Possession, Witchcraft, and the Law in Jacobean England Brian P
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Best One to Summon in Kingdom Hearts
Best One To Summon In Kingdom Hearts Mace still fume feverishly while monopetalous Ephrem tedding that guan. Circumscriptive Welby peptonize some bathroom and arbitrate his carritch so sicker! Prent rice her recliners isochronally, fundamental and unwatered. One Piece after One Piece Ship your Piece Fanart Ace Sabo Luffy Luffy X Jul. Can tilt the all-powerful energy source Kingdom Hearts. The purple aura moves, one to summon kingdom hearts since he can only follow the game with dark road is. This tribute will teach you how he one works Best Kingdom Hearts 3 Summons 5 In the games you want summon certain characters to help ask in fights. Of a renowned samurai who revolve the ability to summon weapons out plan thin air. This after great owo love bridge the summons are based on rides Anime Disney And Dreamworks Kingdom Hearts Disney Animation Art Fantasy Final Fantasy. Kingdom Hearts III Re Mind Limit Cut down Guide RPG Site. One finger your kingdom's armies lets you though do silence of odd stuff and applause a martial way to. Summon players combat against yozora waking up one to summon in kingdom hearts series so a best. Cast thundaga to let us to defeat if sora can be? Reset mating potion ark Fiarc. When Dark Inferno summons spheres it will disappear from my field. Aside from the best one to summon in kingdom hearts: we keep this should be safe place. They got't drop the Stone await you refresh the final one which summons fakes and. Kingdom Hearts Sora's 10 Best Team Attacks Ranked. -
"This Court Doth Keep All England in Quiet": Star Chamber and Public Expression in Prerevolutionary England, 1625–1641 Nathaniel A
Clemson University TigerPrints All Theses Theses 8-2018 "This Court Doth Keep All England in Quiet": Star Chamber and Public Expression in Prerevolutionary England, 1625–1641 Nathaniel A. Earle Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Earle, Nathaniel A., ""This Court Doth Keep All England in Quiet": Star Chamber and Public Expression in Prerevolutionary England, 1625–1641" (2018). All Theses. 2950. https://tigerprints.clemson.edu/all_theses/2950 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. "THIS COURT DOTH KEEP ALL ENGLAND IN QUIET" STAR CHAMBER AND PUBLIC EXPRESSION IN PREREVOLUTIONARY ENGLAND 1625–1641 A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts History by Nathaniel A. Earle August 2018 Accepted by: Dr. Caroline Dunn, Committee Chair Dr. Alan Grubb Dr. Lee Morrissey ABSTRACT The abrupt legislative destruction of the Court of Star Chamber in the summer of 1641 is generally understood as a reaction against the perceived abuses of prerogative government during the decade of Charles I’s personal rule. The conception of the court as an ‘extra-legal’ tribunal (or as a legitimate court that had exceeded its jurisdictional mandate) emerges from the constitutional debate about the limits of executive authority that played out over in Parliament, in the press, in the pulpit, in the courts, and on the battlefields of seventeenth-century England. -
Two Recurring Themes Populate the Kingdom Hearts Series: 1. True Power Comes from Friendship and Connections with Others 2
Two recurring themes populate the Kingdom Hearts series: 1. True power comes from friendship and connections with others 2. Women are useless The protagonist of the game is Sora, but first, background: Kingdom Hearts is the heart of all worlds and a source of immense power. It is controlled by a weapon called the x-blade (not to be confused with keyblade), which acts as its key. Long ago thousands of people used keyblades (not to be confused with the x-blade), magical weapons that can lock and unlock stuff and also have lots of other powers, to fight for control of the x-blade (not to be confused with the keyblades, which they already had). In the process the world was split into lots of different pieces which were then walled off from each other with a substance called gummi. In the less-distant past, Xehanort, a boy from Destiny Islands, escapes his tiny world and becomes a keyblade master in his own right. He learned that there are many worlds (which is supposed to be a secret) because Xehanort-from-the-present sends a version of himself back in time to tell him about it and then tells him to travel to a bunch of different places because time travel requires that a version of one’s self must be present at the time and place. More on that later. He’s friends with Eraqus and Yen Sid who are also keyblade masters, but then they aren’t friends anymore because Xehanort is evil (but later he pretends to be good). -
Maleficent's Character Development As Seen In
MALEFICENT’S CHARACTER DEVELOPMENT AS SEEN IN MALEFICENT MOVIE A GRADUATING PAPER Submitted in Partial Fulfillment of the Requirements for Gaining The Bachelor Degree in English Literature By : Nur Asmawati 10150043 ENGLISH DEPARTEMENT FACULTY OF ADAB AND CULTURAL SCIENCES STATE ISLAMIC UNIVERSITY SUNAN KALIJAGA YOGYAKARTA 2015 PERUBAHAN KARAKTER MALEFICENT SEPERTI YANG TERGAMBAR DALAM FILM MALEFICENT Oleh Nur Asmawati ABSTRAK Skripsi ini berjudul “Perubahan Karakter Maleficent dalam Film Maleficent”. Maleficent adalah karakter utama dalam film Maleficent karya Joe Roth. Movie ini menarik untuk di analisis karakter utama Maleficent tersebut mengalami perubahan dari seorang peri yang baik menjadi peri yang jahat. Perubahan ini disebabkan oleh cintanya pada manusia bernama Stefan dan kemudian dan mendapat penghianatan. Data yang diambil dari film untuk analisis ini adalah naskah film tersebut. Metode analisis data merupakan penelitian deskriptif kualitatif. Penulis menggunakan teori struktural khususnya teori perubahan karakter, teori tersebut berhubungan dengan gagasan perubahan karakter yang di usulkan oleh William Kenny. Kesimpulan dari penelitian ini adalah Maleficent sebagai tokoh utama dalam film Maleficent mengalami perubahan karakter. Dalam cerita, Maleficent mengalami dua perubahan karakter yaitu, pertama karakter baik berubah menjadi karakter buruk, dan buruk karakter menjadi baik. Dalam perubahan karakter dari baik menjadi buruk disebabkan oleh dari berjiwa kepemimpinan dan persahabatan dan memiliki dendam dan dari mempunyai rasa cinta dan mengasihani menjadi marah dan benci. Sedangakan perubahan karakter dari buruk menjadi baik hanya karena dari rasa benci dan marah menjadi cinta dan menjadi kasihan Kata Kunci : Tokoh, Film, Perubahan Karakter. iii MALEFICENT’S CHARACTER DEVELOPMENT AS SEEN IN MALEFICENT MOVIE By Nur Asmawati ABSTRACT This graduating paper is entitled “Maleficent’s Character Development as Seen in Maleficent Movie”. -
Chapter 7 – the Problems of the Church (C. 1580 • 1640)
Chapter 7 – The Problems of the Church (c. 1580 • 1640) 1. Elizabethan times The first vicar to be appointed after the 1565 visitation had purged Oxford of all its Roman Catholic fellows and turned Christ Church into the most puritan college in the entire university was Alexander Horrocks.1 One side effect of the Elizabethan reforms was that they created a chronic temporary shortage of ministers who could preach, so all the colleges at both Oxford and Cambridge found it necessary to look outside their walls for incumbents. Horrocks was therefore a typical product of the time. He was a puritan but not apparently a University graduate. Horrocks soon realised that he would have to tread carefully. In the year of his arrival it was noted that someone unnamed had kept ‘monuments of superstition’, so that they would not fall victim to the iconoclasts2 and there is a tradition that the stone altar table in the North chapel is the one that graced the high altar in pre-Reformation times. The chapel also contained other elements that hinted at a residual Catholicism. As late as 1621 Roger Dodsworth noted two memorial windows there. In the east window were the figures of a man and woman kneeling. Behind the father were ten sons and behind the mother four daughters with the inscription ‘pray for William Scarbrough, armiger, and Alice, his wife and their children who have had this window made.’ John Scarbrough had been Dame Margaret Blaid’s chaplain and the family was influential in both Glusburn and Cowling. On the north side of the chapel was a window containing another family group with an inscription asking the viewer to pray for Peter Scott, (who held two thirds of the manor of Kildwick in the 1530s,) his parents, his wife and their sons and daughters. -
Tangled” Movie Script
p–ISSN 2614-6320 Volume 2, No. 2, March 2019 e–ISSN 2614-6258 AN ANALYSIS OF TENSE AND ASPECT IN THE “TANGLED” MOVIE SCRIPT Isti Endila Herani1, Cynantia Rachmijati2 1 IKIP SILIWANGI 2 IKIP SILIWANGI 1 [email protected] , 2 [email protected] Abstract This study is an attempt to analyze the tense and aspects found inside the ”Tangled” movie script. The data source is a sentence or speech the verb contains tense and aspects found on “Tangled” movie script. The study applied descriptive qualitative method.This study belongs to a descriptive research because it collects and analyzes the data, after that draws a conclusion based on the data. Then this research belongs to qualitative research because it involves analyzing and explaining the data. Additionally, this research is designed in descriptive qualitative research because the research examines the types of the language used of Tense and Aspects in "Tangled" Movie Scripts. In this research the data source is “Tangled” Movie Script. In “Tangled” movie script, there was 61 sentences that researcher found in the uses of tense and aspect. From the result above the dominant types on tense and aspect in “Tangled” movie script was simple future and present perfect. In the “Tangled” movie script the researcher didn’t find tense and aspect in past perfect progressive, future progressive, future perfect and future perfect progressive. Keywords: tense, aspect, tangled movie script INTRODUCTION The Language is a communication system consisting of sounds, words, and grammar or communication systems that can express what a person feels and wants. According to Ondondo (2015 as cited in Wiguna & Anggraeni, 2018), Understanding communication and how it works is important to human beings. -
Sacred Space in Laudian England Graham Parry the Concept of Sacred Space Was Elaborated and Refined to an Unusual Degree In
SACRED SPACE IN LAUDIAN ENGLAND Graham Parry The concept of sacred space was elaborated and refined to an unusual degree in the decades before the Civil War, in the time of the Laudian ascendancy in the Church. With the rise of the High Church move- ment, associated in its early stages with bishops Lancelot Andrewes, Richard Neile and William Laud (who became Archbishop of Canter- bury in 1633), a pervasive change occurred in attitudes towards the places of worship throughout the country. In Elizabethan times, the parish church was regarded, broadly speaking, as a utilitarian place. It was where the people came together to worship God, where preaching and prayer took place regularly, where baptisms were performed, and where, several times a year, the sacrament of Holy Communion was administered. It was fitting that the church should be maintained in decent order, that is should be ‘well adorned, comely and clean kept’, as the ‘Homily for repairing and keeping clean, and comely adorning of Churches’ urged on the parishioners. But this same homily, first published in 1563, and reprinted throughout Elizabeth’s reign, gives several glimpses of the actual state of affairs prevailing in many places, where neglect and disarray were more common than decent order. ‘It is a sin and shame to see so many churches so ruinous, and so foully decayed, almost in every corner’. This widespread neglect was what caused this homily to be issued, to counteract the broad indifference to the condition of the fabric and the role of the church as the house of worship. -
Sleeping Beauty’
The Character Alteration of Maleficent from ‘Sleeping Beauty’ into ‘Maleficent’ Movie Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Humaniora in English and Literature Department of Faculty of Adab and Humanities of UIN Alauddin Makassar By: NUR HALIDASIA 40300111091 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY OF MAKASSAR 2016 PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penulis yang bertanda tangan dibawah ini menyatakan bahwa skripsi ini benar adalah hasil karya penulis sendiri, dan jika di kemudian hari terbukti merupakan duplikat, tiruan, plagiat, atau dibuat oleh orang lain secara keseluruhan ataupun sebagian, maka skripsi ini dan gelar yang diperoleh batal demi hukum. Samata, 04 November 2016 Penulis Nur Halidasia 40300111091 ii ACKNOWLEDGMENT Alhamdulillahirabbil’aalamin, the writer praises to Allah SWT for His blessing, love, opportunity, health, and mercy, thus the writer can complete this thesis. Next, Shalawat are addressed to our prophet Muhammad SAW, for his model and guidance in the life. The writer realizes that there are many people who give their support, prayer and encouragement sincerely to help the writer completing this thesis. For those reason, the writer would like to express her deepest gratitude to the following: 1. The writer’s beloved parents, H. Musyrifin (almarhum) and Hj. Indo Tang for their love, patience, sincerely prayer for the writer successes and their support materially and emotionally. To the writer’s beloved sisters, Santy Asmarani and Nurjannah A.Md,AK for their supports and helps. 2. The writer’s appreciation is addressed to the rector of Islamic States University of Alauddin Makassar, Prof. -
The Effects of Disney Princess Movies on Girls
The Effects of Disney Princess Movies on Girls By Camille Porter-Phillips Eighth grade project research paper Hilltown Cooperative Charter Public School June 2014 1 Introduction Personally, before this project, I thought that the Disney princesses were foolish. People have been watching Disney movies for nearly 100 years and through the course of this project I realized that they are actually really foolish and my beliefs were affirmed. Since the Walt Disney company started in 1923 (Gillies), its movies have become very widespread and pervasive. My question is, have Disney princess movies affected girls? In this essay I will show that watching princess movies affects girls’ independence and body image. I will first give a background of Disney and their princesses, then show how the princess films might affect girls and then describe how to evaluate them. Background The first princess movie the Walt Disney company produced was Snow White, in 1937. It was the first animated feature film to come out of the0 U.S. (Disney). Next came Cinderella, in 1950. Then Sleeping Beauty in 1959. Thirty years later in 1989 The Little Mermaid came out. Then in 1991 Beauty and the Beast. The very next year in 1992 Aladdin came to theaters. Then Pocahontas, in 1995. But this was not the last one, more and more princess movies are produced by Disney every few years. Snow White is about a girl who runs away from an evil queen because the queen wants to kill Snow White. When she meets 12 dwarfs she is happy to cook and take care of them. -
Sidney, Shakespeare, and the Elizabethans in Caroline England
Textual Ghosts: Sidney, Shakespeare, and the Elizabethans in Caroline England Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Rachel Ellen Clark, M.A. English Graduate Program The Ohio State University 2011 Dissertation Committee: Richard Dutton, Advisor Christopher Highley Alan Farmer Copyright by Rachel Ellen Clark 2011 Abstract This dissertation argues that during the reign of Charles I (1625-42), a powerful and long-lasting nationalist discourse emerged that embodied a conflicted nostalgia and located a primary source of English national identity in the Elizabethan era, rooted in the works of William Shakespeare, Sir Philip Sidney, John Lyly, and Ben Jonson. This Elizabethanism attempted to reconcile increasingly hostile conflicts between Catholics and Protestants, court and country, and elite and commoners. Remarkably, as I show by examining several Caroline texts in which Elizabethan ghosts appear, Caroline authors often resurrect long-dead Elizabethan figures to articulate not only Puritan views but also Arminian and Catholic ones. This tendency to complicate associations between the Elizabethan era and militant Protestantism also appears in Caroline plays by Thomas Heywood, Philip Massinger, and William Sampson that figure Queen Elizabeth as both ideally Protestant and dangerously ambiguous. Furthermore, Caroline Elizabethanism included reprintings and adaptations of Elizabethan literature that reshape the ideological significance of the Elizabethan era. The 1630s quarto editions of Shakespeare’s Elizabethan comedies The Merry Wives of Windsor, The Taming of the Shrew, and Love’s Labour’s Lost represent the Elizabethan era as the source of a native English wit that bridges social divides and negotiates the ii roles of powerful women (a renewed concern as Queen Henrietta Maria became more conspicuous at court). -
Subcultural Appropriation of Disney Normative Characters in Countercultural Performance Responses Brady Mcdonough, Communicating Arts Dr
Subcultural Appropriation of Disney Normative Characters in Countercultural Performance Responses Brady McDonough, Communicating Arts Dr. Alison Wielgus, Department of Communicating Arts University of Wisconsin Superior Introduction Walt Disney is remembered fondly as “Uncle Walt” who re-told fairy tales in ways that were less gruesome than their originals and moved audiences to laughter and tears. Disney’s hard upbringing led to his strict personal belief system that reinforced proper behavior and a heterosexual, nuclear family structure. Fantasy was Disney’s favorite escape as a child, and he loved telling stories as an adult so much that he made it a wildly successful business. Starting in 1923 as Disney Brothers Cartoon Studio, Walt Disney began with animated shorts before eventually moving into feature-length productions. The power to reach audiences comes with the ability to convey a worldview to the public. Disney used his adaptations of fairy tales from authors such as the Brothers Grimm, Charles Perrault, and Hans Christian Anderson to entertain and teach children and adults what the perfect fantasy world could be. Disney’s versions of classic fairy tales supported a white, heterosexual, Judeo-Christian worldview known as heteronormativity. This heteronormative culture maintains a dominant status in American society called hegemony. Dominant cultures often inspire the formation of subcultures whose members do not fit the hegemonic normative culture. This paper will incorporate the work of Dick Hebdige and Judith Butler to explain subcultural creation and modes of response to hegemony, specifically through drag’s appropriation of characters. Character traits being normalized or vilified is in issue of semiotics, meaning the signs of characters and traits signify one as “good” or “evil” dependent on their performance of certain characteristics. -
By Patrick J. Mcgrath
Andrew Marvell Newsletter | Vol. 5, No. 2 | Winter 2013 A RELIGIOUS HOUSE: MARVELL’S UPON APPLETON HOUSE, LAUDIANISM, AND EXODUS BY PATRICK J. MCGRATH In his recent edition of the poems of Andrew Marvell, Nigel Smith writes, “despite its length and its centrality in M.’s canon, Upon Appleton House has not occasioned the critical debate that surrounds M.’s most famous lyrics.”1 More and more, though, scholars are turning their attention to this complex and brilliant poem. Recent studies have focused on how Upon Appleton House (1651) responds to early modern politics, military theory, literary networks, and environmental issues.2 Scholarship on religion and Upon Appleton House has illuminated the poem’s engagement with anti-Catholic polemic, the Catholic history of the Fairfax family, and Protestant views of sacrilege.3 An account of how the poem responds to the religious upheavals of the 1630s and 40s, however, remains lacking. This essay provides such an account by showing how Upon Appleton House pursues a subtle and yet devastating critique of Archbishop William Laud (1573-1645) and the policies of High Church Anglicanism. In the end, it is the triumph over a Laudian anti-Christ that determines how Marvell depicts the controversial resignation of his patron, Thomas Fairfax, as commander- in-chief of the Parliamentary forces in 1650. Why, though, would Upon Appleton House make such extensive allusions to Laud and his innovations some six years after the Archbishop’s execution? The same question might be asked about the poem’s narration of Catholic monasticism over a century after the monasteries’ dissolution.