Jamie Farr Scripts, 1954-1984, MSS-024
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UCLA UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Lost! The Social Psychology of Missing Possessions Permalink https://escholarship.org/uc/item/1rn7b11p Author Berry, Brandon Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Lost! The Social Psychology of Missing Possessions A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Sociology by Brandon Lee Berry 2012 ABSTRACT OF THE DISSERTATION Lost! The Social Psychology of Missing Possessions by Brandon Lee Berry Doctor of Philosophy in Sociology University of California, Los Angeles, 2012 Professor Jack Katz, Chair For most, the loss of a material possession is an infrequent occurrence usually prevented through a variety of vaguely noticed practices and routines. For the sociologist, the occasion offers a natural experiment in how individuals deal with a sudden threat to the order, expectations, and material scaffolding sustaining their usual way of life. Drawing on 600 naturally-occurring cases of loss collected through observations around lost and found booths and counters, interviews with individuals recruited through lost and found websites, and guided journaling by college undergraduates about their everyday misplacements, this dissertation explores the social impact of a missing possession. Tracing losses from the moment of their discovery, I show how losing parties must carve out space from their ongoing biographies if a loss is to gain foothold as a social matter. In taking up the theme of ‘a loss’ as a matter to resolve, individuals will act to ensure that their immediate activities will go on as planned, that they will maintain untroubled ii relations with others, or that they will feel “complete.” Yet a central paradox is that the object’s loss may disturb them even while they concede its dispensability. -
Support for Begins to Un
The weather ■it.'-;. ITT ' ' ’ Sunny today with high near 70. In- creaiing cioudineu tonight with low SO SO. Tueiday variable cloudiness with CIWU chance ot a few showers. High in 70s. Cbahce of rain 20% tonight, 30% Tuesday. National weather forecast map on Page 7-B. FRia>:i nrr6tN.< Support for begins to un WASHINGTON (UPI) - Decision facing the committee and explainiaf a i week in the Bert Lance controversy his dealings. began t^ a y with political support for "I know that Mr. Lance hat not the White House budget director un made any such decision,” Clifford raveling as he prepared for his day in told the Washington Star. "He fecit the witness chair. he has committed no illegality and, Supporters of the former Atlanta in his opinion, no impropriety ... I banker asked only that Lance be believe it is absolutely incorrect that given a chance to answer the charges in public. 'The Senate Governmental Affairs Committee scheduled fresh Balloonil testimony from a series of govern ment officials, culminating ’Thursday with Lance’s own appearance. Carter plans a news conference Wednesday, the day before Lance call for testifies. Questions of Comptroller of the REYKJAVIK, Iceland (UPI) - Currency John Heimann were likely Two Albuquerque, N.M., men trying Army-Navy Club has family picnic to center on a newly released Inter to become the first to fly the Atlantic in a balloon, ran low on fuel today Members and families of the Army-Navy Club and Auxiliary enjoy picnicking and play nal Revenue Service report detailing efforts by Lance to conceal financial after more than 60 hours aloft and Sunday at the group’s 18th annual family picnic, at Globe Hollow. -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
Scripture: John 8:12-16 William C. Pender FIRST PRESBYTERIAN CHURCH, 5/19/19
“I Am the Light of the World” (fn.:JOHN 8 12-16.2019.DOC) Scripture: John 8:12-16 William C. Pender FIRST PRESBYTERIAN CHURCH, 5/19/19 Exodus 3:1-12: Moses was keeping the flock of his father-in-law Jethro, the priest of Midian; he led his flock beyond the wilderness, and came to Horeb, the mountain of God. 2 There the angel of the LORD appeared to him in a flame of fire out of a bush; he looked, and the bush was blazing, yet it was not consumed. 3 Then Moses said, “I must turn aside and look at this great sight, and see why the bush is not burned up.” 4 When the LORD saw that he had turned aside to see, God called to him out of the bush, “Moses, Moses!” And he said, “Here I am.” 5 Then he said, “Come no closer! Remove the sandals from your feet, for the place on which you are standing is holy ground.” 6 He said further, “I am the God of your father, the God of Abraham, the God of Isaac, and the God of Jacob.” And Moses hid his face, for he was afraid to look at God. 7 Then the LORD said, “I have observed the misery of my people who are in Egypt; I have heard their cry on account of their taskmasters. Indeed, I know their sufferings, 8 and I have come down to deliver them from the Egyptians, and to bring them up out of that land to a good and broad land, a land flowing with milk and honey, to the country of the Canaanites, the Hittites, the Amorites, the Perizzites, the Hivites, and the Jebusites. -
Forrestine Cooper Hooker's Notes and Memoirs on Army Life in the West, 1871-1876, Arranged, Edited, and Annotated by Barbara E
Forrestine Cooper Hooker's notes and memoirs on army life in the West, 1871-1876, arranged, edited, and annotated by Barbara E. Fisher Item Type text; Thesis-Reproduction (electronic) Authors Fisher, Barbara Esther, 1939- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 03:17:15 Link to Item http://hdl.handle.net/10150/551645 FORRESTINE COOPER HOOKER'S NOTES AND MEMOIRS ON ARMY LIFE IN THE WEST, 1871 - 18?6 arranged, edited, and annotated by Barbara E, Fisher A Thesis Submitted to the Faculty of the DEPARTMENT OF HISTORY In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 6 3 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the interests of scholarship. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
Approved Movie List 10-9-12
APPROVED NSH MOVIE SCREENING COMMITTEE R-RATED and NON-RATED MOVIE LIST Updated October 9, 2012 (Newly added films are in the shaded rows at the top of the list beginning on page 1.) Film Title ALEXANDER THE GREAT (1968) ANCHORMAN (2004) APACHES (also named APACHEN)(1973) BULLITT (1968) CABARET (1972) CARNAGE (2011) CINCINNATI KID, THE (1965) COPS CRUDE IMPACT (2006) DAVE CHAPPEL SHOW (2003–2006) DICK CAVETT SHOW (1968–1972) DUMB AND DUMBER (1994) EAST OF EDEN (1965) ELIZABETH (1998) ERIN BROCOVICH (2000) FISH CALLED WANDA (1988) GALACTICA 1980 GYPSY (1962) HIGH SCHOOL SPORTS FOCUS (1999-2007) HIP HOP AWARDS 2007 IN THE LOOP (2009) INSIDE DAISY CLOVER (1965) IRAQ FOR SALE: THE WAR PROFITEERS (2006) JEEVES & WOOSTER (British TV Series) JERRY SPRINGER SHOW (not Too Hot for TV) MAN WHO SHOT LIBERTY VALANCE, THE (1962) MATA HARI (1931) MILK (2008) NBA PLAYOFFS (ESPN)(2009) NIAGARA MOTEL (2006) ON THE ROAD WITH CHARLES KURALT PECKER (1998) PRODUCERS, THE (1968) QUIET MAN, THE (1952) REAL GHOST STORIES (Documentary) RICK STEVES TRAVEL SHOW (PBS) SEX AND THE SINGLE GIRL (1964) SITTING BULL (1954) SMALLEST SHOW ON EARTH, THE (1957) SPLENDER IN THE GRASS APPROVED NSH MOVIE SCREENING COMMITTEE R-RATED and NON-RATED MOVIE LIST Updated October 9, 2012 (Newly added films are in the shaded rows at the top of the list beginning on page 1.) Film Title TAMING OF THE SHREW (1967) TIME OF FAVOR (2000) TOLL BOOTH, THE (2004) TOMORROW SHOW w/ Tom Snyder TOP GEAR (BBC TV show) TOP GEAR (TV Series) UNCOVERED: THE WAR ON IRAQ (2004) VAMPIRE SECRETS (History -
Entertainment Plus Karaoke by Title
Entertainment Plus Karaoke by Title #1 Crush 19 Somethin Garbage Wills, Mark (Can't Live Without Your) Love And 1901 Affection Phoenix Nelson 1969 (I Called Her) Tennessee Stegall, Keith Dugger, Tim 1979 (I Called Her) Tennessee Wvocal Smashing Pumpkins Dugger, Tim 1982 (I Just) Died In Your Arms Travis, Randy Cutting Crew 1985 (Kissed You) Good Night Bowling For Soup Gloriana 1994 0n The Way Down Aldean, Jason Cabrera, Ryan 1999 1 2 3 Prince Berry, Len Wilkinsons, The Estefan, Gloria 19th Nervous Breakdown 1 Thing Rolling Stones Amerie 2 Become 1 1,000 Faces Jewel Montana, Randy Spice Girls, The 1,000 Years, A (Title Screen 2 Becomes 1 Wrong) Spice Girls, The Perri, Christina 2 Faced 10 Days Late Louise Third Eye Blind 20 Little Angels 100 Chance Of Rain Griggs, Andy Morris, Gary 21 Questions 100 Pure Love 50 Cent and Nat Waters, Crystal Duets 50 Cent 100 Years 21st Century (Digital Boy) Five For Fighting Bad Religion 100 Years From Now 21st Century Girls Lewis, Huey & News, The 21st Century Girls 100% Chance Of Rain 22 Morris, Gary Swift, Taylor 100% Cowboy 24 Meadows, Jason Jem 100% Pure Love 24 7 Waters, Crystal Artful Dodger 10Th Ave Freeze Out Edmonds, Kevon Springsteen, Bruce 24 Hours From Tulsa 12:51 Pitney, Gene Strokes, The 24 Hours From You 1-2-3 Next Of Kin Berry, Len 24 K Magic Fm 1-2-3 Redlight Mars, Bruno 1910 Fruitgum Co. 2468 Motorway 1234 Robinson, Tom Estefan, Gloria 24-7 Feist Edmonds, Kevon 15 Minutes 25 Miles Atkins, Rodney Starr, Edwin 16th Avenue 25 Or 6 To 4 Dalton, Lacy J. -
Sgt. Bilko, M*A*S*H and the Heyday of U.S
TV/Series 10 | 2016 Guerres en séries (II) “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/1764 DOI: 10.4000/tvseries.1764 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) », TV/Series [Online], 10 | 2016, Online since 01 December 2016, connection on 05 May 2019. URL : http://journals.openedition.org/tvseries/1764 ; DOI : 10.4000/ tvseries.1764 This text was automatically generated on 5 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and t... 1 “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy 1 If the title of this paper quotes part of the refrain from Edwin Starr’s 1970 protest song, “War,” the song’s next line, proclaiming that war is good for “absolutely nothing” seems inaccurate, at least in terms of successful television sitcoms of from the 1950s to the 1970s. In fact, while Starr’s song was still an anti-Vietnam War battle cry, ground- breaking television programs like M*A*S*H (CBS, 1972-1983) were using laughter and tongue-in-cheek treatment of the horrors of war to provide a somewhat more palatable expression of the growing anti-war sentiment to American audiences. -
Burt Metcalfe Collection of M*A*S*H Scripts PASC.0017
http://oac.cdlib.org/findaid/ark:/13030/c8pk0pbb No online items Finding Aid for the Burt Metcalfe Collection of M*A*S*H Scripts PASC.0017 Finding aid prepared by Jasmine Larkin, 2020. UCLA Library Special Collections Online finding aid last updated 2020 December 7. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Burt Metcalfe PASC.0017 1 Collection of M*A*S*H Scripts PASC.0017 Contributing Institution: UCLA Library Special Collections Title: Burt Metcalfe collection of M*A*S*H scripts Creator: Metcalfe, Burt source: Metcalfe, Burt Identifier/Call Number: PASC.0017 Physical Description: 32.0 Linear Feet(77 boxes) Date (inclusive): 1972-1982 Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Immediate Source of Acquisition Gift of Burt Metcalfe, 1985. Biographical / Historical M*A*S*H, based on Robert Altman's 1970 film (which in turn was based on Richard Hooker's novel), premiered Sept. 17, 1972; it was set at the 4077th M*A*S*H (Mobile Army Surgical Hospital) Unit located a few miles from the front line in wartime Korea; it did not receive high ratings in the first season's Sunday time slot but was -
Guide to the M*A*S*H Television Show Collection
Guide to the M*A*S*H Television Show Collection NMAH.AC.0117 Frank R. Jenkins and Vanessa Broussard Simmons 2017 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Scripts, Storylines and Music Cue Sheets, 1971 - 1982........................... 5 Series 2: Interviews of Mobile Army Surgical Hospital (MASH) Personnel and Patients, 1973-1977............................................................................................... 19 Series 3: Other Materials, 1970-1983, undated.................................................... -
FJ4.1 Mingant
MINGANT FILM JOURNAL 4 (2017) Escaping Hollywood’s Arab acting ghetto: An Examination of the Career Patterns and Strategies of American Actors of Middle-Eastern Origin* Nolwenn MINGANT Université de Nantes The mid-2000s have been an ambiguous period for American actors of Middle-Eastern origins. Contradictory reports have appeared in the press, from the enthusiastic assertion that ‘‘It’s a good time to be an actor from the Middle East’’1 due to the growing number of American films dealing with the Middle East, to the description of the continued plight of actors ‘‘relegated to playing terrorists, the new Arab acting ghetto.’’2 One issue recurring in the few trade paper articles on the topic was indeed the difficulties encountered by these actors in a Hollywood context, where, in the words of Jack Shaheen, ‘‘There’s no escaping the Arab stereotype.’’3 The aim of this paper is to provide a specific case study on the career of these specific minority actors, thus participating to the larger debate on the place of minority personnel in Hollywood. Concurring with Ella Shohat, and Robert Stam’s remark that ‘‘(that) films are only representations does not prevent them from having real effects in the world,’’4 this paper will not call into question the idea of stereotypes but rather examine the very concrete consequences that these race-based stereotypes, bred both by the Hollywood industrial culture and by Mainstream America’s social imagination, have on employment opportunities for actors, and on the strategies available to escape these constraints. The basis of the article is the quantitative and qualitative analysis of a database mapping out the careers of 22 Arab-American and Iranian-American actors.