Guide to the Michael Hirsh Manuscript Collection, 1970-2010 Descriptive Summary

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Guide to the Michael Hirsh manuscript collection, 1970-2010 Descriptive Summary

Title : Michael Hirsh manuscript collection Creator: Hirsh, Michael (1943-) Dates : 1970-2010 ID Number : H57 Size: 34 boxes Abstract: This collection consists of the papers of Michael Hirsh, tracing his career in television and as a journalist. Language(s): English

Repository: Special Collections University of South Florida Libraries 4202 East Fowler Ave., LIB122 Tampa, Florida 33620 Phone: 813-974-2731 - Fax: 813-396-9006 Contact Special Collections Administrative Summary

Provenance: Hirsh, Michael, 1943- Acquisition Donation Information: Access Conditions: None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/for more information. Processing Complete History: Preferred Citation: Michael Hirsh Manuscript Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. Related Material: Concentration Camp Liberators Oral History Project, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. Information about related materials is available at http://guides.lib.usf.edu/content.php? pid=49131&sid=655659# Biographical Note Michael Hirsh is as a journalist, documentarian, and producer in radio and television. Over his 35 year career, he was the recipient of numerous awards, including several Emmy Awards, a Writers Guild Award, the DuPont-Columbia Citation, and the George Foster Peabody Award. He served as a combat correspondent with the U.S. Army's 25th Infantry Division in Vietnam, where he was also awarded the Combat Infantryman Badge. Hirsh is the author of several works of non-fiction, including The Liberators: America's Witnesses to the Holocaust (New York: Bantam Books, 2010). Scope Note The collection consists of Michael Hirsh's original manuscripts, photographs, research, correspondence, and proofs related to the publication of The Liberators: America's Witnesses to the Holocaust. The second series in the collection consists of materials related to Hirsh's time as a television and film producer and writer, with a concentration on the series M*A*S*H. This series also contains materials related to the history of television, as well as assorted scripts and screenplays. Arrangement Note: By type of material Arrangement By type of material Subject Headings

Subject Terms: Concentration camps -- Austria -- History -- 20th century Concentration camps -- Germany -- History -- 20th century Film & TV studies Holocaust, Jewish (1939-1945) -- Atrocities Soldiers -- United States -- Interviews World War, 1939-1945 -- Atrocities World War, 1939-1945 -- Concentration camps -- Austria World War, 1939-1945 -- Concentration camps -- Germany World War, 1939-1945 -- Concentration camps -- Liberation World War, 1939-1945 -- Personal narratives, American Genre/Form Terms: Television

COLLECTION CONTENTS

Series 1 : The Liberators Collection

Sub-Series : Manuscripts

BOX 1 FOLDER 1 : The Liberators—Random House Photo/Art Printouts, 2009 FOLDER 2 : The Liberators—Miscellaneous Photo Proofs FOLDER 3 : The Liberators—Maps FOLDER 4 : The Liberators—Proof Book/Foul Matter FOLDER 5 : The Liberators—Manuscript, First Pass—Part 1 FOLDER 6 : The Liberators—Manuscript, First Pass—Part 2 FOLDER 7 : The Liberators—Manuscript, Second Pass—Part 1 FOLDER 8 : The Liberators—Manuscript, Second Pass—Part 2

BOX 2 FOLDER 1 : The Liberators—Manuscript, Third Pass—Part 1 FOLDER 2 : The Liberators—Manuscript, Third Pass—Part 2 FOLDER 3 : The Liberators—Caption Manuscripts FOLDER 4 : The Liberators—Manuscript and Layout, Part 1—Flyleaf, Table of Contents, and Introduction FOLDER 5 : The Liberators—Manuscript and Layout, Part 2—Chapters 1-5 FOLDER 6 : The Liberators—Manuscript and Layout, Part 3—Chapters 6-12 FOLDER 7 : The Liberators—Manuscript and Layout, Part 4—Chapters 13-15 FOLDER 8 : The Liberators—Manuscript and Layout, Part 5—Chapters 16- Acknowledgments, Appendix, and Bibliography FOLDER 9 : The Liberators—Photographs (2 discs) FOLDER 10 : The Liberators—Drafts and Research (2 discs)

Sub-Series : Research

BOX 3 FOLDER 1 : The Liberators—Research—Liberation Photos from Interviewees, Other Sources, and Public Domain, 2009 FOLDER 2 : The Liberators—Research—United States Holocaust Museum Correspondence, July 25, 2009 FOLDER 3 : The Liberators—Research—Security Certificate for Ex-Prisoners of War, 1945 FOLDER 4 : The Liberators—Research—Concentration Camps—Ohrdruf, Germany, 1995-2009 FOLDER 5 : The Liberators—Research—Concentration Camps—Landsberg, Germany FOLDER 6 : The Liberators—Research—Concentration Camps—Landsberg, Germany—Kaufering Death Camps FOLDER 7 : The Liberators—Research—Concentration Camps—Buchenwald, Part 1 FOLDER 8 : The Liberators—Research—Concentration Camps—Buchenwald, Part 2 FOLDER 9 : The Liberators—Research—Concentration Camps—Buchenwald—Pierre Verheye FOLDER 10 : The Liberators—Research—Concentration Camps—Buchenwald—Louis Blatz/Buchenwald Photos (1 Disk) FOLDER 11 : The Liberators—Research—Concentration Camps—Dachau, Part 1 FOLDER 12 : The Liberators—Research—Concentration Camps—Dachau, Part 2

BOX 4 FOLDER 1 : The Liberators—Research—Concentration Camps—Dachau—Witnesses—Charlotte Chaney, 1st Lieutenant, Army Nurse Corps FOLDER 2 : The Liberators—Research—Concentration Camps—Dachau—Witnesses—Don Daugherty FOLDER 3 : The Liberators—Research—Concentration Camps—Subcamps of Dachau FOLDER 4 : The Liberators—Research—Concentration Camps—Amfing FOLDER 5 : The Liberators—Research—Concentration Camps—Thekia-Leipzig FOLDER 6 : The Liberators—Research—Concentration Camps—Nordhausen-Dora FOLDER 7 : The Liberators—Research—Concentration Camps—Flossenburg FOLDER 8 : The Liberators—Research—Concentration Camps—Hersbruck (Leo Serian Correspondence) FOLDER 9 : The Liberators—Research—Concentration Camps—Mathausen FOLDER 10 : The Liberators—Research—Concentration Camps—Gunskirchen FOLDER 11 : The Liberators—Research—Concentration Camps—Ebensee FOLDER 12 : The Liberators—Research—Concentration Camps—Gusen FOLDER 13 : The Liberators—Research—Concentration Camps—Salzwedel/Ahlem FOLDER 14 : The Liberators—Research—Concentration Camps—Salzwedel/Ahlem-Kenneth Ayers Photographs (1945) FOLDER 15 : The Liberators—Research—Concentration Camps—Bergen-Belsen FOLDER 16 : The Liberators—Research—Concentration Camps—Gardelegen FOLDER 17 : The Liberators—Research—Concentration Camps— Sachsenhausen

BOX 5 FOLDER 1 : The Liberators—Bibliography, Correspondence, Book Reviews, and Press Clippings FOLDER 2 : The Liberators—Research—Concentration Camps—Buchenwald—Melvin Rappaport, 45th Division FOLDER 3 : The Liberators—Interviews—Witnesses—Russel Weiskircher FOLDER 4 : The Liberators—Research and Correspondence—Witnesses—Curt Whiteway, 99th Division, Part 1 FOLDER 5 : The Liberators—Research and Correspondence—Witnesses—Curt Whiteway, 99th Division, Part 2 FOLDER 6 : The Liberators—Research—Correspondence—Witnesses—Frederick B. Lea, Medical Administrative Corps FOLDER 7 : The Liberators—Research—Morning Reports—394th Regiment, Company B—March 22nd, 1945-May 31st, 1945 FOLDER 8 : The Liberators—Research—Morning Reports—294th Regiment, Company B—March 22nd, 1945-May 8th, 1945 FOLDER 9 : The Liberators—Research—Witnesses—Leonard Lubin, Suicide Letters and Obituary FOLDER 10 : The Liberators—Research and Correspondence—Witnesses—John W. Fague FOLDER 11 : The Liberators—Research and Correspondence—Unfound Liberators FOLDER 12 : The Liberators—Research—Lists of Liberator Units and Liberator Contact Information FOLDER 13 : The Liberators—Research—Concentration Camps

BOX 6 FOLDER 1 : The Liberators—Research—42nd Rainbow Division Veterans FOLDER 2 : The Liberators—Research—Military Personnel Records FOLDER 3 : The Liberators—Research—The U.S. Army in World War II FOLDER 4 : The Liberators—Research—Camp Croft, South Carolina FOLDER 5 : The Liberators—Research—Liberating Divisions, United States Army FOLDER 6 : The Liberators—Research—Concentration Camp Liberators—Press FOLDER 7 : The Liberators—Letters Written to Michael Hirsh Concerning his Book FOLDER 8 : The Liberators—Concentration Camps—Sketches FOLDER 9 : The Liberators—Written Accounts—Military History of a Combat Infantryman—Jack Kerins FOLDER 10 : The Liberators—Written Accounts—The Handcuffed Volunteer—Don L. Latimer FOLDER 11 : The Liberators—Written Accounts—The Battle of the Bulge: One Small Corner—Dr. John Faye FOLDER 12 : The Liberators—Written Accounts—Holocaust—David Dorlé

FOLDER 13 : The Liberators—Written Accounts—The Berlin Crisis—Howard Kaplan FOLDER 14 : The Liberators—Written Accounts—GIs Remember—National Museum of American Jewish Military History FOLDER 15 : The Liberators—Book Proposal by Michael Hirsh FOLDER 16 : The Liberators—Book Promotion—U.S. Holocaust Memorial Museum FOLDER 17 : The Liberators—Events—Twelfth Annual Holocaust Professional Development, 2010 FOLDER 18 : The Liberators—Events—"A Salute to Liberators": A Tribute Luncheon

Sub-Series : Photographs and Media

BOX 7 FOLDER 1 : The Liberators—Media—Walter Chapman Sketches—Salzwedel, 1945 (2 Discs) FOLDER 2 : The Liberators—Media—List of Films on the Holocaust for Students—Holocaust Memorial Foundation of Illinois FOLDER 3 : The Liberators—Media—Dan Dougherty, Interviewed by Ellen Szakal (2 VHS Tapes) FOLDER 4 : The Liberators—Media—The Liberation of KZ Dachau, by James Kent Strong (1 VHS Tape) FOLDER 5 : The Liberators Photos—John Stephens FOLDER 6 : The Liberators—Photos—Bob Persinger—Ebensee Camp FOLDER 7 : The Liberators—Photos—Carl V. Anderson FOLDER 8 : The Liberators—Photos—Don Latimer FOLDER 9 : The Liberators—Photos—Harry Gerenstein, 2008 FOLDER 10 : The Liberators—Photos—Nathan Melman and Coen Rood—Amfins Camp FOLDER 11 : The Liberators—Photos—Russel R. Weiskircher, 2004 FOLDER 12 : The Liberators—Photos—Colvin Caughley FOLDER 13 : The Liberators—Photos—Adams -- Mauthausen Camp FOLDER 14 : The Liberators—Playscript—"Before Abu Ghraib…"—David A. Pardoe

Series 2 : Television & Film Collection

Sub-Series : M*A*S*H

BOX 1 : M*A*S*H Scripts & Production Notes, Pilot- Dear FOLDER 1 : "M*A*S*H" (Pilot Episode) Scope/Content: By Larry Gelbart. Revised Final. December 8, 1971. Twentieth Century Fox Television. 34 pages. FOLDER 2 : "M*A*S*H" (Pilot) FOLDER 3 : "As You Were" Scope/Content: Teleplay by Larry Gelbart & Laurence Marks. Story by Gene REynolds. Final. December 14, 1973. Twentieth Century Fox Television. 37 pages. FOLDER 4 : "Abyssinia, Henry" Scope/Content: Written by Everett Greenbaum & Jim Fritzell. Revised Final. October 28, 1974. Twentieth Century Fox Television. 36 pages. FOLDER 5 : "The Betrothed" or "The Groom, the Bride, and the Ugly" Scope/Content: By Gary Markowitz. First Draft. April 27, 1976. Twentieth Century-Fox Television. 40 pages. Also contains a story outline. See also: "The Groom, the Bride, and the Ugly" and "Margaret's Engagment," both of which are developmental drafts of the same story. FOLDER 6 : "Bug Out" Scope/Content: By Jim Fritzell & Everett Greenbaum. Revised Final. July 6, 1976. Twentieth Century Fox Television. 67 pages. FOLDER 7 : "Carry On, Hawkeye" Scope/Content: Teleplay by Bernard Dilbert, Larry Gelbart & Laurence Marks. Story by Bernard Dilbert. Final. October 11, 1973. Twentieth Century Fox Television. 37 pages. FOLDER 8 : "The Colonel's Horse" Scope/Content: By Jim Fritzell & Everett Greenbaum. Final. August 16, 1976. Twentieth Century Fox Television. 39 pages. FOLDER 9 : "Chief Surgeon Who?"--Episode Outlines, 5/17/1972 Scope/Content: By Larry Gelbart. FOLDER 10 : "Chief Surgeon Who?" Scope/Content: By Larry Gelbart. First Draft. 37 pages. FOLDER 11 : "Chief Surgeon Who?" Scope/Content: By Larry Gelbart. First Draft. 37 pages. FOLDER 12 : "The Colonel's Horse" Scope/Content: By Jim Fritzell & Everett Greenbaum. Final. August 16, 1976. Twentieth Century Fox Television. 39 pages. FOLDER 13 : "Dear Dad..." Scope/Content: By Larry Gelbart. First Draft. July 21, 1972. 36 pages. FOLDER 14 : "Dear Dad..." Scope/Content: By Larry Gelbart. First Draft. July 21, 1972. 36 pages. FOLDER 15 : "Dear Dad..." Scope/Content: By Larry Gelbart. First Draft. July 21, 1972. 36 pages. FOLDER 16 : "Dear Dad..." Scope/Content: By Larry Gelbart. Final. July 31, 1972. Twentieth Century-Fox Television. 36 pages. FOLDER 17 : "Dear Dad..." Scope/Content: By Larry Gelbart. Final. July 31, 1972. Twentieth Century-Fox Television. 36 pages. FOLDER 18 : "Dear Ma" Scope/Content: By Everett Greenbaum & Jim Fritzell. Revised Final. October 8, 1975. Twentieth Century Fox Television. 37 pages. FOLDER 19 : "Dear Peggy" Scope/Content: Written by Jim Fritzell & Everett Greenbaum. Final. August 18, 1975. Twentieth Century Fox Television. 35 pages. FOLDER 20 : "Dear Sigmund" Scope/Content: By Alan Alda. First Draft. June 16, 1976. 39 pages. FOLDER 21 : "Dear Sigmund" Scope/Content: By Alan Alda. Final. July 27, 1976. Twentieth Century Fox Television. 37 pages. FOLDER 22 : "Dear Sigmund" Scope/Content: By Alan Alda. Revised. July 6, 1976. 37 pages. FOLDER 23 : "Dear Sigmund" Scope/Content: By Alan Alda. Revised. July 6, 1976. 37 pages. FOLDER 24 : "Dear Sigmund" Scope/Content: By Alan Alda. Revised. July 6, 1976. 37 pages. FOLDER 25 : "Dear Sigmund" Scope/Content: By Alan Alda. Final. July 27, 1976. 37 pages. FOLDER 26 : "Dear Sigmund" Scope/Content: By Alan Alda. Revised. July 6, 1976. 37 pages. FOLDER 27 : "Dear Sigmund" Scope/Content: By Alan Alda. Revised Final. September 3, 1976. 25 pages. This copy is missing pages.

BOX 2 : M*A*S*H Scripts & Production Notes, Dear-Ma FOLDER 1 : "Dear Sigmund" Scope/Content: By Alan Alda. Revised Final. September 3, 1976. Twentieth Century-Fox Television. 36 pages. FOLDER 2 : "Dear Sigmund" Scope/Content: By Alan Alda. Second Revised Final. September 3, 1976. 32 pages. FOLDER 3 : "Dear Sigmund" Scope/Content: By Alan Alda. Second Revised Final. September 3, 1976. Twentieth Century-Fox Television. 32 pages. FOLDER 4 : "Dear Sigmund"--Call Sheets, Shooting Schedule FOLDER 5 : "Death Takes the Holiday" Scope/Content: By Mike Farrell. Final. November 3, 1980. Twentieth Century Fox Television. 35 pages. FOLDER 6 : "Goodbye Radar"--Part One Scope/Content: By Ken Levine & David Isaacs. Revised Final. September 10, 1979. Twentieth Century Fox Television. 33 pages. FOLDER 7 : "Goodbye Radar--Part Two" Scope/Content: By Ken Levine & David Isaacs. Final. September 7, 1979. Twentieth Century Fox Television. 31 pages. FOLDER 8 : "The Groom, the Bride, and the Ugly" Scope/Content: By Gary Markowitz. Second Draft. June 8, 1976. Twentieth Century-Fox Television.40 pages. See also: "The Betrothed" and "Margaret's Engagement," both of which are developmental drafts of the same story. FOLDER 9 : "The Groom, the Bride, and the Ugly" Scope/Content: By Gary Markowitz. Second Draft. June 8, 1976. Twentieth Century-Fox Television.40 pages. See also: "The Betrothed" and "Margaret's Engagement," both of which are developmental drafts of the same story. FOLDER 10 : "Hanky Panky" Scope/Content: By Gene Reynolds. Final. November 16, 1976. Twentieth Century Fox Television. 39 pages. FOLDER 11 : "Hanky Panky" Scope/Content: Final script dated November 16, 1976. To all concerned: Please discard old pages and insert the attached revised pages in their proper place in your script of the above date. This is important! Dated December 2, 1976. FOLDER 12 : "Hawkeye" Scope/Content: By Larry Gelbart & Simon Muntner. Final. November 13, 1975. Twentieth Century Fox Television. 27 pages. FOLDER 13 : "Hawkeye Get Your Gun" Scope/Content: Story by Gene Reynolds & Jay Folb. Teleplay by Jay Fob. Revised Final. September 15, 1976. Twentieth Century Fox Television. 35 pages. FOLDER 14 : "Heal Thyself" Scope/Content: Teleplay by Dennis Koenig. Story by Dennis Koenig and Gene Reynolds. Revised Final. November 5, 1979. Twentieth Century Fox Television. 35 pages. FOLDER 15 : "Hepatitis" Scope/Content: By Alan Alda. Revised Final. December 9, 1976. Twentieth Century Fox Television. 37 pages. FOLDER 16 : "The Interview" Scope/Content: By Larry Gelbart. Final. December 15, 1975. Twentieth Century Fox Television. 23 pages. FOLDER 17 : "The Interview" Scope/Content: By Larry Gelbart. Final Draft. December 15, 1975. 23 pages. FOLDER 18 : "The Interview" Scope/Content: By Larry Gelbart. Final Draft. December 16, 1975. 42 pages. FOLDER 19 : "The Interview"--Outlines, Question and Answer FOLDER 20 : "Margaret's Engagement" Scope/Content: By Gary Markowitz. 34 pages. Additional handwritten pages attached. FOLDER 21 : "Margaret's Engagement" Scope/Content: By Gary Markowitz. 34 pages. Additional handwritten pages attached. FOLDER 22 : "Margaret's Engagement" Scope/Content: By Gary Markowitz. 34 pages. Additional handwritten pages attached. FOLDER 23 : "Margaret's Engagement" Scope/Content: By Gary Markowitz. Final. June 23, 1976. Twentieth Century-Fox Television. 38 pages.

BOX 3 : M*A*S*H Scripts & Production Notes, Mu-W FOLDER 1 : "Mulcahy's War" Scope/Content: By Richard Cogan. Final. June 3, 1976. Twentieth Century Fox Television. 34 pages. FOLDER 2 : "Mulcahy's War" Scope/Content: By Richard Cogan. Revised Final. September 20, 1976. Twentieth Century Fox Television. 34 pages. FOLDER 3 : "Old Soldiers" Scope/Content: By David Koenig. Final. November 30, 1979. Twentieth Century Fox Television. 35 pages. FOLDER 4 : "Our Finest Hour" Scope/Content: By Ken Levine & David Isaacs, Larry Balmagia, Ronny Graham. Final. September 5, 1978. Twentieth Century Fox Television. 13 pages. FOLDER 5 : "Out of Sight, Out of Mind" Scope/Content: By Ken Levine & David Isaacs. Final. June 9, 1976. Twentieth Century Fox Television. 37 pages. FOLDER 6 : "Out of Sight, Out of Mind" Scope/Content: By Ken Levine & David Isaacs. Revised Final. July 29, 1976. Twentieth Century Fox Television. 38 pages. FOLDER 7 : "The Party" Scope/Content: By Alan Alda and Burt Metcalfe. Revised Final. December 18, 1978. Twentieth Century Fox Television. 36 pages. FOLDER 8 : "Period of Adjustment" Scope/Content: By Jim Mulligan & John Rappaport. Final. July 16, 1979. Twentieth Century Fox Television. 35 pages. FOLDER 9 : "Sometimes You Hear the Bullet" Scope/Content: By Carl Kleinschmitt. First Draft. November 27, 1972. 46 pages. FOLDER 10 : "Sometimes You Hear the Bullet" Scope/Content: By Carl Kleinschmitt. First Draft. November 27, 1972. 46 pages. FOLDER 11 : "Sometimes You Hear the Bullet" Scope/Content: By Carl Kleinschmitt. Final Draft. November 30, 1972. 38 pages. FOLDER 12 : "Sometimes You Hear the Bullet" Scope/Content: By Carl Kleinschmitt. Final. November 30, 1972. Twentieth Century-Fox Television. 38 pages. FOLDER 13 : "Sometimes You Hear the Bullet"--Outlines, Daily Production Reports, Call Sheets FOLDER 14 : "Stars and Stripe" Scope/Content: By Dennis Koenig. Final. October 18, 1979. Twentieth Century Fox Television. 36 pages. FOLDER 15 : "Stars and Stripe" Scope/Content: By Dennis Koenig. Revised Final. October 29, 1979. Twentieth Century Fox Television. 35 pages. FOLDER 16 : "Stars and Stripe" Scope/Content: By Dennis Koenig. Revised Final. October 29, 1979. Twentieth Century Fox Television. 35 pages. FOLDER 17 : "War Co-Respondent" Scope/Content: By Mike Farrell. Final. January 14, 1980. Twentieth Century Fox Television. 35 pages. FOLDER 18 : Welcome to Korea (Part One) Scope/Content: By Everett Greenbaum & Jim Fritzell and Larry Gelbart. Third Revised Final. Twentieth Century Fox Television. January 9, 1976. 35 pages. FOLDER 19 : Misc. Untitled Scripts

Sub-Series : AfterMASH

BOX 4 : AfterMASH Scripts, A-Se FOLDER 1 : "Against Medical Advice" Scope/Content: By Michael Hirsh. First Draft. April 2, 1984. Michael Hirsh Productions. 30 pages. FOLDER 2 : "Chief of Staff" Scope/Content: By Gordon Mitchell. Revised Final. November 22, 1983. Twentieth Century Fox Television. 34 pages. FOLDER 3 : "Fallout" Scope/Content: By Larry Gelbart. Final. October 18, 1983. Twentieth Century Fox Television. 33 pages. FOLDER 4 : "Fever Pitch" Scope/Content: By Dennis Koenig. Final. January 12, 1984. Twentieth Century Fox Television. 32 pages. FOLDER 5 : "It Had to Be You" Scope/Content: Written by Dennis Koenig & Kevin Levine & David Isaacs. Revised Final. December 8, 1983. Twentieth Century Fox Television. 36 pages. FOLDER 6 : "Klinger vs. Klinger" Scope/Content: By Ken Levine & David Isaacs. Final. June 17, 1983. Twentieth Century Fox Television. 36 pages. FOLDER 7 : "Klinger vs. Klinger" Scope/Content: By Ken Levine & David Isaacs. Second Revised Final. August 11, 1983. Twentieth Century Fox Television. 33 pages. FOLDER 8 : "Klinger vs. Klinger" Scope/Content: By Ken Levine & David Isaacs. Second Revised Final. Dubbing (Hirsh). August 11, 1983. Twentieth Century Fox Television. 33 pages. FOLDER 9 : "Less Miserable" Scope/Content: Written by Ken Levine & David Isaacs & Dennis Koenig. Final. May 23, 1984. Twentieth Century Fox Television.35 pages. FOLDER 10 : "The Little Broadcast of ‘53" Scope/Content: By Dennis Koenig. Final. June 17, 1983. Twentieth Century Fox Television. 37 pages. FOLDER 11 : "The Little Broadcast of ‘53" Scope/Content: By Dennis Koenig. Second Revised Final. September 21, 1983. Twentieth Century Fox Television. 35 pages. FOLDER 12 : "The Little Broadcast of ‘53" Scope/Content: By Dennis Koenig. Second Revised Final. September 21, 1983. Twentieth Century Fox Television. 35 pages. FOLDER 13 : "Night Shift" Scope/Content: By Everett Greenbaum and Elliott Reid. Final July 12, 1983. Revised Final September 1, 1983. With Revision #2 September 2, 1983. Twentieth Century Fox Television. 35 pages. FOLDER 14 : "Night Shift" Scope/Content: By Everett Greenbaum and Elliott Reid. Revised Final. September 1, 1983. Twentieth Century Fox Television. 36 pages. FOLDER 15 : "Pershing Place" Scope/Content: By Larry Balmagia. First Draft. November 18, 1983. 36 pages. FOLDER 16 : "September of ‘53" Scope/Content: By Larry Gelbart. First Draft. June 1, 1983. 38 pages. FOLDER 17 : "September of ‘53" Scope/Content: By Larry Gelbart. Final Draft. June 6, 1983. Twentieth Century-Fox Television. 32 pages. FOLDER 18 : "September of ‘53" Scope/Content: By Larry Gelbart. Revised Final. July 25, 1983. Twentieth Century-Fox Television. 33 pages.

BOX 5 : AfterMASH Scripts, Sh-U FOLDER 1 : "Shall We Dance?" Scope/Content: By Ken Levine & David Isaacs. Revised Final. August 25, 1983. Twentieth Century-Fox Television. 34 pages.

FOLDER 2 : "Snap, Crackle, Plop" Scope/Content: By Dennis Koenig. Final Draft. July 12, 1983. With Revision #1. August 15, 1983. Twentieth Century-Fox Television. 35 pages. FOLDER 3 : "Staph Inspection" Scope/Content: By Ken Levine & David Isaacs. First Draft. Hirsh Dubbing Script. August 22, 1983. Twentieth Century-Fox Television. 33 pages. FOLDER 4 : "Sunday, Cruddy Sunday" Scope/Content: Written by Dennis Koenig. First Draft. August 24, 1983. Twentieth Century-Fox Television. 34 pages. FOLDER 5 : "Sunday, Cruddy Sunday" Scope/Content: Written by Dennis Koenig. First Draft. August 24, 1983. Twentieth Century-Fox Television. 34 pages. FOLDER 6 : "Together Again" Scope/Content: By Larry Gelbart. First Draft. July 5, 1983. 37 pages. FOLDER 7 : "Together Again" Scope/Content: By Larry Gelbart. Final Draft. July 8, 1983. Twentieth Century-Fox Television. 32 pages. FOLDER 8 : "Together Again" Scope/Content: By Larry Gelbart. Final Draft. July 8, 1983. Twentieth Century-Fox Television. 32 pages. FOLDER 9 : "Up and Down Payments" Scope/Content: Written by Ken Levine & David Isaacs. Final Draft. January 13, 1984. Twentieth Century-Fox Television. 37 pages.

Sub-Series : Family Ties

BOX 6 : Family Ties Scripts, A-Last FOLDER 1 : "‘A', My Name Is Alex" Scope/Content: Written by Gary David Goldberg and Alan Uger. Created by David Goldberg. #60585-119/120. Final Shooting Script. January 28, 1987. Paramount Pictures Corporation. In association with UBU Productions. 64 pages. FOLDER 2 : "Architect's Apprentice" Scope/Content: Written by David Tyron King. Created by Gary David Goldberg. #60585-117. Final Shooting Script. January 14, 1987. Paramount Pictures Corporation. In association with UBU Productions. 43 pages. FOLDER 3 : "Dear Mallory" Scope/Content: Written by Alan Uger. Created by Gary David Goldberg. #60586-125. First Draft. July 24, 1987. Paramount Pictures Corporation. In association with UBU Productions. 48 pages. FOLDER 4 : "Don't Go Changin'" Scope/Content: Written by Marc Lawrence. Created by Gary David Goldberg. #60584-079. Final Shooting Script. September 18, 1985. Paramount Pictures Corporation. In association with UBU Productions. 45 pages. FOLDER 5 : "A Friend In Need" Scope/Content: Written by Michael Hirsh. First Draft. n.d. 48 pages. FOLDER 6 : "The Freshman and the Senior" Scope/Content: Written by Ruth Bennett and Marc Lawrence. Created by Gary David Goldberg. #60585-104. Final Shooting Script. September 24, 1986. Paramount Pictures Corporation. In association with UBU Productions. 43 pages. FOLDER 7 : "Higher Love" Scope/Content: Written by Susan Borowitz. Created by Gary David Goldberg. #60585-116. Final Shooting Script. January 7, 1987. Paramount Pictures Corporation. In association with UBU Productions. 49 pages. FOLDER 8 : "Hotline Fever" Scope/Content: Written by Marc Lawrence. Created by Gary David Goldberg. #60583-055. Final Shooting Script. September 26, 1984. Paramount Pictures Corporation. In association with UBU Productions. 46 pages. FOLDER 9 : "Give Your Uncle Arthur A Kiss" Scope/Content: Written by Lloyd Garver and Gary David Goldberg. #60581-012. Final Shooting Script. October 20, 1982. Paramount Pictures Corporation. In association with UBU Productions. 51 pages. FOLDER 10 : "Invasion of the Psychologist Snatchers" Scope/Content: Written by Marc Lawrence. Directed by Matthew Diamond. Created by Gary David Goldberg. #60586-133. Final Draft. October 12, 1987. Paramount Pictures Corporation. In association with UBU Productions. 52 pages. FOLDER 11 : "It's My Party, Part II" Scope/Content: Written by Susan Borowitz. Created by Gary David Goldberg. #60584-078. Final Shooting Script. September 11, 1985. Paramount Pictures Corporation. In association with UBU Productions. 46 pages. FOLDER 12 : "Just One Look" Scope/Content: Story by Paul Wolff. Teleplay by Gary David Goldberg and Michael J. Weithorn. Created by Gary David Goldberg. #60584-082. Final Shooting Script. October 16, 1985. Paramount Pictures Corporation. In association with UBU Productions. 44 pages. FOLDER 13 : "Last of the Red Hot Psychologists, Part One" Scope/Content: This folder contains three copies of the scripts for "Last of the Red Hot Psychologists, Part One." Two scripts are classified under the following details: Written by Marc Lawrence. Created by Gary David Goldberg. #60586-126. First Draft. August 3, 1987. Paramount Pictures Corporation. In association with UBU Productions. 43 pages. The third script in the folder is classified by the following details: Written by Marc Lawrence. Created by Gary David Goldberg. #60586-126. First Draft. August 3, 1987. Docu. Crew Script. Paramount Pictures Corporation. In association with UBU Productions. 57 pages.

BOX 7 : Family Ties Scripts, Last-O FOLDER 1 : "Last of the Red Hot Psychologists, Part I" Scope/Content: Written by Marc Lawrence. Second Draft. July 23, 1987. 44 pages. FOLDER 2 : "Last of the Red Hot Psychologists, Part I" Scope/Content: Written by Marc Lawrence. Created by Gary David Goldberg. #60586-126. Final Shooting Script. August 5, 1987. Paramount Pictures Corporation. In association with UBU Productions. 49 pages. This folder contains three copies of this script. FOLDER 3 : "Last of the Red Hot Psychologists, Part II" Scope/Content: Written by Marc Lawrence. First Draft. July 23, 1987. 50 pages. FOLDER 4 : "Love Me Do" Scope/Content: Written by Marc Lawrence. Created by Gary David Goldberg. #60585-121. Final Shooting Script. February 11, 1987. Paramount Pictures Corporation. In association with UBU Productions. 47 pages. FOLDER 5 : "Mister Sister" Scope/Content: Written by Susan Borowitz. Directed by Kent Bateman. Created by Gary David Goldberg. #60586-134. First Draft. October 19, 1987. Paramount Pictures Corporation. In association with UBU Productions. 46 pages. FOLDER 6 : "Mr. Right" Scope/Content: Written by Alan Uger. Created by Gary David Goldberg. #60584-081. Final Shooting Script. October 9, 1985. Paramount Pictures Corporation. In association with UBU Productions. 53 pages. FOLDER 7 : "Mrs. Wrong, Part I" Scope/Content: Written by Alan Uger. Created by Gary David Goldberg. #60565-101. Final Shooting Script. August 27, 1986. Paramount Pictures Corporation. In association with UBU Productions. 39 pages. FOLDER 8 : "Mrs. Wrong, Part II" Scope/Content: Written by Alan Uger. Created by Gary David Goldberg. #60585-102. First Draft. August 6, 1986. Paramount Pictures Corporation. In association with UBU Productions. 54 pages. FOLDER 9 : "Mrs. Wrong, Part II" Scope/Content: Written by Alan Uger. Created by Gary David Goldberg. #6585-102. Final Shooting Script. September 3, 1986. Paramount Pictures Corporation. In association with UBU Productions. 42 pages. FOLDER 10 : "My Mother, My Friend" Scope/Content: Written by Kate Boutilier. Created by Gary David Goldberg. #60585-113. Final Shooting Script. December 3, 1986. Paramount Pictures Corporation. In association with UBU Productions. 51 pages. FOLDER 11 : "O' Brother" Scope/Content: Written by Alan Uger. Created by Gary David Goldberg. #60585-108. Final Shooting Script. November 5, 1986. Paramount Pictures Corporation. In association with UBU Productions. 43 pages. This folder contains two copies of the script. FOLDER 12 : "O Brother, Part II" Scope/Content: Written by Alan Uger. Created by Gary David Goldberg. #60585-109. Final Shooting Script. November 12, 1986. Paramount Pictures Corporation. In association with UBU Productions. 36 pages. This folder contains two copies of the script.

BOX 8 : Family Ties Scripts, P-W FOLDER 1 : "Philadelphia Story" Scope/Content: Written by Michael J. Weithorn. Created by Gary David Goldberg. #60583-061. Final Shooting Script. December 5, 1984. Paramount Pictures Corporation. In association with UBU Productions. 48 pages. FOLDER 2 : "The Real Thing, Part I" Scope/Content: Written by Michael J. Weithorn. Created by Gary David Goldberg. #60584-074. Final Shooting Script. October 22, 1985. Paramount Pictures Corporation. In association with UBU Productions. 57 pages. FOLDER 3 : "The Real Thing, Part II" Scope/Content: Written by Michael J. Weithorn. Created by Gary David Goldberg. #60584-075. Final Shooting Script. August 14, 1985. Paramount Pictures Corporation. In association with UBU Productions. 44 pages. This folder contains two copies of the script. FOLDER 4 : "Teachers Pet. But Should They?" Scope/Content: By Alan Daniels. First Draft. November 9, 1986. 41 pages. FOLDER 5 : "Teachers Pet" Scope/Content: By Alan Daniels. Second Draft. February 5, 1987. 45 pages. FOLDER 6 : "The Visit" Scope/Content: Written by Alan Uger and Marc Lawrence. Created by Gary David Goldberg. #60585-124. First Draft. March 3, 1987. Paramount Pictures Corporation. In association with UBU Productions. 52 pages. Written by Alan Uger and Marc Lawrence. Created by Gary David Goldberg. #60585-124. Final Draft. March 4, 1987. Paramount Pictures Corporation. In association with UBU Productions. 50 pages. FOLDER 7 : "The Visit" Scope/Content: Written by Alan Uger and Marc Lawrence. Created by Gary David Goldberg. #60585-124. Final Draft. March 4, 1987. Paramount Pictures Corporation. In association with UBU Productions. 49 pages. This folder contains three copies of the script. FOLDER 8 : "The Way We Were" Scope/Content: Written by Gary David Goldberg. Directed by Will Mackenzie. Created by Gary David Goldberg. #60586-128. Final Shooting Script. September 2, 1987. Paramount Pictures Corporation. In association with UBU Productions. 48 pages. FOLDER 9 : "Where's Poppa?" Scope/Content: Written by Marc Lawrence and Susan Borowitz. Created by Gary David Goldberg. #60584-090. Final Shooting Script. December 18, 1985. Paramount Pictures Corporation. In association with UBU Productions. 48 pages. This folder contains two copies of the script.

Sub-Series : Misc. Television Scripts

BOX 9 : A-Mal FOLDER 1 : "The Art of Being Nick (Pilot)" Scope/Content: Written by Bruce Helford. Second Draft. April 20, 1987. Paramount, Network Television Division. 55 pages. FOLDER 2 : The Bob Newhart Show--"Fly the Unfriendly Skies" Scope/Content: Written by David Davis & Lorenzo Music. Prod. #7251. Written: June 6, 1972. Final Draft: July 17, 1972. 51 pages. FOLDER 3 : The Bronx Zoo #006--"Conspicuous By Their Abstinence" Scope/Content: Written by Elia Katz. Executive Producers: Patricia Jones and Donald Reiker. Produce: Mel Efros. Revised 12/24/86. 64 pages. FOLDER 4 : "China Beach" Scope/Content: Written by John Sacret Young. Created by William Broyles, Jr. & John Sacret Young. First Draft. September 3, 1987. Sacret, Inc. in association with Warner Bros. Television. 107 pages. FOLDER 5 : China Beach--"Heatwave" Scope/Content: Written by Susan Rhinehart. Directed by Beth Hillshafer. Executive Consultant: William Boyles, Jr. Supervising Producer: Rod Holcomb. Producer: John Lugar. Executive Producer: John Sacret Young. Final Draft. February 8, 1988. Sacret Inc., in association with Warner Bros. Television. 60 pages. FOLDER 6 : China Beach--"Home" Scope/Content: Written by William Broyles, Jr. Directed by Rob Holcomb. Executive Consultant: William Boyles, Jr. Supervising Producer: Rod Holcomb. Producer: John Lugar. Executive Producer: John Sacret Young. Revised Final Draft. February 2, 1988. Warner Bros. Television. 54 pages. FOLDER 7 : China Beach--"Somewhere Over the Radio" Scope/Content: Written by Ann Donahue. Directed by Rob Holcomb. Executive Consultant: William Boyles, Jr. Producer: Rod Holcomb. Producer: John Lugar. Executive Producer: John Sacret Young. Revised Final Draft. February 16, 1988. Sacret Inc., in association with Warner Bros. Television. 57 pages. FOLDER 8 : Designing Women--"Julia and Mary Jo Get Stuck Under a Bed" Scope/Content: Written by Linda Bloodworth-Thomason. Directed by David Steinberg. #164613. T20466-92-013. 2nd Revised Final Draft. November 21, 1991. Bloodworth/Thomason Mozark Productions in association with Columbia Pictures TV. 62 pages. FOLDER 9 : "L.A. Law" Scope/Content: Written by Steven Bochco and Terry Louise Fisher. First Draft. September 25, 1985. 117 pages. FOLDER 10 : Lou Grant--"Hollywood" Scope/Content: By Michele Gallery. Prod. #9513. First Draft. September 20, 1979. Revised September 24, 1979. 62 pages. FOLDER 11 : Lou Grant--"Streets" Scope/Content: By Bud Freeman. Prod. #0505. First Draft July 16, 1980. Revised October 22, 1980. 56 pages. FOLDER 12 : Malice in Wonderland: Three Hollywood Cameos Scope/Content: Omnibus VII--Volume Seven. By S.J. Perelman. Copyright: Robert Saudek Associates. Program #149. Air Date: January 18, 1959. n.pag.

BOX 10 : Mar-W FOLDER 1 : Mary--"From Pillar to Post" (Pilot) Scope/Content: Written & Created by Ken Levine & David Isaacs. First Draft July 11, 1985. This material is the property of MTM Enterprises and is intended solely for use by its personnel. Distribution to unauthorized persons is prohibited. 58 pages. FOLDER 2 : The Mary Tyler Moore Show--"And Now, Sitting in for Ted Baxter" Scope/Content: Written by Steve Pritzker. Prod. #7109 (35). Written-July 8, 1971. Revised-August 25, 1971. Filmed-August 27, 1971. 52 pages. FOLDER 3 : The Mary Tyler Moore Show--"Love is All Around" Scope/Content: Written by James L. Brooks and Allan Burns. Prod. #7001. Written-June 24, 1970. Revised-July 1, 1970. Filmed- July 3, 1970. 49 pages. This folder contains two copies of the script. FOLDER 4 : The Mary Tyler Moore Show--"Mary's Big Party" Scope/Content: Written by Bob Ellison. Prod. #6026 (169). Written-January 24, 1977. Revised-January 26, 1977. Filmed-January 28, 1977. 28 pages. FOLDER 5 : My Grandmother's House--"Pilot" Scope/Content: Written by Gary David Goldberg. First Draft April 26, 1991. The writing credits may not be final and should not be used for publicity or advertising purposes without first checking with the television legal department. This script is not for publication or reproduction. No one is authorized to dispose of same. If lost or destroyed, please notify the Script Department. Paramount Pictures Corporation. In association with UBU Productions. 60 pages. FOLDER 6 : Pam Dawber Pilot Scope/Content: Written by Susan Beavers. 1st Revised Table Draft. April 8, 1986. Warner Bros. Television. Warner Bros., Inc. 50 pages.

FOLDER 7 : Remington Steele Scope/Content: Teleplay by Michael Gleason. Story by Michael Gleason and Robert Butler. Prod. #0903. December 21, 1981. Revised 1/15/82. MGM Enterprises. 66 pages. FOLDER 8 : St. Elsewhere--Episode #2--"Bypass" Scope/Content: By Joshua Brand and John Falsey. Prod. #2301. Final Draft. April 23, 1982. Revised 5/12/82, 5/13/82, 5/17/82, 5/19/8, 5/24/82, 5/25/82, 5/27/82. 64 pages. FOLDER 9 : St. Elsewhere--Episode #11--"Graveyard" Scope/Content: Teleplay by Joshua Brand, John Falsey, John Masius, and Tom Fontana. Story by Joshua Brand and John Falsey. Final Draft. September 3, 1982. Revised 9/13/82, 9/15/82. MTM Enterprises. 61 pages. FOLDER 10 : St. Elsewhere--Episode #4--"Samuels and the Kid" Scope/Content: Teleplay by John Masius. Story by John Masius, John Falsey, and Joshua Brand. Second Draft. Prod. #1303. 1/27/82. 2/2/82. MTM Enterprises. 62 pages. FOLDER 11 : "Win a Few, Lose a Few" (Pilot Episode) Scope/Content: By Larry Gelbart. November 9, 1972. 40 pages.

BOX 11 : Hill Street Station FOLDER 1 : Budget Information, 1/23/1980-2/8/1980 FOLDER 2 : Call Sheets, Location Permits, Production Notes, 2/27/1980-3/25/1980 FOLDER 3 : Daily Production Reports, Shooting Schedule, 2/28/1980-3/25/1980 FOLDER 4 : Hill Street Blues (Pilot) (aka Hill Street Station)--Script Scope/Content: By Mark Kozoll and Steven Bochco. Prod. #0925. Rev. 7/17/80 (Re-shoot). Rev. 7/21/80 (Re-shoot). 60 pages. FOLDER 5 : Hill Street Station--Script Scope/Content: By Mark Kozoll and Steven Bochco. Prod. #0925. Rev. 7/17/80 (Re-shoot). Rev. 7/21/80 (Re-shoot). MTM Enterprise. 61 pages. This folder contains two copies of the script.

Sub-Series : Television Specials

BOX 12 : Memories of M*A*S*H, 1991

BOX 12 Series 3 : Interviews FOLDER 1 - Alda, Alan Scope/Content: Tape 1A: 23 pages, Tape 2A: 20 pages, Page 3A: 19 pages, Page 4A: 18 pages, Page 5A: 16 pages. FOLDER 2 - Arbus, Allan Scope/Content: Tape 22: 8 pages. FOLDER 3 - Bailey, G.W. Scope/Content: 8 pages. FOLDER 4 - Bloodworth, Lisa Scope/Content: 12 pages. FOLDER 5 - Burghoff, Gary Scope/Content: 39 pages. FOLDER 6 - Christopher, Bill/Christopher, Barbara Scope/Content: Bill Christopher: 22 pages, Barbard Christopher: 8 pages. FOLDER 7 - Dishell, Dr. Walter Scope/Content: Reel #15: 6 pages. FOLDER 8 - Farr, Jamie Scope/Content: 23 pages. FOLDER 9 - Farrell, Mike/Mike Farrell's Children Scope/Content: Mike Farrell: 36 pages, Mike Farrell's Children: 17 pages. FOLDER 10 - Gelbart, Larry/Reynolds, Gene Scope/Content: 60 pages. FOLDER 11 - Linville, Larry Scope/Content: Tape 9: 22 pages, Tape 10: 10 pages. FOLDER 12 - Metcaf, Burt and Reynolds, Gene Scope/Content: Tape #00: 20 pages, Tape 01: 5 pages, Tape 23: 20 pages. FOLDER 13 - Morgan, Harry Scope/Content: 19 pages. FOLDER 14 - Nakahara, Kellye Scope/Content: Reel #7: 7 pages, Tape #8: 6 pages. FOLDER 15 - Rogers, Wayne Scope/Content: Tape #2: 20 pages, Tape #3: 14 pages.

FOLDER 16 - Stevenson, Maclean Scope/Content: Reel #11: 6 pages, Tape #11A: 8 pages, Tape #12A: 19 pages, Tape #13A: 17 pages, Tape #14A: 18 pages, Maclean Stevenson B-Roll (playing golf): 1 page. FOLDER 17 - Stiers, David Ogden/David Ogden Stiers & Parents Scope/Content: Tape #16: 5 pages, Tape #17: 15 pages, Tape #18: 23 pages, Tape #19: 7 pages, Tape #19 David Ogden Stiers & Parents: 7 pages. The folder also contains a two page cue sheet titled "DOS conduction." FOLDER 18 - Swit, Loretta Scope/Content: Tape #9: 12 pages, Tape #10: 14 pages. FOLDER 19 - Vester, Dr. John Scope/Content: 8 pages. FOLDER 20 - Winter, Ed Scope/Content: 5 pages.

BOX 12 Series 4 : Episode & Misc. Log Notes FOLDER 1 - Intro & Tapes FOLDER 2 - Time Codes & Scenes I Scope/Content: This folder contains the following sections, maintained in chronological order: Year 1J, Year 2K, Year 3B, Year 4G, Year 5U, and Year 6Y. FOLDER 3 - Time Codes & Scenes II Scope/Content: This folder contains the following sections, maintained in chronological order: Year 7T, Year 8S, Year 9Z, Year 10 I-G, and Year 11 9-B. FOLDER 4 - 1983 Cast Intvs., Character Clips, Misc.

BOX 13 : Additional M*A*S*H Interviews, Promotion Kit FOLDER 1 : Bonner, Gertrude Scope/Content: 13 pages. FOLDER 2 : Hess, Shirley Scope/Content: Side One: 20 pages, Side Two: 16 pages. FOLDER 3 : Hohmann, George, Ph.D. Scope/Content: Side One: 27 pages, Side Two: 25 pages. FOLDER 4 : Long, Earl (Double Arm Amputee) Scope/Content: 11 pages. FOLDER 5 : Nations, Elizabeth, R.N. Scope/Content: 34 pages. Poplar Bludd, Mo, VA Hospital. ITEM : M*A*S*H Promotion Aid

BOX 14 : Inside Family Ties--Interviews FOLDER 1 : Bateman, Justine/Bateman, Justine and Fox, Michael Scope/Content: Reel 27: 7 pages (2 copies), Reel 42: 4 pages (2 copies), Reel 43: 5 pages (2 copies). FOLDER 2 : Bennett, Ruth Scope/Content: Reel 86: 14 pages. FOLDER 3 : Birney, Meredith Baxter Scope/Content: Reels 41&41: 18 pages. FOLDER 4 : Bonsall, Brian Scope/Content: Brian Bonsall Reel 52: 2 pages (2 copies), Brian Bonsall's Mom and Teacher Reel 52: 6 pages (2 copies). FOLDER 5 : Borowitz, Susan Scope/Content: Reel 12: 10 pages, Reel 13: 12 pages. FOLDER 6 : Cox, Courtney Scope/Content: Reel 63: 2 pages (2 copies). FOLDER 7 : Fox, Michael Scope/Content: Reel 28: 4 pages (2 copies), Reels 49&50: 22 pages. FOLDER 8 : Goldberg, Gary Scope/Content: Reel 47: 1 page, Reel 59: 2 pages (2 copies), Reel 59: 5 pages, Reel 78: 11 pages, Reel 79: 12 pages, Reel 80: 13 pages, Reel 81: 14 pages (2 copies), Reel 82: 11 pages (2 copies), Reel 83: 12 pages (2 copies), Reel 84: 13 pages (2 copies), Reel 85: 10 pages. FOLDER 9 : Gross, Michael Scope/Content: Reel 40: 10 pages (2 copies). FOLDER 10 : Himes, Carol Scope/Content: Reel 51: 7 pages.

FOLDER 11 : Lawrence, Marc Scope/Content: Reel 5: 14 pages (2 copies), Reel 6: 13 pages (2 copies), Reel 7: 13 pages (2 copies). FOLDER 12 : Price, Marc Scope/Content: Reel 11: 8 pages. FOLDER 13 : Tartikoff, Brandon Scope/Content: Reel #87-88: 16 pages. FOLDER 14 : Uger, Alan Scope/Content: Reel 9: 11 pages (2 copies), Reel 10: 11 pages, Reel 11: 8 pages. FOLDER 15 : Valentine, Scott Scope/Content: Reel 8: 12 pages (3 copies). FOLDER 16 : Weisman, Sam Scope/Content: Reel 23: 5 pages, Reel 24: 16 pages, Reel 54: 2 pages (3 copies). FOLDER 17 : Winner, Judith Scope/Content: Reel 58: 6 pages (2 copies). FOLDER 18 : Weithorn, Michael Scope/Content: Reel #19: 12 pages, Reel 20: 12 pages, Reels 22 and 23: 25 pages. FOLDER 19 : Yothers, Tina Scope/Content: Reel 51: 6 pages (2 copies). FOLDER 20 : Misc. Crew Scope/Content: Andrew, Stage Manager: Reel 48: 5 pages (2 copies). Jerry, the Guard: Reel 64: 4 pages (2 copies).

BOX 15 : Inside Family Ties--Production FOLDER 1 : After Cast Reading Scope/Content: Reels 16-17: 6 pages. FOLDER 2 : Writing Session, 6/2/1987 Scope/Content: Tapes 1,2,3,4: 41 pages (2 copies). FOLDER 3 : End of Day Notes--Tuesday Scope/Content: Side 2, Reel 31: 8 pages (2 copies), Reels 31-35: 75 pages (2 copies), Reel 36: 10 pages (2 copies). FOLDER 4 : End of Day Notes--Wednesday Scope/Content: Reels 44-45-46: 32 pages (2 copies). FOLDER 5 : End of Day Notes--Thursday Scope/Content: Reel 55: 11 pages (2 copies). FOLDER 6 : Production Meeting Scope/Content: Reel 14: 15 pages (2 copies), Reel 15: 7 pages (2 copies).

BOX 16 : Shared Moments ABC Special Scope/Content: Museum of Television and Radio. Michael Hirsh Productions. FOLDER 1 : Cost Reports & Budget, 1992-1993 FOLDER 2 : Program Description FOLDER 3 : Music Clearance FOLDER 4 : ABC Contract, 2/15/1990-4/23/1992 FOLDER 5 : Insurance, Network Standards, Contacts, Interview, Location, Editing, Production Design, Nielsen Ratings, Airline Tradeout, Title Clearance, Scenic Design FOLDER 6 : Writers, Directors, Actors FOLDER 7 : Final Script--Great Television Moments: What We Watched Scope/Content: A Museum of Television & Radio Special for the ABC Television Network. Second Revised Final. October 9, 1992.Executive Producers: Allan Burns, Grant Tinker. Produced & Directed by Michael Hirsh. Written by Michael Hirsh. Co-Producer: Joel Lipman. Coordinating Producer: Karen Taylor. Michael Hirsh Productions. 43 pages. FOLDER 8 : Advertising & Misc.

BOX 17 : Welcome Home FOLDER 1 : Index & Script Scope/Content: This folder contains the following categories: Important Phone Numbers, Maps, Band Plots, Stage Plots, Equipment List, AT/VTPB List, Staff List, Talent List, Schedule, Rundown, and Script. FOLDER 2 : Opening Talk FOLDER 3 : Introductions & Money Pitch I Scope/Content: This folder contains the following categories, maintained in chronological order: Intro Chuck Hagel, Money Pitch #1, Intro Kris Kristofferson, and Intro Senator Kerry. FOLDER 4 : Introductions I Scope/Content: This folder contains the following sections, maintained in chronological order: Intro Linda Ronstadt, Intro Rocky Bleier, Intro George Carlin, and Intro James Brown.

FOLDER 5 : Introductions & Money Pitch II Scope/Content: This folder contains the following categories, maintained in chronological order: Money Pitch #3, Intro Mark Montalban, Intro Maude Devictor, Intro Jim Wachtendonk, and Intro Stevie Wonder. FOLDER 6 : Introduction--Crosby Stills, and Nash FOLDER 7 : Introductions II Scope/Content: This folder contains the following sections, maintained in chronological order: Intro Martha Raye, Intro Anita Baker, Intro Blake Clark, Intro Jon Voight Talk & Intro Richie Havens, Ritchie Havens Intro Gossett & Talk, Intro Miss USA, and Intro John Sebastian. FOLDER 8 : Introductions & Money Pitch III Scope/Content: This folder contains the following sections, maintained in chronological order: Money Pitch #6, Intro John Fogerty "The Old Man Down the Road," and Intro Steve Mason. FOLDER 9 : Rundown FOLDER 10 : Schedule, Staff List, Cast List FOLDER 11 : Misc.

BOX 18 : Television's Christmas Classics--Talent Clearances FOLDER 1 : Memos, Misc. FOLDER 2 : Talent Clearances, A-C FOLDER 3 : Talent Clearances, D-H FOLDER 4 : Talent Clearances, I-K FOLDER 5 : Talent Clearances, L-M FOLDER 6 : Talent Clearances, N-S FOLDER 7 : Talent Clearances, T-Z

BOX 19 : Television Specials, Misc.

BOX 19 Series 5 : Background Information by ACT Scope/Content: Museum of Television and Radio ABC Speical. Michael Hirsh Productions. FOLDER 1 - Main Open, Great Sketch Comedies FOLDER 2 - Moments in History, Life-Cycle Events, Moments in Drama FOLDER 3 - Sit-Coms, Heart Moments, Musical Moments, Tag & Credits

BOX 19 Series 6 : Great Television Moments: What We Watched FOLDER 1 - Great Television Moments--Script Scope/Content: Revised Final. October 4, 1992. A Museum of Television & Radio Special for the ABC Television Network. Executive Producers: Allan Burns and Grant Tinker. Produced & Directed by Michael Hirsh. Written by Michael Hirsh and Joel Lipman. Co-Producer: Joel Lipman. Coordinating Producer: Karen Taylor. Michael Hirsh Productions. 43 pages. FOLDER 2 - Clips FOLDER 3 - Show Run-Downs and Treatments FOLDER 4 - Show Clips to Order or Ordered, etc. FOLDER 5 - Memos, Reference Information

BOX 19 Series 7 : Television's Christmas Classics CBS Special FOLDER 1 - Contacts, Budget, Location, Nielsen Ratings FOLDER 2 - Television Christmas Classics: A CBS Television Network Special--Script Scope/Content: Final. Revised: October 14, 1994. Hosted by Marie Osmond. Michael Hirsh, Executive Producer. Saryl T. Radwin, Producer. Shoot Date: Monday, October 17, 1994. Michael Hirsh Productions in association with MTM Enterprises. 20 pages. This folder contains two copies of the script, including a master copy. FOLDER 3 - Actors, Directors, DGA FOLDER 4 - Music Clearance, Title Clearance FOLDER 5 - Publicity FOLDER 6 - Credits, Licensing Payments, Clips, Production FOLDER 7 - Correspondence, 1993-1994

BOX 20 : Television's Christmas Classics

BOX 20 Series 8 : Talent Clearances FOLDER 1 - A-D FOLDER 2 - E-K FOLDER 3 - L-P FOLDER 4 - R-Z

BOX 20 Series 9 : Copyright Worksheets FOLDER 1 - A-C FOLDER 2 - D-K FOLDER 3 - L-O FOLDER 4 - P-S FOLDER 5 - T-W FOLDER 6 - Misc.

BOX 21 : Music of Television and Radio Special

BOX 21 Series 10 : Talent Releases FOLDER 1 - A-D FOLDER 2 - E-J FOLDER 3 - K-O FOLDER 4 - P-S FOLDER 5 - T-Y

BOX 21 Series 11 : Clips FOLDER 1 - A-D FOLDER 2 - E-H FOLDER 3 - I-L

BOX 22 : Talent Worksheets, Misc. FOLDER 1 : A-D FOLDER 2 : E-J FOLDER 3 : K-M FOLDER 4 : N-S FOLDER 5 : T-Y FOLDER 6 : Misc.

Sub-Series : Movie Scripts

BOX 23 : A-F FOLDER 1 : Alien II Scope/Content: Treatment by David Giler & Walter Hill and James Cameron. September 21, 1983. 45 pages. FOLDER 2 : All The Pretty Horses Scope/Content: A Screenplay by Ted Tally. 101 pages. FOLDER 3 : Bottled Lightning Scope/Content: By Bo Goldman. Revised March 21, 1977. 150 pages. This folder also contains a Writers Guild of America Annual Award: Nomination for Screen Writing Achievement to Bo Goldman whose Screenplay "One Flew Over the Cuckoo's Nest" Based on the Novel by Ken Kesey Has been nominated as the Best-Written American Drama adapted from another medium-1975. FOLDER 4 : Chocolat Scope/Content: A Screenplay by Robert Nelson Jacobs. n.pag. FOLDER 5 : Dominick and Eugene Scope/Content: Written by Corey Blechman, Danny Porfirio, Alvin Sargent (Final writing credits to be determined by WGA). Directed by Robert M. Young. Farrell/Minoff Productions. March, 25, 1987. Revision 3/31/1987. Revision 4/15/1987. 124 pages. FOLDER 6 : Double Feature Scope/Content: A Screenplay by Larry Gelbart and Sheldon Keller. First Draft September 15, 1976. 136 pages. FOLDER 7 : Double Feature Scope/Content: A Screenplay by Larry Gelbart and Sheldon Keller. Revised June 13, 1977. 122 pages. FOLDER 8 : Five Of A Kind Scope/Content: Screenplay Treatment by Joel Lipman and Michael Hirsh. Copyright 1987 Michael Hirsh Productions, Inc. 45 pages.

BOX 24 : G-M FOLDER 1 : The Godfather Scope/Content: Screenplay by Mario Puzo and Francis Ford Coppola. Second Draft. March 1, 1971. 173 pages. FOLDER 2 : Grandma's Scope/Content: Written by Michael Hirsh. Second Draft. April 29, 1983. Copyright 1983. Michael Hirsh Productions. 106 pages. FOLDER 3 : Grandma's Scope/Content: Written by Michael Hirsh. First Draft. 6/18/82. Copyright 1982. Michael Hirsh Productions, Inc. 114 pages. FOLDER 4 : The Last Casualty Scope/Content: Treatment. By Michael Hirsh. 119 pages. Twentieth Century Fox Film Corporation Acquisitions form. Treatment. 2/28/85. Submitted to: Doug Stern. Analyst: Jim McDonald. Includes correspondence from Script Consultant Linda Seger, July 9, 1985. FOLDER 5 : Mastergate: A Congressional Hearing Scope/Content: By Larry Gelbart. Revised draft: June, 1, 1988. 92 pages. This folder contains three copies of the script. FOLDER 6 : The Milagro Beanfield War Scope/Content: Screenplay by David D. Ward. Based on the novel by John Nichols. Fourth Draft June 10, 1986. 136 pages. FOLDER 7 : Movie Movie 2 Scope/Content: A screenplay by Larry Gelbart. First Draft. August 1, 1978. 141 pages.

BOX 25 : P-W FOLDER 1 : Neighbors Scope/Content: Screenplay by Larry Gelbart. From the Novel by Thomas Berger. March 23, 1981. The Zanuk/Brown Company. 118 pages. FOLDER 2 : Pure Shooter--MOW Outline Scope/Content: By Joel Lipman & Michael Hirsh. Copyright 1987 Michael Hirsh Productions, Inc. 10 pages. FOLDER 3 : Reckless Scope/Content: An Original Screenplay by Chris Columbus. Property of CBS Theatrical Films © 1981. 109 pages. FOLDER 4 : Revenge of the Nerds Scope/Content: By Steve Zacharias and Jeff Buhai. Property of Twentieth Century Fox Film Corporation. December 13, 1983. With Revision #2 December 29, 1983. 103 pages. FOLDER 5 : Shiva: A Drama Scope/Content: By Michael Hirsh. First Draft. March 9, 1989. Copyright 1989. 59 pages. FOLDER 6 : Shoot the Moon Scope/Content: An original screenplay by Bo Goldman. Director: Alan Parker. December 23, 1980. Alan Parker Film Company. 139 pages. FOLDER 7 : Tootsie Scope/Content: Screenplay by Larry Gelbart. March 8, 1982. New York. Mirage Enterprises. 145 pages. FOLDER 8 : Weapons of Mass Distraction Scope/Content: Written by Larry Gelbart. November 20, 1996. 95 pages.

Sub-Series : Audiovisual Materials

BOX 26 : M*A*S*H/Christmas

BOX 26 Series 12 : M*A*S*H VHS Tapes ITEM - Making M*A*S*H Scope/Content: Syndication/International Version. Narrated by Michael Hirsh. 1:27:23. ITEM - Making M*A*S*H Pt. 1 Scope/Content: Michael Hirsh Productions, Inc. Series Title: MASH. Cassette Length: 60:00. Tape No. 3941 1.5. Record Date: 1/10/81. Program Length: Part I is 43 minutes. Reel No. 1 of 2. ITEM - Making M*A*S*H Pt. II Scope/Content: Cassette Length: 60 minutes. Tape No. 7716. Record Date: 3/28/83. Reel No. 2 of 2. Michael Hirsh Productions, Inc. WTTW/Chicago.

ITEM - M*A*S*H, Tootsie & God: The Writers Guild Tribute to Larry Gelbart Scope/Content: PBS Version. 58:23. 3 acts. Michael Hirsh Productions. ITEM - M*A*S*H Video Sampler ITEM - Memories of M*A*S*H Scope/Content: An Eye for a Tooth. Show #T-414. 10/17/91. Michael Hirsh Productions. ITEM - Memories of M*A*S*H Scope/Content: Final On Air Version. Sweetened. 12/2/91. TRT: 1:29:55. Michael Hirsh Productions. ITEM - Memories of M*A*S*H Scope/Content: International Version #1 Short. TRT: 52:00. 12/10/91. Michael Hirsh Productions. ITEM - Memories of M*A*S*H Scope/Content: International Version #1 Short. TRT: 52:00. 12/10/91. Michael Hirsh Productions. ITEM - Memories of M*A*S*H Scope/Content: Rally ‘Round the Flagg Boys. Show #T-425. 10/17/91. Michael Hrish Productions. ITEM - Memories of M*A*S*H Scope/Content: Show Dubs B-306, B-311, G-502, & G-512. 11/21/91. Years 3-4. Michael Hirsh Productions. ITEM - Memories of M*A*S*H Scope/Content: Show Dubs G-519, U-801, U-802, & U-808. Years 4-5. 11/21/91. Michael Hirsh Productions. ITEM - Memories of M*A*S*H Scope/Content: Show Dubs U-814, U-820, & U-825. 11/21/91. Year 5. Michael Hirsh Productions. ITEM - Memories of M*A*S*H Scope/Content: Souvenirs. Show #U-819. 10/21/91. Michael Hirsh Productions. ITEM - Memories of M*A*S*H Scope/Content: Broadcast: November 24, 1991. CBS Television Network. Michael Hirsh Productions in association with Twentieth Century Fox Television. Running Time: 70 minutes.

BOX 26 Series 13 : Christmas VHS Tapes ITEM - Alvin and the Chipmunks: Alvin's Christmas Carol Scope/Content: Michael Hirsh Productions. ITEM - An American Christmas Carol Scope/Content: A Modern Family Classic! Henry Winkler, with David Wayne, Chris Wiggins, R.H. Thompson, Kenneth Pogue, Susan Hogan, and Dorian Harewood. Executive Producers: Gary Smith and Edward J. Scherick. Produced by Jon Slan and Stanley Chase. Written by Jerome Coopersmith. Directed by Eric Till. V817. Michael Hirsh Productions. ITEM - Andy Griffith Show: Christmas Story Scope/Content: V502. 12/19/60. Directed by Bob Sweeney. Written by David Alder. Starring Andy Griffith, Ronny Howard, Don Knotts, Frances Bavier. ITEM - Bewitched Christmas Scope/Content: V504 A--"Humbug Not to Be Spoken Here." V504 B--"A Vision of Sugar Plums." ITEM - A Christmas Carol Scope/Content: Directed by Ralph Levy. Starring Frederic March, Basil Rathbone, Ray Middleton, Roger Wagner Chorale Family. Approx. Running Time: 61 min. V 808. Michael Hirsh Productions. ITEM - A Christmas Carol Scope/Content: With George C. Scott. V807. Michael Hirsh Productions. ITEM - Golden Palace--"It's Beginning to Look a Lot (Less) Like Christmas" Scope/Content: V519. #1014. Michael Hirsh Productions. ITEM - How the Grinch Stole Christmas/Santa Claus Is Coming to Town Scope/Content: V303 A and B. How the Grinch Stole Christmas: Approximate Running Time: 26 minutes, Color, 1966. Santa Claus Is Coming to Town: Approximate Running Time: 53 minutes. ITEM - How the Grinch Stole Christmas/If I Ran the Zoo Scope/Content: Narrated by Walter Matthau. Approx. 30 min. Close Captioned. Color. ITEM - Mister Magoo's Christmas Carol Scope/Content: V307. A Henry G. Saperstein Production. Music by Jule Styne. Lyrics by Bob Merrill. Starring the voice of Jim Backus as Mr. Magoo. Freely adapted from Charles Dickens' "A Christmas Carol." Adapted by Barbard Chain. Directed by Abe Levitow. Executive Producer: Henry G. Saperstein. Produced by Lee Orgel. Voices: Morey Amsterdam, Jack Cassidy. Copyright 1952 UPA Pictures. Copyright 1982 Paramount Pictures Corp. ITEM - Rich Little's Christmas Carol Scope/Content: Approximate running time 55 minutes. Color. A Caridi Entertainment Presentation. Program copyright 1978 Canadian Broadcasting Corporation. ITEM - Television's Christmas Carol Scope/Content: Demo 8:30. 4/22/96. Michael Hirsh Productions.

ITEM - Television's Christmas Classics Scope/Content: Hosted by Marie Osmond. 1 hour (This tape runs 46:42 with pulled blacks). CBS TV Network. Michael Hirsh Productions. MTM Entertainment, Inc. TRT 46:22.

BOX 27 : Misc. Michael Hirsh Productions ITEM : Admiral Broadway Revue Scope/Content: Hollywood 4/8/49 (54:30), 2. Sky High 3/11/49 (54:35), First Sid Caesar TV Show. ITEM : Barbra Streisand CBS Concert, 1995 Scope/Content: 90 minutes. Michael Hirsh Productions. ITEM : Bewitched, All in the Family, Maude Scope/Content: V1117 A. Bewitched--"Marriage." V1117 B. Maude--"Meets Florida." V1117 C. All in the Family--"Pilot." Michael Hirsh Productions. ITEM : B.S. Love Counselor: Contraception for Teens Segments Scope/Content: TRTL 30:00. 11/17/92. Michael Hirsh Productions. ITEM : Desmond Morris: Human Sexuality Scope/Content: The Learning Channel. 1/30/95. Michael Hirsh Productions. ITEM : Donna Reed, December Bride, Hitchcock, The Odd Couple Scope/Content: Donna Reed ("A Very Merry XMas"), December Bride ("Christmas Show"), Hitchcock ("Santa Claus and the Tenth Ave. Kid"), The Odd Couple ("Scrooge Gets an Oscar"). V524 A-D. ITEM : Eastside Westside--"Who Do You Kill?" Scope/Content: For Michael Hirsh Productions. VTR: 7/21/92. V1093 B. ITEM : An Evening with Fred Astaire Scope/Content: From ¾". With Window Code. VTR: 6/9/92. V512. Michael Hirsh Productions. ITEM : An Evening with Larry Gelbart Scope/Content: 4/22/98. 3/25/98. Michael Hirsh, Larry Gelbart. ITEM : Inside Family Ties Scope/Content: Off air copy. Michael Hrish Productions. ITEM : It Shouldn't Hurt to Be a Kid: The Natural Helpers Story Scope/Content: 57:30. Michael Hirsh Productions. ITEM : JFK Gala, 1 of 2 Scope/Content: Michael Hirsh Productions. ITEM : JFK Gala, 2 of 2 Scope/Content: Michael Hirsh Productions. ITEM : Martin Luther King with Merv Griffin Scope/Content: For preview use only. Michael Hirsh Productions. ITEM : The Mary Tyler Moore Show (Pilot)/Rhoda (Pilot) ITEM : The Mary Tyler Moore Show--"Chuckles Bites the Dust/Ted's Wedding" Scope/Content: TRT: 25:55/25:54. Ch. 1&2 Comp. Mono 6/14/92. Michael Hirsh Productions. ITEM : The Mary Tyler Moore Show--"Once I Had a Secret Love" Scope/Content: #5108. Act 5: Sit Com. V11111. Michael Hirsh Productions. ITEM : The Mary Tyler Moore Variety Hour Scope/Content: #0101 1978. Michael Hirsh Productions. ITEM : Michael Hirsh Compilation Tape Scope/Content: 63 minutes. 8/5/97. Michael Hirsh Productions. ITEM : Once You Cross the Line: A training tape on preventing clergy misconduct Scope/Content: A training tape on presenting clergy misconduct: sexual abuse in the ministerial relationship. Keeping the Faith: a program series produced by the Center for the Prevention of Sexual and Domestic Violence. ITEM : The Red Skelton Holiday Hour Scope/Content: Shokus Video Presents Vintage Television #719. 1. Thanksgiving Show 125A (1955) Complete with commercials. 2. XMAS 125B (1954) With guest star Allen Jenkins. Copyright MCMXCI by Shokus Video. For Home Use Only. ITEM : Sammy Davis Jr. 60th Anniversary Special Scope/Content: VTR: 6/19/92. Window Dub. V1049. Michael Hirsh Productions. ITEM : Saturday Night Live--Christmas Past Part One & Two Scope/Content: V501A/V501B. Michael Hirsh Productions. ITEM : The Stingiest Man in Town Scope/Content: Starring the voices of Walter Matthau, Tom Bosley, Theodore Bikel, Robert Morse and Dennis Day! V 305. Michael Hirsh Productions.

ITEM : Superspots Demo Tape: The Greatest Super Bowl Commercials of All Time Scope/Content: Michael Hirst Productions. In Association with Steve Sauer Enterprises. ITEM : Superspots Demo Tape: The Greatest Super Bowl Commercials of All Time Scope/Content: Michael Hirsh Productions. In Association with Steve Sauer Enterprises. Dubbed from BETACAM SP. ITEM : Sweet Liberty Press Kit Scope/Content: Audio: CH 1 & 2. Viewing Copy. Updated Version 4/14/86. Michael Hirsh Productions. ITEM : Teenage Sex and Birth Control (Pilot) Scope/Content: Michael Hirsh/Elayne Goldstein, WTTW/Chicago, 18 minutes. ITEM : Word Pictures #101 Scope/Content: Record date: September 18, 1988. WTTW Productions. Michael Hirsh, Director of West Coast Program Development. ITEM : You Should See What You're Missing Scope/Content: PBS Special. 4/9/76. TRT: 57:20. Michael Hirsh Productions. ITEM : You Should See What You're Missing! Scope/Content: PBS. 1976. TV censorship. Dub from ¾". 60 minutes. Michael Hirsh Productions.

ITEM : Great Television Moments: What We Watched Scope/Content: The Museum of Television & Radio Special. Anderson Video. Vault this for MTM Edit 10/27 "Television's Christmas Classics." Final Mix. Reel: Master. Date: 11/6/92. Client: Blacks Pulled Michael Hirsh PRoductions. Oper.: Reynolds. Ampex 196 Mastering Series.