Cartography in the Habsburg Empire in the Time of Mercator
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Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Comment[arium] rerum Graecarum libri II In quibus tam Helladis quam Peloponnesi, quae in lucem antea non venerunt, explicantur Stock#: Lazius Map Maker: Lazius Date: 1558 Place: Vienna Color: Uncolored Condition: VG+ Size: Price: SOLD Description: Wolfgang Lazius (1514-1565) was an Austrian scholar who worked in cartography, history, and science. He became a professor in the medical faculty at the University of Vienna, where he was a student, and later became the curator of the collections of the Holy Roman Empire and official historian to Emperor Ferdinand I. He is thought to be the subject of Giuseppe Arcimboldo's famous painting, 'The Librarian'. His varied interests are shown by the title-page, where the border features his books on Austrian history and other works. Lazius states in the dedication that he drew both of the maps himself. They are highly attractive, and contain a wealth of detail. The first map, in book I, covers all of Greece including the Peloponnese and coast of Asia Minor, drawing on the works of Ptolemy. It has a large and elaborate title cartouche, surrounded by classical deities representing the areas in Greece to which they are linked. On either side are the figures of Hercules (Thebes) and Hermes (Kyllini), with four portrait medallions showing Minerva (Attica, or Athens), Jupiter (Olympus), Ceres, and Neptune (Corinth). The map's border is composed of medallions with the names of Greek cities and small pieces of information, separated by region. -
FOR PEOPLE WHO LOVE EARLY MAPS 99298 IMCOS Covers 2012 Layout 1 06/02/2012 09:45 Page 5
IMCSJOURNAL S pr ing 2013 | Number 132 FOR PEOPLE WHO LOVE EARLY MAPS 99298 IMCOS covers 2012_Layout 1 06/02/2012 09:45 Page 5 THE MAP HOUSE OF LONDON (established 1907) Antiquarian Maps, Atlases, Prints & Globes 54 BEAUCHAMP PLACE KNIGHTSBRIDGE LONDON SW3 1NY Telephone: 020 7589 4325 or 020 7584 8559 Fax: 020 7589 1041 Email: [email protected] www.themaphouse.com JOURNAL OF THE INTERNATIONAL MAP COLLECTORS’ SOCIETY FOUNDED S pr ing 2013 | Number 132 1980 FEATURES Mercator and his ‘Atlas of Europe’ 13 Self-protection, official obligations and the pursuit of truth Peter Barber High in the Andes partii 25 Further adventures of the French Academy expedition to Peru Richard Smith ‘The Dutch colony of The Cape of Good Hope’ 30 A map by L.S. De la Rochette Roger Stewart REGULAR ITEMS A Letter from the Chairman 3 Hans Kok From the Editor’s Desk 5 Ljiljana Ortolja-Baird IMCoS Matters 7 Mapping Matters 37 Worth a Look 46 You Write to Us 49 Book Reviews 53 Copy and other material for our next issue (Summer 2013) should be submitted by 1 April 2013. Editorial items should be sent to the Editor Ljiljana Ortolja-Baird, email [email protected] or 14 Hallfield, Quendon, Essex CB11 3XY United Kingdom Consultant Editor Valerie Newby Designer Catherine French Advertising Jenny Harvey, 27 Landford Road, Putney, London SW15 1AQ United Kingdom Tel +44 (0)20 8789 7358, email [email protected] Please note that acceptance of an article for publication gives IMCoS the right to place it on our website. -
Recent Publications 1984 — 2017 Issues 1 — 100
RECENT PUBLICATIONS 1984 — 2017 ISSUES 1 — 100 Recent Publications is a compendium of books and articles on cartography and cartographic subjects that is included in almost every issue of The Portolan. It was compiled by the dedi- cated work of Eric Wolf from 1984-2007 and Joel Kovarsky from 2007-2017. The worldwide cartographic community thanks them greatly. Recent Publications is a resource for anyone interested in the subject matter. Given the dates of original publication, some of the materi- als cited may or may not be currently available. The information provided in this document starts with Portolan issue number 100 and pro- gresses to issue number 1 (in backwards order of publication, i.e. most recent first). To search for a name or a topic or a specific issue, type Ctrl-F for a Windows based device (Command-F for an Apple based device) which will open a small window. Then type in your search query. For a specific issue, type in the symbol # before the number, and for issues 1— 9, insert a zero before the digit. For a specific year, instead of typing in that year, type in a Portolan issue in that year (a more efficient approach). The next page provides a listing of the Portolan issues and their dates of publication. PORTOLAN ISSUE NUMBERS AND PUBLICATIONS DATES Issue # Publication Date Issue # Publication Date 100 Winter 2017 050 Spring 2001 099 Fall 2017 049 Winter 2000-2001 098 Spring 2017 048 Fall 2000 097 Winter 2016 047 Srping 2000 096 Fall 2016 046 Winter 1999-2000 095 Spring 2016 045 Fall 1999 094 Winter 2015 044 Spring -
Epigraphical Research and Historical Scholarship, 1530-1603
Epigraphical Research and Historical Scholarship, 1530-1603 William Stenhouse University College London A thesis submitted in fulfilment of the requirements of the Ph.D degree, December 2001 ProQuest Number: 10014364 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10014364 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis explores the transmission of information about classical inscriptions and their use in historical scholarship between 1530 and 1603. It aims to demonstrate that antiquarians' approach to one form of material non-narrative evidence for the ancient world reveals a developed sense of history, and that this approach can be seen as part of a more general interest in expanding the subject matter of history and the range of sources with which it was examined. It examines the milieu of the men who studied inscriptions, arguing that the training and intellectual networks of these men, as well as the need to secure patronage and the constraints of printing, were determining factors in the scholarship they undertook. It then considers the first collections of inscriptions that aimed at a comprehensive survey, and the systems of classification within these collections, to show that these allowed scholars to produce lists and series of features in the ancient world; the conventions used to record inscriptions and what scholars meant by an accurate transcription; and how these conclusions can influence our attitude to men who reconstructed or forged classical material in this period. -
Editorial Chair's Report
H A M I L T O N A M A T E U R A S T R O N O M E R S Volume 2 Issue 4 February 1995 can do, then look out -- we have a powerhouse on board! Editorial Chair’s Report s I read all these articles over After the latest General Meeting, ere we are, on the threshold of each month, (I do so, Grant) a record number of us went out to dine at February, and (so far) we've I’ve noticed something that the newly refurbished Kelsey's (used-to- had one of the mildest winters may confuse a reader from far be Chaps in Westdale). While all seemed I can remember. It seems to away. Throughout the winter, half of us to be well at the beginning of the party, it be loved by all, with the exception of us were commenting on the sub-zero wasn't long before the dreaded "egg- astronomers. We've had NO CLEAR termperatures and chilling observing disease" reared its ugly head. A raw egg SKIES to speak of -- that is until last sessions. The other half were pointing mysteriously appeared on the table, and night. And, wouldn't you know it, I had out this unusual mild winter we’ve been everyone had a go at trying to make it a prior commitment and COULDN'T having. So, what was it, freezing or stand on its end, even though the stars LOOK!!! mild? Well...yes, I mean, everyone is were no longer in alignment. -
Helena, Heraclius, and the True Cross
Quidditas Volume 25 2004 Article 5 2004 Helena, Heraclius, and the True Cross Hans A. Pohlsander SUNY, Albany: Emeritus Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Pohlsander, Hans A. (2004) "Helena, Heraclius, and the True Cross," Quidditas: Vol. 25 , Article 5. Available at: https://scholarsarchive.byu.edu/rmmra/vol25/iss1/5 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Qui ddi t as 25 (2004) 15 HELENA, HERACLIUS, AND THE TRUE CROSS Hans A. Pohlsander SUNY, Albany: Emeritus More than three hundred years stand between the empress Helena, or St. Helena, and the Byzantine emperor Heraclius. This chronological distance has not been a hindrance to a very close association of the two personalities with each other. The link is not dynastic but thematic; it is provided by the Holy Cross, or the True Cross, i. e. the very cross of Christ's passion. It is the purpose of this article to show the manifestation of this link in the religious literature and ecclesiastical art of the Middle Ages and in the liturgy to this day.1 Helena was born c. 248-249 to parents of humble circumstances. The place of her birth most likely was Drepanum in Bithynia, later called Helenopolis by her son Constantine; claims of other cities, such as Trier or Colchester, must be rejected. -
Preprint N°494
2019 Preprint N°494 The Reception of Cosmography in Vienna: Georg von Peuerbach, Johannes Regiomontanus, and Sebastian Binderlius Thomas Horst Published in the context of the project “The Sphere—Knowledge System Evolution and the Shared Scientific Identity of Europe” https://sphaera.mpiwg-berlin.mpg.de The Reception of Cosmography in Vienna: Georg von Peuerbach, Johannes Regiomontanus, and Sebastian Binderlius1 Abstract In this paper, the importance of the cosmographical activities of the Vienna astronomical “school” for the reception of the Tractatus de Sphaera is analyzed. First, the biographies of two main representatives of the Vienna mathematical/astronomical circle are presented: the Austrian astronomers, mathematicians, and instrument makers Georg von Peuerbach (1423– 1461) and his student Johannes Müller von Königsberg (Regiomontanus, 1436–1476). Their studies influenced the cosmographical teaching at the University of Vienna enormously for the next century and are relevant to understanding what followed; therefore, the prosopo- graphical introductions of these Vienna scholars have been included here, even if neither can be considered a real author of the Sphaera. Moreover, taking the examples of an impressive sixteenth-century miscellany (Austrian Na- tional Library, Cod. ser. nov. 4265, including the recently rediscovered cosmography by Sebastian Binderlius, compiled around 1518), the diversity of different cosmographical studies in the capital of the Habsburg Empire at the turning point between the Middle Ages and the early modern period is demonstrated. Handwritten comments in the Vienna edition of De sphaera (1518) also show how big the influence of Sacrobosco’s work remained as a didactical tool at the universities in the first decades of the sixteenth century—and how cosmographical knowledge was transformed and structured in early modern Europe by the editors and readers of the Sphaera. -
The Mercator Projection: Its Uses, Misuses, and Its Association with Scientific Information and the Rise of Scientific Societies
ABEE, MICHELE D., Ph.D. The Mercator Projection: Its Uses, Misuses, and Its Association with Scientific Information and the Rise of Scientific Societies. (2019) Directed by Dr. Jeff Patton and Dr. Linda Rupert. 309 pp. This study examines the uses and misuses of the Mercator Projection for the past 400 years. In 1569, Dutch cartographer Gerard Mercator published a projection that revolutionized maritime navigation. The Mercator Projection is a rectangular projection with great areal exaggeration, particularly of areas beyond 50 degrees north or south, and is ill-suited for displaying most reference and thematic world maps. The current literature notes the significance of Gerard Mercator, the Mercator Projection, the general failings of the projection, and the twentieth century controversies that arose as a consequence of its misuse. This dissertation illustrates the path of the institutionalization of the Mercator Projection in western cartography and the roles played by navigators, scientific societies and agencies, and by the producers of popular reference and thematic maps and atlases. The data are pulled from the publication record of world maps and world maps in atlases for content analysis. The maps ranged in date from 1569 to 1900 and displayed global or near global coverage. The results revealed that the misuses of the Mercator Projection began after 1700, when it was connected to scientists working with navigators and the creation of thematic cartography. During the eighteenth century, the Mercator Projection was published in journals and reports for geographic societies that detailed state-sponsored explorations. In the nineteenth century, the influence of well- known scientists using the Mercator Projection filtered into the publications for the general public. -
The First Atlas
THE FIRST ATLAS by John H. Lienhard Click here for audio of Episode 889. Today, we make maps into a user-friendly information system. The University of Houston's College of Engineering presents this series about the machines that make our civilization run, and the people whose ingenuity created them. The atlas was a most peculiar invention. To see how it came into being, let's meet two Flemish friends. They were Gerardus Mercator and Abraham Ortelius. Mercator, born in 1512, was older by 15 years. He was an intellectual, a mathematician, and an innovator. He went on to become the great Renaissance mapmaker. He gave us the Mercator projection. He published a world map in that projection in 1569. Ortelius trained as an engraver -- an artist/craftsman. In 1554 he went into business buying and selling maps. For Ortelius, maps were merchandise. He'd collect maps and redraw them. He'd decorate their borders and the empty reaches of land and sea. He'd mount them on silk and render them in color. Mercator also saw the map as a work of art. His own map of the world was an artistic triumph as well as an intellectual one. He knew good work, and he had a very high opinion of Ortelius. Mercator's world map had one nasty drawback. It was huge. It was meant to hang on a wall. Old maps were like that. For minor place-names to be readable, the map had to be immense. Up-to-date maps were serious business for seagoing Netherlands traders. -
6 • Globes in Renaissance Europe Elly Dekker
6 • Globes in Renaissance Europe Elly Dekker Introduction Abbreviations used in this chapter include: Globes at Greenwich for In 1533 Hans Holbein the Younger, the foremost painter Elly Dekker et al., Globes at Greenwich: A Catalogue of the Globes and then in London, made the portrait now known as The Armillary Spheres in the National Maritime Museum, Greenwich (Ox- Ambassadors (fig. 6.1).1 One of the remarkable features ford:OxfordUniversityPressandtheNationalMaritimeMuseum,1999). 1. The best study of the painting and its provenance still is the book of this painting is the abundance of scientific instru- by Mary Frederica Sophia Hervey, Holbein’s “Ambassadors”: The Pic- ments depicted in it. On the top shelf there is a celestial ture and the Men (London: Bell and Sons, 1900). See also Susan Fois- globe, a pillar dial, an equinoctial dial (in two parts), ter, Ashok Roy, and Martin Wyld, Holbein’s Ambassadors (London: a horary quadrant, a polyhedral dial, and, on top of a National Gallery Publications, 1997), esp. 30 – 43; the information book, an astronomical instrument known as a tor- about the globes and the instruments provided in this catalog should be considered with some care. quetum. On the lower shelf there is a terrestrial globe, a 2. The book on arithmetic is that by Peter Apian, titled Eyn newe und book on arithmetic, a set square and a pair of dividers, wolgegründete underweisunge aller Kauffmans Rechnung (Ingolstadt, a lute with broken strings, a case of flutes, and a hymn- 1527), and the hymn book is by Johann Walther [Walter], Geystliche book.2 The objects displayed between the two men are gesangk Buchleyn (Wittenberg, 1525). -
The Tournament and Its Role in the Court Culture of Emperor Maximilian I
i The Tournament and its Role in the Court Culture of Emperor Maximilian I (1459-1519) Natalie Margaret Anderson Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds, Institute for Medieval Studies March 2017 ii The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2017 The University of Leeds and Natalie Margaret Anderson The right of Natalie Margaret Anderson to be identified as Author of this work has been asserted by Natalie Margaret Anderson in accordance with the Copyright, Designs and Patents Act 1988. iii Acknowledgements I must first acknowledge the help and support of my supervisors, Dr Alan V. Murray and Dr Karen Watts. They have been there since the beginning when I took part in their ‘Tournaments’ module during my MA studies, which first introduced me to the fantastical world of Maximilian’s tournaments. They also helped me to craft the idea for this research project while I was still exploring the exciting but daunting prospect of undertaking a PhD. Their words of advice, patience, and sometimes much-needed prodding over the past four years helped to bring about this thesis. Thank you as well to my examiners, Professor Stephen Alford and Professor Maria Hayward, whose insights helped to greatly improve this thesis. Thank you to the University of Leeds, whose funding in the form of a Leeds International Research Scholarship made this research possible. -
The Genre of Calendar Illustrations from Origins to Lucas and Maarten Van Valckenborch
GHENT UNIVERSITY FACULTY OF ARTS AND PHILOSOPHY THE CYCLE OF THE YEAR: THE GENRE OF CALENDAR ILLUSTRATIONS FROM ORIGINS TO LUCAS AND MAARTEN VAN VALCKENBORCH. VOLUME I. A Thesis Submitted in 00902394 Partial Fulfillment of the Master in Art Science Requirements for the Degree Academic Year 2009- 2010. Of Master of Arts in Art Science at Ghent University Promoter: Prof. Dr. M. Martens By Nadya Lobkova Promoter: Prof. Dr. M. Martens CONTENTS VOLUME I: TEXT INTRODUCTION CHAPTER I: EMERGENCE AND FORMATION OF THE CALENDAR ICONOGRAPHY. 1. The vision of time and the year cycle in the medieval and Early Modern world picture. 2. Seasons and months in visual arts in antiquity: from allegory to the new concept. 3. Calendar illustrations in Early and High Middle Ages: 3.1. Early Middle Ages: formation of the iconography; 3.2. Moths in the High Middle Ages: regional variations; 3.3. The concept of labour in the Middle Ages. CHAPTER II: TRANSFORMATIONS OF THE GENRE BETWEEN THE LATE MIDDLE AGES AND PIETER BRUEGEL THE ELDER. 1. Calendar illustrations in Très Riches Heurs du Duc de Berry of the brothers Limbourg. 2. Calendar illustrations in XV-XVI centuries: 2.1. Page lay-out. 2.2. Iconography. 2.3. Nature and city. 3. Genre mass-produced: transition into new media. 4. Bruegel‘s Twelve Months: the crossbreeding of calendar and landscape: 5.1. The genre of landscape in the first half of the 16th century. 5.2. Bruegel‘s cycle Twelve Months: the problems of iconography. 5.3. Composition of the cycle. 5.4. Bruegel‘s drawings Spring and Summer.