Feb 28, 19:3 ADVERTISING, MARKETING &PROMOTION

Total Page:16

File Type:pdf, Size:1020Kb

Feb 28, 19:3 ADVERTISING, MARKETING &PROMOTION By Marianne Paskowski guidelines for problem advertis- works. But now, we're arguing tougher now, especially in areas ing categories—children's and with each network. that NAB quarterbacked through NEW YORK— Life is tougher. personal products—because they "Otherwise, everything else is its central clearance operations— That's the consensus from no longer had the NAB's central still pretty much the same. One premiurins. children's advertising executives at advertising agencies clearance process to fall back on. network may be a little more and personal products. who do battle for their clients "The only difference now is in difficult than the others in certain "The agencies are right. It is CODE: with network censors. terms of central clearance," said product categories, for each has tougher," acknowledged Ralph With the demise of the NAB Sherry Valan, vice president, its own specialty, but that was Daniels, NAB's vice president, code, television advertisers cau- .director of advertising, standards always the case. It all really broadcast standards. Advertisers test tiously are testing the waters, if and clearance, Benton & Bowles, depends on which network editor "Basically, the networks would 'choppy waters' not the patience of the network's New York. you get," Valan said. go along with NAB's centrally standards departments. "At least with the NAB code "It's a tribute to everyone that cleared commercials, but now with new ideas, The networks maintain that we had acentral place for touchy we finally get our products on the each network is operating indivi- the post-code regulatory climate areas, such as children's and air," she joked. dually," he said. "They don't mixed reactions is virtually unaltered. But as the personal products advertising. If Although one layer of censor- know how lucky they were. code gasped its last breath nearly it cleared NAB, it was almost a ship has been stripped from the "In all, it doesn't make agiant a year ago, the networks were certainty that the commercial regulatory process, agencies, difference. Yes, sometimes an forced to develop additional would then clear all three net- oddly enough find life a little Continued on page 4 This week in CI Ifildr% A 111%e% A SECTION 2 ADVERTISING. 6011hor/F111 MARKETING lAIIKME11%#410i4I ROMOTION The business news and features weekly for the broadcast industry. A Titsch Communications, Inc. publication WW Feb. 28, 1983 Vol. 1, No. 15/75C BRIEFLY Pe ry eyes Penetration levels for "Pirates of coup d'etat Penzance's" pay-per-view perform- ance peaked at a pale 10 percent, penurious numbers compared to the one-third payoff Universal had hoped with WPIX to pull. page 3 By Dave Potorti CBS resumes Its familiar spot atop the NEW YORK—Is Petry Television ratings for the week of Feb. 14-20 via a the next rep to score abig station one-two-three finish by "Dallas," "60 switch? Minutes" and "Magnum, P.I." That's the word making station page 5 rep circles these days, still digest- Bob Bennett loathes the term "fourth ing implications of Metromedia's network," but the Metromedia senior shift to Katz. vice president can't seem to find any According to a variety of other way to describe his company's sources, Petry is about to land ambitious programming plans. He the Tribune Co.'s WPIX-TV said it would be possible to reach 70- independent outlet here, ending a 75 percent of the country with a schedule of feature films after they long WPIX-TeleRep marriage come off pay cable. and adding the second Tribune page 7 Co. property to the Petry TV stabl: The rep already handles The future of syndication is in adver- KWGN-TV, Denver. tiser-supported projects. That's the view of Wynn Nathan, president, The Tribune Co., already part Lionheart Television International, of aconsortium of several station claiming a "me-too" attitude among groups with eyes toward launch- independent stations is the syndi- ing a "fourth" TV network, also cators' biggest enemy. owns Chicago's widely distributed page 8 WGN-TV, currently represented A National Basketball Association Farewell to M*A*S*H by Blair Television. Speculation strike looms as a potential program- also hints that something may be ming headache for CBS this spring. During asurprise twist in the final episode of M*A*S*H, psychiatrist Dr. Stanley Freedman (Allan happening in that area too, With an April 1 deadline for contract Arbus) contemplates Hawkeye's (Alan Alda) rage as he vents pent-up frustration from his years though Blair and WGN firmly resolution, it's anybody's guess what deny anything is in the works. the outcome will be. "We're looking at as a combat surgeon. See related coverage on page 15. contingency programming," said In fact, WGN President Bob CBS Sports spokesman Jay Rosen- King, claiming his sales are off to stein. a "sensational start," gives Blair page 8 Turner puts empire on block much of the credit for that. "Blair is extremely well-equipped to NEW YORK—Ted Turner, make him the single largest the advertising revenue from Advertisers spent over $6.2 billion on handle independent television," network television in 1982, a gain in apparently faced by mounting shareholder in CBS. There are Turner's only profitable venture. he said. "They have some terrific excess of 11 percent more than 1981 pressure from creditors, is shop- few, if any, industry people out WTBS reportedly made $75 expenditures, according to TvB. people and the New York office is ping his cable-based communica- there that believe that would ever million in revenues last year, but page 10 Continued on page 4 tions empire to the broadcast happen. Turner Broadcasting System industry. Thus far, Turner has talked ended up losing $3 million. That But the word iS, don't expect with ABC, CBS, NBC, Metro- was $10 million less than it lost in any quick deals. media and Gannett. Up for sale is 1981. OPEC glut Several sources suggest that by WTBS-TV, Cable News Network, TBS, however, turned its first holding out for a few more CNN Headline News, the Atlanta profitable quarter ever during pumping up months, a prospective buyer Braves and Atlanta Hawks. 1982. could pay far less than the $500 By shopping around now, But long-term debts still total million Turner reportedly is Turner seems to be conceding about $50 million. ad spending asking. that his fight with the Copyright Broadcasters reticence about NEW YORK—OPEC price wars, Moreover, Turner's request Royalty Tribunal is lost. Come allowing Turner into the club is a at atime when the U.S. economy for a stock deal appears to be a March 15, when fees for pro- direct result of his behavior over is showing signs of a dramatic major stumbling block toward gramming increase, superstation the past few years. The colorful recovery from the long .economic McLean Stevenson, formerly resolving a sale. That is true WTBS stands to lose hundreds of showman has spent much public slump, well could spur amajor ad a "M*A*S*H" regular, plays especially if CBS turns out cable cable systems, millions of poten- time lambasting the networks. spending spree in radio and James Kirkridge on ABC-TV's the most likely buyer, as has been tial viewers and agreat portion of Continued on page 4 television. "Condo." See related story on speculated widely and confirmed Straight-line economic theories page 7. by Turner Broadcasting System apply here. Lower energy costs President Bob Wussler. boost the national economy, Update 5 One source, speculating on a AT DEADLINE spurring housing construction, People on the move 6 deal with CBS, or anyone else for Calendar 9 and high ticket purchases— cars, Finance 10 that matter, suggested any agree- NBC Radio numbers strike target for example. ment specifically would prohibit That, in turn, puts more dis- Regulatory scene 11 NEW YORK—NBC Radio said analysis of RADAR 26, RADAR's Product update 12 Turner from any position of posable income in everyone's fall 1982 report, showed the NBC Radio Network reaching more Other voices 14 influence in the company that pockets, and the cycle feeds on listeners than any other network, with NBC Radio and The Source Images 15 buys him out. If Turner wound itself. And many observers believe Industry statistics 16 leading in their target demographics. up with $500 million in CBS that a broadcast advertising (24 pages, 2 sections) The analysis, prepared by Statistical Research Inc., gave the stock, for example, it would boom is right around the corner, network a 12-plus. Monday-Sunday, 6 am.-midnight cumulative paced by automobile, travel & audience of 30.39 million. leisure and durable goods spend- In its target demographic of 25-54, the network posted an average ing. audience of 932,000, tops in that demo. "The recession was brought BW1FD02906FIL88# 123183/1 In the 18-34 demographic, The Source had an average audience of about by rising energy costs so DAVID FILIPOV MUS DIR 975,000. In addition to its target demo, The Source led in the 12-17, there's every reason to believe STATION WBRU FM 12-24 and 12-34 youth demographics. 88 BENEVOLENT ST energy price cuts will stimulate PROVIDENCE RI 02906 Continued on page 4 Continued on page 4 2 BROADCAST WEEK/Feb. 28, 1983 KCET notches victory in caption ruling ed the Federal Communications stations' applications. that the Rehabilitation Act could participation in, and denied her By Gary Witt Commission to take original The Rehabilitation Act of 1973 not apply to the commercial the benefits of, afederally funded project, solely on the basis of her jurisdiction over the processing WASHINGTON—In a ruling provides that no otherwise quali- stations, since they had received handicap.
Recommended publications
  • UCLA UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Lost! The Social Psychology of Missing Possessions Permalink https://escholarship.org/uc/item/1rn7b11p Author Berry, Brandon Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Lost! The Social Psychology of Missing Possessions A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Sociology by Brandon Lee Berry 2012 ABSTRACT OF THE DISSERTATION Lost! The Social Psychology of Missing Possessions by Brandon Lee Berry Doctor of Philosophy in Sociology University of California, Los Angeles, 2012 Professor Jack Katz, Chair For most, the loss of a material possession is an infrequent occurrence usually prevented through a variety of vaguely noticed practices and routines. For the sociologist, the occasion offers a natural experiment in how individuals deal with a sudden threat to the order, expectations, and material scaffolding sustaining their usual way of life. Drawing on 600 naturally-occurring cases of loss collected through observations around lost and found booths and counters, interviews with individuals recruited through lost and found websites, and guided journaling by college undergraduates about their everyday misplacements, this dissertation explores the social impact of a missing possession. Tracing losses from the moment of their discovery, I show how losing parties must carve out space from their ongoing biographies if a loss is to gain foothold as a social matter. In taking up the theme of ‘a loss’ as a matter to resolve, individuals will act to ensure that their immediate activities will go on as planned, that they will maintain untroubled ii relations with others, or that they will feel “complete.” Yet a central paradox is that the object’s loss may disturb them even while they concede its dispensability.
    [Show full text]
  • Support for Begins to Un
    The weather ■it.'-;. ITT ' ' ’ Sunny today with high near 70. In- creaiing cioudineu tonight with low SO­ SO. Tueiday variable cloudiness with CIWU chance ot a few showers. High in 70s. Cbahce of rain 20% tonight, 30% Tuesday. National weather forecast map on Page 7-B. FRia>:i nrr6tN.< Support for begins to un WASHINGTON (UPI) - Decision facing the committee and explainiaf a i week in the Bert Lance controversy his dealings. began t^ a y with political support for "I know that Mr. Lance hat not the White House budget director un­ made any such decision,” Clifford raveling as he prepared for his day in told the Washington Star. "He fecit the witness chair. he has committed no illegality and, Supporters of the former Atlanta in his opinion, no impropriety ... I banker asked only that Lance be believe it is absolutely incorrect that given a chance to answer the charges in public. 'The Senate Governmental Affairs Committee scheduled fresh Balloonil testimony from a series of govern­ ment officials, culminating ’Thursday with Lance’s own appearance. Carter plans a news conference Wednesday, the day before Lance call for testifies. Questions of Comptroller of the REYKJAVIK, Iceland (UPI) - Currency John Heimann were likely Two Albuquerque, N.M., men trying Army-Navy Club has family picnic to center on a newly released Inter­ to become the first to fly the Atlantic in a balloon, ran low on fuel today Members and families of the Army-Navy Club and Auxiliary enjoy picnicking and play nal Revenue Service report detailing efforts by Lance to conceal financial after more than 60 hours aloft and Sunday at the group’s 18th annual family picnic, at Globe Hollow.
    [Show full text]
  • Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
    Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S.
    [Show full text]
  • Scripture: John 8:12-16 William C. Pender FIRST PRESBYTERIAN CHURCH, 5/19/19
    “I Am the Light of the World” (fn.:JOHN 8 12-16.2019.DOC) Scripture: John 8:12-16 William C. Pender FIRST PRESBYTERIAN CHURCH, 5/19/19 Exodus 3:1-12: Moses was keeping the flock of his father-in-law Jethro, the priest of Midian; he led his flock beyond the wilderness, and came to Horeb, the mountain of God. 2 There the angel of the LORD appeared to him in a flame of fire out of a bush; he looked, and the bush was blazing, yet it was not consumed. 3 Then Moses said, “I must turn aside and look at this great sight, and see why the bush is not burned up.” 4 When the LORD saw that he had turned aside to see, God called to him out of the bush, “Moses, Moses!” And he said, “Here I am.” 5 Then he said, “Come no closer! Remove the sandals from your feet, for the place on which you are standing is holy ground.” 6 He said further, “I am the God of your father, the God of Abraham, the God of Isaac, and the God of Jacob.” And Moses hid his face, for he was afraid to look at God. 7 Then the LORD said, “I have observed the misery of my people who are in Egypt; I have heard their cry on account of their taskmasters. Indeed, I know their sufferings, 8 and I have come down to deliver them from the Egyptians, and to bring them up out of that land to a good and broad land, a land flowing with milk and honey, to the country of the Canaanites, the Hittites, the Amorites, the Perizzites, the Hivites, and the Jebusites.
    [Show full text]
  • Television Honors Its Best at 29Th Annual Emmy Awards
    Roots takes five Television honors its best at 29th annual Emmy Awards LOS ANGELES (AP)--The television Honored for writing of comedy- special drama or comedy program. "The Mary Tyler Moore Show," industry held its 29th annual Emmy variety or music series were the He received the award for "Eleanor which last season ended seven suc- Awards presentations in suburban writers of the "NBC's Saturday and Franklin: The White House Years. cessful years on CBS, once again Los Angeles last night. Night" show with Sissy Spacek as The award for outstanding classi- claimed the Emmy as outstanding The first winners, for continuing guest host. cal program in the performing arts comedy series. supporting roles in a comedy series, Tim Conway of "The Carol Burnett was presented to the American Two comedy veterans walked off were Gary Burghoff, the company- Show" won the award for continuing Ballet Theater's "Swan Lake." with Emmys as stars of their series clerk of "M*A*S*H," and Mary Kay or single performance by an actor The award for lead actor in a Carroll O'Connor of "All in the Place, the erstwhile country and in variety or music. comedy or drama special went to Ed Family" and Beatrice Arthur of western singer of "Mary Hartman, Top honors for continuing or Flanders, in "Harry S. Truman: Plain "Maude." Mary Hartman." single performance by an actress in Speaking." The award for writing in a comedy The awards for continuing per- variety or music went to Rita Sally Field won the honors for variety-music special went to Alan formances by supporting players in Moreno for "The Muppet Show." lead actress in a comedy or drama Buz Cohan and Ted Strauss for a drama series went to Gary Frank An emotional John Travolta came special for her portrayal in "America Salutes Richard Rogers." and Kristy McNichol, both of on stage to accept the Emmy for out- "Sybil." Another person associated Honors for directing in a comedy- "Family." standing performance in a comdedy with that program, Steward Stern, variety-music special were given Emmy Awards for lead performances or drama special.
    [Show full text]
  • Jamie Farr Scripts, 1954-1984, MSS-024
    The Ward M. Canaday Center for Special Collections The University of Toledo Finding Aid Jamie Farr Scripts, 1954-1984 MSS-024 Size: 8.3 linear feet Provenance: Jamie Farr donated the above scripts to the University of Toledo Libraries in five installments. The dates of these gifts were June 21, 1977; February 22, 1980; May 26, 1981; May 17, 1982 and September 23, 1984. Access: Open Collection Summary: Scripts of television and motion-picture productions in which Farr acted. Includes most of the "M*A*S*H" (1972-1983) scripts from all but the first season, all of the scripts from the spin-off series "After M*A*S*H" (1983-1984), and scripts of several motion pictures, most notably, The Blackboard Jungle. Subjects: Ethnic Culture of Toledo, Music, Art, Drama, and Theatre; War, Soldiers, and Veterans Related Collections: Processing Note: None Copyright: Literary rights to the scripts in this collection are held by various parties. Twentieth Century-Fox Film Corporation owns the rights to "M*A*S*H" and "AfterMASH." The other scripts name the parties that held literary rights at the time of issuance. Researchers bear full legal responsibility for the acquisition to publish from any part of said collection per Title 17, United States Code. The Ward M. Canaday Center for Special Collections may reserve the right to intervene as intermediary at its own discretion. Completed by: Paul Gifford, June 1986; updated by Kimberly Brownlee, February 2012; last updated: June, 2014 Jamie Farr Scripts, 1954-1984 Introduction This collection consists of scripts of television and motion-picture productions in which Jamie Farr acted.
    [Show full text]
  • Guide to the M*A*S*H Television Show Collection
    Guide to the M*A*S*H Television Show Collection NMAH.AC.0117 Frank R. Jenkins and Vanessa Broussard Simmons 2017 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Scripts, Storylines and Music Cue Sheets, 1971 - 1982........................... 5 Series 2: Interviews of Mobile Army Surgical Hospital (MASH) Personnel and Patients, 1973-1977............................................................................................... 19 Series 3: Other Materials, 1970-1983, undated....................................................
    [Show full text]
  • Cicely News & World Telegram 49
    invented earflap-chic, viewers might not be Surely the show has earned its right to stand And flnally, it did not titillate with the able to make sense out of the more apart. Two seasons into its run, Northern seductive whiff of chic evil: There is the recentJoshua Brand-John Falsey creation Exposure is gaining texture, self-assurance - occasional corpse on the series, but no without an interpreter's guide. Or a Native and devoted followers - almost with each new sinister presences lurk out there in the pines: American guide. Or at least an L.L. Bean episode. Two seasons into its run, the late and no psychotic glow lights the eyes of secondary catalogue. unlamented Twin Peaks on ABC was headed characters. in the opposite direction, an interesting blind date that So why is it, then. that Northern Exposure had gone increases its exposure long after Twin Peaks sour. peaked? The murky, I think the secret lies in the fact that Brand mood- and Falsey have managed to create, gently drenched and patiently, what David Lynch promised to series had create, and what for a brief, entrancing opened to a interval it seemed that he had created, until cascade of the archness and falsity of his vision self- welcoming destructed: reviews. This was ... A place. A radient, many-layered, slightly TV's long- magical place, as achingly real and yet just- awaited out-of-reach as a dream you start to forget as union of art soon as you wake up. A place set off in and mass- glorious isolation from the rest of the world, appeal but urgently alive with its own rules.
    [Show full text]
  • Wednesday, July 01 | the Bleat
    Wednesday, July 01 | The Bleat. 11/1/13, 9:08 AM ABOUT Search B&W World: It! The Thing From Way the Hell Out There! RECENT COMMENTS Out of Context Ad Challenge polymathamy on 06.14.12 Bleat Amanda from Michigan on Boo. Hiss WEDNESDAY, JULY 01 Julie on Testing the new RSS feed idea on JULY 1, 2009 · 49 COMMENTS · in DOMESTIC LIFE, MATCHBOOKS, WOOF shesnailie on Autobots and Bruckner Wagner von Drupen- Sachs on Autobots and Brrr is not a word that should come to mind the day before July, but the most Bruckner recent effects of climate turbulence – I believe that’s the new term – pushed temps down way below normal. Cloudy, windy, cool. Weather like this 140 OR SO usually hits about two weeks after the Halloween decorations go up in Target. Error: Twitter did not respond. Please wait a few minutes and refresh this page. When I dressed for work today I thought “I should put on a white shirt, in case the Supreme Court decision comes in.” You know the feeling, right? It’s CLICK – AND SAVE! new to me. I got distracted, wore a green linen shirt, and headed in for meetings. Wouldn’t you know it: the decision came in, for Franken, as everyone expected. This meant we had to go live, and as strange as it sounds for a newspaper to go live, that’s what we do: wrangle a journo, pat the face, hook up the mike, and go. I got the decision a few minutes before we went on, got cross-eyed at the legalese, had another cup of coffee, and off we went.
    [Show full text]
  • America's Portrayal of Soldiers in the Post-Vietnam
    James Madison University JMU Scholarly Commons Masters Theses, 2020-current The Graduate School 5-7-2020 Serialized soldiers and the new archetype: America’s portrayal of soldiers in the Post-Vietnam Era Rachel Childers James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/masters202029 Part of the Cultural History Commons Recommended Citation Childers, Rachel, "Serialized soldiers and the new archetype: America’s portrayal of soldiers in the Post- Vietnam Era" (2020). Masters Theses, 2020-current. 31. https://commons.lib.jmu.edu/masters202029/31 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses, 2020-current by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Serialized Soldiers and the New Archetype: America’s Portrayal of Soldiers in the Post-Vietnam Era Rachel Childers A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts Department of History May 2020 FACULTY COMMITTEE: Committee Chair: Dr. Emily Westkaemper Committee Members/ Readers: Dr. Evan Friss Dr. Gabrielle Lanier Table of Contents Abstract ......................................................................................................................iii Introduction ................................................................................................................1
    [Show full text]
  • Visual Media and the Unraveling of Thanksgiving
    TALKING TURKEY: VISUAL MEDIA AND THE UNRAVELING OF THANKSGIVING ********* A Dissertation Presented to the Faculty of the Graduate School at the University of Missouri-Columbia ********* In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy ********** by LUANNE K. ROTH English Department, Dr. Elaine J. Lawless, Dissertation Chair DECEMBER 2010 © Copyright by LuAnne K. Roth 2010 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled: TALKING TURKEY: VISUAL MEDIA AND THE UNRAVELING OF THANKSGIVING presented by LuAnne K. Roth, a candidate for the degree of Doctor of Philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor John Miles Foley Assistant Professor Joanna Hearne Professor Elaine J. Lawless Professor Karen Piper Professor Sandy Rikoon Associate Professor Nancy West ACKNOWLEDGEMENTS I have heard that, under the best of circumstances, writing a dissertation is a lonely and isolating process. That has not been my experience because so many individuals have shown interest and contributed meaningfully along the way, sending material about turkeys and Thanksgiving to support my research. Certain individuals were crucial at different stages of my journey, and they should be mentioned here. Years before I began this research, Gerry Gerasimo (Augsburg College) inspired me to think critically about culture, and Michael Owen Jones (University of California- Los Angeles) caused me to fall in love with food as a serious topic of study. At the start of my dissertation research, Elisa Glick’s (University of Missouri) graduate seminar on the body led me to consider theories of embodiment in my examination of Thanksgiving’s symbols.
    [Show full text]
  • Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity
    Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity Day I Am Become Death The Calm We Are Grounders Pilot Murmurations The Dead Don't Stay Dead Hero Complex A Crowd Of Demons Diabolic Downward Spiral What Ever Happened To Baby Jane Hypnos The Comfort Of Death Sins Of The Fathers The Elysian Fields Lazarus Pilot The New And Improved Carl Morrissey Becoming Trial By Fire White Light Wake-Up Call Voices Carry Weight Of The World Suffer The Children As Fate Would Have It Life Interrupted Carrier Rebirth Hidden Lockdown The Fifth Page Mommy's Bosses The New World Being Tom Baldwin Gone Graduation Day The Home Front Blink The Ballad Of Kevin And Tess The Starzl Mutation The Gospel According To Collier Terrible Swift Sword Fifty-Fifty The Wrath Of Graham Fear Itself Audrey Parker's Come And Gone The Truth And Nothing But The Truth Try The Pie The Marked Till We Have Built Jerusalem No Exit Daddy's Little Girl One Of Us Ghost In The Machine Tiny Machines The Great Leap Forward Now Is Not The End Bridge And Tunnel Time And Tide The Blitzkrieg Button The Iron Ceiling A Sin To Err Snafu Valediction The Lady In The Lake A View In The Dark Better Angels Smoke And Mirrors The Atomic Job Life Of The Party Monsters The Edge Of Mystery A Little Song And Dance Hollywood Ending Assembling A Universe Pilot 0-8-4 The Asset Eye Spy Girl In The Flower Dress FZZT The Hub The Well Repairs The Bridge The Magical Place Seeds TRACKS TAHITI Yes Men End Of The Beginning Turn, Turn, Turn Providence The Only Light In The Darkness Nothing Personal Ragtag Beginning Of The End Shadows Heavy Is The Head Making Friends And Influencing People Face My Enemy A Hen In The Wolf House A Fractured House The Writing On The Wall The Things We Bury Ye Who Enter Here What They Become Aftershocks Who You Really Are One Of Us Love In The Time Of Hydra One Door Closes Afterlife Melinda Frenemy Of My Enemy The Dirty Half Dozen Scars SOS Laws Of Nature Purpose In The Machine A Wanted (Inhu)man Devils You Know 4,722 Hours Among Us Hide..
    [Show full text]