By Patrick J. Mcgrath
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LCA Introduction
The Hambleton and Howardian Hills CAN DO (Cultural and Natural Development Opportunity) Partnership The CAN DO Partnership is based around a common vision and shared aims to develop: An area of landscape, cultural heritage and biodiversity excellence benefiting the economic and social well-being of the communities who live within it. The organisations and agencies which make up the partnership have defined a geographical area which covers the south-west corner of the North York Moors National Park and the northern part of the Howardian Hills Area of Outstanding Natural Beauty. The individual organisations recognise that by working together resources can be used more effectively, achieving greater value overall. The agencies involved in the CAN DO Partnership are – the North York Moors National Park Authority, the Howardian Hills Area of Outstanding Natural Beauty, English Heritage, Natural England, Forestry Commission, Environment Agency, Framework for Change, Government Office for Yorkshire and the Humber, Ryedale District Council and Hambleton District Council. The area was selected because of its natural and cultural heritage diversity which includes the highest concentration of ancient woodland in the region, a nationally important concentration of veteran trees, a range of other semi-natural habitats including some of the most biologically rich sites on Jurassic Limestone in the county, designed landscapes, nationally important ecclesiastical sites and a significant concentration of archaeological remains from the Neolithic to modern times. However, the area has experienced the loss of many landscape character features over the last fifty years including the conversion of land from moorland to arable and the extensive planting of conifers on ancient woodland sites. -
1 Manifesting the Soul in Andrew Marvell's 'On a Drop of Dew'
Manifesting the Soul in Andrew Marvell’s ‘On a Drop of Dew’ Ben Faber Redeemer University College [email protected] 1. Paradoxical Marvell ‘The ideal simplicity, approached by resolving contradictions’ is the epigraph to the chapter on Andrew Marvell’s ‘The Garden’ in William Empson’s Some Versions of Pastoral.1 With Marvell, however, the phrase ‘ideal simplicity’ itself requires resolving: Marvell is anything but simple, and his versions of pastoral consistently complicate the relationship between the ideal and the real. The material world in ‘The Garden’, for instance, may be annihilated in an ideal ‘green thought in a green shade’ (48) but even that happy, pure, and sweet place in the mind is ‘beyond a mortal’s share’ (57, 61).2 A painfully English experience of the fall—the ‘luckless apple’ of the Civil Wars—turns the Edenic environment of Nun Appleton into militias, forts, and garrisons, with Switzers, artillery, engines, and pillaging (‘Upon Appleton House’, 327). Ecocritical studies by Diane Kelsey McColley, Robert Watson, Andrew McRae, and Takashi Yoshinaka all echo the critical consensus of Marvell as a poet of ambivalence, of contradictions that remain largely unresolvable.3 1 William Empson, Some Versions of Pastoral (London: Chatto and Windus, 1968), p. 117. 2 All references to Marvell’s poems are taken from The Poems of Andrew Marvell ed. by Nigel Smith (New York: Longman, 2003) and are cited parenthetically. 3 Diane Kelsey McColley, Poetry and Ecology in the Age of Milton and Marvell (Aldershot: Ashgate, 2007); Robert Watson, Back to Nature: The Green and the Real in the Late Renaissance (Pittsburgh: University of Pennsylvania, 2007); Andrew McRae, ‘The green Marvell’ in The Cambridge Companion to Andrew Marvell, ed. -
The Boomerang Theology of Andrew Marvell
The Boomerang Theology NIGEL SMITH of Andrew Marvell Résumé : La poésie lyrique d’Andrew Marvell a suscité quelques discussions bien connues de la poétique protestante, puritaine et contre-réformatrice. Tou- tefois la religion joue un autre rôle, presqu’entièrement inexploré, dans sa poésie. On a remarqué jusqu’à quel point ses œuvres en prose des années 1670, dans lesquelles il exprime ses opinions sur la tolérancereligieuse, la liberté civile et l’absolutisme, incorporent des vers et des expressions remaniés de sa poésie, parmi d’autres références poétiques. Cet article considère la poésie de Marvell, autant en soi qu’en son remaniement, comme le chantier où a été forgée la largeur d’esprit manifestée dans sa prose. hirty years ago, the last time a large body of Marvell editions were Tpublished, the poet and politician’s public life and professed belief presented a number of seemingly unsolvable difficulties that were at least helpful in explaining the ambiguities and ironies for which his most famous poems were celebrated.1 A Parliamentarian and Puritan; a friend of Milton, but someone who apparently expressed sympathy for King Charles I, and so, perhaps, a covert royalist. A friend of the nonconformists, during the Restoration, and a stout defender of liberty of conscience, but despite his attack on the bishops, someone who was prepared to defend them in certain circumstances. A vehement spokesman against popery, and its concomitant, arbitrary government, but someone prepared occasionally to defend Catho- lics. We have come a long -
Yearsley Moor Archaeological Project 2009–2013 Over 4000 Years of History
Yearsley Moor Archaeological Project 2009–2013 Over 4000 years of history 1 Contents List of Figures ................................................................................................................. 3 List of Tables .................................................................................................................. 4 Acknowledgements ......................................................................................................... 5 1. Preamble .................................................................................................................... 6 2. Introduction ................................................................................................................. 7 The wider climatic context ........................................................................................... 7 The wider human context ............................................................................................ 7 Previously recorded Historic Monuments for Yearsley Moor ....................................... 9 3. Individual Projects ..................................................................................................... 10 3a. Report of the results of the documentary research.............................................. 11 3b The barrows survey .............................................................................................. 28 3c Gilling deer park: the park pale survey ................................................................. 31 3d The Yearsley–Gilling -
"This Court Doth Keep All England in Quiet": Star Chamber and Public Expression in Prerevolutionary England, 1625–1641 Nathaniel A
Clemson University TigerPrints All Theses Theses 8-2018 "This Court Doth Keep All England in Quiet": Star Chamber and Public Expression in Prerevolutionary England, 1625–1641 Nathaniel A. Earle Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Earle, Nathaniel A., ""This Court Doth Keep All England in Quiet": Star Chamber and Public Expression in Prerevolutionary England, 1625–1641" (2018). All Theses. 2950. https://tigerprints.clemson.edu/all_theses/2950 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. "THIS COURT DOTH KEEP ALL ENGLAND IN QUIET" STAR CHAMBER AND PUBLIC EXPRESSION IN PREREVOLUTIONARY ENGLAND 1625–1641 A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts History by Nathaniel A. Earle August 2018 Accepted by: Dr. Caroline Dunn, Committee Chair Dr. Alan Grubb Dr. Lee Morrissey ABSTRACT The abrupt legislative destruction of the Court of Star Chamber in the summer of 1641 is generally understood as a reaction against the perceived abuses of prerogative government during the decade of Charles I’s personal rule. The conception of the court as an ‘extra-legal’ tribunal (or as a legitimate court that had exceeded its jurisdictional mandate) emerges from the constitutional debate about the limits of executive authority that played out over in Parliament, in the press, in the pulpit, in the courts, and on the battlefields of seventeenth-century England. -
Pedigrees of the County Families of Yorkshire
94i2 . 7401 F81p v.3 1267473 GENEALOGY COLLECTION 3 1833 00727 0389 Digitized by the Internet Archive in 2010 with funding from Allen County Public Library Genealogy Center http://www.archive.org/details/pedigreesofcount03fost PEDIGREES YORKSHIRE FAMILIES. PEDIGREES THE COUNTY FAMILIES YORKSHIRE COMPILED BY JOSEPH FOSTER AND AUTHENTICATED BY THE MEMBERS, OF EACH FAMILY VOL. fL—NORTH AND EAST RIDING LONDON: PRINTED AND PUBLISHED FOR THE COMPILER BY W. WILFRED HEAD, PLOUGH COURT, FETTER LANE, E.G. LIST OF PEDIGREES.—VOL. II. t all type refer to fa Hies introduced into the Pedigrees, i e Pedigree in which the for will be found on refer • to the Boynton Pedigr ALLAN, of Blackwell Hall, and Barton. CHAPMAN, of Whitby Strand. A ppleyard — Boynton Charlton— Belasyse. Atkinson— Tuke, of Thorner. CHAYTOR, of Croft Hall. De Audley—Cayley. CHOLMELEY, of Brandsby Hall, Cholmley, of Boynton. Barker— Mason. Whitby, and Howsham. Barnard—Gee. Cholmley—Strickland-Constable, of Flamborough. Bayley—Sotheron Cholmondeley— Cholmley. Beauchamp— Cayley. CLAPHAM, of Clapham, Beamsley, &c. Eeaumont—Scott. De Clare—Cayley. BECK.WITH, of Clint, Aikton, Stillingfleet, Poppleton, Clifford, see Constable, of Constable-Burton. Aldborough, Thurcroft, &c. Coldwell— Pease, of Hutton. BELASYSE, of Belasvse, Henknowle, Newborough, Worlaby. Colvile, see Mauleverer. and Long Marton. Consett— Preston, of Askham. Bellasis, of Long Marton, see Belasyse. CLIFFORD-CONSTABLE, of Constable-Burton, &c. Le Belward—Cholmeley. CONSTABLE, of Catfoss. Beresford —Peirse, of Bedale, &c. CONSTABLE, of Flamborough, &c. BEST, of Elmswell, and Middleton Quernhow. Constable—Cholmley, Strickland. Best—Norcliffe, Coore, of Scruton, see Gale. Beste— Best. Copsie—Favell, Scott. BETHELL, of Rise. Cromwell—Worsley. Bingham—Belasyse. -
The Literary Underground in the 1660S: Andrew Marvell, George Wither, Ralph Wallis, and the World of Restoration Satire and Pamphleteering
Andrew Marvell Newsletter | Vol. 5, No. 1 | Summer 13 BOOK REVIEW STEPHEN BARDLE. The Literary Underground in the 1660s: Andrew Marvell, George Wither, Ralph Wallis, and the World of Restoration Satire and Pamphleteering. Pp. 208. OxforD: OxforD University Press, 2012. HarDback, $110 (£60). Stephen BarDle’s compact book on the Restoration’s “literary underground” follows in the footsteps of RicharD Greaves, Neil Keeble, David Norbrook, Sharon Achinstein, Harold Love, Martin Dzelzainis, Nigel Smith, anD Nicholas von Maltzahn, among others. While Demonstrating the enDuring value of Jurgen Habermas’s concept of the public sphere for literary anD cultural analysis, it heeds the call of Habermas’s critics for recognizing the crucial role playeD by religion in the Restoration’s intermittently expanDing public sphere. Although the government trieD to use censorship to make the public sphere contract, the literary unDergrounD, consisting of writers like Wither, Wallis, anD eventually Marvell, as well as networks of “entrepreneurial,” “risk-frienDly” printers and publishers, was collectively “a thorn in the government’s siDe” anD helped expanD the public sphere, especially at times when Parliament was in session. It expanDeD enough to incluDe micro-public spheres in towns like Wallis’s Gloucester as well as in the prisons where he, Wither, Bunyan, anD many other Dissenters were confineD for extenDeD perioDs. Collectively, Bardle’s three authors contributeD to the survival of the public sphere by writing both for it anD in a sense about it. After emphasizing the comparative fragility of the RestoreD regime, which faileD to stamp out the revolutionary iDeas of the 1640s anD 50s, only senDing them unDergrounD, BarDle’s IntroDuction uses Steve Pincus anD Peter Lake’s religion-frienDly account of the public sphere to mount an argument that Wither, Wallis, anD Marvell interveneD in the public sphere in the 1660s via manuscript anD print in orDer to aDvocate religious toleration. -
Chapter 7 – the Problems of the Church (C. 1580 • 1640)
Chapter 7 – The Problems of the Church (c. 1580 • 1640) 1. Elizabethan times The first vicar to be appointed after the 1565 visitation had purged Oxford of all its Roman Catholic fellows and turned Christ Church into the most puritan college in the entire university was Alexander Horrocks.1 One side effect of the Elizabethan reforms was that they created a chronic temporary shortage of ministers who could preach, so all the colleges at both Oxford and Cambridge found it necessary to look outside their walls for incumbents. Horrocks was therefore a typical product of the time. He was a puritan but not apparently a University graduate. Horrocks soon realised that he would have to tread carefully. In the year of his arrival it was noted that someone unnamed had kept ‘monuments of superstition’, so that they would not fall victim to the iconoclasts2 and there is a tradition that the stone altar table in the North chapel is the one that graced the high altar in pre-Reformation times. The chapel also contained other elements that hinted at a residual Catholicism. As late as 1621 Roger Dodsworth noted two memorial windows there. In the east window were the figures of a man and woman kneeling. Behind the father were ten sons and behind the mother four daughters with the inscription ‘pray for William Scarbrough, armiger, and Alice, his wife and their children who have had this window made.’ John Scarbrough had been Dame Margaret Blaid’s chaplain and the family was influential in both Glusburn and Cowling. On the north side of the chapel was a window containing another family group with an inscription asking the viewer to pray for Peter Scott, (who held two thirds of the manor of Kildwick in the 1530s,) his parents, his wife and their sons and daughters. -
Sacred Space in Laudian England Graham Parry the Concept of Sacred Space Was Elaborated and Refined to an Unusual Degree In
SACRED SPACE IN LAUDIAN ENGLAND Graham Parry The concept of sacred space was elaborated and refined to an unusual degree in the decades before the Civil War, in the time of the Laudian ascendancy in the Church. With the rise of the High Church move- ment, associated in its early stages with bishops Lancelot Andrewes, Richard Neile and William Laud (who became Archbishop of Canter- bury in 1633), a pervasive change occurred in attitudes towards the places of worship throughout the country. In Elizabethan times, the parish church was regarded, broadly speaking, as a utilitarian place. It was where the people came together to worship God, where preaching and prayer took place regularly, where baptisms were performed, and where, several times a year, the sacrament of Holy Communion was administered. It was fitting that the church should be maintained in decent order, that is should be ‘well adorned, comely and clean kept’, as the ‘Homily for repairing and keeping clean, and comely adorning of Churches’ urged on the parishioners. But this same homily, first published in 1563, and reprinted throughout Elizabeth’s reign, gives several glimpses of the actual state of affairs prevailing in many places, where neglect and disarray were more common than decent order. ‘It is a sin and shame to see so many churches so ruinous, and so foully decayed, almost in every corner’. This widespread neglect was what caused this homily to be issued, to counteract the broad indifference to the condition of the fabric and the role of the church as the house of worship. -
1 1 CURRICULUM VITAE Nigel Smith Date of Birth
1 CURRICULUM VITAE Nigel Smith Date of Birth: 29 November, 1958 Address: Department of English, McCosh 22, Princeton University, NJ, 08544-1016, USA. Telephone: 609-258-4064 Fax: 609-258-1607 e-mail: [email protected] A. Degrees D.Phil. (Oxford) Nov. 1985 M.A. (English), McGill University, Nov. 1981 B.A. (Joint Hons., English and History), Class 1, University of Hull, July 1980 B. Employment William and Annie S. Paton Foundation Professor of Ancient and Modern Literature, Princeton University, 2011-. Professor of English, Princeton University, 1999-. Reader in English Literature, University of Oxford, 1996-99. University Lecturer in English Literature, University of Oxford, 1991-6. Fellow and Tutor in English Literature, Keble College, Oxford, 1986-99. Lecturer in English Literature, The Queen's College, Oxford, 1986- 96. Junior Research Fellow, Merton College, Oxford, 1984-86. Part-Time Teaching Assistant in English Literature, Royal Holloway and Bedford New College, University of London, 1983-84. C. Administrative Experience 1) Administration i) Chair of Committee for Renaissance Studies, 2004-7; Acting Director, Center for the History of Books and Media (2004-5), Co-Director (2008-); Acting Chair, Department of English, Princeton University, 2001-2; Associate Chair, Department of English, 2000-1, 2002-3; Graduate Job Advisory Officer, 2011-12. Member of Financial Priorities Committee, 2002-3, 2011-12. Ex officio member of junior and 1 2 senior search committess, 2000-3 (10 separate searches). Member of Tanner Lectures committee (2004-present). Organizing, with Prof. S. Poor, Dept. of German, Conference on ‘Mysticism, Reform, and the Formation of Modernity’ February 21- 23, 2008, funded by CSR from April 2006. -
The Copmanthorpe Story -So Here It Is
The Copmanthorpe Story INDEX 1 General information 2 The Danes 3 Changes in name 4 - 12 Lords of the Manor 13 - 14 John Wood 15 - 16 Extract from Court Rolls 17 - 19 Knights Templars 20 - Old land measures 21 - 26 St Giles 27 Gibbet 27 - 28 Methodist Chapel 29 - 32 The Old School 32 - 34 Copmanthorpe Station 34 - 36 The Youth Club 36 - 37 The Recreation Centre 37 - 38 The Womens Institute 38 The Parish Council 39 - 40 The Conservation Area 40 - 49 Houses and People 49 Trades and Population 50 Census Returns 51 - 52 Poorhouses 52 - 53 Population 53 - 54 Roads 54 - 57 Drome Road - 57 Squadron RFC 57 - 59 Change 59 - 60 Library 60 Yorkshire Pudding The Coat of Arms on the cover of this book is reproduced from the original bookplate used by John Wood, Lord of the Manor of Copmanthorpe from 1709 to 1757. The bookplate was donated by Mr. Anthony Boynton Wood, the present Lord of the Manor of Copmanthorpe who has very kindly given his permission to use the bookplate in this manner. First printed 1983 Second Extended-version 1995 I originally wrote this little book for the benefit of the Copmanthorpe Village Trust, sadly now defunct. There have been many requests since then for the Copmanthorpe Story -so here it is. More information has been found so this book is now in an extended form. I am particularly grateful to Mr. Anthony Boynton Wood, Lord of the Manor of Copmanthorpe for his original research which has provided such invaluable information about his family and the Lords of the Manor of Copmanthorpe much of which was hitherto unknown. -
Andrew Marvell Newsletter | Vol
Andrew Marvell Newsletter | Vol. 6, No. 2 | Winter 2014 THE INSTABILITY OF MARVELL’S BERMUDAS BY TIMOTHY RAYLOR I How should we take Bermudas?1 Is it a straightforward propaganda poem, commemorating the commencement of the godly governorship of the newly appointed Somers Island commissioner and erstwhile colonist, John Oxenbridge? Or is the poem shot through with doubts and questions—with ironies that call into question the actions and purity of motive of its singing rowers? Both positions have been urged: the former especially in the nineteenth century, when Marvell came first to critical notice; the latter more commonly in the twentieth. The eighth edition of the Encyclopaedia Britannica (1853-60), for example, cited the poem approvingly as “one of the finest strains of the Puritan muse.”2 But in the twentieth century challenges to the propagandistic reading came from two directions. One was the New Criticism, with its tendency to read any narrative frame, any instance of playful wit, as debilitating irony—an approach to which the poem lends ample ammunition. The second direction was historical. As the early history of the Bermuda colony came to be better understood, the gap between that history—natural, economic, and religious—and Marvell’s poetic recreation of it came to appear so pointed as to be explainable only in terms of an ironic counter-narrative.3 From the natural and economic historical points of view, high hopes of vast resources were soon dashed. From the point of view of religion, the colony was not predominantly or even notably Puritan, and although we find a small tradition of Puritan ministers, including Oxenbridge himself, making their way there during the century, the Bermudas were settled in the first instance largely by economic migrants.