-900 (Oct. 1990) 2280 United States Department of the Interior National Park Service JUN 0 4 2008 National Register of Historic Places NAT> "ESS** OF H|STORIC PUCES Registration Form NAT-ONAt PARK SERVICE This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking V in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. -
Save Outdoor Sculpture!
Save Outdoor Sculpture! . A Survey of Sculpture in Vtrginia Compiled by Sarah Shields Driggs with John L. Orrock J ' Save Outdoor Sculpture! A Survey of Sculpture in Virginia Compiled by Sarah Shields Driggs with John L. Orrock SAVE OUTDOOR SCULPTURE Table of Contents Virginia Save Outdoor Sculpture! by Sarah Shields Driggs . I Confederate Monuments by Gaines M Foster . 3 An Embarrassment of Riches: Virginia's Sculpture by Richard Guy Wilson . 5 Why Adopt A Monument? by Richard K Kneipper . 7 List of Sculpture in Vrrginia . 9 List ofVolunteers . 35 Copyright Vuginia Department of Historic Resources Richmond, Vrrginia 1996 Save Outdoor Sculpture!, was designed and SOS! is a project of the National Museum of American Art, Smithsonian Institution, and the National prepared for publication by Grace Ng Institute for the Conservation of Cultural Property. SOS! is supported by major contributions from Office of Graphic Communications the Pew Charitable Trusts, the Getty Grant Program and the Henry Luce Foundation. Additional assis Virginia Department of General Services tance has been provided by the National Endowment for the Arts, Ogilvy Adams & Rinehart, Inc., TimeWarner Inc., the Contributing Membership of the Smithsonian National Associates Program and Cover illustration: ''Ligne Indeterminee'~ Norfolk. Members of its Board, as well as many other concerned individuals. (Photo by David Ha=rd) items like lawn ornaments or commercial signs, formed around the state, but more are needed. and museum collections, since curators would be By the fall of 1995, survey reports were Virginia SOS! expected to survey their own holdings. pouring in, and the results were engrossing. Not The definition was thoroughly analyzed at only were our tastes and priorities as a Common by Sarah Shields Driggs the workshops, but gradually the DHR staff wealth being examined, but each individual sur reached the conclusion that it was best to allow veyor's forms were telling us what they had dis~ volunteers to survey whatever caught their eye.