Rhetorics of Belonging
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David Grossman
DAVID GROSSMAN Hans Christian Andersen Author Award 2020 Nominated by IBBY Israel A statement on the Grossman contribution to literature for children and young people. David Grossman (born in Jerusalem, 1954) is a major figure in contemporary Hebrew literature. He writes for older and younger readers, in alternating order: Following every adult book, Grossman publishes a book for younger readers, followed by an adult book, etc. In his literary and journalistic writing Grossman does not shy away from complicated and controversial issues. He fights for the human rights of people of all ages, genders, and ethnicities. He is active in social justice causes and in peace initiatives between Arabs and Jews. In 1982 he published his first children’s book, Duel, about a twelve- year-old boy who makes friends with an elderly man in a nursing home. His writing for children and young adults encompasses a wide range of topics. In his picture books, he focuses on aspects of children’s daily life (Uri’s Special Language; A Brand-New Baby Brother) or their rich and wonderful imaginations, which can generate all sorts of fears (Itamar Walks on Walls; Itamar Meets a Rabbit, Itamar the Dream Hunter), worries (Don’t Worry Ruti, Itamar the Dream Hunter), or fantasies, sometimes involving imaginary friends (Hadas’ Friend). In Grossman’s picture books, the child’s world contains an empathic adult, the father, who respects the child, listens to him lovingly, and is able to suggest an unusual solution to the difficulty confronting the child, which the child is in turn quick to accept (the Itamar books; Who Wants a Piggy-Back?, Don’t Worry Ruti, etc.) In his writing for young adults Grossman deals with complicated issues, including ones that were considered taboo in the young adult Hebrew literature of their day. -
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J. -
The BDS Movement: Why Israel?
Alex Feuerherdt The BDSMovement: Why Israel? The BDSMovement – Past and Present The BDS movement is currentlythe most active and best known anti-Israel asso- ciation. The abbreviation “BDS” stands for “Boycott, Divestment,and Sanc- tions.” Officially,the movement was founded in July 2005 by more than 170or- ganizations,supposedlyrepresenting the Palestinian civil society.Atleast,this is how the BDSmovement likes to tell the story.¹ Since 2005,BDS has gained many supporters,evenoutside the Palestinian territories, among them celebrities like South African archbishop Desmond Tutu, Britishfilm director KenLoach,Amer- ican philosopher Judith Butler, and ex-Pink Floydsinger Roger Waters.The BDS movement perceivesand describes Israel as an “Apartheid state,” like South Af- rica previously, and calls for acomprehensive economic, political,academic, and artistic boycott,aswell as for awithdrawal of investments, an embargo, and coercive measures.Thus, it targets the Jewish state as awhole. It is headed by Omar Barghouti,who, albeit having studied at TelAvivUniversity, accuses Is- rael of “Apartheid,”² “Nazi practices,”³ and “ethnic cleansing.”⁴ He categorically rejects atwo-state solution and maintains thatany dialogue with Israeliswould be “unethical” and “dangerous.” Another well-known BDS activist is Lebanese-American professor of politics As’ad AbuKhalil, who in 2012 said: The real aim of BDS is to bringdown the stateofIsrael. […]That should be stated as an unambiguous goal. Thereshould not be anyequivocation on the subject.Justiceand free- dom for the Palestiniansare incompatible with the existenceofthe stateofIsrael.⁵ Cf. “Palestinian Civil SocietyCall for BDS,” BDS Movement,issued July 9, 2005,accessed April 1, 2020,https://bdsmovement.net/call. O. Barghouti, “BesiegingIsrael’sSiege,” TheGuardian,August 12, 2010,https://www.the guardian.com/commentisfree/2010/aug/12/besieging-israel-siege-palestinian-boycott. -
Around the Point
Around the Point Around the Point: Studies in Jewish Literature and Culture in Multiple Languages Edited by Hillel Weiss, Roman Katsman and Ber Kotlerman Around the Point: Studies in Jewish Literature and Culture in Multiple Languages, Edited by Hillel Weiss, Roman Katsman and Ber Kotlerman This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Hillel Weiss, Roman Katsman, Ber Kotlerman and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5577-4, ISBN (13): 978-1-4438-5577-8 CONTENTS Preface ...................................................................................................... viii Around the Point .......................................................................................... 1 Hillel Weiss Medieval Languages and Literatures in Italy and Spain: Functions and Interactions in a Multilingual Society and the Role of Hebrew and Jewish Literatures ............................................................................... 17 Arie Schippers The Ashkenazim—East vs. West: An Invitation to a Mental-Stylistic Discussion of the Modern Hebrew Literature ........................................... -
The Mossawa Center's Briefing on the 'Deal of the Century' 1. Political
The Mossawa Center’s Briefing on the ‘Deal of the Century’ 1. Political Background Following two inconclusive rounds of elections in April and September 2019, Israel is set to hold an unprecedented third consecutive election in March 2020. With no clear frontrunner between Benny Gantz of Kahol Lavan (Blue and White) and Benjamin Netanyahu of the Likud, the leaders are locked in a frantic and unrestrained race to the bottom. Trump’s announcement that he would launch the political section of his ‘Peace to Prosperity’ document before the Israeli election has fanned the flames of this right-wing one-upmanship. The timing of the announcement was criticized as a political ploy to benefit his close ally Netanyahu which, against the backdrop of his alleged interference in Ukraine at the crux of his impeachment trial, he was eager to avoid. In the end, both Netanyahu and Gantz visited the White House, but there was only one winner: the sitting prime minister – who, on the day of the announcement, was indicted all three counts of bribery, fraud and breach of trust after withdrawing his request for immunity. It was Netanyahu who unveiled the document alongside the President, forcing Gantz’s hand: in his earlier attempts to cannibalize Netanyahu’s voter base in his pledge to annex the Jordan Valley, he had no choice but to endorse the plan, which could come before the Knesset before the March 2020 election. However, Gantz’s rightward shift has dire ramifications for the next election. Between the April and September elections, turnout among the Palestinian Arab community increased by twelve points, and polls are predicting a further increase. -
Israel: Growing Pains at 60
Viewpoints Special Edition Israel: Growing Pains at 60 The Middle East Institute Washington, DC Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints are another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US rela- tions with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org The maps on pages 96-103 are copyright The Foundation for Middle East Peace. Our thanks to the Foundation for graciously allowing the inclusion of the maps in this publication. Cover photo in the top row, middle is © Tom Spender/IRIN, as is the photo in the bottom row, extreme left. -
Animation! [Page 8–9] 772535 293004 the TOWER 9> Playing in the Online Dark
9 euro | SPRING 2020 MODERN TIMES REVIEW THE EUROPEAN DOCUMENTARY MAGAZINE CPH:DOX THESSALONIKI DF ONE WORLD CINÉMA DU RÉEL Copenhagen, Denmark Thessaloniki, Greece Prague, Czech Paris, France Intellectually stimulating and emotionally engaging? [page 10–11] THE PAINTER AND THE THIEF THE PAINTER HUMAN IDFF MAJORDOCS BOOKS PHOTOGRAPHY Oslo, Norway Palma, Mallorca New Big Tech, New Left Cinema The Self Portrait; Dear Mr. Picasso Animation! [page 8–9] 772535 293004 THE TOWER 9> Playing in the online dark In its more halcyon early days, nature of these interactions. ABUSE: In a radical the internet was welcomed Still, the messages and shared psychosocial experiment, into households for its utopi- (albeit blurred for us) images an possibilities. A constantly are highly disturbing, the bra- the scope of online updating trove of searchable zenness and sheer volume of child abuse in the Czech information made bound en- the approaches enough to sha- Republic is uncovered. cyclopaedia sets all but obso- ke anyone’s trust in basic hu- lete; email and social media manity to the core («potential- BY CARMEN GRAY promised to connect citizens ly triggering» is a word applied of the world, no longer seg- to films liberally these days, Caught in the Net mented into tribes by physical but if any film warrants it, it is distance, in greater cultural un- surely this one). Director Vit Klusák, Barbora derstanding. The make-up artist recog- Chalupová In the rush of enthusiasm, nises one of the men and is Czech Republic, Slovakia the old truth was suspended, chilled to witness this behav- that tools are only as enlight- iour from someone she knows, ened as their users. -
Petition To: United Nations Working
PETITION TO: UNITED NATIONS WORKING GROUP ON ARBITRARY DETENTION Mr Mads Andenas (Norway) Mr José Guevara (Mexico) Ms Shaheen Ali (Pakistan) Mr Sètondji Adjovi (Benin) Mr Vladimir Tochilovsky (Ukraine) HUMAN RIGHTS COUNCIL UNITED NATIONS GENERAL ASSEMBLY COPY TO: UNITED NATIONS SPECIAL RAPPORTEUR ON THE PROMOTION AND PROTECTION OF THE RIGHT TO FREEDOM OF OPINION AND EXPRESSION, MR DAVID KAYE; UNITED NATIONS SPECIAL RAPPORTEUR ON THE RIGHTS TO FREEDOM OF PEACEFUL ASSEMBLY AND OF ASSOCIATION, MR MAINA KIAI; UNITED NATIONS SPECIAL RAPPORTEUR ON THE SITUATION OF HUMAN RIGHTS DEFENDERS, MR MICHEL FORST. in the matter of Alaa Abd El Fattah (the “Petitioner”) v. Egypt _______________________________________ Petition for Relief Pursuant to Commission on Human Rights Resolutions 1997/50, 2000/36, 2003/31, and Human Rights Council Resolutions 6/4 and 15/1 Submitted by: Media Legal Defence Initiative Electronic Frontier Foundation The Grayston Centre 815 Eddy Street 28 Charles Square San Francisco CA 94109 London N1 6HT BASIS FOR REQUEST The Petitioner is a citizen of the Arab Republic of Egypt (“Egypt”), which acceded to the International Covenant on Civil and Political Rights (“ICCPR”) on 14 January 1982. 1 The Constitution of the Arab Republic of Egypt 2014 (the “Constitution”) states that Egypt shall be bound by the international human rights agreements, covenants and conventions it has ratified, which shall have the force of law after publication in accordance with the conditions set out in the Constitution. 2 Egypt is also bound by those principles of the Universal Declaration of Human Rights (“UDHR”) that have acquired the status of customary international law. -
“Britain Should Pay Reparations for ITS Role in the Slave Trade”
MOTION: JANUARY 2016 REPARATIONS “BRITAIN SHOULD NADIA BUTT PAY REPARATIONS FOR ITS ROLE IN THE SLAVE TRADE” DEBATING MATTERS DEBATOPITING MATTERCS GUIDETOPICS GUIDEwww.debatingmatters.comS ABOUT DEBATING MATTERS SUPPORTED BY Debating Matters because ideas PRIMARY FUNDER HEADLINE PRIZE SPONSOR matter. This is the premise of the Institute of Ideas Debating Matters Competition for sixth form students which emphasises substance, not just style, and the importance of taking ideas seriously. Debating Matters REGIONAL SPONSORS presents schools with an innovative and engaging approach to debating, where the real-world debates and a challenging format, including panel judges who engage with the students, CHAMPIONS REGIONAL FINAL SPONSOR appeal to students from a wide range of backgrounds, including schools with a long tradition of debating and those with none. VENUE PARTNERS process cyan pantone 7545U CONTENTS INTRODUCTION 1 of 6 NOTES Despite The Slavery Abolition Act of 1833 formally outlawing Introduction 1 slavery throughout the British Empire nearly 200 years ago [Ref: Wikipedia], Prime Minister David Cameron’s first state visit to Key terms 1 Jamaica last September was overshadowed by calls from high- The Reparations debate in context 2 profile politicians, including Jamaican leader Portia Simpson Miller, for Britain to pay reparations for its involvement in the Essential reading 4 slave trade [Ref: RT]. This is just one example of an increasing Backgrounders 5 demand for reparations from Western nations to individuals and countries who were affected by the slave trade. According to Organisations 5 some calculations, reparations for the transatlantic slave trade [Ref: UNESCO] could add up to $14 trillion [Ref: Newsweek] and Audio/Visual 6 those calling for reparations argue that slavery facilitated the In the news 6 rise of Britain as a global player, and forced human exploitation was a “major source of wealth of the British Empire” [Ref: Independent]. -
Polio October 2014
Europe’s journal on infectious disease epidemiology, prevention and control Special edition: Polio October 2014 Featuring • The polio eradication end game: what it means for Europe • Molecular epidemiology of silent introduction and sustained transmission of wild poliovirus type 1, Israel, 2013 • The 2010 outbreak of poliomyelitis in Tajikistan: epidemiology and lessons learnt www.eurosurveillance.org Editorial team Editorial advisors Based at the European Centre for Albania: Alban Ylli, Tirana Disease Prevention and Control (ECDC), Austria: Reinhild Strauss, Vienna 171 83 Stockholm, Sweden Belgium: Koen De Schrijver, Antwerp Telephone number Belgium: Sophie Quoilin, Brussels +46 (0)8 58 60 11 38 Bosnia and Herzogovina: Nina Rodić Vukmir, Banja Luka E-mail Bulgaria: Mira Kojouharova, Sofia [email protected] Croatia: Sanja Musić Milanović, Zagreb Cyprus: to be nominated Editor-in-chief Czech Republic: Bohumir Križ, Prague Ines Steffens Denmark: Peter Henrik Andersen, Copenhagen Senior editor Estonia: Kuulo Kutsar, Tallinn Kathrin Hagmaier Finland: Outi Lyytikäinen, Helsinki France: Judith Benrekassa, Paris Scientific editors Germany: Jamela Seedat, Berlin Karen Wilson Greece: Rengina Vorou, Athens Williamina Wilson Hungary: Ágnes Csohán, Budapest Assistant editors Iceland: Haraldur Briem, Reykjavik Alina Buzdugan Ireland: Lelia Thornton, Dublin Ingela Söderlund Italy: Paola De Castro, Rome Associate editors Kosovo under UN Security Council Resolution 1244: Lul Raka, Pristina Andrea Ammon, Stockholm, Sweden Latvia: Jurijs Perevoščikovs, -
Colonialism Postcolonialism
SECOND EDITION Colonialism/Postcolonialism is both a crystal-clear and authoritative introduction to the field and a cogently-argued defence of the field’s radical potential. It’s exactly the sort of book teachers want their stu- dents to read. Peter Hulme, Department of Literature, Film and Theatre Studies, University of Essex Loomba is a keen and canny critic of ever-shifting geopolitical reali- ties, and Colonialism/Postcolonialism remains a primer for the aca- demic and common reader alike. Antoinette Burton, Department of History, University of Illinois It is rare to come across a book that can engage both student and specialist. Loomba simultaneously maps a field and contributes provocatively to key debates within it. Situated comparatively across disciplines and cultural contexts, this book is essential reading for anyone with an interest in postcolonial studies. Priyamvada Gopal, Faculty of English, Cambridge University Colonialism/Postcolonialism moves adroitly between the general and the particular, the conceptual and the contextual, the local and the global, and between texts and material processes. Distrustful of established and self-perpetuating assumptions, foci and canonical texts which threaten to fossilize postcolonial studies as a discipline, Loomba’s magisterial study raises many crucial issues pertaining to social structure and identity; engaging with different modes of theory and social explanation in the process. There is no doubt that this book remains the best general introduction to the field. Kelwyn Sole, English Department, University of Cape Town Lucid and incisive this is a wonderful introduction to the contentious yet vibrant field of post-colonial studies. With consummate ease Loomba maps the field, unravels the many strands of the debate and provides a considered critique. -
Michael Tilson Thomas
• 35 YE 21 AR 0 S 2 BERKSHIRE JEWISH FILM FESTIVAL 2021 marks the 35th anniversary of the Berkshire Jewish Film Festival. The brainchild of Dr. Zev Raviv, the festival was led by Margie Metzger for 30 years. For the first 20 years, the films were shown on a 16mm projector at Knesset Israel in either the Sanctuary or the Social Hall. At the very beginning, a crowd of 25 was considered a success. Amy Abramovich helped run the concession where people could buy ice cream and other goodies. Because it was (and still is) a fundraiser for the Knesset Israel Hebrew School, it was important to involve the students, and each year a contest was held to design the program cover. The tide turned with the screening of the documenta- ry, The Life and Times of Hank Greenberg. There was stand- ing room only and it was then that public perception of the film festival changed. And the rest is history! Over these past 35 years, the BJFF has shown hundreds of films to thousands of people. Last year with the pan- demic forcing us to close the theater doors, we were able to continue as a virtual festival showing films online and engaging our audience members with Zoom talkbacks. This year we are celebrating with a full seven weeks of programming. Including the five short films being shown on August 9th, we are offering eighteen films in total. Our films range from political documentaries and biographies to comedies, heartfelt family stories, and animation. We couldn’t run this festival without our loyal volunteers.