English for Specific Purposes 1 Esercitazioni (James)
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A DIACHRONIC EXAMINATION OF THE ERECHTHEION AND ITS RECEPTION Alexandra L. Lesk, B.A., M.St. (Oxon.), M.A. Presented to McMicken College of Arts and Sciences and the Department of Classics of the University of Cincinnati in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy 2004 Committee: C. Brian Rose (Chair) Jack L. Davis Kathleen M. Lynch J. James Coulton Abstract iii ABSTRACT “A Diachronic Examination of the Erechtheion and Its Reception” examines the social life of the Ionic temple on the Athenian Akropolis, which was built in the late 5th century B.C. to house Athens’ most sacred cults and relics. Using a contextualized diachronic approach, this study examines both the changes to the Erechtheion between its construction and the middle of the 19th century A.D., as well as the impact the temple had on the architecture and art of these successive periods. This approach allows the evidence to shed light on new areas of interest such as the Post-Antique phases of the building, in addition to affording a better understanding of problems that have plagued the study of the Erechtheion during the past two centuries. This study begins with a re-examination of all the pertinent archaeological, epigraphical, and literary evidence, and proposes a wholly new reconstruction of how the Erechtheion worked physically and ritually in ancient times. After accounting for the immediate influence of the Erechtheion on subsequent buildings of the Ionic order, an argument for a Hellenistic rather than Augustan date for the major repairs to the temple is presented. -
The Parthenon Sculptures Sarah Pepin
BRIEFING PAPER Number 02075, 9 June 2017 By John Woodhouse and Sarah Pepin The Parthenon Sculptures Contents: 1. What are the Parthenon Sculptures? 2. How did the British Museum acquire them? 3. Ongoing controversy 4. Further reading www.parliament.uk/commons-library | intranet.parliament.uk/commons-library | [email protected] | @commonslibrary 2 The Parthenon Sculptures Contents Summary 3 1. What are the Parthenon Sculptures? 5 1.1 Early history 5 2. How did the British Museum acquire them? 6 3. Ongoing controversy 7 3.1 Campaign groups in the UK 9 3.2 UK Government position 10 3.3 British Museum position 11 3.4 Greek Government action 14 3.5 UNESCO mediation 14 3.6 Parliamentary interest 15 4. Further reading 20 Contributing Authors: Diana Perks Attribution: Parthenon Sculptures, British Museum by Carole Radatto. Licenced under CC BY-SA 2.0 / image cropped. 3 Commons Library Briefing, 9 June 2017 Summary This paper gives an outline of the more recent history of the Parthenon sculptures, their acquisition by the British Museum and the long-running debate about suggestions they be removed from the British Museum and returned to Athens. The Parthenon sculptures consist of marble, architecture and architectural sculpture from the Parthenon in Athens, acquired by Lord Elgin between 1799 and 1810. Often referred to as both the Elgin Marbles and the Parthenon marbles, “Parthenon sculptures” is the British Museum’s preferred term.1 Lord Elgin’s authority to obtain the sculptures was the subject of a Select Committee inquiry in 1816. It found they were legitimately acquired, and Parliament then voted the funds needed for the British Museum to acquire them later that year. -
Download Date 04/10/2021 06:40:30
Mamluk cavalry practices: Evolution and influence Item Type text; Dissertation-Reproduction (electronic) Authors Nettles, Isolde Betty Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 06:40:30 Link to Item http://hdl.handle.net/10150/289748 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this roproduction is dependent upon the quaiity of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that tfie author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal secttons with small overlaps. Photograpiis included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9" black and white photographic prints are available for any photographs or illustrattons appearing in this copy for an additk)nal charge. -
Winckelmann, Greek Masterpieces, and Architectural Sculpture
Winckelmann, Greek masterpieces, and architectural sculpture. Prolegomena to a history of classical archaeology in museums Book or Report Section Accepted Version Smith, A. C. (2017) Winckelmann, Greek masterpieces, and architectural sculpture. Prolegomena to a history of classical archaeology in museums. In: Lichtenberger, A. and Raja, R. (eds.) The Diversity of Classical Archaeology. Studies in Classical Archaeology, 1. Brepols. ISBN 9782503574936 Available at http://centaur.reading.ac.uk/70169/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503574936-1 Publisher: Brepols All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Winckelmann, Greek Masterpieces, and Architectural Sculpture Prolegomena to a History of Classical Archaeology in Museums∗ Amy C. Smith ‘Much that we might imagine as ideal was natural for them [the ancient Greeks].’1 ♣ Just as Johann Joachim Winckelmann mourned the loss of antiquity, so have subsequent generations mourned his passing at the age of fifty, in 1768, as he was planning his first journey to Greece. His deification through — not least — the placement of his profile head, as if carved out of a gemstone, on the title page of the first volume of his Geschichte der Kunst des Alterthums (‘History of Ancient Art’) in 1776 (the second edition, published posthumously) made him the poster boy for the study of classical art history and its related branches, Altertumswissenschaft or classical studies, history of art, and classical 2 archaeology. -
Cosmopolitan Trends in the Arts of Ptolemaic Alexandria Autor(Es
Cosmopolitan Trends in the Arts of Ptolemaic Alexandria Autor(es): Haggag, Mona Edições Afrontamento; CITCEM - Centro de Investigação Transdisciplinar «Cultura, Espaço e Memória»; Centro de Estudos Publicado por: Clássicos e Humanísticos; Alexandria University; Imprensa da Universidade de Coimbra URL persistente: URI:http://hdl.handle.net/10316.2/36161 DOI: DOI:http://dx.doi.org/10.14195/978-989-26-0966-9_6 Accessed : 7-Oct-2021 11:08:44 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. pombalina.uc.pt digitalis.uc.pt Alexandria endures in our imagination as the first model of cultural interaction – of cosmopolitanism, to use both classical and contemporary terminology – and as the cultural and intellectual capital of the ancient world. -
Egypt: the Royal Tour | October 24 – November 6, 2021 Optional Pre-Trip Extensions: Alexandria, October 21 – 24 Optional Post-Trip Extension: Petra, November 6 - 10
HOUSTON MUSEUM OF NATURAL SCIENCE Egypt: The Royal Tour | October 24 – November 6, 2021 Optional Pre-Trip Extensions: Alexandria, October 21 – 24 Optional Post-Trip Extension: Petra, November 6 - 10 Join the Houston Museum of Natural Science on a journey of a lifetime to tour the magical sites of ancient Egypt. Our Royal Tour includes the must-see monuments, temples and tombs necessary for a quintessential trip to Egypt, plus locations with restricted access. We will begin in Aswan near the infamous cataracts of the River Nile. After visiting Elephantine Island and the Isle of Philae, we will experience Nubian history and culture and the colossal temples of Ramses II and Queen Nefertari at Abu Simbel. Our three-night Nile cruise will stop at the intriguing sites of Kom Ombo, Edfu and Esna on the way to Luxor. We will spend a few days in Egypt 2021: The Royal Tour Luxor to enjoy the Temples of $8,880 HMNS Members Early Bird Luxor and Karnak, the Valley of $9,130 HMNS Members per person the Kings, Queens and Nobles $9,300 non-members per person and the massive Temple of $1,090 single supplement Hatshepsut. Optional Alexandria Extension In Cairo we will enjoy the $1,350 per person double occupancy historic markets and neighborhoods of the vibrant modern city. $550 single supplement Outside of Cairo we will visit the Red Pyramid and Bent Pyramid in Dahshur Optional Petra Extension and the Step Pyramid in Saqqara, the oldest stone-built complex in the $2,630 per person double occupancy world. Our hotel has spectacular views of the Giza plateau where we will $850 single supplement receive the royal treatment of special admittance to stand in front of the Registration Requirements (p. -
The Actions and Effects of Dr. Zahi Hawass
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2011 Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass Bonnie Jean Roche Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the Arts and Humanities Commons Repository Citation Roche, Bonnie Jean, "Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass" (2011). Browse all Theses and Dissertations. 1049. https://corescholar.libraries.wright.edu/etd_all/1049 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. MUSEUMS AND RESTITUTION: THE ACTIONS AND EFFECTS OF DR. ZAHI HAWASS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Humanities By BONNIE JEAN ROCHE Bachelors of Liberal Arts Bowling Green State University, 2008 2011 Wright State University WRIGHT STATE UNIVERSITY SCHOOL OF GRADUATE STUDIES June 10, 2011 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Bonnie Jean Roche ENTITLED Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Humanities. _________________________________ Donovan Miyasaki, Ph.D. Project Director _________________________________ Ava Chamberlain, Ph.D. Director, Master of Humanities Program Committee on Final Examination: __________________________________ Dawne Dewey, MA. __________________________________ Karla Huebner, Ph.D. __________________________________ Andrew Hsu, Ph.D. Dean, School of Graduate Studies ABSTRACT Roche, Bonnie Jean. -
Gerry Roche "A Memoir"
A Survivor’s Story: a memoir of a life lived in the shadow of a youthful brush with psychiatry by Gerry Roche And the end of all our exploring Will be to arrive where we started And know the place for the first time. TS Eliot: Four Quartets Contents Introduction 4 Chapter 1 : Ground Zero 7 1971: Lecturing, Depression, Drinking, John of Gods, … Chapter 2 : Zero minus one 21 1945-71: Childhood, School, University … Chapter 3 : Zero’s aftermath: destination ‘cold turkey’ 41 1971-81: MSc., Lecturing, Sculpting, Medication-free, Building Restoration, …… Chapter 4 : After ‘cold turkey’: the cake 68 1981-92: Tibet, India, Log Cabin Building, … Chapter 5 : And then the icing on the cake 105 1992-96: China, Karakoram, more Building, Ethiopia, ... Chapter 6 : And then the cognac … (and the bitter 150 lemon) 1996-2012: MPhil, Iran, Japan, PhD, more Building, Syria ... (and prostate cancer) … Chapter 7 : A Coda 201 2012-15: award of PhD … Armenia, Korea, … Postscript : Stigma: an inerasable, unexpungeable, 215 indestructible, indelible stain. Appendix: : Medical interventions on the grounds of 226 ‘best interests’ Endnotes 233 2 I wish to dedicate this memoir to my sons Philip and Peter and to their mother (and my-ex-wife) Mette, with love and thanks. I wish to give a special word of thanks to Ms. Maureen Cronin, Mr. Brian McDonnell, Mr. Charles O’Brien and Ms. Jill Breivik who assisted me in editing this memoir. 3 Introduction A cure is not overcoming anything, a cure is learning to live with what your are, and with what the past has made you, with what you've made of yourself with your own past .1 The story that I tell is of a journey, or perhaps more of an enforced wandering or a detour occasioned by what, at the time, seemed as inconsequential as the taking of a short break. -
ARCL0162 Make/Mean Gk – Handbook 2018/19 1
ARCL0162 Make/Mean Gk – handbook 2018/19 1 UCL, INSTITUTE OF ARCHAEOLOGY ARCL0162 MAKING AND MEANING IN ANCIENT GREEK ART COURSE-HANDBOOK 2018/19 15 credit optional module - MA [ARCL0163, 20 Credit version – KCL etc] Turnitin Class id: 3885651 Turnitin password: IoA1819 Module coordinator: Professor Jeremy Tanner [email protected] Office: Room 105. Tel: 0207 679 1525 Office hours: Tuesday, Wednesday 11am-12pm 1. Overview of course: This module is designed to develop in students the skills of careful looking, and detailed visual analysis, grounded in a strong awareness of the major theoretical issues, which are central to research in classical art history. It will take the form of a series of seminars addressing key themes in the historiography of classical art through detailed consideration of specific works of art in the British Museum and other London museums, where most classes will be held. Alongside traditional concerns with issues of style and iconography, a particular emphasis will be laid on questions of ‘facture’, ‘materiality’ and ‘agency’ which have been at the centre of recent discussions in archaeology, the anthropology of art and art history. Particular themes and classes may vary from year to year to reflect students’ own research interests, new publications and special exhibitions. Module schedule: Classes will be held in the British Museum, 2-4pm every Tuesday. We will meet in the Great Court at the Entrance to the Egyptian Galleries. 3/10/17: 1. Introduction to the course: some key concepts and approaches 10/10/17: 2. Geometric Greek art and the world of Homer 17/10/17: 3. -
Drawing After the Antique at the British Museum
Drawing after the Antique at the British Museum Supplementary Materials: Biographies of Students Admitted to Draw in the Townley Gallery, British Museum, with Facsimiles of the Gallery Register Pages (1809 – 1817) Essay by Martin Myrone Contents Facsimile, Transcription and Biographies • Page 1 • Page 2 • Page 3 • Page 4 • Page 5 • Page 6 • Page 7 Sources and Abbreviations • Manuscript Sources • Abbreviations for Online Resources • Further Online Resources • Abbreviations for Printed Sources • Further Printed Sources 1 of 120 Jan. 14 Mr Ralph Irvine, no.8 Gt. Howland St. [recommended by] Mr Planta/ 6 months This is probably intended for the Scottish landscape painter Hugh Irvine (1782– 1829), who exhibited from 8 Howland Street in 1809. “This young gentleman, at an early period of life, manifested a strong inclination for the study of art, and for several years his application has been unremitting. For some time he was a pupil of Mr Reinagle of London, whose merit as an artist is well known; and he has long been a close student in landscape afer Nature” (Thom, History of Aberdeen, 1: 198). He was the third son of Alexander Irvine, 18th laird of Drum, Aberdeenshire (1754–1844), and his wife Jean (Forbes; d.1786). His uncle was the artist and art dealer James Irvine (1757–1831). Alexander Irvine had four sons and a daughter; Alexander (b.1777), Charles (b.1780), Hugh, Francis, and daughter Christian. There is no record of a Ralph Irvine among the Irvines of Drum (Wimberley, Short Account), nor was there a Royal Academy student or exhibiting or listed artist of this name, so this was surely a clerical error or misunderstanding. -
Tourism Office Link
LOCATION Av. de la Residencia Militar, 2 30600 Archena (Murcia) FACILITIES Gardens, cafeteria, terrace, Parking lot, hairdresser´s Massage service, games room Reading room, laundry, doctor visit ROOMS 10 Double rooms (180X200 mattress) 4 twin rooms 4 Adjoining rooms (couple with children) 2 rooms for disabled Across Murcia The Residence is situated at 200 metres far from Archena Spa, thermal resort with an area of more than 200.000 m2 (best spa in Spain in 2011). Archena closes in the South to the touristic Valle del Ricote (Ricote Valley), historic area in the region of Murcia of Arab origins, made up of seven regions which comprise palm and fertile orchards lapped by Segura river. There, we will find for example the Ruta de las Norias (the Watermill Route) or the Mirador del Alto de Bayna (Alto de Bayna Viewpoint) in Blanca. Murcia, capital city of the region, touristic destination and gastronomy reference, is 25 kms far. Cartagena, 75 kms far, with over 3.000 years of history, is one of the most attractive destinations in the Mediterranean area. Jumilla, 55 kms far, and Bullas, 42 kms far, offer the Routes of the Wine. Some more interesting destinations are: Lorca, 80 kms far, Caravaca de la Cruz, 60 kms far, La Manga del Mar Menor, 99 kms far, Mazarron beach, 80 kms far, Alicante, 93 kms far, Elche, 71 kms far, and Orihuela, 47 kms far. Situation of the residence ACTIVITIES ) HEALTH TOURISM - Thermal treatments* - Spatherapy * FREE TIME - Spa * - Thermalpools* - Paddle Enlace a Oficinas de Turismo - Golf - Rafting Tourism Office Link - Trekking - Mountainbike http://www.spain.info/resultadosBusqued - Walks along Segura River (foot or bike) a/resultadosBusqueda.html?l=es&q=arche na&buscar=Buscar&s=relevance&bg=true TOURISTIC ROUTES - ValledelRicote - The WatermillRoute http://www.spain.info/es/informacion- - Wineroutes practica/oficinas-turismo- embajadas/oficina- • Special Price and offers in the spa for turismo/murcia/oficina_municipal_de_turi the residence guests smo_de_archena.html “TG. -
Vibeke Final Version
The Changing Place of Animals in Post-Franco Spain with particular reference to Bullfighting, Popular Festivities, and Pet-keeping. Vibeke Hansen A thesis submitted for the degree of Doctor of Philosophy Department of Sociology University of Essex October 2015 Abstract This is a thesis about the changing place of animals in post-Franco Spain, with particular reference to bullfighting, popular festivities, and pet-keeping. The thesis argues that since the ‘transition’ to democracy (1975-1982), which made Spain one of the most liberal social-democratic states in Europe, there have been several notable developments in human-animal relations. In some important respects, Spain has begun to shed its unenviable reputation for cruelty towards animals. Three important changes have occurred. First, bullfighting (corridas) has been banned in the Canary Islands (1991) and in Catalonia (2010). In addition, numerous municipalities have declared themselves against it. Second, although animals are still widely ‘abused’ and killed (often illegally) in local festivities, many have gradually ceased to use live animals, substituting either dead ones or effigies, and those that continue to use animals are subject to increasing legal restrictions. Third, one of the most conspicuous changes has been the growth in popularity of urban pet-keeping, together with the huge expansion of the market for foods, accessories and services - from healthy diets to cemeteries. The thesis shows that the character of these changing human-animal relations, and the resistance