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Baltimore Washington Chapter Presents 2013 Liszt-Garrison founded in 1964 Volume 29, number 1 An officiAl publicAtion of the AmericAn liszt society, inc. Baltimore Washington Chapter Table of contents Presents 2013 Liszt-Garrison Festival and International Piano Competition 1 Liszt-Garrison festival and by Nancy Roldán International piano competition the baltimore Washington chapter of the American liszt society will present the 2 President's message 2013 liszt-Garrison festival and international piano competition october 23 - 26. the festival/competition will be hosted by notre Dame of maryland university and the embassy of hungary. 3 Letter from the editor Entitled "Visionary," this year's event takes a look at franz liszt: his life, works, Remembering Van cliburn humanity, and vision of the future. this year’s festival/competition continues emulating liszt and his creativity and respect for fellow contemporaries by continuing 4 Member news the performance of American music and other recent compositions, both in the competition and festival programming. The opening recital on thursday, october 24, is called "franz liszt: Visionary," 6 Chapter news and addresses his work as composer, conductor, and festival director, as well as his ideas and innovations, all of which altered the course of music. liszt was truly a visionary in 7 Frank cooper retires from that he anticipated what he called “music of the future,” among other things predicting the um frost school of music that atonality was unavoidable. A round table on friday, october 25, addresses "the Art of collaboration," with the participation of some of the festival/competition's Performing from memory: One member's response distinguished judges, guest artists, and the audience, under the coordination of Ernest Ragogini. "evocation," the closing Gala event at the hungarian embassy, will take a In memoriam: paul pollei look at franz liszt’s life approximately 150 years ago and be dedicated entirely to his solo and duo works and will feature pianist Luiz de Moura Castro. 8. 2014 Als festival The opening and closing programs will feature distinguished 2011 competition winners pianist casey rafn (young Artist first prize) and the cello-piano duo of Thank you for the Lachezar Kostov and Viktor Valkov, recipients of the franz liszt Award and the Als festival 2013 collaborative Artists first prize. the board of directors joins me in expressing gratitude for the extraordinary dedication of the judges à la “génie oblige” and the 9 Directory updates special collaboration of two distinguished artists: violinist José Miguel Cuéto and pianist Luiz de Moura Castro, performing in the opening and gala recitals respectively. the gala includes a premiere of liszt’s Evocation à la Chapelle Sixtine, 10. JAls: A call for papers transcribed for cello and piano by the Kostov/Valkov duo. plans for the Gala Dinner In the next issue in Washington, Dc, are well under way at the direction of Als president Dr. Thomas Deadline for next issue Mastroianni. Please see the schedule on our website (www.lisztgarrisoncompetition.org), plan to attend, and also visit the festival/competition website for registration and additional program details. Perpetuating the ideas of Franz Liszt through excellence in music performance and scholarship presiDent President's Message Thomas mastroianni* The catholic university of America School of music Washington, D.c. 20064 [email protected] presiDent emeritus Fernando laires Vice presiDent Jay hershberger* Concordia college music Department Moorhead, mn 56562 [email protected] fellow lisztians! executiVe secretAry Justin Kolb* i greet you with news of a recent chapter festival and with plans for an imminent 1136 hog mountain road anniversary celebration. Fleischmanns, ny 12430 [email protected] the italian chapter of the American liszt society co-presented a mini-liszt festival this membership secretARY past July as part of the Amalfi coast music and Arts festival. the events took place in Barbara mellon Kolb* 1136 hog mountain road naples, italy in the beautifully frescoed Vasari hall of st. Ann lombardi church on Fleischmanns, ny 12430 July 9. featured events were a lecture recital, “liszt and florence,” by the italian pianist, [email protected] G. nardi; a recital by six Acmf faculty and fellows; and a concluding concert by michele treAsurer campanella playing four Verdi-liszt operatic transcriptions and four Wagner-liszt Cynthia hershberger* transcriptions. it was a truly spectacular event of the 18th year of the Acmf in italy. 29282 co. rd. 157 Hitterdal, mn 56552-9433 [email protected] the next annual Als festival will celebrate the 50th anniversary of the founding of the American liszt society. the host institution, James madison university, located in Als JournAl Virginia at a reasonably manageable distance from Dulles airport, promises to be a truly Jonathan Kregor, editor Mary emery hall room 4240 spectacular venue. the festival theme, "liszt the missionary," is offered in our hope Cincinnati college-conservatory that the next half-century of Als activities will be lit up by the humanitarian, aesthetic, PO box 210003 and philosophical spirit that liszt brought to the music world. Als members can take Cincinnati oh 45221-0003 [email protected] justifiable pride in the manner in which the torch ignited by liszt has been carried through the last half-century. but our age is still in need of further illumination. liszt is not just a Als neWsletter/Website 19th-century composer: his ideas and his music are for all ages. Edward rath, editor/Webmaster 2603 copper tree road Champaign, il 61822-7518 Just yesterday, listening to a recording of Christus, i was struck by its beauty, and was made [email protected] painfully aware of how much more there is to know and to be shared regarding the spirit boArD of Directors of this great composer. i invite all of you who read this message to plan on attending our Paul barnes 50th anniversary festival next June in Virginia, and to make a commitment to light your Luiz de moura castro own torch and carry it to your own musical community. We have so much to gain by Alexandre Dossin Gila Goldstein emulating the missionary spirit of liszt. And our gain is not shallow; it is what we can do Cindy hershberger for others around us. Jay hershberger Geraldine Keeling Jonathan Kregor Barbara mellon Kolb Justin Kolb Elyse J. mach thomas mastroianni Thomas mastroianni Ksenia nosikova president, American liszt society Edward rath 1420 chilton Dr. Nancy roldán silver spring, mD 20904 Steven spooner Helen smith tarchalski [email protected] Alan Walker William Wellborn Richard zimdars *member, executive committee www.americanlisztsociety.net the American liszt society Letter from the Editor Remembering Van Cliburn Van cliburn died on february 27, 2013, at the age of 78. those of us who are old enough to remember such events as sputnik, the discovery of the anti-polio vaccine, the hungarian revolution of 1956, and the look of cars with huge fins at their ends, will also remember one of the greatest artistic events of the same era – when Van cliburn won the first international tchaikovsky piano competition in moscow in 1958. As an aspiring pianist myself at the tender age of 13, Van (he later invited me to call him by his first name) became my idol. having already had tchaikovsky’s First Piano Concerto, both the horowitz recording and the two-piano score, as a foundation of my musical curiosities for three or four years, Van’s triumph with this piece seemed to be more than a coincidence in my own life. When it was announced by ray mitchell, at the time milwaukee’s leading classical booking agent, that Van would appear in milwaukee at the 6000-seat Auditorium in late January 1959, i immediately asked my father to get me two tickets at the munificent sum of $10 each – today about $70 apiece! – and he obliged me the next day with the prized possessions in hand. In early, 1959, i had the good fortune of being chosen as one of ten outstanding pianists in milwaukee county in what was known as the "talenteens," a competition that fellow milwaukeean ralph Votapek had also won a few years earlier. it seemed as though all these events had meaning for me personally, and you can only imagine the thrill that Van’s upcoming concert must have created. indeed, the concert was sold out almost immediately, but there was such a clamor for tickets, especially among high school- aged students, that the concert organizers arranged for tickets to be made available for students to attend the dress rehearsal. my closest guy friends and i got our tickets for the rehearsal on thursday, January 29, and it was quite an event to hear the then milwaukee pops orchestra rehearse the schubert “Unfinished” Symphony and borodin’s Polovtsian Dances. the conductor was a dashing young fellow who was a relatively new person on the milwaukee musical scene, harry John brown, who eventually became the first conductor of the later milwaukee symphony orchestra, and with whom i later had a musical friendship through my service on the mso’s teen board of Directors. When it came time for Van to walk onto the stage for rehearsing the tchaikovsky, the audience of young people went wild. it was almost like a rock star had entered our the American liszt society presence – but with a much more “respectful” atmosphere. p r e s i D e n t The horn theme followed by the great crashing chords projected me into a different thomas mastroianni quantum level of life. i could only imagine myself doing the same thing some day. As the [email protected] work progressed (i don’t recall them stopping much for anything), i knew what my plan n eW s l e t t e r e Di to r for the evening should be.
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