Save Outdoor Sculpture! A Survey of Sculpture in Virginia

Compiled by Sarah Shields Driggs with John L. Orrock

SAVE OUTDOOR SCULPTURE Virginia Save Outdoor Sculpture! by Sarah Shields Drigs ...... 1

Confederate Monuments by Gaines M. Foster ...... 3

An Embarrassment of Riches: Virginia's Sculpture by Richard Guy Wilson . 5

Why Adopt A Monument? by Richard K Kneipper ...... 7

List of Sculpture in Virginia ...... 9

List of Volunteers ...... 35

Copyright Virginia Department of Historic Resources Richmond, Virginia 1996

Save Outdoor Sculpture!, was designed and SOS! is a project of the National Museum of American Art, Smithsonian Institution, and the National prepared for publication by Grace Ng Institute for the Conservation of Cultural Property. SOS! is supported by major contributions from Office of Graphic Communications the Pew Charitable Trusts, the Getty Grant Program and the Henry Luce Foundation. Additional assis- Virginia Department of General Services tance has been provided by the National Endowment for the Arts, Ogilvy Adams & Rinehart, Inc., TimeWarner Inc., the Contributing Membership of the Smithsonian National Associates Program and Cover illzistration: 'Zigne Inde'temzin6e': No fok (Photo by David Ham~d) Members of its Board, as well as many other concerned individuals. items like lawn ornaments or commercial signs, formed around the state, but more are needed. and museum collections, since curators would be By the fall of 1995, survey reports were Virginia SOS! expected to survey their own holdings. pouring in, and the results were engrossing. Not by Sarah Shields Driggs The definition was thoroughly analyzed at only were our tastes and priorities as a Common- the workshops, but gradually the DHR staff wealth being examined, but each individual sur- reached the conclusion that it was best to allow veyor's forms were telling us what they had dis- 0utdoor sculptures enhance America's parks, more discoveries to make. volunteers to survey whatever caught their eye. covered personally. Several of the volunteers The main intention of SOS! is to develop advo- plazas, traffic islands and courthouse squares. With the ambitious goal of inventorying wrote letters and called to say how much they had cates for art, to challenge people to open their enjoyed the project, and that they'd never look at They may celebrate heroes, commemorate events every publicly accessible outdoor sculpture in the eyes and appreciate the art around the from our history or simply beautify a space. United States, the organizers of SOS! chose to the same way again. Many said that Public sculpture forms a visible summary of our recruit volunteers for several reasons. Local vol- since DHR was interested in hearing le definition of art had changed. vision of ourselves and our communities; yet often unteers would know where sculpture was located, community considered their cultural t essays included here make some pre- little thought is given to the sculpture's upkeep. and they would have better knowledge of archival whether it was an obelisk or a world- assessment of the scope of Virginia's Acid rain, pollution, acci- resources for research. Most importantly though, dog stand, these guidelines were elimi t much more information can be dents, vandalism and the volunteers would still be there with their potentially interesting surveys. So o he files for future scholarship. The knowledge and commitment to the sculpture after became more inclusive as the survey e consulted in the archives at the SOS! was over. and this is reflected in the list of scul of Historic Resources and through The project was coordinated in Virginia by region was surveyed early in the pro eservation Software, a resource data- the Department of Historic Resources (DHR) may follow the original SOS! guide1 DHR. Results of the surveys will be with help from the Virginia Commission for the rigorously. nventory of American Sculpture, a Arts. During 1994 and 1995 over 200 volunteers SOS! also hopes that the ent atabase at the National Museum attended training workshops and fanned out ated locally will have significant lo across the state to search for sculpture. These vol- fits in each community. Pu g SOS! survey was part of unteers counted and assessed the condition of local efforts to clean and ma t has become the largest over 700 works of art-including monuments to are two possible results. A c ct in Arnericds history. Confederate and Revolutionary heroes, religious tion that plagues outdoor s onored, a tremendous statues, folk art and contemporary sculpture. was intended to be out in the elements, it must amount of information has been uncovered and Inventory reports list the artist, title, date, materi- have been constructed to last forever. No one recorded, and many volunteers have had their eyes al, dimensions, location, history and condition of expects a car left outside to last a decade without opened to public art. By doing so, SOS! has stim- each sculpture. Volunteers worked in teams or care, but most communities think nothing of ulated interest in caring for sculpture and treating alone to inventory anywhere from one to 40 leaving a sculpture out for a century or more with it as a vital part of our rich cultural heritage. no maintenance. The SOS! survey includes an pieces. Distance travelled ranged from several Sad Shield.. Drigg) an architecturaL historian) counties to stepping into their garden. Some were elementary condition report for which volunteers were briefed during the training workshops. coordinated Krginia Save Outdoor Sculpture!fir the able to find programs from dedication cere- Department of Historic Resources. monies, articles and historic photographs. Some Often communities will mobilize to clean and Photo on fdcingpage: McCaZlum More Garden, volunteers interviewed artists, and even talk to care for their local sculpture when they discover Mecklenburg County. (Photo by Brendd Arriaga) local reporters about the works they surveyed, the hazards it is facing. Several groups have while others were frustrated in their attempts to find even a title for the sculpture in their area. What is outdoor sculpture? This was the most discussed question at the training work- shops. SOS! defined it as A three-dimensional artwork that is cast, carved, modeled, fabricated, fired or assem- bled in materials such as stone, wood, metal, ceramic or plastic, located in an out- door setting, and is accessible to the public. This left many things unsaid, but it is a start. Types of sculpture that would be omitted were grave markers/tombstones, commemorative works that were not three-dimensional or sculptural (such as obelisks), architectural structures such as the Gateway Arch in St. Louis, architectural orna- mentation such as a keystone, mass-produced 'Fountain of Faith", Falls Church. (Photo by David A. Edwards) Interpreting the meaning of this Confederate statuary proves difficult and, of late, Confederate Monuments increasingly controversial. The sculpture itself contributes to this. Only a few (those in by Gaines M. Foster Arlington cemetery and at the Virginia Military Institute, for examples) take allegorical form. And although memorials to officers are often Lonfederate monuments, silent sentinels of a patterns. The statue in Bath County, for example, heroic and martial, typical monuments to enlisted Lost Cause, dot the physical and crowd the sym- was made by McNeel, and local lore, probably men are surprisingly matter-of-fact. They rarely bolic landscape of the South. In the first decades apocryphal, has it that the company first sent a have martial poses; most feature a soldier at rest, after the Civil War, white southerners most often Union soldier. But Virginia's Confederate monu- not in attack or even at the ready. Such a pose placed Confederate monuments of funereal ments are probably more numerous and possibly 'I can hardly be interpreted as a call to arms or as design, simple obelisks for example, in cemeteries. more diverse and artistic than those of any other any very definitive statement. Like the designs, Later, in the 1890s and, increasingly after 1900, southern state. Several factors contributed to this. they erected soldiers in the center of town. These Many of the war's battles took place in Virginia, the inscriptions offer limited help in fixing an became the most common statues since the Richmond served as the capital of the interpretation of these monuments. A few men- tion the defense of states rights, more refer only to majority of Confederate monuments were erected Confederacy, two of the South's most celebrated the Cause and the Dead, most are cryptic at best. between 1895 and 1912. The United Daughters leaders-Robert E. Lee and Stonewall Jackson- Only one thing seems sure. This impressive of the Confederacy, founded in 1895, played a were natives of the state, and Virginians pioneered sculptural legacy testifies to the importance white central role in creating this marble and bronze cel- several of the efforts to memorialize them and the Virginians, in the years between the Civil War ebration of the Confederacy. But the Daughters Confederacy. Virginia thus became the site of and World War I, placed on memorializing the were helped by aggressive companies that cam- several large, ornate monuments paid for by Confederacy. The process began in mourning the Robert E. Lee Monument, Richmond (Photo by John paigned to sell their products. One, the McNeel regional fund-raising campaigns. Even local com- loss of the Confederacy and its dead, as southern- Orrock) Marble Company of Marietta, Georgia, even munity efforts in the state, though, often resulted ers placed funereal monuments in cemeteries. offered easy credit terms (to ensure soldiers were in original statues designed by individuals rather The stone pyramid in Richmond's Hollywood see only homage to self-sacrificing, dutiful soldiers honored before they died, of course) and free than simply bought from marble companies. Cemetery is one of the most distinctive, and or a symbol of "southern tradition." Still other marble breadboards to UDC officers who agreed Some of these sculptors were not Virginians, and strangely haunting, of these funereal monuments. southerners, African-Americans among them, see to buy a monument. As a result many almost all of the casting of the bronze was done Later, roughly from 1890 to 1912, as they placed in these monuments an affront, a reminder if not Confederate monuments were mass produced; outside the state. Nevertheless, five artists with monuments of common soldiers in towns, the a celebration of the days of slavery and white some even resembled the soldiers companies made Virginia ties-Edward Valentine, Moses Ezekiel, former Confederates celebrated what they consid- supremacy. The problem lies not with the statues. for Civil War memorials in the ~orth."] William Couper, William L. Sheppard, and F. ered the justness of their cause, the glory of their They have become part of the landscape and his- The placement and design of Virginia's William Sievers-designed several pieces. leaders, and the heroism and loyalty of their tory of Virginia and the South. The problem lies Confederate monuments follow regional Some of their works honored individual armies. These monuments, though, celebrated in how southerners interpret that history, how Confederate leaders. Richmond's Monument not just the past, but, like much public sculpture, they make these silent sentinels speak to new gen- Avenue boasts a massive mounted Lee, by France's a vision of what the present and future should be. erations. Confederate monuments inevitably M. Jean Antonin Mercid; an ornate tribute to The absence of martial imagery indicates a South serve as a reminder of that past, but they can Confederate president Jefferson Davis, by at peace with its place in a reunited nation. The either be symbolic of its perpetuation or its trans- Richmond's own Valentine; as well as statutes to difference in designs between statues to leaders formation. Jackson, a second to him in Richmond; J. E. B. and soldiers also suggests that many in turn-of- Stuart; and Matthew Fontaine Maury. Not just Gaines M. Foster is a professor of history at the-century Virginia envisioned a society of aristo- hchmond but other Virginia cities have monu- Louisianu State Univenip in Buton Rouge. His cratic leaders and dutiful common men. And as ments to Lee and Jackson, and several other book, Ghosts of the Confederacy: Defeat, the Lost monuments not just to the cause and its dead but wartime leaders have statues honoring them. Cause, and the Emergence of the New South, also to the status quo, these memorials inevitably But Virginia's Confederate monuments, like 18 65 - 19 13 (1.983, established him as an expert on honored a society that subordinated African- those in the rest of the South, more often hon- Confidemte sculpture. Americans. After all, the cause that was memorial- ored the Confederate private or enlisted man. ized had included a defense of slavery, and the NOTE These include many obelisks and soldiers in a present was built on segregation. ['I For more on Confederate monuments, see Stephen Davis, variety of poses. The majority of the bronze or Today, the interpretation of these truly "Empty Eyes, Marble Hand: The Confederate Monument in marble soldiers stand relaxed, holding their rifle silent sentinels has become even more problemat- the South," Journal of Popular Culture 16 (Winter 1982): 2- by the barrel as its butt rests on the ground. But ic. In a few cities, people have sought to have 21; John J. Winberry, "'Lest We Forget': The Confederate Virginia communities also chose soldiers holding them moved to ease the flow of traffic. The mon- Monument and the Southern Townscape," Southeastern their rife at present arms (in Lynchburg, for exam- uments' supporters decry this as sacrilege. For Geographer 23 (November 1983): 107-21; Gaines M. Foster, ple), holding a flag (in Norfolk), searching the some of their champions, these statues still stand Ghosts of the ConfedRraqy: D&t, the Lost Cause, and the Confiderate Memorial Bath County. (Photo by horizon (in Monterey), or simply with their arms - ,. .- .. e . , for the society defended by those they honored Emergence of the New South, 1865-1913 (New York: Oxford Wilma Mangione) folded (in Alexandria, for example). and created by those who erected them. Others University Press, 1987). Pump Elementary. One of the greatest treasures is An Embarrassment of Riches: the sculpture garden done between 1934 and 1938 at Fontainebleau in King Wiam County by Hylah Virginia's Sculpture Edwards Robinson. Her children had lei? home when Mrs. Robinson, with no prior training as a by Richard Guy Wilson sculptor, began modeling in cement a series of figures that ranged fiom "Adarn and Eve" to a reclining ''Ckta Garbo". "Found" pieces of iron and other materials were used as armatures for the figures and he cultural wealth of Virginia overwhelms, and Washington (184768) surrounded by six native T an automobile tire served as a mold for the edges of one of the greatest revelations lies with its sculpture. SON (Jefferson, Heruy, Marshall, Mason, Nelson and the bird baths. She sculpted her own self-portrait, a Beyond the proMc Civil War memorials a very dif- Lewis), six allegorical figures with eagles, designed by variety of animals, "Pocahontas", "Shirley Temple", ferent picture emerges, rangmg from historical Thomas Crawford and Randolph Rogers in Capitol "Charlie Chaplid', a "Hawaiian Girl", several of memorials such as E. J. Hadton's Booker T. Square, Richmond. The Commonwealth has the her children and at least twenty more people and Washington (1984) at Hampton University to distinction of having commissioned, through objects. They sit in a remarkable display comment- visionary folk sculpture such as Abe Crii's Deer Thomas Jefferson, one of the earliest pieces of ing- on the coniunction of cinema, Virginia, ~ersonal (1985) in Midlothian. Sculptures function in many American monumental sculpture-the George George Wmhington Equestrz'an, Richmond (Courtesy of the u I ' u 'I history and figures from mythology. ways: they com- Washington (1788-9 l), modeled from Me by the Library of Virginia) WondeIful conjunctions demonstrate the memorate wars Frenchman, Jean-Antoine Houdon, that graces the range of Virginia sculpture. Consider a comparison such as Charles rotunda in the Virgmia State Capitol. This well- has become pass6 since World War 11, but a variation of the large Tmkey (1955) by J. Nonvood Keck's "The known sculpture was subsequently reproduced many has developed, the reutilization of sculptural frag- Bosserman and Carl A Roseberg in Rochgham Listening Post" times across the United States includmg at the ments from demohhed buildings as embehhments County which symbolizes the areai primary product (1926) at Virpa Mhtary Institute (1856) and the University and memorials. Among two of the most notable with the strange and almost surreal effect of another Lynchburg, or of Virpa (19 13). At the modern end of the spec- "recychg" of architectural sculpture are coincidentally livestock piece, "Farmer Slopping the P'i' (1989) they may cele- tm Virginia possesses the &st Wet Nam War both eagles. The Art Deco Eagles by Rene by Richard Beyer, located along a commercial strip in brate commerce memorial (1982) in the United States at Westrnore- Chambellan, in fiont of the Best Corporate Falls Church. In Virginia many themes compete for such as RGlIs land County Among the most popular modern his- Headquarters outside of Richmond used to be atop the public attention and demonstrate how important Nipper (c. 1950) torical sculptures is the nine-foot tall Bill "Bojangles" the Airhes Terminal Building (1940) in New York sculpture has been for our landscape. in Falrfiax. They Robinson (1973) in Richmond, by Jack com- Vigima also anclaim a Beaux-Arts Eagle by A A can be private memorating the vaudde singer and tap-dancer. Weinman, now at Hampden-Sydney College and &chard Guy &%on, Chaimn ofthe Dpapdrtmnt of meditations such Virpa possesses what must be the most serving as a World War I1 memorial. This eagle used Architemral Histoq at the School ofArchitemre, as the Diamond widely known of recent sculptures, the gigantic-100 to adorn McKirn, Mead and Whltete's Pennsylvania Univmiity o~~gznia,Charlottesvih, zi a noted scbohr Peters Mauso- tons of cast bronze-Iwo Jima or the Marine Corps Station (1902-1 1) also in New York pecidlixing in thefeu .fMcan&sign. leum, (c. 1982) War Memorial, (1945-5 l), in Arlington, by the Although modern art seldom comes to mind designed by her Hungarian-born sculptor, Felix de Weldon. Weldon in dunking about Virginia, the state does posses a Photo onfdcingpage: "The Listening Post'', Lynchburg. husband where is among the most important of recent figurative number of remark& works, such as Alexander (Photo by Robert D. Cook) she is presented monumental sculptors in thls counuy. He modeled Liberman's "Trope I" (1986), Norfolk, an energetic, Photo below: Turkey, Rockingham County. (Photo by Meha as a bride and as a mature woman. A huge diamond it on the famous photograph by Joe Rosenthal of the abstract interlockq of sheet metal, or Harry Bertoia's Myers) Piece (1978) in Richmond of swaying ring stands in front of the mausoleum! Or sculptures flag-raising on Mount Suribachl, February 23, 1945. Sounding - can be public &mations such as the internationally- The three surviving Marines posed as models, and de and chGgcopper rods. Among the most known Swedish sculptor Carl Milles's Fountain of Weldon used photographs of the three who had per- acclaimed works in Virginia is "Dark Star Padi' in Faith (date unknown) in Fairfax. Behd every ished. Both the strain of the action and the underly- Rosslyn, (1979-84) by Nancy Holt. Designed as an sculpture stand individuals-those responsible for the ing heroism are captured in the durty-foot tall figures. environmental work that is as much about its site as design, those who cast or otherwise made it, and then Architectural sculpture, or attachments to its forms, the piece commemorates Rosslyn. Every the people who had an inspiration, collected hds buildings plays an important role in conveying mes- August Ist, the date of the acquisition of the land on and commissioned the piece. Such diversity from sages. Among the many with intrigumg histories is which the city was bdt, the shadows of the poles an( the public to the private, and fiom the trained profes- the pedunent on Cabell Hall at the University of rods alyn with permanent lines laid out on the sional artist to the naive folk artist, is part of Virginiak Virginia by George J. Zolnay (1898). The figures- ground. But the large forms also speak of a deeper sculptural heritage. partially nude femaleswere intended to convey the more archetypal imagery, reconnecting the viewer History abounds in Virpa, and consequently classical spirit of Greco-Roman learning to the hea- with the earth. sculptures dealing with the Commonwealth's past then students. Problems erupted when Zolnay could How to define folk sculpture can be trouble- proliferate; notably Pocahontas (1906) by William not persuade any (proper) females to pose in the buff: some. It can range from works such as Wallace Ordway Partridge, which stands at Jamestown, and He finally~revaded upon the dabitants of a local Elliott's nine foot high L@thouse (c. 1941) in Amerid second equestrian sculpture of Geow bordello to serve as models. Archtectural sculpture Hampton, to a Totem Pole (1994) composed of pieces of clay done by a fourth grade class at Short Confederate art or souvenirs at the Texas State the power of people and never underestimate Fair. Their incredible efforts, plus funding from the importance of public art to people! Dallas' Why Adopt A Monument? the Texas Department of Transportation through Adopt-A-Monument is a tribute to both, and a federal program established by the Intermodal hopefully our experiences and successes will stim- by Richard K. Kneipper Surface Transportation Efficiency Act of 1991, ulate others to create their own Adopt-A- will allow Adopt-A-Monument to commence the Monument programs in their communities. All it restoration of this important monument this takes is someone like you or your organization to I eople today don't care about old outdoor families, all of whom contributed pennies, quar- spring. decide that adopting a monument is a good sculptures." That was the consistent advice I ters and dollars. This event was followed the next In 1992 Dallas Adopt-A-Monument was investment - a good investment in received in 1987-1988 when I proposed the for- year by a Halloween Costume Party at the Dallas mation of Adopt-A-Monument in Dallas, Texas. Zoo that was attended by many hundreds of fam- "Too many charitable organizations" and "money ilies and children from youth organizations is tight" were the other bits of advice offered. throughout Dallas, who enjoyed making home- Ignoring such conventional wisdom, Dallas' made sculptures, learned about caring for outdoor Adopt-A-Monument was formed in 1988 and has art and contributed several thousand dollars. The become a wonderful testimonial to the vast num- publicity from these events attracted the interest bers of people who care about our art in public of a private donor, who contributed the remaining places. Since its formation Adopt-A-Monument funds needed to complete the $20,000 restoration. has restored 11 outdoor sculptures and monu- Another exciting Adopt-A-Monument ments in Dallas at a cost of over $250,000, and event occurred in February 1990 when Dallas we currently have two more in the restoration radio personality Ron Chapman of KVIL-FM process for an additional approximately $40,000. asked his huge audience to contribute pennies, We were also instrumental in saving "Genesis," a appropriately, on Lincoln's Birthday to restore the huge outdoor wall mosaic by Miguel Covarrubias, historic George Bannerman Dealey Monument at from destruction, and it now resides triumphantly Dealey Plaza in Dallas. Thousands of KVIL lis- on a wall outside our art museum. teners responded with several tons (literally!) of And how did we do all of this? Through pennies. The response was so overwhelming that the incredible, diligent efforts and hard work of it was repeated for several days, and later was fol- hundreds and hundreds of volunteers who care lowed up with an equally well-received request to about outdoor art. Adopt-A-Monument is a contribute dollars on Washington's Birthday (we totally private volunteer effort with no paid staff thought about but rejected a similar plan for and no overhead expenses - and thus 100 cents Grant's Birthday!). The pennies and dollars added of every dollar we raise goes for restoration of our up to nearly $1 1,500, and the campaign went off public art. We work closely with the Office of the chart when the A. H. Belo Corporation, the Cultural Affairs of the City of Dallas in an excel- publisher of The Dallas Morning News which was lent example of how private-public partnerships founded by George Bannerman Dealey, con- can succeed. We also team with a wide cross-sec- tributed an additional $20,000. tion of individuals, organizations and companies Another wonderfully successful example throughout Dallas who care about our art. was the collaboration between Adopt-A- Since Adopt-A-Monument has no resources Monument and the Dallas Southern Memorial of its own (other than one very critical element - Association in 1991 to raise the funds to restore a small, enthusiastic, creative and persistent core the historic Robert E. Lee and Confederate group), our role is to act as a catalyst to get local Soldier monument by A. I? Proctor. Almost individuals, organizations and companies excited $50,000 was raised during over one year of con- about the artistic and historical heritage of our tinuous effort by this hard-working group of public art by helping to organize fund-raising civic-minded women. events to adopt a monument or part of a monu- Our most recent successful collaboration ment. A wonderful example of this excitement was with the Dallas Chapter 6 of the United was "Indians and Wild Things", a fun party spon- Daughters of the Confederacy, who in 1896 had sored by the Dallas area YMCA Indian Guides contributed Dallas' oldest, historically significant and Princesses programs, the Dallas Zoo and monument, the Confederate Monument by Adopt-A-Monument to raise money to restore the Frank Teich. This indefatigable group of southern "Bird and Reptile Mosaic" by Merritt Yearsley at heritage enthusiasts labored for over three years to the Dallas Zoo. The party was attended by nearly raise money from bake sales, garage sales, an one hundred kids in their Indian outfits and their annual "Confederate Christmas" party and sale of AMELIACOUNTY Sculptures in Virginia * Sailors Creek Battlefield Memorial, artist unknown, dedicated 4161 1990, Sailors Creek Battlefield Park. Confederate Memorial, artist unknown, dedicat- The following is a list of sculpture surveyed by Confederate Memorial, artist unknown, dedicat- ed 71 1511905, Amelia County Courthouse. volunteers for Virginia Save Outdoor Sculpture! ed 1899, Mary and Cassatt streets, Parksley. (SOS!) during 1994 and 1995. This is not a AMHERSTCOUNTY comprehensive list of Virginia's sculpture, but * Confederate Memorial, artist unknown, 1922, should be considered a stepping stone to more 100 Goodwin Street, Amherst. information about public art across the common- LOCATEDAT VIRGINIACENTER FOR THE wealth. If you would like to survey sculpture that CREATIVEARTS: * Lyndon B. Johnson Memorial, artist is not included here, please contact the "3 Towers", by Kate Ritson, 1994. unknown, n.d., Lyndon B. Johnson Park. Department of Historic Resources. "That's Seven", by Rodger Mack, 1993. "Jaycee's Creed", by Una Hanbury, 1969, Wilson The definition of outdoor sculpture used "Windbreak Steel", by Tom Lingeman, 1985. Boulevard and Courthouse Road. nationally for Save Outdoor Sculpture! is Untitled ("OE") , by Aharon Bezalel, 1994. "Invisible Forces", by Jim Sanborn, 1987- 198 8, 2500 Wilson Boulevard at Cleveland Street, "5 Lanterns", by Naomi Bitter, n.d. A three-dimensional artwork that is cast, Rosslyn. carved, modeled, fabricated, fired or assem- "Swing Dunhoe Swing", by Hanno "Dark Star Park?', by Nancy Holt, dedicated bled in materials such as stone, wood, Ahrens, 1989. 6/1/84, Fairfax and Fort Myer drives. metal, ceramic or plastic, located in an out- "Las Animas", by Leah Jacobson, 1991. door setting, and is accessible to the public. "David, Hoggit & Adoniyya", by Boaz Vaadia, "Bravo Bartok?', by Rodger Mack, 1985. dedicated 612611992, 1300 North 17th Street Sculptures that were excluded for various reasons "Burned House", by Greg Edmondson, 1992. Plaza. include grave markers and tombstones, architec- "Bound Eros", artist unknown, n.d. "Cupid's Garden", by Christopher Gardner, dedi- tural ornament, commemorative works that are cated 21 1411994, Oak and Clarendon streets. not sculptural (such as simple obelisks), and mass- "Walnut Elm", by Lorca Marello, n.d. produced sculpture. Museum collections are to "Moontree Series", by Lorca Marello, "Rebirth", by Arto Tchaknaktchian, 1987, 1550 be surveyed separately by museum personnel. For 1987. Clarendon Boulevard. Three Geese, Accomuck County. (Photo by Willidm H Turner a further discussion of the criteria, please see the and David H. Erner) "Stacked Maze", by Wanda Habenicht, 1987. "Interplay", by John Safer, 1988, 1560 Wilson introduction. Boulevard. LOCATEDAT SWEETBRIAR COLLEGE: Asterisks (X) indicate a piece that was sur- Christ, artist unknown, founded by Granite Curvilinear Sculpture, by Charles Perry, 1988- veyed but deemed outside the criteria established Bronze Co., n.d. 1989, 2345 Crystal Drive. by national SOS! These pieces will not appear in 'Xppomattox", designed by John Elder, sculpted "Bob Walking", artist unknown, n.d. "Communications", by Gilbert Franklin, 1988, the Inventory of American Sculpture, but the sur- by Casper Buberl, 1889, Prince and Washington Ceramic Chip Sculpture, by Ann Lindquist, 1 100 Wilson Boulevard. veys are filed at the Department of Historic streets. Resources. 1991. "Anrma & David", by Miriam Schipiro, dedicated Ben Franklin, by G. W. Lundeen, 1989, 100 Actual titles appear in quotes. Titles listed Daisy Williams Monument, artist 1012211987, 1525 Wilson Boulevard. Daingerfield Road. without quotes were created to differentiate unknown, 1884-1885. "Chicago Titan", by Raymond Kaskey, 1991, "Generations", by A. Joseph Kinkel, 1985, 60 1 among the overwhelming number of unknown "Bobby's Kite", by Robert Cooke, n.d. 1530 Wilson Boulevard, Rosslyn. and untitled pieces surveyed. Because many sculp- North Fairfax Street. "Serendipity", by Lin Emery, 1981. "Two or Three", by Dennis Jones, dedicated tures were recorded this way, alphabetical order "Brio", by Jimilu Mason, dedicated 4/211983, 101101 1987, 460 1 North Fairfax Drive. Market Square, 300 Block IGng Street. "Tulikivi", by Julia B. A. Brooks, 1990. within each city or county seemed arbitrary. Rough Granite Slabs and Pool, artist unknown, "My World", by Susan Overstreet Carter, "Elk", artist unknown, n.d., 318 Prince Street. n.d., 1 100- 1 1 10 North Glebe Road. 1991. "Justice Delayed, Justice Denied", by Raymond Netherlands Carillon and Panthers, Mrs. E. Van Francis Makemie Memorial, artist unknown, Kaskey, 1994-5, U. S. Court House. APPOMATTOXCOUNTY Den Grinten (Bells), Paul Konig (Panthers), dedi- copy of an Alexander Stirling Calder, 1908, Cross cated 5/511960, north of Arlington National Confederate Memorial, by J. Henry Brown, ded- and Back streets, Accomac. ALBEMARLECOUNTY Cemetery, off Marshall Highway. icated 6161 1906, Appomattox Courthouse. Three Geese, by William H. and David H. "James Monroe", by Attilio Piccirilli, 1897, "Navy-Marine Memorial", by Ernesto Begni Del Turner, 1995, Boston Road, Pungoteague. Ashlawn-Highland. ARLINGTON Piatta, dedicated 1934, Lady Bird Johnson Park. Fish, by William Turner, 1995, Main and High "The Hiker", by Theodora A. R. Gtson, dedicat- * Marble Pyramid, artist unknown, n.d., 420 1 streets, Wachapreague. ed 71241 1965, between Memorial Bridge and Wilson Boulevard. Arlington National Cemetery. "The United States Marine Corps War "Philip Keamy Monument", by E. C. Potter, Memorial", (commonly known as the Iwo Jima 1914. * Confederate Memorial Obelisk, artist Confederate Memorial, by J. Henry Brown, ded- Memorial) by Felix de Weldon, dedicated Theodore Wint Grave, artist unknown, 1908. unknown, dedicated 71201 1902, Route 1 1, icated 71251 1906, Caroline County Courthouse, 1 11101 1954, Arlington Boulevard and Ridge Buchanan. Bowling Green. Emerson Hamilton Grave, artist unknown, Road. c. 1890. * Confederate Monument, founded by A. J. "Seabees Memorial", by Felix de Weldon, 1971, Wray, 1904, Botetourt County Courthouse, Henry W. Lawton Grave, by Myra between Memorial Bridge and Arlington National Fincastle. Reynolds Richards, 1922. Cemetery. "Madonna and Child", by William H. Wdiam Worth Belknap Grave, by Carl "American Militia", by Felix de Weldon, dedicat- Rutherford, circa 1987, 540 Lee Lane, Fincastle. Rohl-Smith, 1897. ed 1966, Army National Guard Readiness Center, Saint Fiacre, by William H. Rutherford, n.d., Benjamin F. Kelley Grave, by W. S. Davis, George Mason Drive. 540 Lee Lane, Fincastle. c. 1861. "Minute ManJ', by Felix de Weldon, 1965, Army National Guard Readiness Center, George Mason McKee Grave, artist unknown, c. 1890. Drive. Christman Grave, artist unknown, c. 1899. Landmark Bridge Between Two States, artist LOCATEDAT ARLINGTON NATIONALCEMETERY: Emerson Whitman Grave, by Gutzon unknown, 1915, State Street and Third Street. Borglum, c. 1913. * "Armored Forces Memorial", artist Confederate Memorial, artist unknown, dedicat- unknown, n.d. Watkins Grave, artist unknown, c. 1890. ed 51271 19 10, State and Randall streets. "Field Marshall Sir John Dill", by Richard Worsham Meade Grave, by The Bristol War Memorial, by Maria Kirby- Herbert Hasaltine, 1950. Hartley, 1894. Smith, dedicated Memorial Day, 1991, Confederate Memorial, by Moses Ezekiel, Sargent Grave, by Hans Schuler, 191 1. Cumberland and Lee streets. dedicated 61 14119 14. "Newsboy 'Extra! Extra"', by Joe Kintel, 1987, ThomasJ. 3tonewall" Jackson, Charlottesville. BATH COUNTY 320 Bob Morrison Boulevard. (Courtesy of the Libra y of Virginia) " 10 1st Airborne Division Memorial", artist unknown, n.d. Confederate Memorial, by McNeel Marble Company, dedicated 91201 1922, Bath County "Rear Admiral Richard Evelyn Byrd", by CARROLLComm Courthouse, Warm Springs. Felix de Weldon, dedicated 111 131 196 1. Confederate Memorial, artist unknown, dedicat- Christ, by Don Blanchard, 1990-199 1, Routes "Military Nurses Memorial", by Frances ed 7/411908, Carroll County Courthouse, 633 and 635. &ch, dedicated 1939. Hillsville. "Giggling Spirit", by Ann Sams, 1992, River Ridge Ranch, Millboro. Scrap Metal Horse, by Ann Sarns, 1993, River Confederate Memorial, artist unknown, dedicat- Ridge Ranch, Millboro. ed 81271190 1, Charlotte County Courthouse. Pinwheel, by William Ferguson, 1994, River Busts of Claudio, Augusto, Cesare, Nerone, hdge Ranch, Millboro. Domitian, and Trajan, possibly by Alexander Galt, before 1930, Charlotte County Library. CITYOF BEDFORD "Elk's Rest", by Eli Harvey, 1909, Elks National CITYOF CHARLOTTESVILLE Cemetery, Bedford. Thomas J. "Stonewall" Jackson, by Charles Elk, by Eli Harvey, 1904, Elks National Home, Keck, dedicated 101191 192 1, Jackson Park. Bedford. Confederate Memorial, by American Bronze Foundry Co., dedicated May 5, 1909, Albemarle ''Toddy%Miner': Buchanan County. (Photo by County Courthouse. David A. Edwards) Rhinoceroses, by Mark Cline, completed "Saint Thomas Aquinas", by Father Henry 612311992, Route 460 and Wheatland Road, "Hearts on a Porch Swing", by G. W. Lundeen, Mascotte, late 1970s, Alderman and Kent roads. Bedford. 1986, 320 Bob Morrison Boulevard. "Faces of Belief ", by David Breeden, 1987, "Boy on Bicycle", by Blair Muhlestein, n.d., 320 Thomas Jefferson Memorial Church. BLANDCOUNTY Bob Morrison Boulevard. "Oasis", by David Breeden, 1990, 853 West Confederate Memorial, artist unknown, 191 1, Main Street. Bland County Courthouse. BUCHANANComm "The United States Marine Corps War Memorial': "Professors in Conference", by David Breeden, Arlington. (Photo by David A. Edward) "Today's Miner", by Gary Prawn, 1982, 1986-1987, Piedmont Virginia Community Buchanan County Courthouse, Grundy. College. Lewis and Clark, by Charles Keck, dedicated "George Washington", copy of original by * Monument to 28th Regiment 1 I CITYOF EMPORIA 1112111919, West Main and Ridge streets. Jean-Antoine Houdon, dedicated 19 13. New York Volunteers, artist Confederate Memorial, artist "Paul Goodloe McIntire", by Cathe Mowinckel Homer, by Moses Ezekiel, dedicated unknown, 1902, National unknown, 19 10, Greensville dedicated 61 111 196 1,200 Second Street, NW. 61 1011907. Military Cemetery. County Courthouse. "Unfolding Minds", by David Breeden, 1991, Thomas Jefferson, by Lloyd Lillie, dedicat- * Cannon Monument, artist Paul Cale Elementary School. ed 41 1311978. unknown, c. 1867, National Ess~xCOUNTY "Benefactress", by David Breeden, 1989, Kluge Thomas Jefferson, by Moses Ezekiel, dedi- Military Cemetery. Confederate Memorial, artist Children's Rehabilitation Center. cated 6/15/1910. unknown, 1906-1909, Essex "Family", by David Breeden, 1981, 4 1 1 East Confederate Monument, by Casper CUMBERLANDCOUNTY County Courthouse, High Street. Buberl, 1893, University Cemetery. * Memorial to Nash I? Snead, Tappahannock. M.D., artist unknown, circa 1955, Lion with Cub, Foundries CITY OF CHESAPEAKE High Street, Cartersville. D'Art, Paris, n.d., Route 17, "The Prophets", by Bernhard Zuckermann, * Confederate Memorial, artist Tappahannock. 1960, Chesapeake Memorial Garden. unknown, dedicated 11 1281 190 1, CITY OF FAIRFAX Bibles, by Bernhard Zuckermann, 1966, Cumberland County Courthouse. Chesapeake Memorial Garden. * Grave Stone of Charles Irving Confederate Memorial, by J. F. Thornton, artist unknown, c. Confederate Mmorial Dinwiddie Manning, September 1890, 1842, Oak Hill Plantation, County. (Photo by David A. Edwardi) Fairfax City Cemetery. * Henricus Obelisk, artist unknown, dedicated Cumberland State Forest. John Q. Marr Memorial, artist 1910, Henricus Park. unknown, dedicated 61 11 1904, CITYOF DANVILLE Fairfax County Courthouse. * Henricus Cross, artist unknown, dedicated 19 1 1, Henricus Park. * UDC Marker, artist unknown, dedicated 1927, Danville Museum of Fine Arts and History. COUNTYOF FAIRFAX Deer, by Abel Criss, 1985, 12520 Old * Grotto, artist unknown, c. 1910, St. Mary's Buckingham Road, Midlothian. * Last Capitol of the Confederacy Monument, designed by W. Byrd, B. Beard, and J. Burns, Catholic Church, Clifton. Figure Holding Globe, by Maurice Beane, dedi- 1/611995, Danville Museum of Fine Arts and "Nipper", artist unknown, circa 1950, 8731 Lee cated 5/511994, 12701 North Kingston Avenue, History. Highway. (Sculpture was moved to Baltimore, Chester. Harry Wooding Memorial, artist unknown, n.d., Madand after the survey was completed.) Confederate Memorial, artist unknown, 1903, City Hall. Baptismal Font, artist unknown, c. 19 10, St. Chesterfield County Courthouse. LOCATEDIN THE GREENHILL CEMETERY: ~ar~'sCatholic Church, Clifton. Girl with Ducks, artist unknown, n.d., Bear with Fish, by T. R., 1993, Intersection of Arboretum VI, Midlothian. * Arnett Cemetery Plot, artist unknown, circa 1891. Route 123 and Interstate 95. The Swimmer, by Parker, 1990, Lake Newport CLARKECOUNTY * Cast- Iron Fence. artist unknown. circa 1920. "TheAviator", Charlottesville. (Photo by Marc Wagner) Olympic Swimming Pool. * Monument to the Clarke County Confederate Boisseau Grave, by Van Gunden, circa 1872. Bent Metal Plate Form, by Katzen, 1975, Dead, carved by Deahl Messrs. & Bros., 1892, Shelton Mausoleum, artist unknown, circa Fenwick Library, George Mason University. Robert E. Lee, by Henry Shrady and Leo Route 340, Old Chapel. 1891.--,-- Lentelli, dedicated 512 111924, Lee Park, Market Bent Rusted Metal Column, artist unknown, c. Confederate Memorial, artist unknown, dedicat- Holland Grave, founded by Gross and Rowe, and Jefferson streets. 1985, George Mason University. ed 712 111900, Clarke County Courthouse, circa 1889. LOCATEDON THE UNIVERSITYOF VIRGINIA Berryville. Barrett Grave, artist unknown, circa 1904. CITYOF FALLSCHURCH CAMPUS: Bowed Figure, by David Roberts, 1948-1949, Letitia F. Walker Monument, artist unknown, Cabell Hall Pediment, by George Julian Route 620, Boyce. "Farmer Slopping Pigs", by Richard Beyer, circa 1877. Zolnay, dedicated 61 1411 898. 5/6/1989, 1231 West Broad. Dula Long Mausoleum, artist unknown, circa George Rogers Clark, by Robert Atken, LOCATEDAT THE NATIONALMEMORIAL PARK, 1928. dedicated 1 1/311921, University Avenue. Confederate Memorial, artist unknown, dedicat- 7400 LEE HIGHWAY: Confederate Memorial, by M. Hayes, dedi- "Tutorial", by David Breeden, 1986. ed May 19 12, Craig County Courthouse, New "The Breeze", artist unknown, n.d. cated 3/311 878. Christ, possibly by Bernhard Zuckermann, n.d. "The Aviator", by Gutzon Borglum, 1918. Castle. "La Sirene", by Denys Puech, 190 1. Thomas Jefferson, by Bitter, 19 15- 16. "The Sunsinger", by Carl Milles, n.d. "Virginia White-tailed Deer", by William Confederate Memorial, by Ben Campbell, dedi- * Monument to Pennsylvania Soldiers, artist H. Turner. cated 111271 1909, Dinwiddie County Female Figure, by William Couper, 1886. unknown, 1909, National Military Cemetery. Courthouse. "The Last Supper", by Bernhard n.d., Cedar Creek Grade, near Shenandoah Zuckermann, 1971. County boundary. Weathervane, artist unknown, n.d., Giles County "Merope", by Randolph Rogers, n.d. * Ramseur Monument, artist unknown, 1919, Courthouse, Pearisburg. Memorial to the Four Chaplains, by Route 1 1 South, near Belle Grove Plantation. Confederate Memorial, artist unknown, 1909, Constantino Nivola, dedicated 912511 95 5. * 128th New York Regiment Monument at Giles County Courthouse, Pearisburg. "Family Love", by Bernhard Zuckermann, Cedar Creek, artist unknown, 1907, Route 1 1 1970. South, near Belle Grove Plantation. "Companions", by Bernhard Zuckermann, * Cedar Creek Monument, artist unknown, c. * Confederate Memorial, artist unknown, dedi- 1970. 1925- 1929, Route 1 1 South, near Belle Grove cated 101181 1889, Gloucester County Plantation. Pieta, by Berhard Zuckermann, 1972. Courthouse. Christ at Gethsemane, by Bernhard "Fountain of Faith", by Carl Milles, n.d. Pocahontas, by Adolf Sehring, November 1994, Zuckermann, 1968, Shenandoah Memorial Park. Main Street, Gloucester. Mother and Child, artist unknown, n.d. Veteran's Memorial, designed by Mathews International Corp., dedicated 51251 1992, FAUQUIERCOUNTY Shenandoah Memorial Park. * James Pleasants Memorial, artist unknown, Mosby Monument, artist unknown, 1928, * Memorial to Lt. Col. Richard Snowden dedicated 61 111929, Cardwell and Genito roads. Main Street, Marshall. Andrews & the First Maryland Battery, C.S.A., * Confederate Memorial, artist unknown, dedi- John Marshall Memorial, by I? Bryant Baker, by I? Bryant Baker, n.d., Stephenson Road and cated 61221 1918, Goochland County 1958, 14 Main Street, Warrenton. Martinsburg Pike. Courthouse.

GUYSONCOUNTY Confederate Memorial, artist unknown, dedicat- Confederate Memorial Franklin County. (Photo by Rachel * Religious Freedom Monument, artist Confederate Memorial, by Henry Brown, dedi- ed 7/411904, Floyd County Courthouse. Denham) unknown, 1932, Washingon and Pitt streets. cated 191 1, Grayson County Courthouse, War Memorial, artist unknown, n.d., Floyd LOCATEDAT BOONESMILL: * Mary Washington Monument, William J. Independence. County Courthouse. "D.C. Test Piece", by Jim Hudson, n.d. Crawford, architect, erected 1212211 893, dedicat- "ISAMV9, by Jim Hudson, n.d. ed 51 1011894, Washington and Pitt streets. FRANKLINCOUNTY "Nodretari Goes to Georgia", by Jim Abstract Box and Triangular Forms, by Anne "The Real King Alfied", by Jeff Fetty, October Hudson, n.d. Newton, c. 1975, 8 13 Sophia Street. 1994, Benjamin Franklin Middle School, Rocky George Washington Bust, by Paul W. Bartlett, Mount. "Carrara Bianco", by Jim Hudson, n.d. 1929, behind Fredericksburg Visitor Center. Confederate Memorial, artist unknown, dedicat- FREDERICKCOUNTY Hugh Mercer, by Edward V. Valentine, 1906, ed 12/2119 10, Franklin County Courthouse, Washington Avenue and Fauquier Street. Rocky Mount. * Cedar Creek Church Marker, artist unknown, "To The Confederate Dead", by the Monumental Bridge Company, 6/411874, Confederate Cemetery, Washington and Amelia streets. Corinne Youne Herndon Grave, artist unknown, a 1: circa 1932, Confederate Cemetery, Washington Booker Wmhington, City of Hampton. (Photo by David Hazmrd) and Amelia streets.

BATTLEFIELD: Executive Towers Sculpture, artist unknown, Pennsylvania Volunteer Monument, artist * circa 1970, Executive and Tower drives. unknown, dedicated 61261 1906. Confederate Memorial, artist unknown, dedicat- Butterfield Corps Monument, artist * 5th ed 91291 1901, St. John's Episcopal Church. unknown, 1900. Kecoughtan Indian Monument, by Mico Kirkland Monument, by Felix de Weldon, Kaufman and David Willment, 1957, dedicated 912911965, Sunken Road. Emancipation Drive. I Humphreys Monument, by Herbert Lighthouse, by Wallace Elliott, 1941, 903 Beach Adams, dedicated 1 111 111908. 'Farmer Slopping Pigs'', Falls Church. (Photo by John Orrock) Road. "First From the Sea; First to the Stars", by "Love Essence", by Esther K. Ausburger, Eagles, by Rene Chambellan, 1940, Best Products Barry Johnston, 1986, Hampton City Hall. 1994. Corporate Headquarters, Parham Road and Interstate 95. LOCATEDON THE HAMPTON UNIVERSITY CAMPUS: Noah's Ark, artist unknown, n.d., Faithful Booker T. Washington, by E. J. Hamilton, * 171 1 Flood Monument, artist unknown, 1772, Friends Pet Cemetery. 1984. Curles Neck Farm. "Slow Dance7', by Charles B. Foster, 1993, Lewis William Jackson Palmer, by Evelyn Beatrice * Westland Shopping Center Sign, by Moore Ginter Botanical Garden. Longman, 1928. Sign Company, 1963, Westland Shopping Center. Our Lady of Grace, artist unknown, n.d., St. Hollis, Burke, Fissell, by Evelyn Beatrice * Confederate Memorial, artist unknown, n.d., Mary's Hospital. Longman, 1930. Emmanuel Church, 1214 Wilmer Avenue. Saint Francis of Assisi, artist unknown, dedicat- Abraham Lincoln, by A. Bertram Pegram, * The Markel Building, Haig Jamogochian, ed 1966, St. Mary's Hospital. dedicated 19 14. architect, 1964, 53 10 Markel Road. Diamond Peters Mausoleum, designed by * Schultz Graves, artist unknown, n.d., Angelo Peters, c. 1982, Forest Lawn Cemetery. HANOVER COUNTY Emmanuel Church, 1214 Wilmer Avenue. "Triumph Over Tragedy", by Linda Gissen, * Frank E. Brown Fountain, by Unberto "Hannabelle", by Linda Ramer, December 199 1, April 1985, Forest Lawn Cemetery. Innoanti and Webel, 1969, Randolph-Macon 7650 East Parham Road. Saint Joseph and the Christ Child, artist College, Ashland. "Tim", by Tim O'Kane, 1968, Ruby F. Carver unknown, n.d., St. Joseph's Villa. * Laura Yancey Jones Fountain, by Laura Elementary School. Dooley Sundial, by Ernest S. Leland, Summer Reitzel, dedicated 71 1711982, between Thompson 1930, St. Joseph's Villa. Totem Pole, Henrico County. (Photo by John Orrock) Totem Pole, efforts directed by Lee Hazelgrove, Street and Hanover Avenue, Ashland. 1993, Short Pump Elementary School. Fireman, by Jack Witt, before 1011990, 101 "The Muffler Men7', by Roy Hendrick and Ted "Garden of Peace", by Bernhard Thompson Street, Ashland. "Menhire", 1984. Seal, 1981 and 1988,6309 Horsepen Road. Zuckermann, 1975. "Edging Away", by Ken Greenleaf, n.d., Best "Rainbow Maker7', 1982. "Scissors", by Jack Curtland, c. 1970, 620 1 "The Prophets", by Bernhard Zuckermann, Products, 14174 Washington Highway, Ashland. Lakeside Avenue. 1958. "Ako's Enso", by Michael Todd, 1976, Best "Marlboro Man7', by Herman Calhoun, 1995, Kneeling Girl, artist unknown, n.d. Products, 14174 Washington Highway, Ashland. "Liberty", by Charles Keck, 7/411924, South 2808 Kenwood Avenue. "Christ at the Well", by Bernhard "War Bonnet", by Joel Perlman, 1973, Best Liberty and South Main streets. "Lighthouse7', by Bob Light, 1993, 8 103 Zuckermann, 1970. Products, 14174 Washington Highway, Ashland. Ek, artist unknown, 1931, Elk's Club, 482 South Woodman Road. "Upper Room", by Bernhard Zuckermann, Dr. Bill Wdace Fountain, by Clifford Earl, ded- Main Street. "Sheet Metal Statues", (Lions), by W. H. 1967. icated 1986, 16492 MLC Lane, Rockville. "Virt~e~~,by J. W. Fiske, circa 1897, Rockingham Mullins, n.d., Chamberla~neand Wilmer Garden of Time Sundial, by Bernhard "Birthrite", by Jack Witt, 1983, Randolph- County Courthouse. avenues. Zuckermann, 1966. Macon College, Ashland. "Justice", artist unknown, circa 1897, Cardinal Richelieu, by H. Allouard, n.d., 4605 "The First Miracle at Cana7', by Bernhard "Arboreal Form", by Marie Zoe Greene, 1986, Rockingham County Courthouse. Carpenter Road. Zuckermann, 1969. Randolph-Macon College, Ashland. "Departure", by Kenneth Beer, 1960, 936 Oak "The Four Seasons", by Bernhard "La Tene", by Charles Sthreshley, 1983, 3 19 Hill Drive. Zuckermann, 1975. James Street, Ashland. "Span", by Kenneth Beer, 1970, 936 Oak Hill LOCATEDAT 405 DUNCAN STREET,ASHLAND Drive. * Cross, artist unknown, n.d. AND CREATED BY CHARLESSTHRESHLEY: Arboretum Gates, by Kenneth Beer, 1986, James "The Last Supper7', artist unknown, n.d. "Rolyat", 1983. Madison University. "The Lord's Prayer", artist unknown, n.d. Elephant Head Newel Post, 1984. James Madison Bust, by Kenneth Beer, 1976, "Little Host Fountain", by Bernhard "Nameless", 1986. James Madison University. Zuckermann, 1953. "HOOP', 1989. "Good Shepherd Colonnade", by "Fractal Factor", 1988. Bernhard Zuckermann, 1964. "Pitt City", 1990. "Summer Ecstasy", by Esther K. Ausburger, 1978. Christ in the Shape of a Cross, by "Garden Table", 1984 Bernhard Zuckermann, 1969. "Reader's Guide to an Open Window7', "HBCF", 1982. by Jerold R. Lapp, 1985. "Masonic Memorial", by Bernhard Zuckermann, 1963. "Honor of Miro", 1985. "Unfolding", by Judith R. Lee, 1982. Diamond Peters Mausoleum, Henrico County. (Photo by Sarah "Nomono", circa 1984. Drig;g) "Four Apostles", by Bernhard Zuckermann, "Flames", by David A. Kanagy, 1982. 1969. "Monolith", 1982. "Christ at Gethsemane", by Bernhard Civil War Monument, artist unknown, 1889, Zuckermann, 1962. Confederate Memorial, artist unknown, unveiled Snickersville Turnpike. July 1872, Lancaster County Courthouse. Confederate Soldier's Memorial, by F. W. HIGHLANDCOUNTY Sievers, 1907, Loudoun County Courthouse, Confederate Memorial, by A. M. Kerr Marble CITYOF LEXINGTON Leesburg. Works, 1918, Highland County Courthouse, Thomas J. L'Stonewall"Jackson Monument, by George Catlett Marshall Memorial, by R. Fiore, Monterey. Edward V. Valentine, 1890, Stonewall Jackson 1980, Loudoun County Courthouse, Leesburg. Memorial Cemetery. LOCATEDAT OATLANDS~LANTATION, CITY OF HOPEWELL Old George, Matthew S. Kahle carved the origi- LEESBURG: * Confederate Memorial, artist unknown, 1949, nal sculpture in 1884; Branko Medenica cast the ''Vikrge d7Autun", artist unknown, c. 1937. Randolph Road. bronze replica in 1992, Washington and Lee Pan, artist unknown, n.d. * Union Monument, artist unknown, 1865, City University. Cast Iron Dog, artist unknown, n.d. Point National Cemetery. Cyrus McCormick Monument, by John Brcin, Bust of Peter Francisco, Gorham Foundry, 1973, c. 1930, Washington and Lee University. Aphrodite with Eros, artist unknown, c. 189 1. 300 Main Street. LOCATEDON VIRGINIAMILITARY INSTITUTE Sundial, artist unknown, 1717. CAMPUS: World War I Memorial, by John Cortesini, LOUISACOUNTY 1921, Washington Circle. Thomas J. "Stonewall" Jackson Confederate Memorial by William L. Sheppard, "In Gear", by Matthew Fine, c. 1990, Main and Monument, by Moses Ezekiel, copy dedi- dedicated 81 1711905, Louisa County Courthouse. Broadway streets. "The Defender': King Willidm County. (Photo by cated 61 19119 12. John Orrock) "Virginia Mourning Her Dead", by Moses ISLEOF WIGHTCOUNTY Ezekiel, cast 51 1511900, dedicated 61231 1906. Girl with Birdbath Confederate Memorial, artist unknown, dedicat- Angel, artist unknown, c. 1921, 14477 Benns Francis H. Smith Monument, by Ferrucio ed 81 12119 16, Lunenburg County Courthouse. Church Boulevard. Bench (3) Legnaioli, 1931. "Adam and Eve" "Spirit of Youth", by Attilio Piccirilli, dedi- JAMESCITY COUNTY "Pocahontas7' cated 61 1311939. John Warwick Daniel Monument, by Moses Chair, artist unknown, c. 1980, 7787 kchmond Lions on Gate Posts (2) General George C. Marshall Monument, Ezekiel, 19 14, Park Avenue between Floyd and Road, Toano. Pelican Birdbath by Augusto Bozzano, dedicated 111 1 1I 1978. 9th streets. "Pocahontas", by William Ordway Partridge, c. Girl with Lily George Washington, by William James Firefighter's Memorial Fountain, copy of the 1906, Jamestown. Hubard, copy of Houdon, cast 1856. original, dedicated 7141 1976, Miller Park. "Vmity Fair" "Captain John Smith", by William Couper, c. Water Pitcher, founded by Glamorgan Co., "Joe on the Birdbath" 1907, Jamestown. LOUDOUNCOUNTY September 1890, 525 Park Avenue. Untitled Female "The Right Light", by J. Seward Johnson, Jr., The Water Carrier, artist unknown, before 1880, KINGGEORGE Comm Female Figure n.d., Parc City Centre, Route 7. Clay Street Reservoir. 'VVbrld War I Memorial, artist unknown, 1935, * cc~y1,7 George Morgan Tones, by Solon Borglum, dedi- King George County Courthouse. U u " ..2 "Cupid in Infancy" cated 19 11, Old Jones Library, kvermont * Dahlgren Howitzers, designed by John A. "Nero" Avenue. Dahlgren, 1864, Dahlgren Naval Research Lab. "Children in the Heart" Gregory Willis Hayes Bust, artist unknown, afier Dahlgren Bust, by Theo Mills, cast 1 1I 1011952, 1906,2058 Garfield Avenue. "The Defender" Dahlgren Naval Research Lab. "The Temptation of Saint Anthony" "Fortitude, Kindliness, and Vision", by Brenda Putnam, 1943, Spring Hill Cemetery. "Spring" "Garden of Apostles", by Bernhard Confederate Memorial, artist unknown, dedicat- "Leda and the Swan" Zuckermann, 1975, Fort Hill Burial Park. ed 1901 - 1903, King William County Female Figure "Two Deer", by Edward Hickson, n.d., Virginia Courthouse. Birdbath Baptist Hospital. LOCATEDAT FONTAINEBLEAU,CREATED BY "Greta Garbo" "Olympic Runner", by Alfonso Umafia, 1973, HYLAHEDWARDS ROBINSON, 1934- 1938: "Charlie Chaplin" E. C. Glass High School. "Juney' "The Ballet Dancer" Body Parts, by Suzanna Watkins, 1980-1981, "The Hawaiian" Girl with Birdbath Randolph-Macon Women's College. "The Deer" "ErginiaMourning Her Dead': Lexington. (Courtesy of Coat of Arms Dancer, American Art Foundry, n.d., Randolph- Draped Female Figure Virginia Military Institute) Macon Women's College. Fountain, artist unknown, n.d. CIW OF NORFOLK Cherub with Basket, artist unknown, n.d., 1508 Linden Avenue. Ram's Head Planter, artist unknown, n.d. * Father Ryan Marker, artist unknown, dedicat- ed 51221 1900, Elmwood Cemetery. Stone Female Figure, by Peter W. Williams, n.d., Boy and Girl, artist unknown, n.d. 1508 Linden Avenue. Maiden, artist unknown, n.d. Norfolk Downtown Monument & Circle Fountain, by Stewart Dawson, 1972, LOCATEDAT MONUMENTTERRACE, BEGIN- Urn, artist unknown, n.d. Commercial Place. NING AT ~THAND COURTSTREETS: Urn with Bow and Flower Design, artist "Ligne Indt$terminCe", by Bernar Venet, 1987, "The Listening Post", by Charles Keck, 1926. unknown, n.d. World Trade Center, 10 1 Main Street. Confederate Memorial, by Von Mueller, Pineapple, artist unknown, n.d. The Norfolk Confederate Monument, by dedicated 5141 1900. Gargoyles, artist unknown, n.d. William Couper, dedicated 51 1611907, Main World War 11 Memorial, artist unknown, Shrine, artist unknown, n.d. Street and Commercial Place. 1976. Column Capital, artist unknown, n.d. Untitled (EVMS sculpture), by Victor Pickett, Korean War Memorial, artist unknown, Two Children, artist unknown, n.d. 1984, Eastern Virginia Medical School. 1976. Child with Wheat, artist unknown, n.d. Vietnam Memorial, artist unknown, 1976. Baptismal Font, artist unknown, n.d. Pot with Carved Flowers, artist unknown, n.d.

"Collis Potter Huntington as aYoung Man", by '2nimal Fomzs", Montgomery County. (Photo by Steve Anna Hyatt Huntington, 1965, 26th and West Bickley) avenues. Confederate Memorial, by Lawson & Newton, contractors, dedicated 512711909, Courthouse Road. * Confederate Memorial, artist unknown, dedi- cated 1883, Montgomery County Courthouse, "Healing Christ", by Timothy Duffield, 1984, Christiansburg. Mary Immaculate Hospital. . "Animal Forms", by Dean Carter, 199 1, Virginia "The Ships", by Edward L. Martin, dedicated Tech Veterinary School. 91 1811988, Christopher Newport University. "Father and Sony', by James Mills, n.d., 300 Reaching Jaguar, by Anna Hyatt Huntington, South Main Street, Blacksburg. before 1973, Mariner's Museum Entrance. "Polytech Marker", by Beverly Pepper, 1983, LOCATEDAT PENINSULAMEMORIAL PARK: Virginia Tech Library Plaza. * Heliochronometer, founded by ThomdsJ. '~tonhalY~achon Equestrian Monument, "Open Secret", by Sheila Carrasco, 1989, 622 Matthews International, dedicated 1972. Manassas. (Photo by David A. ~dwards) North Main Street, Blacksburg. "The Good Shepherd", by Bernhard Holocaust MmoriaI, No$lk. (Photo by David Hazm~d) Zuckermann, 1966. "Christ at Gethsemane", by Bernhard "The Flame of Liberty", by Bill Wagner, dedicat- CITYOF MANASSAS Hurricane Camille Memorial, artist unknown, Zuckermann, 1966. ed 7/41 1976, City Hall Plaza. dedicated 101211995, Route 56, Massie's Mill. Thomas J. "Stonewall" Jackson Equestrian "The Prophets", by Bernhard Zuckermann, "The Leading Edge", by John Safer, 1989, One Monument, by Joseph Pollia, dedicated Confederate Memorial, by &chard Checchini, 1959. Commercial Place. 813 111940, Visitor Center, Manassas National 1965, Nelson County Courthouse, Lovingston. "Wisdom - Jesus in the Temple", by Omni Hotel Neon Light Towers, by Boyd Battlefield Park. "Four Freedoms", by Walter Russell, n.d., Bernhard Zuckermann, 1963. Mefferd, dedicated 9141 1973, Waterside Drive Swannanoa, Afton Mountain. "The Chalice", by Bernhard Zuckermann, and Water Street. MATHEWSCOUNTY "The Christ of the Blue Ridge", by Walter 1958. "John Wesley: Father of Methodism", Shriner "Our Confederate Soldier", artist unknown, Russell, dedicated 71291 1950, Swannanoa, Afton "Sermon on the Mount", by Bernhard and Holland Associates, architects, 1995, Virginia dedicated 101121 19 12, Mathews County Mountain. Zuckermann, 1971. Wesleyan College. Courthouse. LOCATEDAT OAKRIDGE ESTATES, ROUTE 653 "First Miracle", by Bernhard Zuckermann, "Trope I", by Alexander Liberman, 1986, 240 SOUTHOF LOVINGSTON: MECKLENBURGCOUNTY 1964. Corporate Boulevard. Bench with Flute Player, artist unknown, n.d. "Devotion", by Bernhard Zuckermann, n.d. Holocaust Memorial, by Victor Pickett, 1993, McCallum More Garden, various artists, twenti- -. -. Well, artist unknown, n.d. Jewish Community Center of Tidewater. eth century, Chase City. Untitled (Policeman's Bell), by Victor Pickett, Confederate Memorial, by Gaddess Brothers, Fountain, artist unknown, n.d., Crawford and LOCATEDAT BRANDONPLANTATION: 1984, City Hall Plaza. 1873, Northumberland County Courthouse, High streets. Boy with Dolphin, artist unknown, Heathsville. "The Tourists", by Chaim Cross, 1959, Richard Dale Monument, by William Couper, executed after 1926. Waterside Festival Place. 1901, Washington and North streets. "Winter", artist unknown, executed after "Regatta', by William Wainwright, 1976, Sails, artist unknown, n.d., Park and High streets. 1926. Confederate Memorial, artist unknown, dedicat- Downtown Waterfront Esplanade. "Springy', artist unknown, executed after ed 712011 893, Nottoway County Courthouse. Spanish War Veterans Monument, by Theodora "Douglas MacArthur Wading Ashore at A. R. Kitson, dedicated 51231 1942, Crawford 1926. Inchon, Korea", by Kyong Sung Kim, 1957, Parkway and North streets. "Summer", artist unknown, executed after MacArthur Square. Confederate Memorial, artist unknown, unveiled 1926. Confederate Dead Monument, artist unknown, Douglas MacArthur Statue, by Walter Hancock, 611 511 893, High and Court streets. "Autumn", artist unknown, executed after 1968, MacArthur Square. dedicated 6181 1988, Pittsylvania County Courthouse, Chatham. 1926. Fawn, by William Turner, 1989, Children's Child at Pool with Flowers, artist Hospital of the King's Daughters. CITYOF PORTSMOUTH unknown, executed after 1926. Five Children at Play, by Antonio Tobias * Priest's Memorial, by Ennis, n.d., St. Paul's Satyr with Flute, artist unknown, executed Mendez, 1995, Children's Hospital of the King's Catholic Church. after 1926. Daughters. * Francis Devlin Memorial, artist unknown, c. Satyr with Tambourine, artist unknown, "My Marsden", by Matthew Fine, 1994, executed after 1926. Children's Hospital of the King's Daughters. Garden Planter, artist unknown, executed "Unity", by Peruka Ccopacatty, 1982, Jewish after 1926. Community Center of Tidewater. Urn, artist unknown, executed after 1926. LOCATEDON NORFOLKACADEMY CAMPUS: "Bar Rounder", by John Van Alstine, 1987. Untitled, by Guy Dill, n.d. Memorial to World War II, Prince Edward County. (Photo by May Prevo and Paul Mueller) "The United States Marine Corps War "David's Song", by Jeffrey Funk, dedicated Memorial, by Felix de Weldon, copyright 1954, 6/12/1995. Quantico Marine Corps Base, Highway 1. "Between Classes", by J. Seward Johnson, * Sailors Creek Monument, artist unknown, "Crusading for Right", by Charles Peyre, 1918, Jr., n.d. 1928, Rural Route 619. Butler Hall, Quantico Marine Corps Base. "Crazy for You", by Frederic A. Crist, dedi- * L. Francis Griffin Monument, by Simmons cated April 1995. PULASKTCOUNTY Monument Company, 9/511988, Farmville. "Stele XCVI Quetzal", by Clyde Lynds, 1992. * Confederate Cemetery Obelisk, artist * Native Stone Arch, artist unknown, 1907, LOCATEDON THE OLDDOMINION UNIVERSITY unknown, n.d., Farmville. Pulaski County Courthouse. CAMPUS: * Kappa Delta Sorority Bench, artist unknown, Fountain, artist unknown, dedicated 1986, Jackson Park, Pulaski. "Free Form", by Victor Pickett, 1966. dedicated 1972, Longwood College. Confederate Memorial, by F. William Sievers, "Space Disk?', by Victor Pickett, 1985. * Longwood College Bell, by Charles Van 1906, Pulaski County Courthouse. Red Metal Planes, by Jacqueline Jenkins, c. yoan of Arc", Prince Edward County. (Courtesy of Valkenburgh, 1896, Longwood College. 1981. Longwood Center for Ksudl Arts) Memorial to World War I1 Dead, by A. A. "Painted Steel #2", by Inger Pincus, 1980. Weinman, 1906-19 10, placed on site and dedicat- 1855, St. Paul's Catholic Church. ed 1967, Hampden-Sydney College. Mary Draper Ingles Monument, artist * U.S.S. Cumberland and U.S.S. Congress NORTHAMPTONCOUNTY Confederate Memorial, designed by Charles M. unknown, after 181 5, Westside Cemetery. Memorial, artist unknown, n.d., U.S. Naval Blue Herons, by David Turner, dedicated Walsh, dedicated 1011 111900, High and "Transcendent Together", by Charlie Brouwer, Hospital. 11291 1992, Northampton-Accomack Memorial Randolph streets, Farmville. 1992,406 Harvey Street. * John Saunders Memorial, by John Haviland, Hospital, Nassawadox. Joan of Arc Equestrian, by Anna V. Hyatt Steel Boxes, by Paul Frets, 1967-1968, 406 n.d., U.S. Naval Hospital. Confederate Memorial, artist unknown, dedicat- Huntington, c. 1915, Longwood Center for the Harvey Street. ed 1913, Northampton County Courthouse, Portsmouth Light Artillery Monument, artist Visual Arts, Farmville. Steel Boxes with Projecting Portion, by Paul Eas tville. unknown, n.d., City of Portsmouth Park. Frets, 1967-1968,406 Harvey Street. Parker Monument, artist unknown, n.d., Oak LOCATEDON THE RADFORDUNIVERSITY NORTHTJMBERLANDCOUNTY Grove Cemetery. * Confederate Memorial, artist unknown, 1908, CAMPUS: Albert Morris Memorial, artist unknown, c. "Jubilation", by Michiel J. Van Der Sommen, Prince George County Courthouse. * Joan of Arc, copy of original by Henri 1907, Roseland Cemetery, Reedville. 1989, Willett Hall. Chapu, 19 18, Radford Library. "Speculations on Nature", by Howitzer Monument, by "The Dancing Man", by Allen Jessee, 1978, "Mr. Smedley", by Jack Witt, 1985, 6th Street

Deborah La~rasse.u ' 199 -- 1. Cas~erI Buberl and William Bellevue School, 2301 East Grace Street. Marketplace. "Steel Construction NO.~", Sheppard, 1892, Harrison "Untitled Heads #I, #2", by Kevin M. Kelley, "Our Lady of Lourdes", artist unknown, brought by Phoebe Helman, 1968. Street and Grove Avenue. 1993, 505 1 Northampton Street. to site c. 1970, St. Paul's Catholic Church. "Torso Ombre", by Betty Sounding Piece, by Harry "Saint Sebastian", by Gregory Kelley, 1985, Saint Theresa, artist unknown, brought to site c. Branch, 1988. Bertoia, 1978, Federal Reserve 1 10 1 Carlisle Avenue. 1970, St. Paul's Catholic Church. Bank, 7th and Byrd streets. "Totemic K", by W Glenn "Crying Angel", by John Anderson, c. 1991, 3 Saint Paul, artist unknown, brought to site c. Phifer, 1983. "Richmond Tripodal", by North Lombardy Street. 1970, St. Paul's Catholic Church. James Rosati, 1974, Nations- "Procession", by Mary "Rachel Weeping For Her Children", by Linda "Corporate Presence", by David Phillips, 1985, Bank Building, 12th and Brownstein, 1989. Gissen, 1987, Cathedral of the Sacred Heart. James Center, 9th and Cary streets. Main streets. "Monumental Holistic "Memory", by Leo Friedlander, 1956, Virginia "Wind's Up", by Lloyd Lillie, 1986, James "Quadrature", by Robert XXII", by Betty Gold, 1983. War Memorial, 621 Belvidere Street. Center, 9th and Cary streets. Engman, 1985, Crestar Building, 10th and Main First Virginia Regiment Memorial, by Ferruccio World War I1 Monument, by A. I? Grappone & streets. Legnaioli, 1930, Park and Stuart avenues. Sons, dedicated 71 1211947, Maury Cemetery. * Washingon Town Marker, Christopher Columbus, by Ferruccio Legnaioli, "Father Time", artist unknown, c. 1920, Mount -, - Bill "Boian~les"Robinson. bv artist unknown, 1949, Gay Christopher CoZumbusyRichmond. I U 'J Jack Witt, 1973, Adams and cast 1926, Byrd Park. Calvary Cemetery. (Photo by Sarah Dri~sand John Orrock) Street, Washington. Mount Calvary Shrine, artist unknown, c. 1920, Lei~hu streets. A. I? Hill Monument, by William Ludwell * Grimsley Memorial, by J. G. Hippocrates, by Menelaos Sheppard, 1892, Laburnum and Hermitage Mount Calvary Cemetery. Thomas, c. 1890, Gay Street, Washington. avenues. Sally Magee Monument, artist unknown, c. Katafi~iotis," dedicated 51311985, East Marshall Confederate Monument, artist unknown, and I 1th streets. "Three Bears Group", by Anna Hyatt 1845, Shockoe Cemetery. April 1898, Gay Street, Washington. Huntington, 1941, MCV Hospital, 12th Street. Nannie Caskie Monument, designed by -."Connecticut", -. by Paul DiPasquale, n.d., 1he Uramond. "Park GuardianJ', by Charles Pool, 1993, Professor A. Lavella, c. 1894, Shockoe Cemetery. "Liberty", based upon Bartholdi's original, Belvedere and Idlewood streets. Elks Monument, artist unknown, dedicated * Christopher Newport Cross, artist unknown, Friedly-Vorshardy Co., dedicated 21 1 11195 1, Baker School Ornamentation, artist unknown, 51911 905, Riverview Cemetery. dedicated 61 1011907, Shockoe Slip. Chimborazo Park. c. 1935, Baker and Paul streets. Fraternal Order of Eagles Monument, designed * World War I Monument, by J. H. Brown, Francis Asbq by F. William Sievers, 1921, East End Middle School Sculpture, Charles M. by F. L. Gnajon, n.d., Riverview Cemetery. dedicated 513011923, Maury Cemetery. 1900 East Franklin Street. Robinson, architect, c. 1925, 37th and M streets. Pearl A. Lipscomb Monument, artist unknown, * Street Fountain, by Ferruccio Legnaioli, 1909, Confederate Soldiers and Sailors Monument, Bull's Heads, artist unknown, 1886, 17th 1929, Riverview Cemetery. Shockoe Slip. by William L. Sheppard, dedicated 513011 894, Street Market. Three Alligators, artist unknown, c. 1984, 29th Street and Libby Terrace. "Vigil", by Lester Van Winkle, dedicated Jefferson Hotel, Franklin and Adams streets. 912611983, 1201 Broad Rock Boulevard. Woman Holding a Wedge, artist unknown, c. 1990, 2709 West Main Street. Saint Catherine, by Jack Witt, 1989-1990, St. Catherine's School. Saint Christopher, by Jack Witt, before 1978, St. Christopher's School. "Wheels", by Roy Johnson, June 1983, Brown's Island. "The Headman", by Paul Di Pasquale, c. 1992, Brown's Island. Cherub, artist unknown, n.d., General Assembly Building, 9 10 Capitol Street. Cherub, artist unknown, n.d., General Assembly Building, 910 Capitol Street. Police Memorial Statue, by Maria Kirby- Smith, 1987, 6th Street Marketplace. Mau y Monument, Richmond. (Photo by Samh Richmond Light Infantry Blues, by Wilfred 0. Drig;gs) "Memory",Richmond (Courtesy of the Libra y of Krginia) Boettiger, dedicated 1012011978, 6th Street James Dooley Sundial, by Ernest S. Daphne, artist unknown, n.d., Executive Angel (Rueger), by Julius "Aurora", by Albert Paley, 1990, Leland, summer 1930, Maymont Park, Mansion. C. Loester, c. 1930. Roanoke Regional Airport. outside Hampton Street entrance. "Young Faun", by Attilio Piccirilli, 1898, James Monroe Tomb, Arching Metal Forms on Stone, "Three Graces", after Canova, artist Executive Mansion. designed by Albert artist unknown, n.d., 25 18 unknown, n.d., Maymont Park. LOCATEDWITHIN MONROEPARK: Lybrock, 1859. Williamson Road. Lion Fountain, artist unknown, n.d., * World War I1 Memorial, designed by Hayes Grave, by George "Freedom, Justice, and Maymont Park. Charles M. Gillette, dedicated 21251 1945. Julian Zolnay, 19 11. Compassion", by David Breeden, 1989,215 Church Avenue. * Fitzhigh Lee Monument, artist Pickett's Monument, unknown, dedicated 412 111 95 5. artist unknown, 1888. Epperly Elvis Shrine, by Kim and Don Epperly, begun August * Cannon Marker, by AM Co., dedicated Joseph Bryan Monument, by William John Tyler Memorial, 1986, 605 Riverland Road SE. 5/31/1915. Couper, dedicated 61 10119 1 1. designed by Raymond Averill, 191 * Cannon Marker, by Revere Cannon Co., William Wickham Monument, by Edward 5. dedicated December 1938. V. Valentine, cast 31 101189 1. Angel (Varina Anne Rockingham Turkey (North), by Matthew Fontaine Maury Monument, by Monroe Park Fountain, founded by Davis), by George F. William Sievers, 1929, at Belmont Julian Zolnay, 1899. Carl A. Roseburg, 1955, U.S. Robinson Iron Company, 1977-1978. Route 1 1, near northern county Avenue. Woman and Cross, by boundary. Robert E. Lee Monument, by Maurius Jean Santo Saccomanno, "Maternal Figure", by John Torres, 1974. Antonin Mercii, dedicated 51291 1890, at Allen 1899. WA.Jones Memorial, Richmond County. Rockingham Turkey (South), by Avenue. Female Figure, by John Torres, n.d. (Photo by Virginia Boudredux) Carl A. Roseburg, 1955, U.S. Route 1 1, near southern county J. E. B. Stuart Monument, by Fred "Woman I", by John Torres, 1975. boundary. Moynihan, 1906, at Lombardy Street. "Woman 11", by John Torres, 1975. W A. Jones Memorial, by Dc In Mariano Thomas J. "Stoned" Jackson "Richmond", by Barry Tinsley, c. 1990. Benlliure, dedicated 61201 1926, Warsaw. RUSSELLCOUNTY Equestrian Monument, by F. William Sievers, "Crystal", by John Torres, 1986. Confederate Memorial, artist unknown, 1914, 1919, at Boulevard. "Classical Form", by John Torres, 1975. Russell County Courthouse, Lebanon. Jefferson Davis Memorial, by Edward V. "Spirit Arch", by John Torres, 1986. Dog Fountain, artist unknown, n.d., Salem and Valentine, dedicated 6131 1907, at Davis Market streets. CITYOF SALEM Avenue. The Roanoke Star, construction firm unknown, * Fort Lewis Marker, founded by Marstellar LOCATEDWITHIN CAPITOLSQUARE: 1949, top of Mill Mountain. Corp., 1927, West Main Street. * Virginia Zero Milestone, by Ferruccio "Force One: Consciousness is Crucial", by John * Andrew Lewis Marker, founded by Marstellar Legnaioli, dedicated 112511929. Rietta, 1975, 2 10 Franklin Road, SW. Corp., 1902, East Hill Cemetery. Wrlliarn Smith, by William L. Sheppard, Board Monument, by New England Granite dedicated 513011906. Company, June 1889, East Hill Cemetery. Thomas J. "Stonewall" Jackson, by John Confederate Memorial, artist unknown, dedicat- Henry Foley, 1873. ed 6131 1910, Main Street and College Avenue. Office Building Entrance Group, by Ferruccio Legnaioli, 1922. SHENANDOAHComm Angel (Varina Anne Davis Grave), Richmond (Photo by Man Poe, by Charles Rudy, 1957. Edgar Tricia Pearsall) * Confederate Memorial, W. N. Cox & Co., Henry Clay, by Joel Tanner Hart, 1847. contractor, dedicated 51 1211898, St. Matthew's Harry Flood Byrd, by William M. McVey, LOCATEDIN HOLLYWOODCEMETERY, SOUTH Cemetery, New Market. erected 61 1011975. CHERRYSTREET: 54th Pennsylvania Infantry Monument, J. L. Hunter Holmes McGuire, M.D., by Davies' Tomb, artist unknown, 1857. Smith, contractor, dedicated 1012511905, U.S. William Couper, dedicated 1/711904. Confederate Memorial Pyramid, Charles Route 1 1, New Market. George Washington Equestrian, by H. Dimmock, architect, 1869. SMYTHCOUNTY Thomas Crawford and Randolph Rogers, "Grief ", by Edward V. Valentine, 1873. Confederate Memorial, artist unknown, 1903, 1847-1868. Jefferson Davis, by George Julian Zolnay, Smyth County Courthouse, Marion. Nymph on a Sea Serpent, by Harriet 1899. Hosmer, before 1908, Executive Mansion. Dog, founded by Hayward, Bartlett 81 Co., SPOTSKVANIAComm "The Gold", by Jimilu Mason, 1985, c. 1850. I5th Regiment New Jersey VolunteersMonuments, Executive Mansion. Spotsylvania County. (Photo by James C Hill) * Meade Pyramid, by E. T. D. Meyers, 1898, Angel (Cabell), by Harry Lewis Raul, 1927. Fredericksburg/Spotsylvania National Battlefield. 23rd New Jersey Memorial, by 'Manson & Fish Fountain, artist unknown, c. 1930. Son, dedicated 51 1211909, Salem Church Road and Route 3. 15th Regiment New Jersey Volunteers * John Lewis Memorial, artist unknown, n.d., Monument, by T. Manson & Son, 1908, Gypsy Hill Park. Heatherstone Road and Route 3. Confederate Dead Monument, by Victor Pathia, 15th Regiment New Jersey Volunteers dedicated September 1888, Thornrose Monument, by T Manson & Son, 1909, Bloody Cemetery. Angle, Spotsylvania Battlefield Park. Statler Brothers Monument, artist unknown, Scarecrow, by Ron Elliot & Brian Yost, erected dedicated 51 1011994, Gypsy Hill Park. 912611995, 5043 Plank Road. LOCATEDAT 765 MIDDLEBROOKAVENUE, Beach Balls, K~irginiaBeach. (Photo by Mike Newbill and Betsy Gough-DiJulio) Triangular Form, by Donna English, n.d., Route CREATED 1992- 1995 BY WILLIAMFERGUSON: 3 and State Route 1680. Sphere. LOCATEDAT THE BOARDWALKAND LISTED STREET: Paper Doll Chain. Sandcastle, built by EDAW Inc., landscape Open Book architects, c. 1993, 36th Street. "In the Name of Christ the King", by Georg J. Flower Pots. Tober, 1930, Telegraph Road and Jefferson Davis Columns, built by EDAW Inc., landscape Sphere and Arrow. Highway. architects, c. 1993, 34th Street. Ballerina's Shoes. Scupted Bdck Structure, Tdzewell County. (Photo by David "Delight", by Mike Cunningham, dedicat- LeftPvich Memorial,' bv., Felix de Weldon, dedicat- ed 1 111 81 1985, Heywood Hall, Quantico Marine Crutches. A. Edwards) ed 6/4/1992,33rd Street. Corps Base. Beach Balls, built by EDAW Inc., landscape Tidewater Veterans Memorial, by Talbot & LOCATEDAT CHATHAMMANOR: architects, c. 1993, 31st Street. Associates, dedicated 51301 1988, 19th Street. Woman with Flowers, artist unknown, c. War Memorial, by Joseph Pollia, 1929, Cedar Hermit Crabs, built by EDAW Inc., landscape Hill Cemetery. "'G' in Motion", by J. L. Sides, 1987, Gibson 1930. architects, c. 1993, 29th Street. Pavilion, 1081 19th Street. Well, artist unknown, c. 1930. "Character Corner", artist unknown, dedicated School of Fish, built by EDAW Inc., landscape 91 1 11 199 1, Washington and Main streets. "Tunnel Vision7', by Matthew Fine, 1987, architects, c. 1993, 28th Street. Cherub Birdbath, artist unknown, c. 1930. Commerce Bank, 5 101 Cleveland Street. Shells, built by EDAW Inc., landscape SUSSEXCOUNTY "Eye of Hugo", by Matthew Fine, 1991, architects, c. 1993, 26th Street. Runnymeade Corporation, 201 0 Parks Avenue. Confederate Memorial, by the McNeel Marble Birds in Flight, built by EDAW Inc., land- Company, 19 12, Sussex County Courthouse. "Movement VII", by Matthew Fine, 1992, scape architects, c. 1993, 18th Street. Cleveland Street. Leaping Fish, built by EDAW Inc., landscape "Ascent", by J. L. Sides, c. 1993, 420 North architects, c. 1993, 8th Street. Sculpted Brick Structure, by Johnny ' Birdneck Road. Sea Turtles, built by EDAW Inc., landscape Hagermann and Tom Foley, 1987, Railroad and "The Asunder Box", by Lawrence Mednick, c. architects, c. 1993, 6th Street. Second streets, Richlands. 1990, Runnymeade Corporation, 20 10 Parks Porpoises Atop Globes, built by EDAW Inc., Confederate Memorial, artist unknown, 1903, Avenue. landscape architects, c. 1993, 5th Street. Tazewell County Courthouse. "Pennant", by Lin Emery, dedicated 71221 1989, Three-Tiered Metal Sculpture, by Ted Guenther, Virginia Beach Public Library, Central Branch. 1980, Bluefield College. "Native American", by Peter Toth, dedicated * Mosby Monument, designed by Alexandria Four-Tiered Metal Sculpture, by Ted Guenther, 71 1511976, Mount Trashmore City Park. Marble Works, dedicated 912311899, Prospect Le$wich Memorial, Stafford County. (Photo by John 1980, Bluefield College. Confederate Memorial, by Charles Walsh, dedi- Hill Cemetery. Elliott) cared 1 111 51 1905, City Municipal Center. * World War I and World War I1 Memorial, I CITYOF VIRGINIABEACH Satyr, artist unknown, c. 1920. "The Seat of Wisdom", by Victor Pickett, dedi- artist unknown, after 1945, Warren County Aluminum Polyhedron, by Copeland, Isreal, & Courthouse, Front Royal. Boy & Girl with Goat, artist unknown, c. cated 31 1411995, Catholic High School. Noveck, Architects, c. 1981, 70 1 Lynnhaven 1930. "Hole Notes7', by Larry Mednick, n.d., Prism "The Cadet7', by Edward J. Fraughton, 199 1, Parkway. Randolph-Macon Military Academy, Front Royal. Boy with Musical Instrument, artist Plaza, 4455 South Boulevard. Three Fish, by William H. Turner, c. 1986, unknown, c. 1930. Rough, Pointed Marble Slab with Circular Confederate Memorial, by McNeel Marble Virginia Marine Science Museum. Works, dedicated 7/4119 11, Warren County DemeterICeres, artist unknown, c. 1930. Hole, by Matthew Fine, n.d., 780 Lynnhaven "Light Garden", by Dale Eldred, 1988, Pavilion ParkwaylWinwood Center. Courthouse, Front Royal. Sundial, artist unknown, c. 1930. Convention Center. Abstract Spiral, by Lawrence Mednick, n.d., 780 Soldier's Circle Monument, carved by John B. Boy & Girl with Dog, artist unknown, c. L~nnhavenParkway/Winwood Center. Graver, 1882, Prospect Hill Cemetery. 1930. Mazik, Lisa Potterfield, Thomas T. Tom Brown Hardware McCoy, Mary Hille Prevo, Mary Ugincius, Leila McGranahan, Cara J. Pritchard, Karen Upshur, Elias McGraw, Tammy Quate, Susan Van Handel, Lori Meadows, Nancy A. Ramsey, Catherine Vautrot, Bonnie Miller, Donna Rau, David Vautrot, Jay Miller, Hugh Reynolds, Judy Veloz, Nick Miller-Pecora, Judy Rice, Betty Ann Via, David Montagna, Dennis Rice, Clive Vosmik, Julie Morris, Rebecca Lee Ring, Shane Wagner, Marc Mott, Melanie Robinson, David Wake, Bob Mueller, Paul Robinson, Deborah Walker, Dorothy Mullen, Carla A. Robinson, Straughan Weiland, Nancy Myers, Melba Robinson, Walter Werner, Nancy B. Naismith, John Roddenberry, Deborah Whitacre, Susan Newbill, Mike B. Rose, Bart 'Whitehead, Sandra Newcomb, Thomas Rowlett, Reverie Whitehorne, Ellen Ng, Grace Salmon, Emily Whitehorne, Joe Nichols, Alice Sams, Ann 'Whitmore, Jane Nichols, Susan Savery, Suzanne Willett, Skip and the SOS! staff Schlesinger, Alberta Williams, Barbara S. Nock, L. Floyd Schroll, Charles Williams, Gary M. Nolte, Ed Seipel, Joe Wilson, Richard Guy Nolte, Kelly Shields, Amy Wilson, Rosaline O'Leary, Elizabeth Shields, Peggy Winter, Jill Olsen, Anne Silsand, Holly Winter, Patricia M. Orrock, John Smith, Bob Wise, Alex Orrock, Louise Smith, Dolores C. Wolf, George Ossolinski, Christine Smith, Irene Wood, Pamela Kay Pait, Sandra L. Smith, Richard I? Wood, Peggy Palmer, Meade Snyder, Phyllis Wood, Valerie Paris, George South, Carissa Woodham, Alexandra Paris, Micheline Steele, Lucy Woodward, Deborah Payne, Janet Steen, Aaron Woodworth, W. Warren Pearsall, Josiah Stewart, John G. Woods, Dixie Pearsall, Tricia Sullivan, Robert Worsham, Gibson Peppenger, Wesley Taylor, Jason Yaworsky, Sarah Peters, Susie Tennis, Melinda Yetzer, Carol A. Phinney, Lucy Thomas, Deborah B. Young, Jane Pisarek, John Tice, Douglas 0. Young, John Potter, Edmund Todd, Giles Special thanks to Frank,rn Katie, and Clare Driggs

SAW OUTDOOR SCULPTURE

The preparation of Save Outdoor Sculpture! A Survey of Sculpture in Virginia was financed in part with federal funds from the U. S. Department of the Interior, through the Department of Historic Resources, Commonwealth of Virginia. Under Title VI of the Civil Rights Act of 1964 and Section 504 of the Rehabilitation Act of 1973, the U. S. Department of the Interior prohibits discrimination on the basis of race, color, national origin or handicap in its federally assisted programs. If you believe that you have been discriminated against in any pro- gram or activity described herein, or if you desire further information, please write to: Office of Equal Opportunity, U. S. Department of the Interior, Washington, D.C. 20240. The contents and opinions of this book do not necessarily reflect the views or policies of the Department of the Interior, nor does any mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior. The Virginia Department of Historic Resources, in accordance with the Americans with Disabilities Act, will make this publi- cation available in braille, large print or audio tape upon request. Please allow 4-6 weeks for delivery.