1 1 CURRICULUM VITAE Nigel Smith Date of Birth
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1 Manifesting the Soul in Andrew Marvell's 'On a Drop of Dew'
Manifesting the Soul in Andrew Marvell’s ‘On a Drop of Dew’ Ben Faber Redeemer University College [email protected] 1. Paradoxical Marvell ‘The ideal simplicity, approached by resolving contradictions’ is the epigraph to the chapter on Andrew Marvell’s ‘The Garden’ in William Empson’s Some Versions of Pastoral.1 With Marvell, however, the phrase ‘ideal simplicity’ itself requires resolving: Marvell is anything but simple, and his versions of pastoral consistently complicate the relationship between the ideal and the real. The material world in ‘The Garden’, for instance, may be annihilated in an ideal ‘green thought in a green shade’ (48) but even that happy, pure, and sweet place in the mind is ‘beyond a mortal’s share’ (57, 61).2 A painfully English experience of the fall—the ‘luckless apple’ of the Civil Wars—turns the Edenic environment of Nun Appleton into militias, forts, and garrisons, with Switzers, artillery, engines, and pillaging (‘Upon Appleton House’, 327). Ecocritical studies by Diane Kelsey McColley, Robert Watson, Andrew McRae, and Takashi Yoshinaka all echo the critical consensus of Marvell as a poet of ambivalence, of contradictions that remain largely unresolvable.3 1 William Empson, Some Versions of Pastoral (London: Chatto and Windus, 1968), p. 117. 2 All references to Marvell’s poems are taken from The Poems of Andrew Marvell ed. by Nigel Smith (New York: Longman, 2003) and are cited parenthetically. 3 Diane Kelsey McColley, Poetry and Ecology in the Age of Milton and Marvell (Aldershot: Ashgate, 2007); Robert Watson, Back to Nature: The Green and the Real in the Late Renaissance (Pittsburgh: University of Pennsylvania, 2007); Andrew McRae, ‘The green Marvell’ in The Cambridge Companion to Andrew Marvell, ed. -
The Boomerang Theology of Andrew Marvell
The Boomerang Theology NIGEL SMITH of Andrew Marvell Résumé : La poésie lyrique d’Andrew Marvell a suscité quelques discussions bien connues de la poétique protestante, puritaine et contre-réformatrice. Tou- tefois la religion joue un autre rôle, presqu’entièrement inexploré, dans sa poésie. On a remarqué jusqu’à quel point ses œuvres en prose des années 1670, dans lesquelles il exprime ses opinions sur la tolérancereligieuse, la liberté civile et l’absolutisme, incorporent des vers et des expressions remaniés de sa poésie, parmi d’autres références poétiques. Cet article considère la poésie de Marvell, autant en soi qu’en son remaniement, comme le chantier où a été forgée la largeur d’esprit manifestée dans sa prose. hirty years ago, the last time a large body of Marvell editions were Tpublished, the poet and politician’s public life and professed belief presented a number of seemingly unsolvable difficulties that were at least helpful in explaining the ambiguities and ironies for which his most famous poems were celebrated.1 A Parliamentarian and Puritan; a friend of Milton, but someone who apparently expressed sympathy for King Charles I, and so, perhaps, a covert royalist. A friend of the nonconformists, during the Restoration, and a stout defender of liberty of conscience, but despite his attack on the bishops, someone who was prepared to defend them in certain circumstances. A vehement spokesman against popery, and its concomitant, arbitrary government, but someone prepared occasionally to defend Catho- lics. We have come a long -
London and Middlesex in the 1660S Introduction: the Early Modern
London and Middlesex in the 1660s Introduction: The early modern metropolis first comes into sharp visual focus in the middle of the seventeenth century, for a number of reasons. Most obviously this is the period when Wenceslas Hollar was depicting the capital and its inhabitants, with views of Covent Garden, the Royal Exchange, London women, his great panoramic view from Milbank to Greenwich, and his vignettes of palaces and country-houses in the environs. His oblique birds-eye map- view of Drury Lane and Covent Garden around 1660 offers an extraordinary level of detail of the streetscape and architectural texture of the area, from great mansions to modest cottages, while the map of the burnt city he issued shortly after the Fire of 1666 preserves a record of the medieval street-plan, dotted with churches and public buildings, as well as giving a glimpse of the unburned areas.1 Although the Fire destroyed most of the historic core of London, the need to rebuild the burnt city generated numerous surveys, plans, and written accounts of individual properties, and stimulated the production of a new and large-scale map of the city in 1676.2 Late-seventeenth-century maps of London included more of the spreading suburbs, east and west, while outer Middlesex was covered in rather less detail by county maps such as that of 1667, published by Richard Blome [Fig. 5]. In addition to the visual representations of mid-seventeenth-century London, a wider range of documentary sources for the city and its people becomes available to the historian. -
Re-Awakening Languages: Theory and Practice in the Revitalisation Of
RE-AWAKENING LANGUAGES Theory and practice in the revitalisation of Australia’s Indigenous languages Edited by John Hobson, Kevin Lowe, Susan Poetsch and Michael Walsh Copyright Published 2010 by Sydney University Press SYDNEY UNIVERSITY PRESS University of Sydney Library sydney.edu.au/sup © John Hobson, Kevin Lowe, Susan Poetsch & Michael Walsh 2010 © Individual contributors 2010 © Sydney University Press 2010 Reproduction and Communication for other purposes Except as permitted under the Act, no part of this edition may be reproduced, stored in a retrieval system, or communicated in any form or by any means without prior written permission. All requests for reproduction or communication should be made to Sydney University Press at the address below: Sydney University Press Fisher Library F03 University of Sydney NSW 2006 AUSTRALIA Email: [email protected] Readers are advised that protocols can exist in Indigenous Australian communities against speaking names and displaying images of the deceased. Please check with local Indigenous Elders before using this publication in their communities. National Library of Australia Cataloguing-in-Publication entry Title: Re-awakening languages: theory and practice in the revitalisation of Australia’s Indigenous languages / edited by John Hobson … [et al.] ISBN: 9781920899554 (pbk.) Notes: Includes bibliographical references and index. Subjects: Aboriginal Australians--Languages--Revival. Australian languages--Social aspects. Language obsolescence--Australia. Language revival--Australia. iv Copyright Language planning--Australia. Other Authors/Contributors: Hobson, John Robert, 1958- Lowe, Kevin Connolly, 1952- Poetsch, Susan Patricia, 1966- Walsh, Michael James, 1948- Dewey Number: 499.15 Cover image: ‘Wiradjuri Water Symbols 1’, drawing by Lynette Riley. Water symbols represent a foundation requirement for all to be sustainable in their environment. -
Female Wits” Controversy: Gender, Genre, and Printed Plays, 1670–16991
Plotting the “Female Wits” Controversy: Gender, Genre, and Printed Plays, 1670–16991 Mattie Burkert Utah State University [email protected] At the end of the 1694–95 theatrical season, a group of actors defected from the United Company, housed at the Theatre Royal in Drury Lane, to begin their own cooperative. The split of London’s theatrical monopoly into two rival playhouses—Christopher Rich’s “Patent Company” at Drury Lane and Thomas Betterton’s “Actors’ Company” at Lincoln’s Inn Fields—generated demand for new plays that might help either house gain the advantage. This situation cre- ated opportunities for novice writers, including an unprecedented number of women. Paula Backscheider has calculated that more than one-third of the new plays in the 1695–96 season were written by, or adapted from work by, women, including Delarivier Manley, Catherine Trotter, and Mary Pix (1993, 71). This group quickly became the target of a satirical backstage drama, The Female Wits: or, the Triumvirate of Poets at Rehearsal, modeled after George Vil- liers’s 1671 sendup of John Dryden, The Rehearsal. The satire, which was likely performed at Drury Lane in fall 1696, was partially the Patent Company’s re- venge on Manley for withdrawing her play The Royal Mischief during rehearsals the previous spring and taking it to Betterton. However, The Female Wits was also a broader attack on the pretensions of women writers, whom it portrayed as frivolous, self-important upstarts reviving the overblown heroic tragedy of the 1660s and 1670s with an additional layer of feminine sentimentality.2 1 This research was made possible by a grant from the Andrew W. -
Peer Review • Publishing Ethics • Authors Resources • Q&A the PUBLISHING LANDSCAPE Academic Publishing Landscape
Topics • Academic publishing landscape • About Cambridge University Press • Selecting your journal • Submitting to international journals • Peer review • Publishing ethics • Authors resources • Q&A THE PUBLISHING LANDSCAPE Academic Publishing Landscape • Over 33,000 journals (excluding 9,400 non-English journals) • More than 3 million articles published each year • More than 200,000 new books each year • STM: $25 billion, HSS: $2.4 billion (annually) • Many publishers (some small, some large) Source: Rob Johnson, Anthony Watkinson, Michael Mabe. 2018. The STM Report: An overview of scientific and scholarly publishing. Oxford: International Association of STM Publishers. Your Challenge! Ecosystem • scholars • funders • libraries • publishers • learned societies and professional associations All working together towards expanding access to the fruits of research Rapidly Changing Landscape • Journals business has been digital for over 20 years • Digital is more and more important for books • Open Access journals and experimentation with OA books • Scholarly Collaboration Networks (Research Gate, Academia.edu, SSRN) • Impact and other metrics (e.g. altmetrics) • Lots of “free” content ! (Both legal and not so legal!) Cambridge University Press • An integral part of the University of Cambridge • World’s oldest publisher, founded in 1534 • Our first book was published in 1584 • Now looking forward to future with big investment in digital publishing Our Mission and Character • Not-for-profit All surplus reinvested in our publishing infrastructure, services and the University – distinguishing us from commercial presses • Global We work with the best scholars and the best universities around the world – employing our offices on 6 continents • Quality Our commitment to research of the highest quality is fundamental to our being – unlike our commercial counterparts. -
Arnold Bennett, Marie Corelli and the Interior Lives of Single Middle-Class Women, England, 1880-1914
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 11-2003 A Novel Approach to History: Arnold Bennett, Marie Corelli and the Interior Lives of Single Middle-Class Women, England, 1880-1914 Sharon Crozier-De Rosa University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Crozier-De Rosa, Sharon, "A Novel Approach to History: Arnold Bennett, Marie Corelli and the Interior Lives of Single Middle-Class Women, England, 1880-1914" (2003). Faculty of Law, Humanities and the Arts - Papers. 1593. https://ro.uow.edu.au/lhapapers/1593 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A Novel Approach to History: Arnold Bennett, Marie Corelli and the Interior Lives of Single Middle-Class Women, England, 1880-1914 Abstract There are many ‘gaps’ or ‘silences’1 in women’s history – especially in relation to their interior lives. Historians seeking to penetrate the thoughts and emotions of ‘ordinary’ single middle-class women living during the Late Victorian and Edwardian years have a challenging task. These women rarely left personal documents for historians to analyse. Novels, particularly popular or bestselling novels, represent one pathway into this realm. Popular novels are numbered among the few written sources that are available to help historians to fill in some of the absences in the conventional historical record. -
(King Philip's War), 1675-1676 Dissertation Presented in Partial
Connecticut Unscathed: Victory in The Great Narragansett War (King Philip’s War), 1675-1676 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Major Jason W. Warren, M.A. Graduate Program in History The Ohio State University 2011 Dissertation Committee: John F. Guilmartin Jr., Advisor Alan Gallay, Kristen Gremillion Peter Mansoor, Geoffrey Parker Copyright by Jason W. Warren 2011 Abstract King Philip’s War (1675-1676) was one of the bloodiest per capita in American history. Although hostile native groups damaged much of New England, Connecticut emerged unscathed from the conflict. Connecticut’s role has been obscured by historians’ focus on the disasters in the other colonies as well as a misplaced emphasis on “King Philip,” a chief sachem of the Wampanoag groups. Although Philip formed the initial hostile coalition and served as an important leader, he was later overshadowed by other sachems of stronger native groups such as the Narragansetts. Viewing the conflict through the lens of a ‘Great Narragansett War’ brings Connecticut’s role more clearly into focus, and indeed enables a more accurate narrative for the conflict. Connecticut achieved success where other colonies failed by establishing a policy of moderation towards the native groups living within its borders. This relationship set the stage for successful military operations. Local native groups, whether allied or neutral did not assist hostile Indians, denying them the critical intelligence necessary to coordinate attacks on Connecticut towns. The English colonists convinced allied Mohegan, Pequot, and Western Niantic warriors to support their military operations, giving Connecticut forces a decisive advantage in the field. -
Nicolas, Raretes Des Indes, 1670
* Louis Nicolas, . S.J. Les Raretés des Indes (Unique Features of the [West] Indies) ca. 1670 A selection of the 180 drawings of the inhabitants, flora, and fauna of New France (eastern Canada) created by Fr. Louis Nicolas, S.J., published as Codex canadiensis (Paris, 1930). Original drawings in the collections of the Gilcrease Museum, Tulsa, Oklahoma. Reproduced by permission of the Gilcrease Museum. * National Humanities Center, 2006: www.nhc.rtp.nc.us/pds/tblibrary.htm. Pages cropped as noted to maximize image size. Translation from the French by Dr. Sahar Amer, University of North Carolina at Chapel Hill; National Humanities Center Fellow, 2005-06. View all Nicolas drawings at Library and Archives Canada at www.collectionscanada.ca/codex/index-e.html. Louis Nicolas, Les Raretés des Indes (Unique Features of the [West] Indies), New France (eastern Canada), 1670s, p. 10 [blank portion at page bottom cropped] Sauuage de La Nation des onneiothehaga Indian of the Oneida Nation Il fume de tabac a Lh’onneur du soleil He smokes tobacco in honor of the sun qu’il adore comme son genie particulier whom he worships as his personal deity National Humanities Center. Reproduced by permission of the Gilcrease Museum, Tulsa, Oklahoma. 2 Louis Nicolas, Les Raretés des Indes (Unique Features of the [West] Indies), New France (eastern Canada), 1670s, p. 11 [blank portions at page top and bottom cropped] Cet Icy un depute du bourg de gannachiou avé (?) This is a deputy/representative of the village of pour Aller inviter au Jeu les Messieurs de ganda- Gannachiou to go and invite the men of Ganda- ouagoahga. -
The Literary Underground in the 1660S: Andrew Marvell, George Wither, Ralph Wallis, and the World of Restoration Satire and Pamphleteering
Andrew Marvell Newsletter | Vol. 5, No. 1 | Summer 13 BOOK REVIEW STEPHEN BARDLE. The Literary Underground in the 1660s: Andrew Marvell, George Wither, Ralph Wallis, and the World of Restoration Satire and Pamphleteering. Pp. 208. OxforD: OxforD University Press, 2012. HarDback, $110 (£60). Stephen BarDle’s compact book on the Restoration’s “literary underground” follows in the footsteps of RicharD Greaves, Neil Keeble, David Norbrook, Sharon Achinstein, Harold Love, Martin Dzelzainis, Nigel Smith, anD Nicholas von Maltzahn, among others. While Demonstrating the enDuring value of Jurgen Habermas’s concept of the public sphere for literary anD cultural analysis, it heeds the call of Habermas’s critics for recognizing the crucial role playeD by religion in the Restoration’s intermittently expanDing public sphere. Although the government trieD to use censorship to make the public sphere contract, the literary unDergrounD, consisting of writers like Wither, Wallis, anD eventually Marvell, as well as networks of “entrepreneurial,” “risk-frienDly” printers and publishers, was collectively “a thorn in the government’s siDe” anD helped expanD the public sphere, especially at times when Parliament was in session. It expanDeD enough to incluDe micro-public spheres in towns like Wallis’s Gloucester as well as in the prisons where he, Wither, Bunyan, anD many other Dissenters were confineD for extenDeD perioDs. Collectively, Bardle’s three authors contributeD to the survival of the public sphere by writing both for it anD in a sense about it. After emphasizing the comparative fragility of the RestoreD regime, which faileD to stamp out the revolutionary iDeas of the 1640s anD 50s, only senDing them unDergrounD, BarDle’s IntroDuction uses Steve Pincus anD Peter Lake’s religion-frienDly account of the public sphere to mount an argument that Wither, Wallis, anD Marvell interveneD in the public sphere in the 1660s via manuscript anD print in orDer to aDvocate religious toleration. -
Oxford University Press
AUSTRALIAN GOVERNMENT PRODUCTIVITY COMMISSION DRAFT REPORT ON INTELLECTUAL PROPERTY ARRANGEMENTS RESPONSE BY OXFORD UNIVERSITY PRESS 1. Oxford University Press (“OUP”) is a department of the University of Oxford. It furthers the University's objective of excellence in research scholarship and education by publishing worldwide. OUP supports the wide dissemination of excellent academic and educational materials in the belief that it will enable knowledge to build on knowledge. 2. We are responding to the recommendations set out in the Productivity Commission’s draft report on Intellectual Property Arrangements (“Report”). Specifically, the Commission has recommended that (i) a broad fair use exception be adopted by Australia; (ii) the term of copyright be reduced to between 15–25 years; (iii) an open access policy for publicly-funded research be introduced, setting a 12-month embargo period; and (iv) parallel import restrictions for books be repealed. We object to these recommendations in the strongest terms, on the basis that they will be bad for Australian authors, bad for Australian students, bad for Australian researchers, and bad for the thousands of Australians who rely on the publishing industry for employment. The community as a whole will not be better off. 3. As an academic and educational publisher, we fully endorse the Australian Publishers Association’s response to these recommendations. In addition, we shall respond to each of those four recommendations in turn; not just on behalf of Oxford University Press Australia, but also on behalf of OUP as a whole, which publishes a wide range of academic books and journals relied on by Australian researchers. -
CHAPTER 3 the Context of University Publishing in Five African Countries
Chapter 3 CHAPTER 3 The context of university publishing in five African countries 3.1 Introduction This chapter presents the university press history of five sub-Saharan Africa countries—Ghana, Kenya, Nigeria, South Africa and Zimbabwe. A focus on scholarly publishing locates university publishing in its proper cultural and economic environment and provides the framework, context and background for the rest of the study. The economic climate in each country is given in order to provide meaning to the level of their publishing activities and explain the problems facing them. This is for the simple reason that the slow development of Africa’s publishing industry has been largely attributed to the continent’s stunted economy. Makotsi (2000:17) observed that ‘where the economy of particular countries has improved, publishing has often been strengthened alongside other sectors.’ Citing the case of Zambia in 1987, Williams (1993:78) echoed this point by noting that: The Zambian economy has, unfortunately continued in its decline. The National Book Development Council has never become functional and the state of publishing in the country—a decade or so later—is undoubtedly now at a much lower ebb than it was in 1977. The depressed state of the national economy is a major factor contributing to the dismal state of publishing in Zambia in the mid eighties. The economics of publishing involves much more than the cost of producing a book in a particular country. Rates of literacy, reading habits of the population, government policy toward the book industry, copyright regulations, the nature of libraries, and the size of the book market are all part of the economic equation.