Helena, Heraclius, and the True Cross
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Saint Helena and the True Cross Free
FREE SAINT HELENA AND THE TRUE CROSS PDF Louis de Wohl | 190 pages | 01 Feb 2012 | Ignatius Press | 9781586175986 | English | San Francisco, United States True Cross | History & Facts | Britannica Very little is known about Helena's early life, but it is believed she is from Drepanum later known as Helenopolis in Asia Minor and born into a poor family and lower class in the Roman culture of the day. Ambrose described Helena as a "good stable-maid. Despite her background, Helena married Constantius Chlorus. With him she birthed her only son, Constantine. Nearly two decades later inConstantius, now co-Regent of the West, got swept up in his rising stature and divorced Helena for Theodora, the step-daughter of Emperor Maximinianus Herculius. It is believed he Saint Helena and the True Cross this to advance his own reputation and advance his standing in the Roman society. Constantine was forever loyal to his dear mother, whom he loved very much. As he grew and became a member of the inner circle, he never left Helena's Saint Helena and the True Cross. Following the death of Constantius inConstantine became Saint Helena and the True Cross and summoned his mother back into inner circle and the imperial court. Helena received the title of Augusta. Constantine ordered all to honor his mother. Saint Helena and the True Cross even had coins minted, bearing her image. Through her son's influence, Helena began to embrace Christianity. With her title of Augusta Imperatrix, Helena was given free reign over the imperial treasury. She was tasked with locating relics of Christian tradition. -
13 September 2020 the True Cross in the Following Manner
13 September 2020 The True Cross in the following manner. He caused a lady of rank, who Roodmas (from Old English rood “rod” or “cross,” had been long suffering from disease, to be touched by and mas, Mass; similar to the etymology of each of the crosses, with earnest prayer, and thus Christmas) was the celebration of the Feast of the discerned the virtue residing in that of the Saviour. Cross observed on May 3 in some Christian churches For the instant this cross was brought near the lady, it and rites, particularly the historical Gallican Rite of expelled the sore disease, and made her whole. the Catholic Church. It commemorated the finding Helena took a portion of the cross back to Rome, by Saint Helena of the True Cross in Jerusalem in 355. where she had it enshrined in the chapel of her palace A separate feast of the Triumph of the Cross was (now the Basilica of the “Holy Cross in Jerusalem”). celebrated on September 14, the anniversary of the The rest of the True Cross remained in Jerusalem, in a dedication of the Church of the Holy Sepulchre. After chapel attached to the Church of the Holy Sepulchre. the Gallican and Latin Rites were combined, the Over the centuries pieces of the Cross were distributed western Church observed individually the Finding of the as relics in both the East and the West. Many were Holy Cross on May 3 and the Triumph of the Cross on captured and lost amidst the wars of possession fought September 14. -
Teacher Notes
To Jerusalem and Back Again: Objects of the Crusades Information for teachers This education pack has been created by the Museum of the Order of St John in partnership with the University of Birmingham to provide Key Stage 3 History teachers with a lesson plan and resources to exploreChristendom, the importance of religion and the Crusades through object-based learning using real objects from the Museum’s collection. ¹ The pack draws extensively on new research undertaken as part of theBearers of the Cross: Material Religion in the Crusading World, 1095–c.1300 project, which was funded by the Arts and Humanities Research Council. Led by Dr William Purkis (University of Birmingham), Bearers of the Cross explored the lived, material religion of crusaders through a wide-ranging analysis of texts, art, architecture and material culture associated with the medieval crusading movement. The project has shed new light on the devotional worlds that crusaders inhabited, examining the ritual practices they observed, the religious artefacts they treasured, and the sacred spaces they shaped and were shaped by. Central to this work was a fresh study of the medieval collections of the Museum of the Order of St John. How to use this resource The resource includes a full lesson plan and three activities, as well as full notes to accompany the presentation and tasks. The presentation notes correspond with the PowerPoint presentation slides and the activity instructions are highlighted in blue at the relevant stage of the presentation. There are also lots of opportunities to ask further questions and encourage group discussion, and secondary research for teachers’ information is shown in green. -
The Occult Teachings of the Christ According to the Secret Doctrine By: Josephine Ransom
Adyar Pamphlets The Occult Teachings of the Christ... No. 179 The Occult Teachings of the Christ According to the Secret Doctrine by: Josephine Ransom The Blavatsky Lecture, delivered before the Annual Convention of the Theosophical Society in England, 1933 The references are to the original Secret Doctrine by H.P.Blavatsky , published in 1888 Published in 1933 Theosophical Publishing House, Adyar, Chennai [Madras] India The Theosophist Office, Adyar, Madras. India “For the teachings of Christ were Occult teachings, which could only be explained at Initiation” [ Secret Doctrine, Volume 2, Page 241] I In presenting my theme I must make it clear that I have drawn solely upon The Secret Doctrine for information. I have not sought elsewhere for corroboration or amplification of any point, save a few quotations from the Bible and have made but few comments myself. I leave it to the students to seek their own answers to the question that must inevitably arise in their minds as the story unfolds. For the sake of a sequence these questions are essential: (1) Who was the Christ? (2) Who was Jesus? [Page 2] (3) What were the Occult Teachings of the Christ? (1) Who was the Christ? The answer comes clearly:“The Logos is Christos.....” (S.D. 1, 241) “......There are three kinds of Light in Occultism .....(1) The Abstract and Absolute Light, which is Darkness; (2) The Light of the Manifested — Unmanifested, called by some the Logos; and (3) The latter Light reflected in the Dhyân Chohans, the minor Logoi — the Elohim, collectively — who, in their turn, shed it on the objective Universe.....” “The Occultists in the East call this Light Daiviprakriti, and in the West the Light of Christos. -
The Holy Lance of Antioch
The Holy Lance of Antioch A Study on the Impact of a Perceived Relic during the First Crusade Master Thesis By Marius Kjørmo The crucified Jesus and the Roman soldier Longinus with the spear that would become the Holy Lance. Portrait by Fra Angelico from the Dominican cloister San Marco, Florence. A Master Thesis in History, Institute of Archaeology, History, Culture Studies and Religion, University of Bergen, Spring 2009. 2 Contents Preface.........................................................................................................................................5 List of Maps..................................................................................................................................6 List of Illustrations.......................................................................................................................6 Cast of Characters.......................................................................................................................7 1. Introduction.........................................................................................................................................9 1.1. Introduction...........................................................................................................................9 1.2. Lance Historiography..........................................................................................................11 1.3. Terms and Expressions.......................................................................................................13 -
John Chrysostom, Maruthas and Christian Evangelism in Sasanian Iran Walter Stevenson University of Richmond, [email protected]
University of Richmond UR Scholarship Repository Classical Studies Faculty Publications Classical Studies 2010 John Chrysostom, Maruthas and Christian Evangelism in Sasanian Iran Walter Stevenson University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/classicalstudies-faculty- publications Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the History of Christianity Commons Recommended Citation Stevenson, Walter. "John Chrysostom, Maruthas and Christian Evangelism in Sasanian Iran." Studia Patristica 47 (2010): 301-07. This Article is brought to you for free and open access by the Classical Studies at UR Scholarship Repository. It has been accepted for inclusion in Classical Studies Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. John Chrysostom, Maruthas and Christian Evangelism in Sasanian Iran Wa ll STEVENSON, Richmond, Virginia Neither John Chrysostom's efforts to evangeli ze in Sasanid Persia nor the conflict fought between Rome and Persia in 421 have drawn a great deal of attention.' So this paper will attempt to navigate the 20 years from John's initial efforts up to the outbreak of the war without much modern support. Beginning from a series of clues in ancient sources I will try to gather apparently unre lated narratives into a story of how John inadvertently contributed to the event that Kenneth Hoium called 'Pulcheria's Crusade'. Not that this war earned any of the historical significance of the later crusades. Our sources tell of various religious disputes on the border that led to a Roman incursion into Sasanian territory, but the conflict was quickly dropped without any major strategic out come.2 On the other hand, this conflict could be seen as a milestone in the development of the role of exclusive religions in imperial politics. -
The Discovery of the True Cross in Jerusalem in 1099 : Evidence and Reconsideration
BARTŁOMIEJ DŹWIGAŁA Uniwersytet Kardynała Stefana Wyszyńskiego Instytut Historii ORCID: 0000-0003-3762-3917 The Discovery of the True Cross in Jerusalem in 1099 : Evidence and Reconsideration Key w ords: Relic of the Cross, True Cross, Kingdom of Jerusalem, First Crusade The discovery of the True Cross in Jerusalem just after the successful end of the First Crusade is probably one of the most baffling and neglected events in the history of the Kingdom of Jerusalem.1 Contemporaries perceived this miraculous discovery as the crowning point of the expedition, as well as a tangible sign of God’s favour, which is evident in the first letter sent by Pope Paschal II to the crusaders.2 The cen- trality of the Cross in the Latin Kingdom of Jerusalem is confirmed in a letter that Warmund, the patriarch of Jerusalem, sent to the archbishop of Santiago Compostela, where he stated that “we are ready to die rather than desert the holy city of Jerusalem and the Lord’s Cross and the most Holy Sepulchre of Christ.”3 These words clearly show that the responsibility for the protection of the True Cross was a key element in the identity of the crusader monarchy. The True Cross is alleged to have been discovered by Helena, mother of Con- stantine the Great. The legend of Helena’s finding of the Cross must have originated in the second half of the fourth century, most likely in Jerusalem.4 Relics of the Cross had spread across the Roman Empire by the middle of the fourth century and quickly 1 I would like to thank the De Brzezie Lanckoronski Foundation for its generous support, which allowed me to spent August 2018 in London and use the rich collections of the Warburg Institute Li- brary and the Institute of Historical Research Library. -
2019 Family Handbook
True Cross Catholic School 2018– 2019 Family Handbook This Family Handbook is provided as a guide, for both students and parents, of the procedures and policies of the True Cross Catholic School. We ask parents to carefully read all sections of the handbook and review them with your child. The enrollment of a child at True Cross Catholic School is considered to be an agreement on the part of the students and parents or guardians that they will comply with all school procedures, regulations, and policies including, but not limited to such procedures, regulations, and policies set forth in the handbook. True Cross Catholic School and administration retain the right to amend the Family Handbook. By no means is this handbook considered all-inclusive. Administration and staff will exercise professional judgment and discretion to address situations fairly and consistently. After reviewing this handbook with your child, sign the acknowledgment form included in the back of this handbook for each child enrolled in the school. The form must be returned to your child's homeroom teacher. Revised 8/7/2018 1 INDEX PAGE School Board 4 Administration and Staff 5 Mission and Philosophy 6 Schedules, Hours, and Calendar 8 Admission and Financial Policy 10 General School Policies 13 Health and Safety Policies 15 Drop Off and Pick up 21 Curriculum and Instruction 22 Assessment and Grading 24 Communication and Conferences 27 Special Needs Learners and Referrals 28 Student Life 31 Extended Day 33 Athletics 34 Dress Code 35 Code of Conduct 38 Computer and Technology Policy 43 2 "The Lord our God is one Lord; and you shall love the Lord your God with all your heart, and with all your soul, and with all your might. -
The Holy Sepulchre of Jerusalem and St Sophia of Constantinople: an Attempt at Discovering a Hagiographic Expression of the Byzantine Encaenia Feast
Other Patristic Studies Downloaded from Brill.com10/02/2021 10:24:12PM via free access . Downloaded from Brill.com10/02/2021 10:24:12PM via free access Ekaterina Kovalchuk Leuven, Belgium [email protected] THE HOLY SEPULCHRE OF JERUSALEM AND ST SOPHIA OF CONSTANTINOPLE: AN ATTEMPT AT DISCOVERING A HAGIOGRAPHIC EXPRESSION OF THE BYZANTINE ENCAENIA FEAST Constantine the Great and the Foundation of the Holy Sepulchre For a student of Late Antiquity and Byzantine civilization, Con- stantine the Great is known, fi rst and foremost, as the ruler who intro- duced Christianity as an offi cial religion of the Roman Empire. Apart from that, his name is fi rmly associated with the foundation of the eponymous city of Constantinople, which was to become a centre of the Eastern Christian civilization. A closer look at the contemporary sources, however, suggests that the fi rst Christian Emperor did not give the newly-founded city of Constantinople priority in his policies and building projects. During his reign, Constantine the Great dis- played extraordinary interest in Jerusalem, leaving Constantinople rather overshadowed. One may puzzle why Eusebius, who is the main contemporary source for the reign of Constantine the Great, gave but cursory treatment to the foundation and dedication of Constantinople while dwelling upon the subject of Palestinian church-building — and especially the foundation and dedication of the Holy Sepulchre church in Jerusalem1 — so exten- (1) The Holy Sepulchre is a later name for the complex erected by Con- stantine at the allegedly historical places of Golgotha and the tomb where Christ was buried. -
The Tournament and Its Role in the Court Culture of Emperor Maximilian I
i The Tournament and its Role in the Court Culture of Emperor Maximilian I (1459-1519) Natalie Margaret Anderson Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds, Institute for Medieval Studies March 2017 ii The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2017 The University of Leeds and Natalie Margaret Anderson The right of Natalie Margaret Anderson to be identified as Author of this work has been asserted by Natalie Margaret Anderson in accordance with the Copyright, Designs and Patents Act 1988. iii Acknowledgements I must first acknowledge the help and support of my supervisors, Dr Alan V. Murray and Dr Karen Watts. They have been there since the beginning when I took part in their ‘Tournaments’ module during my MA studies, which first introduced me to the fantastical world of Maximilian’s tournaments. They also helped me to craft the idea for this research project while I was still exploring the exciting but daunting prospect of undertaking a PhD. Their words of advice, patience, and sometimes much-needed prodding over the past four years helped to bring about this thesis. Thank you as well to my examiners, Professor Stephen Alford and Professor Maria Hayward, whose insights helped to greatly improve this thesis. Thank you to the University of Leeds, whose funding in the form of a Leeds International Research Scholarship made this research possible. -
The Genre of Calendar Illustrations from Origins to Lucas and Maarten Van Valckenborch
GHENT UNIVERSITY FACULTY OF ARTS AND PHILOSOPHY THE CYCLE OF THE YEAR: THE GENRE OF CALENDAR ILLUSTRATIONS FROM ORIGINS TO LUCAS AND MAARTEN VAN VALCKENBORCH. VOLUME I. A Thesis Submitted in 00902394 Partial Fulfillment of the Master in Art Science Requirements for the Degree Academic Year 2009- 2010. Of Master of Arts in Art Science at Ghent University Promoter: Prof. Dr. M. Martens By Nadya Lobkova Promoter: Prof. Dr. M. Martens CONTENTS VOLUME I: TEXT INTRODUCTION CHAPTER I: EMERGENCE AND FORMATION OF THE CALENDAR ICONOGRAPHY. 1. The vision of time and the year cycle in the medieval and Early Modern world picture. 2. Seasons and months in visual arts in antiquity: from allegory to the new concept. 3. Calendar illustrations in Early and High Middle Ages: 3.1. Early Middle Ages: formation of the iconography; 3.2. Moths in the High Middle Ages: regional variations; 3.3. The concept of labour in the Middle Ages. CHAPTER II: TRANSFORMATIONS OF THE GENRE BETWEEN THE LATE MIDDLE AGES AND PIETER BRUEGEL THE ELDER. 1. Calendar illustrations in Très Riches Heurs du Duc de Berry of the brothers Limbourg. 2. Calendar illustrations in XV-XVI centuries: 2.1. Page lay-out. 2.2. Iconography. 2.3. Nature and city. 3. Genre mass-produced: transition into new media. 4. Bruegel‘s Twelve Months: the crossbreeding of calendar and landscape: 5.1. The genre of landscape in the first half of the 16th century. 5.2. Bruegel‘s cycle Twelve Months: the problems of iconography. 5.3. Composition of the cycle. 5.4. Bruegel‘s drawings Spring and Summer. -
Miszellaneen Miscellanea
miszellaneen MISCELLANEA c.g. boerner in collaboration with harris schrank fine prints Israhel van Meckenem ca. 1440–45 – d. Bocholt 1503 1. Die Auferstehung – The Resurrection (after the Master E.S.) ca. 1470 engraving with extensive hand-coloring in red, blue, green, reddish-brown and gold leaf; 94 x 74 mm (3 11�16 x 2 ⅞ inches) Lehrs and Hollstein 140 provenance C.G. Boerner, Leipzig, sale 153, May 3–4, 1927, lot 43 sub-no. 49 (ill. on plate 3) S.F.C. Wieder, Noordwijk, The Netherlands William H. Schab Gallery, New York, cat. 40 [1963], no. 64 (the still-intact manuscript), the Meckenem ill. on p. 69 private collection, Switzerland Sotheby’s, London, December 4, 1969, lot 18 William H. Schab Gallery, New York, cat. 52, 1972, no. 46 (ill. in color) C.G. Boerner, Düsseldorf, acquired April 25, 1972 private collection, Germany Sotheby’s, London, December 3–4, 1987, lot 579 (GBP 27,500) private collection Unikum. Very little is known about the early life of Israhel van Meckenem. His family probably came from Meckenheim near Bonn. He might have received his first artistic training with the so- called Master of the Berlin Passion who was active in the Rhine-Meuse region in 1450–70 (and whom Max Geisberg even tried to identify as Van Meckenem’s father). This is supported by 13 copies that Van Meckenem made after prints by this early “Anonymous.” However, the Master E.S. played an even more important role in the formation of the young artist. He worked in the Upper Rhine valley, most likely in Strasbourg, and his importance for the development of the relatively new medium of engraving can hardly be overestimated.