Resource List to Help Understand the Palestinian Struggle Summer 2021
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Focuspoint International 866-340-8569 861 SW 78Th Avenue, Suite B200 [email protected] Plantation, FL 33324 SUMMARY NN02
INFOCUS QUARTERLY SUMMARY TERRORISM & CONFLICT, NATURAL DISASTERS AND CIVIL UNREST Q2 2021 FocusPoint International 866-340-8569 861 SW 78th Avenue, Suite B200 [email protected] Plantation, FL 33324 www.focuspointintl.com SUMMARY NN02 NATURAL DISASTERS Any event or force of nature that has cyclone, hurricane, tornado, tsunami, volcanic catastrophic consequences and causes eruption, or other similar natural events that give damage or the potential to cause a crisis to a rise to a crisis if noted and agreed by CAP customer. This includes an avalanche, FocusPoint. landslide, earth quake, flood, forest or bush fire, NUMBER OF INCIDENTS 32 3 3 118 20 9 Asia Pacific 118 Sub-Saharan Africa 20 Middle East and North Africa 3 Europe 32 Domestic United States and Canada 3 Latin America 9 MOST "SIGNIFICANT" EVENTS • Indonesia: Tropical Cyclone Seroja • Canada: Deaths in connection with • DRC: Mt. Nyiragongo eruption an ongoing heatwave • Algeria: Flash Floods • Panama: Floods/Landslides • Russia: Crimea and Krasnodar Krai flooding 03 TERRORISM / CONFLICT Terrorism means an act, including but not government(s), committed for political, limited to the use of force or violence and/or the religious, ideological or similar purposes threat thereof, of any person or group(s) of including the intention to influence any persons, whether acting alone or on behalf of or government and/or to put the public, or any in connection with any organization(s) or section of the public, in fear. NUMBER OF INCIDENTS 20 1 270 209 144 15 Asia Pacific 209 Sub-Saharan Africa 144 Middle East and North Africa 270 Europe 20 Domestic United States and Canada 1 Latin America 15 MOST "SIGNIFICANT" EVENTS • Taliban Attack on Ghazni • Tigray Market Airstrike • Solhan Massacre • Landmine Explosion 04 POLITICAL THREAT / CIVIL UNREST The threat of action designed to influence the purposes of this travel assistance plan, a government or an international governmental political threat is extended to mean civil threats organization or to intimidate the public, or a caused by riots, strikes, or civil commotion. -
Animation! [Page 8–9] 772535 293004 the TOWER 9> Playing in the Online Dark
9 euro | SPRING 2020 MODERN TIMES REVIEW THE EUROPEAN DOCUMENTARY MAGAZINE CPH:DOX THESSALONIKI DF ONE WORLD CINÉMA DU RÉEL Copenhagen, Denmark Thessaloniki, Greece Prague, Czech Paris, France Intellectually stimulating and emotionally engaging? [page 10–11] THE PAINTER AND THE THIEF THE PAINTER HUMAN IDFF MAJORDOCS BOOKS PHOTOGRAPHY Oslo, Norway Palma, Mallorca New Big Tech, New Left Cinema The Self Portrait; Dear Mr. Picasso Animation! [page 8–9] 772535 293004 THE TOWER 9> Playing in the online dark In its more halcyon early days, nature of these interactions. ABUSE: In a radical the internet was welcomed Still, the messages and shared psychosocial experiment, into households for its utopi- (albeit blurred for us) images an possibilities. A constantly are highly disturbing, the bra- the scope of online updating trove of searchable zenness and sheer volume of child abuse in the Czech information made bound en- the approaches enough to sha- Republic is uncovered. cyclopaedia sets all but obso- ke anyone’s trust in basic hu- lete; email and social media manity to the core («potential- BY CARMEN GRAY promised to connect citizens ly triggering» is a word applied of the world, no longer seg- to films liberally these days, Caught in the Net mented into tribes by physical but if any film warrants it, it is distance, in greater cultural un- surely this one). Director Vit Klusák, Barbora derstanding. The make-up artist recog- Chalupová In the rush of enthusiasm, nises one of the men and is Czech Republic, Slovakia the old truth was suspended, chilled to witness this behav- that tools are only as enlight- iour from someone she knows, ened as their users. -
West Nile Virus (WNV) Activity in Humans and Mosquitos
West Nile virus (WNV) activity in humans and mosquitos Updated for 28/11/2016 In the following report, a human case patient who is defined as "suspected" refers to a patient whose lab test results indicate a possibility of infection with WNV, and a human case patient who is defined as "confirmed" refers to a patient whose lab test results show a definite infection with WNV. The final definition status of a patient who initially was diagnosed as "suspected" may be changed to "confirmed" due to additional lab test results that were obtained over time. Cumulative numbers of human case patients and mosquitos positive for WNV by location: Until the 28/11/2016, human cases with WNF have been identified in 54 localities and WNV infected mosquitos were found in 6 localities. אגף לאפידמיולוגיה Division of Epidemiology משרד הבריאות Ministry of Health ת.ד.1176 ירושלים P.O.B 1176 Jerusalem [email protected] [email protected] טל: 02-5080522 פקס: Tel: 972-2-5080522 Fax: 972-2-5655950 02-5655950 Table showing WNV in human by place of residency: Date sample Diagnostic status Locality No. Locality Health district received in lab according to lab 1 Or Yehuda 31/05/2016 Suspected Tel Aviv Or Yehuda 02/06/2016 Suspected Tel Aviv 2 Or Aqiva 17/07/2016 Suspected Hadera 3 Ashdod 19/09/2016 Suspected Ashqelon Ashdod 27/09/2016 Confirmed Ashqelon 4 Ashqelon 29/08/2016 Suspected Ashqelon Ashqelon 05/09/2016 Confirmed Ashqelon Ashqelon 08/09/2016 Confirmed Ashqelon Ashqelon 13/09/2016 Confirmed Ashqelon Ashqelon 22/09/2016 Confirmed Ashqelon -
1 Guises of Transnationalism in Israel/Palestine
Guises of Transnationalism in Israel/Palestine: A few notes on 5 Broken Camerasi Yael Friedman University of Portsmouth The discussion of Israeli cinema is governed, predominantly, by the perspective of national cinema. The dominant framework of analysis tends to be that of Zionism and, by and large, both in critical writing and exhibition contexts, a very clear dichotomy is maintained between Israeli and Palestinian cinemas and between Israeli cinema and cinemas of the Middle East. Such a governing perspective often excludes or distorts a critical discussion of the transnational in films that emerge both from Israel and Palestine. The changes brought about by processes of globalisation to the production, circulation and reception of films around the world also shape contemporary cinema in Israel/Palestine to a considerable extent. Throughout the history of Palestinian cinema its production and exhibition contexts were distinctively transnational, while Israel’s small-scale national film industry increasingly shifts towards transnational modes of production. The survival and the recent success of Israeli cinema, both internationally and domestically, is largely dependent upon co-production agreements, the involvement of European funders, and the global festival circuit. Despite this prominent trend, only a few recent publications address Israeli cinema from a transnational perspective.ii This short article follows in a similar vain. It offers a critical discussion of the acclaimed documentary 5 Broken Cameras (Emad Burnat and Guy Davidi, Israel/Palestine/France/Netherland, 2011), whose joint Palestinian-Israeli direction and transnational context of production, challenge the national boundaries of both Israeli and Palestinian cinemas while, at the same time, probelmatizing the notion of the transnational. -
Mahapach-Taghir
Mahapach-Taghir Mahapach-Taghir: Creating Change through Solidarity between Marginalized Jewish and Arab Communities By Adi Dagan This essay is the latest in our series of ‘Kolot: Voices of Hope’ profiles of Israelis and Palestinians furthering the cause of peace and equality. Find all the profiles in this series here. Mahapach-Taghir (“change” in, respectively, Hebrew and Arabic) is a grassroots Jewish-Arab organization for social change, founded in 1998. Our overall goal is to promote a shared society in Israel with equal opportunities for all, by: (a) Building leadership in Arab and Jewish communities in the periphery – the areas outside Israel’s more urbanized central region – through empowerment and formal and informal education; (b) Promoting solidarity and equality between social groups; and (c) Facilitating participatory democracy, civil leadership, and more effective local governance. The marginalized communities where we work face some of the greatest barriers to quality education and jobs due to discriminatory policies. They are also systematically excluded from decision-making processes at the community, municipal, and national levels. Our organization has been working with Arab and Jewish communities for over 20 years. In that time, we have gained extensive experience – becoming part of the local communities, listening to their needs, and building leadership and Arab-Jewish partnership based on political values of democracy, equality, and human rights. The “Learning Communities” At the heart of Mahapach-Taghir’s work are the Learning Communities. The Learning Community is a holistic, inclusive, and intergenerational empowerment and educational model. It strives to provide equal educational opportunities to children and youth in disempowered marginalized neighborhoods, while encouraging the civic participation of local residents, parents, and college students. -
WATER-Presskit-06.09.2012.Pdf
World Sales - WIDE 40, rue Sainte Anne - 75002 Paris - France Tel. +33 1 53 95 04 64 Fax: +33 1 53 95 04 65 - www.widemanagement.com water pages corrigées_water 14/08/12 14:33 Page2 A FEATURE FILM BORN OUT OF A UNIQUE ISRAELI-PALESTINIAN COOPERATION THE FILM HD, 120 minutes, color, original version : Arabic, Hebrew, English Produced by the Film and Television department of the Tel Aviv University In association with Tu Vas Voir. The project WATER is a cinematic coope- WATER exemplifies cinema's ability to ration created within the Department of penetrate forbidden zones. This movie Film and Television at Tel-Aviv University. In make us, Israelis and Palestinians, rea- 2012, a small group of Israeli and Palesti- lize that we all yearn for a solution. nian filmmakers directed a feature film with total artistic freedom, exploring a strongly unifying subject: WATER. Yael Perlov Project initiator and Artistic Director Tel Aviv University WATER is a poetic and pastoral subject, but one that is also very political as well as violent in the context of the Israel-Palestine conflict. WATER belongs to two conflicting popula- tions, who seldom manage to overcome prejudice and political intimidation, but have found a platform for a unique colla- boration, in the form of this feature film. STILL WATERS - By an ancient spring near Jerusalem, an Israeli couple finds a quiet moment away from the rat race of Tel Aviv life. The cool water spring is also used by a group of Palestinians heading to their jobs in Israel. At high noon, they are forced to look each other in the eye. -
Syllabus INTRO. to ISLAMIC ARCHAEOLOGY in LAND of ISRAEL - 43108
Syllabus INTRO. TO ISLAMIC ARCHAEOLOGY IN LAND OF ISRAEL - 43108 Last update 30-08-2021 HU Credits: 2 Degree/Cycle: 1st degree (Bachelor) Responsible Department: Archaeology & Ancient near East Academic year: 0 Semester: 1st Semester Teaching Languages: Hebrew Campus: Mt. Scopus Course/Module Coordinator: Dr. K Cytryn Coordinator Email: [email protected] Coordinator Office Hours: Wed, 10:30-11:30 Teaching Staff: Dr. Katia Cytryn-Silverman page 1 / 9 Course/Module description: This introductory course presents the main Islamic sites in Israel in a chronological sequence, tying them to the main historical events of the age. For students outside the program of the Institute of Archaeology, we recommend to take this course together with 38901. Course/Module aims: The course aims at teaching about the main archaeological sites in Israel of the Islamic period, from the 7th through the 16th century. Learning outcomes - On successful completion of this module, students should be able to: Students should be able to recognize the main traits of Islamic architecture and material culture of the main sites in Israel and immediate surroundings. Attendance requirements(%): 75 Teaching arrangement and method of instruction: Frontal lectures Course/Module Content: Class 1: Introduction Class 2-3: Jerusalem and the Dome of the Rock Class 4: Islamization of Greater Syria: numismatics and epigraphy Class 5: al-Aqsa - Umayyad and Abbasid Class 6: Umayyad palaces Class 7: Beth Shean and Tiberias: Classical cities in transformation Class 8: Ramla, a new city Class 9: Fatimid Jerusalem; Fatimid hoards Class 10: Ayyubid and early Mamluk periods Class 11: Mamluk Jerusalem Class 12: Ottoman Jerusalem Required Reading: ר' גרפמן ומ' רוזן-איילון, "שני המסגדים האומאיים הסוריים הגדולים בירושלים ובדמשק," ארץ-ישראל 25: 327-335. -
Rhetorics of Belonging
Rhetorics of Belonging Postcolonialism across the Disciplines 14 Bernard, Rhetorics of Belonging.indd 1 09/09/2013 11:17:03 Postcolonialism across the Disciplines Series Editors Graham Huggan, University of Leeds Andrew Thompson, University of Exeter Postcolonialism across the Disciplines showcases alternative directions for postcolonial studies. It is in part an attempt to counteract the dominance in colonial and postcolonial studies of one particular discipline – English literary/ cultural studies – and to make the case for a combination of disciplinary knowledges as the basis for contemporary postcolonial critique. Edited by leading scholars, the series aims to be a seminal contribution to the field, spanning the traditional range of disciplines represented in postcolonial studies but also those less acknowledged. It will also embrace new critical paradigms and examine the relationship between the transnational/cultural, the global and the postcolonial. Bernard, Rhetorics of Belonging.indd 2 09/09/2013 11:17:03 Rhetorics of Belonging Nation, Narration, and Israel/Palestine Anna Bernard Liverpool University Press Bernard, Rhetorics of Belonging.indd 3 09/09/2013 11:17:03 First published 2013 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2013 Anna Bernard The right of Anna Bernard to be identified as the author of this book has been asserted by her in accordance with the Copyright, Design and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or -
United Nations Conciliation.Ccmmg3sionfor Paiestine
UNITED NATIONS CONCILIATION.CCMMG3SIONFOR PAIESTINE RESTRICTEb Com,Tech&'Add; 1 ORIGINAL: ENGLISH APPENDIX J$ NON - JlXWISHPOPULATION WITHIN THE BOUNDARXESHELD BY THE ISRAEL DBFENCEARMY ON X5.49 AS ON 1;4-,45 IN ACCORDANCEWITH THE PALESTINE GOVERNMENT VILLAGE STATISTICS, APRIL 1945. CONTENTS Pages SUMMARY..,,... 1 ACRE SUB DISTRICT . , , . 2 - 3 SAPAD II . c ., * ., e .* 4-6 TIBERIAS II . ..at** 7 NAZARETH II b b ..*.*,... 8 II - 10 BEISAN l . ,....*. I 9 II HATFA (I l l ..* a.* 6 a 11 - 12 II JENIX l ..,..b *.,. J.3 TULKAREM tt . ..C..4.. 14 11 JAFFA I ,..L ,r.r l b 14 II - RAMLE ,., ..* I.... 16 1.8 It JERUSALEM .* . ...* l ,. 19 - 20 HEBRON II . ..r.rr..b 21 I1 22 - 23 GAZA .* l ..,.* l P * If BEERSHEXU ,,,..I..*** 24 SUMMARY OF NON - JEWISH'POPULATION Within the boundaries held 6~~the Israel Defence Army on 1.5.49 . AS ON 1.4.45 Jrr accordance with-. the Palestine Gp~ernment Village ‘. Statistics, April 1945, . SUB DISmICT MOSLEMS CHRISTIANS OTHERS TOTAL ACRE 47,290 11,150 6,940 65,380 SAFAD 44,510 1,630 780 46,920 TJBERIAS 22,450 2,360 1,290 26,100 NAZARETH 27,460 Xl, 040 3 38,500 BEISAN lT,92o 650 20 16,590 HAXFA 85,590 30,200 4,330 120,520 JENIN 8,390 60 8,450 TULJSAREM 229310, 10 22,320' JAFFA 93,070 16,300 330 1o9p7oo RAMIIEi 76,920 5,290 10 82,220 JERUSALEM 34,740 13,000 I 47,740 HEBRON 19,810 10 19,820 GAZA 69,230 160 * 69,390 BEERSHEBA 53,340 200 10 53,m TOT$L 621,030 92,060 13,710 7z6,8oo . -
Atavism and Modernity in Time's Portrayal of the Arab World, 2001-2011
Atavism and Modernity in Time's Portrayal of the Arab World, 2001-2011 A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Mary R. Abowd August 2013 © 2013 Mary R. Abowd. All Rights Reserved. This dissertation titled Atavism and Modernity in Time's Portrayal of the Arab World, 2001-2011 by MARY R. ABOWD has been approved for the E. W. Scripps School of Journalism and the Scripps College of Communication by Anne Cooper Professor Emerita of Journalism Scott Titsworth Dean, Scripps College of Communication ii ABSTRACT ABOWD, MARY R., Ph.D., August 2013, Journalism Atavism and Modernity in Time's Portrayal of the Arab World, 2001-2011 Director of Dissertation: Anne Cooper This study builds on research that has documented the persistence of negative stereotypes of Arabs and the Arab world in the U.S. media during more than a century. The specific focus is Time magazine’s portrayal of Arabs and their societies between 2001 and 2011, a period that includes the September 11, 2001, attacks; the ensuing U.S.- led “war on terror;” and the mass “Arab Spring” uprisings that spread across the Arab world beginning in late 2010. Using a mixed-methods approach, the study explores whether and to what extent Time’s coverage employs what Said (1978) called Orientalism, a powerful binary between the West and the Orient characterized by a consistent portrayal of the West as superior—rational, ordered, cultured—and the Orient as its opposite—irrational, chaotic, depraved. -
Re-Mediating the Israeli-Palestinian Conflict: the Use of Films to Facilitate Dialogue." Dissertation, Georgia State University, 2007
Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication 5-3-2007 Re-Mediating the Israeli-Palestinian Conflict: The Use of Films ot Facilitate Dialogue Elana Shefrin Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Part of the Communication Commons Recommended Citation Shefrin, Elana, "Re-Mediating the Israeli-Palestinian Conflict: The Use of Films to Facilitate Dialogue." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/communication_diss/14 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RE-MEDIATING THE ISRAELI-PALESTINIAN CONFLICT: THE USE OF FILMS TO FACILITATE DIALOGUE by ELANA SHEFRIN Under the Direction of M. Lane Bruner ABSTRACT With the objective of outlining a decision-making process for the selection, evaluation, and application of films for invigorating Palestinian-Israeli dialogue encounters, this project researches, collates, and weaves together the historico-political narratives of the Israeli- Palestinian conflict, the artistic worldviews of the Israeli and Palestinian national cinemas, and the procedural designs of successful Track II dialogue interventions. Using a tailored version of Lucien Goldman’s method of homologic textual analysis, three Palestinian and three Israeli popular film texts are analyzed along the dimensions of Historico-Political Contextuality, Socio- Cultural Intertextuality, and Ethno-National Textuality. Then, applying the six “best practices” criteria gleaned from thriving dialogue programs, coupled with the six “cautionary tales” criteria gleaned from flawed dialogue models, three bi-national peacebuilding film texts are homologically analyzed and contrasted with the six popular film texts. -
'Carole Zabar's Other Israel Festival,'
Dina Iordanova, ‘Carole Zabar’s Other Israel Festival,’ In: Film Festival Yearbook 6: Film Festivals and the Middle East. St Andrews: St Andrews Film Studies. 2014, 235-247. Carole Zabar’s Other Israel Film Festival Dina Iordanova First held in 2007, the Other Israel Film Festival (www.otherisrael.org) abides by a Mission Statement, according to which it uses film to foster social awareness and cultural understanding. The Festival presents dramatic and documentary films, as well as engaging panels about history, culture and identity on the topic of minority populations in Israel with a focus on Arab / Palestinian citizens of Israel. Our goal is to provide a dynamic and inclusive forum for exploitation of, and dialogue about, diverse communities in Israel, and encourage cinematic expression and creativity dealing with these themes. (Other Israel) In addition to Israel’s Muslim and Christian Arab populations (close to 2 million people), the festival is concerned with the cinematic treatment of other Israeli minorities. There are Druze, Bedouins, as well as the significant population of foreign workers (nearly half a million) and other non-Jewish immigrants whose experiences constitute an important yet lesser-known part of the country’s multicultural context. Initiated and largely funded by Carole Zabar (of Zabar’s, the famous Upper West Side food emporium; http://www.zabars.com), the Other Israel takes place over a week in mid- November and is headquartered at the Jewish Community Centre (JCC) in Manhattan. For a festival that is still in its first decade, it has generated an encouraging amount of media 1 attention, with articles in The Washington Post, The New York Times and the Village Voice, among other publications.1 In June 2013, I travelled to New York for a meeting with the festival’s team.