DOCSLIB.ORG

U.S. EPA, Pesticides, Label, GLYPHOSATE PRO 4TM, 3/19/2010

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
U.S. EPA, Pesticides, Label, GLYPHOSATE PRO 4TM, 3/19/2010 c \ofbl UNITED STATES ENVIRONMENTAL PROTECTION AGENCY WASHINGTON, D.C. 20460 OFFICE OF PREVENTION, PESTICIDES AND TOXIC SUBSTANCES Ross Gilbert MAR 1 9 2010 Agent for Prokoz, In.c Pyris Regulatory Consulting, Inc. 4110 136th St. N.W. Gig Harbor, WA 98332 Subject: Label Notification(s) for Pesticide Registration Notice 2007-4 Dear Mr. Gilbert: The Agency is in receipt of your Application(s) for Pesticide Notification under Pesticide Registration Notice (PRN) 2007-4 dated February 24,2010 for: EPA Registration 72112-4 Glyphosate Pro 4 The Registration Division (RD) has conducted a review of this request for applicability under PRN 2007-4 and finds that the label change(s) requested falls within the scope ofPRN-2007-4. The labelhas been date-stamped "Notification" and will be placed in our records. Please be reminded that 40 CFR Part 156.l40(a)(4) requires that a batch code, lot number, or other code identifying the batch of the pesticide distributed and sold be placed on nonrefillable containers. The code may appear either on the label (and can be added by non­ notificationJPR Notice 98-10) or durably marked on the container itself. If you have any questions, please contact me directly at 703-305-6249 or Nicole Williams of my staff at 703-308-5551. Sincerely, ~Linda Arrington Notifications & Minor Formulations Team Leader Registration Division (7505P) Office of Pesticide Programs ( pt.... r ••d /MtrllctiOM on reven. bttfore comi._.iMl form. Form ADDroveQ JMB No. 2.070-OO8Cl & axilitMi 2.·28-95 OPP Identifier Number United States QRegistration &EPA Environmental Protection Agency Amendment Washington, DC 20460 .f Other Application for Pesticide - Section I 1 . Company/Product Number 2. EPA Product Manager 3. Proposed Classification 72112-4 J. Tompkins o None D Restricted 4. Company/Product (Name) PM' PROKOZ. Inc. I Glyphosate Pro 4 25 5. Name and Address of Applicant (Include ZIP Code) 6. Expedited Reveiw. In accordance with FIFRA Section 3(cI(3) PROKOZ, Inc. (b) (i), my product is similar or identical in composition and labeling clo Pyx is Regulatory Consulting, Inc. to: 4110 136th St. NW Gig Harbor, WA 98332 EPA Reg. No. D Check if this ;s a new address Product Name Section - II Amendment· Explain below. U Final printed labels in repsonse to D Agency latter dated NOTifICATION 0 Resubmission in response to Agency letter dated 0 ·Me Too· Application. 0 Notification· Explain below. 0 Other· Explain below. MAR 1 9 2010 Explanation: Use additional pagels) if necessary. (For section I end Section 11.) Notification of label change per PR Notice 2007·4. This notification is consistent with the guidance in PR Notice 2007-4 and the requirements of EPA's regulations at 40 CFR 156.10, 156.140, 156.144, 156.146, and 156.156. No other changes have been made to the labeling or the Confidential Statement of Formula for this product. I understand that it is a violation of 18 U.S.C. Sec. 1001 to willfully make any false statement to EPA. I further understand that if the amended label is not consistent with the requirements of 40 CFR 156.10, 156.140, 156.144, 156.146, and 156.156, this product may be in violation of FIFRA and I may be subject to enforcement action and penalties under sections 12 and 14 of FI FRA. Section - III 1. Mllteriel Thill Product Will Be Packaged In: Child·Resistent Packaging Unit Packaging Watar Soluble Packaging 2. Type of Container ~yes Yes t;JM,ql .I Plastic ~~:s .f No No ~ Glass If ·Yes· No. per If ·Yes· No. per Paper • Certification must Unit Packaging wgt. container Package wgt container Other (Specify) be submitted I 3. Location of Net Contents Informetion 4. Size(s) Retail Container 15. Location of Label Directions J" On Label U Label [{J Container 1, 2.5, 30, 250 gallons t=3 On Labeling accompanying product 6. Manner in Which Label is Affixed to Product lJ Uthograph D Other ./ Paper Pelued Stenciitd Section - IV 1. Contact Point (Complete items directly below for identificstion of individusl to be contsctBd, if necBssary, to procBss this spplicstion.) Name Title Telephone No. (Include Aree Code) Ross Gilbert 00 C l! Agent (253) 853·r3u~{) u Certification 6. p'dtec A€plication I certify that the statements I have made on this form and all attachments thereto are true, accurate and complete. Roeein,j I acknowledge that any knowlinglly false or misleading statement may be punishable by fine or imprisonme~f8r~ '-~. (Stamped) both under applicable law. e l t. L (. L l , 0., .... l. LeI..- t l C l 2. Signature 3. Title L L C I. l ( II , ( l l C ( ( (. II L Agent l l L L L l \. ( 4. Typed Name 5. Date l , i. t L L t. t..- Ross Gilbert ~\~llD l. t-f~. c { ( C L L EPA Form 8570·1 (Rev. 3·941 Previous editions are obsoilltll. White· EPA File Copy (origin • ., Yenow • AppHcant Copy ( ( PUiS REGULATORY CONSULTING; INC. 4110 136th St. NW Phone: 253-853-7369 Gig Harbor, WA 98332 Fax: 253-853-5516 www.PyxisRC.com February 24, 2010 COURIER DELIVERY Jim Tompkins (PM 25) Document Processing Desk (NOTIF) Office of Pesticide Programs (7504P) U.S. Environmental Protection Agency Room S-4900, One Potomac Yard 2777 S. Crystal Drive Arlington, VA 22202 RE: Prokoz, Inc - Glyphosate Pro 4 (EPA Reg. No. 72112-4) Revision to Container Disposal Instructions per PRN 2007-4 Dear Mr. Tompkins, On behalf of Prokoz, Inc. please find the enclosed label notification revising the container disposal instructions for Glyphosate Pro 4 per PRN 2007-4. In support of this notification submission, we submit the following documents: 1. Completed Application for Registration (EPA Form 8570-1) 2. One (1) copy of the Glyphosate Pro 4 labeling with changes tracked 3. One (1) copy ofthe Glyphosate Pro 4 labeling with changes incorporated 4. Certification with Respect to Label Integrity 5. One (1) copy of the Glyphosate Pro 4 labeling on CD 6. Letter of Authorization Please feel free to contact me by phone (253) 853-7369 or by email [email protected] you have any questions or need any additional information. Sincerely, C (, L (, L' Ross Gilbert occc " c (' L CO C L Let. (,. '- l L' ( 0 L Enclosures L L LLCiL c (. ( C L ... ( L L L l L ( L L L L , L , l l l C l L l. cc: M. Rachadi; Prokoz, Inc \ (. L L l , l. ,l L l. L L l (, C t. L (r' ( \ Sept~mber 13, 2005 Rodger L. Younker President PROl(OZ, Inc. 100 North Point Center East Suite 33'0 Alpharetta, GA 3002,2 To Whom It May Concern: RE: Letter of Authorization Dear Sir or Madam: Please let this letter serVe to confirm that Pyxis RegulatoryCoI1sulting, Inc. is authorized to actas agent for PROICOZ, Inc. (EPA Company Nurnber 72112), before the, U.S. Environmental Protection Agency and state governmental agenCies in all matters regarding our pesticide registrations pursuantto the Federal Insecticide, Fungicide and Rodenticide Act ("AFR-A"), 7' U.S.C. § 136 et seq. and state' law. " If you have any questions, please do not hesitate to contact me,. Sincerely, -'; Rodger L. Younker President PROKOZlnc. r. l (, (. (. (' I <. l ( l l t (, (. (II;' C (. •• ( (' cc: Pyxis Regulatory Consulting, Inc. (, C ( (,: ~~ C (: l) '.' t (. l." ( C ( ( l ( t t: (. .... (, t l C ( (. (; t ( C (, ~ l t. (.(.,;0 '. ( , l· L ~. (. '. ( L i. (\,(. ( \. I. t 1.0.0 North Point Center East Suite 33.0 • Alpha:retta, GA 30.022-8242 P: 770.619.9832 • F: 77.0.343.9736 • wwW.Prokciz.net S<K~l NOTIFICATION Glyphosate Pro ™ 4 MAR 1 9 2010 AVOID CONTACT OF HERBICIDE WITH FOLIAGE, GREEN STEMS, EXPOSED NON­ WOODY ROOTS OR FRUIT OF CROPS, DESIRABLE PLANTS AND TREES, BECAUSE SEVERE INJURY OR DESTRUCTION MAY RESULT. Read the "CONDITIONS OF SALE AND WARRANTY" statement at the end of the label before buying or using this product. If terms are not acceptable, return at once unopened. ACTIVE INGREDIENT: *Glyphosate, N-(phosphonomethyl)glycine, in the form of its isopropylamine salt.. ............ .41.0% OTHER INGREDIENTS: ..................................................................................................... 59.0% TOTAL ............................................................................................................................. 100.0% *Contains 480 grams per litre or 4 pounds per U.S. gallon of the active ingredient, glyphosate, in the form of its isopropylamine salt. Equivalent to 356 grams per litre or 3 pounds per U.S. gallon of the acid, glyphosate. KEEP OUT OF REACH OF CHILDREN CAUTION FIRST AID IF IN EYES: • Hold eye open and rinse slowly and gently with water for 15-20 minutes. • Remove contact lenses, if present, after the first 5 minutes, then continue rinSing eye. • Call a poison control center or doctor for treatment advice. HOT LINE NUMBER Have the product container or label with you when calling a poison control center or doctor, or going for treatment. You may also contact 1-800-424-9300 for emergency medical treatment information. PRECAUTIONARY STATEMENTS HAZARDS TO HUMANS AND DOMESTIC ANIMALS CAUTION Causes moderate eye irritation. Avoid contact with eyes or clothing. Wash thoroughly with soap and water after handling. DOMESTIC ANIMALS: This product is considered to be relatively nontoxic to dogs and other domestic animals; however, ingestion of this product or large amounts of freshly sprayed vegetation may result in temporary gastrointestinal irritation (vomiting, diarrhea, colic, etc.). If such symptoms are observed, provide the animal with plenty of fluids to prevent dehydration. Call a veterinarian if symptoms persist for more than 24 hours. EPA Reg. No. 72112-4 EPA Est. No. Manufactured for: :: : •• : PROK5Z, Inc. •••• • •••• ••• • • •• • 100 North Point Center" Ea~ 9C1~e 330 NET CONTENTS: Alpharetta, GA 30022 Gals.
Load more

Recommended publications
  • … … Mushi Production
    1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod.
    [Show full text]
  • BANDAI NAMCO Group FACT BOOK 2019 BANDAI NAMCO Group FACT BOOK 2019
    BANDAI NAMCO Group FACT BOOK 2019 BANDAI NAMCO Group FACT BOOK 2019 TABLE OF CONTENTS 1 BANDAI NAMCO Group Outline 3 Related Market Data Group Organization Toys and Hobby 01 Overview of Group Organization 20 Toy Market 21 Plastic Model Market Results of Operations Figure Market 02 Consolidated Business Performance Capsule Toy Market Management Indicators Card Product Market 03 Sales by Category 22 Candy Toy Market Children’s Lifestyle (Sundries) Market Products / Service Data Babies’ / Children’s Clothing Market 04 Sales of IPs Toys and Hobby Unit Network Entertainment 06 Network Entertainment Unit 22 Game App Market 07 Real Entertainment Unit Top Publishers in the Global App Market Visual and Music Production Unit 23 Home Video Game Market IP Creation Unit Real Entertainment 23 Amusement Machine Market 2 BANDAI NAMCO Group’s History Amusement Facility Market History 08 BANDAI’s History Visual and Music Production NAMCO’s History 24 Visual Software Market 16 BANDAI NAMCO Group’s History Music Content Market IP Creation 24 Animation Market Notes: 1. Figures in this report have been rounded down. 2. This English-language fact book is based on a translation of the Japanese-language fact book. 1 BANDAI NAMCO Group Outline GROUP ORGANIZATION OVERVIEW OF GROUP ORGANIZATION Units Core Company Toys and Hobby BANDAI CO., LTD. Network Entertainment BANDAI NAMCO Entertainment Inc. BANDAI NAMCO Holdings Inc. Real Entertainment BANDAI NAMCO Amusement Inc. Visual and Music Production BANDAI NAMCO Arts Inc. IP Creation SUNRISE INC. Affiliated Business
    [Show full text]
  • El Subgénero De Animación Nipón Hentai. Aspectos Socioculturales, Narrativa Visual Y Popularización Y Distribución a Través De Internet
    La pantalla insomne – 2ª edición (ampliada) Universidad de La Laguna – abril de 2016 El subgénero de animación nipón hentai. Aspectos socioculturales, narrativa visual y popularización y distribución a través de internet Roberto C. Álvarez Delgado - Universidad Complutense de Madrid – [email protected] Resumen Desde que a mediados del s.XX comenzaran a distribuirse en occidente las primeras creaciones de animación japonesa o anime, hasta la actualidad, donde millones de personas consumen y se han convertido en fervientes seguidores de este producto audiovisual, especialmente a través de internet. Se pueden describir una considerable sucesión de circunstancias que han contribuido a conformar lo que actualmente entendemos como cultura anime. Sucesos históricos, creencias populares, situaciones económicas, y en definitiva un conjunto de particularidades que tras ser cuidadosamente descritas y analizadas han permitido establecer una mejor comprensión del actual acontecimiento sociocultural que se extiende de manera global sobre el mercado del entretenimiento. El anime se muestra como una inagotable fuente de creación de productos audiovisuales y en su búsqueda por convertirse en un producto ampliamente consumible le lleva a explorar diversos caminos dentro de los géneros visuales. Uno de estos caminos corresponde al denominado hentai, (pervertido - obsceno) subgénero anime donde las secuencias sexuales son explicitas y pueden ir acompañadas de violencia. Se habla de hentai cuando la temática del dibujo animado se centra en el erotismo
    [Show full text]
  • BANDAI NAMCO Group
    BANDAI NAMCO Group INTEGRATED REPORT 2018 The BANDAI NAMCO Group develops entertainment-related products and services in a wide range of fields, including toys, network content, home video games, amusement machines, amusement facilities, and visual and music content. Under the Mid-term Plan, which was launched in April 2018, the Group aims to achieve “CHANGE” to progress to the next stage, with a Mid-term Vision of CHANGE for the NEXT: Empower, Gain Momentum, and Accelerate Evolution. OUR MISSION STATEMENT Dreams, Fun and Inspiration “Dreams, Fun and Inspiration”are the Engine of Happiness. Through our entertainment products and services, BANDAI NAMCO will continue to provide “Dreams, Fun and Inspiration” to people around the world, based on our boundless creativity and enthusiasm. OUR VISION The Leading Innovator in Global Entertainment As an entertainment leader across the ages, BANDAI NAMCO is constantly exploring new areas and heights in entertainment. We aim to be loved by people who have fun and will earn their trust as “the Leading Innovator in Global Entertainment.” CONTENTS 04 THE BANDAI NAMCO Group — 1 Year of Results ( FY2018.3) 06 UNITS — 1 Year of Results ( FY2018.3) 08 THE GROUP’S GREATEST STRENGTH — The IP Axis Strategy 10 MAJOR IP IN GROUP PRODUCTS AND SERVICES 12 BOARD OF DIRECTORS AND AUDIT & SUPERVISORY BOARD MEMBERS 14 OVERVIEW OF THE MIDTERM PLAN 16 PRESIDENT’S MESSAGE 20 MESSAGES FROM THE PRESIDENTS OF UNIT CORE COMPANIES 25 SPECIAL FEATURE: MAIN STRATEGIES IN THE MIDTERM PLAN 40 DISCUSSION AMONG OUTSIDE DIRECTORS 44 CORPORATE GOVERNANCE 51 CSR INITIATIVES 55 FINANCIAL SECTION 95 CORPORATE DATA 96 OVERVIEW OF MAIN GROUP COMPANIES About Integrated Report 2018 In editing this report, we made reference to the International Integrated Reporting IR CSR Framework of the International Integrated Reporting Council ( IIRC).
    [Show full text]
  • Universidade Federal De Goiás Faculdade De Informação E Comunicação Publicidade E Propaganda Wadna Da Silva Coelho O Círcu
    UNIVERSIDADE FEDERAL DE GOIÁS FACULDADE DE INFORMAÇÃO E COMUNICAÇÃO PUBLICIDADE E PROPAGANDA WADNA DA SILVA COELHO O CÍRCULO DE TRANSMUTAÇÃO COMO MEDIADOR DA TRANSNACIONALIDADE DA NARRATIVA DE FULLMETAL ALCHEMIST: BROTHERHOOD COM O OCIDENTE GOIÂNIA 2019 WADNA DA SILVA COELHO O CÍRCULO DE TRANSMUTAÇÃO COMO MEDIADOR DA TRANSNACIONALIDADE DA NARRATIVA DE FULLMETAL ALCHEMIST: BROTHERHOOD COM O OCIDENTE Monografia apresentada ao Curso de Publicidade e Propaganda da Faculdade de Informação e Comunicação da Universidade Federal de Goiás, para obtenção do grau de Bacharel. Orientadora: Prof.ª Dr.ª Lara Lima Satler. GOIÂNIA 2019 WADNA DA SILVA COELHO O CÍRCULO DE TRANSMUTAÇÃO COMO MEDIADOR DA TRANSNACIONALIDADE DA NARRATIVA DE FULLMETAL ALCHEMIST: BROTHERHOOD COM O OCIDENTE Monografia apresentada ao Curso de Publicidade e Propaganda da Faculdade de Informação e Comunicação da Universidade Federal de Goiás, para obtenção do grau de Bacharel. Aprovada em _____ de ____________ de _____, pela Banca Examinadora constituída pelos seguintes professores: _____________________________________________________________________ Prof.ª Dr.ª Lara Lima Satler – UFG Presidente da Banca ______________________________________________________________________ Prof. Me. Bruno Eduardo Morais de Araújo – UFG _______________________________________________________________________ Mestranda Thátilla Sousa Santos – UFG À minha mãe por toda a compreensão e carinho e ao meu pai pelo apoio incondicional. AGRADECIMENTOS À Deus por ter tornado todos os caminhos errados em certos. Aos meus pais por me apoiarem sempre em tudo que faço. Ao meu irmão por sempre resolver os problemas técnicos que nunca consigo. Aos meus amigos Bruna, Estevão, João Pedro, Mônyky, Matheus, Nandra, Yasmim e Thaynara por me mostrarem que família não é apenas aquela com a qual temos laços de sangue. À minha orientadora por estar ao meu lado ao longo de todo o meu caminho como pesquisadora.
    [Show full text]
  • Los Videojuegos En El Mundo Del Arte: Del Juego En El Arte Al Arte Del Juego
    Capítulo 1. Introducción UNIVERSIDAD DE CASTILLA-LA MANCHA Departamento de Arte Doctorado en Investigación en Humanidades, Artes y Educación Escuela Internacional de Doctorado Los videojuegos en el mundo del arte: del juego en el arte al arte del juego Autora Dña. Ruth García Martín Directora y Tutora Dra. Dña. Ana Martínez-Collado Martínez Noviembre de 2019 3 Ítaca te brindó tan hermoso viaje. Sin ella no habrías emprendido el camino. Pero no tiene ya nada que darte. Aunque la halles pobre, Ítaca no te ha engañado. Así, sabia como te has vuelto, con tanta experiencia, entenderás ya qué significan las Ítacas. Ítaca, Constantino Cavafis AGRADECIMIENTOS Esta investigación no hubiera sido posible si contar con la ayuda de muchas personas en diferentes niveles. A mi directora y tutora la Dra. Dña. Ana Martínez-Collado Martínez por descubrirme la senda de la investigación. Mis gracias a todos los que, por una u otra razón, habéis contribuido a la consecución de este trabajo sin ser conscientes de toda vuestra influencia: José Andrés por las conversaciones, por tu amistad y por los proyectos; Alberto Murcia por tu generosidad con la bibliografía; al colectivo Arsgames por ser un punto de inflexión en muchas cosas; A Remo Fernández, Laura Jiménez, Iñaki Ramis, Jorge Abellán, Mercedes Ávila, Martín Muelas, Soledad Corcuera y José Manuel Pastor por el humor y vuestros consejos y sugerencias; y a Miguel Angel Ortega por el diván y los cafés, entre todos habéis hecho que el viaje sea más ligero. A mi suegra, Luisa, por el tiempo otorgado. ¡Mil gracias! A mi Enano, Luis Miguel, por tus sugerencias y viaje compartido, ¡hay vida más allá de Paradox! Un agradecimiento especial a Ricci, Ricardo Lara, y Bego, Begoña Cadiñanos, por vuestra ayuda y conversaciones, por aguantarme las disertaciones a horas intempestivas.
    [Show full text]
  • Natural History Was Only One of Many
    JsaSk 10/05 ^m '^^^^^ M I P aH M J -m^m. w^.....^m^^sm Ijmam1 .^1^... ^"^^^^ ^^^m^m' THINK LIKE YOU'VE NEVER THOUGHT. FEEL LIKE YOU'VE NEVER FELT DRIVE LIKE YOU'VE NEVER DRIVEN. Introducing the all-new Subaru B9 Tribeca. A dynamic, progressive design that will change the way you think about SUVs. signature Symmetrical It's equipped with a powerful 250-hp, 6-cylinder Subaru Boxer Engine, Vehicle Dynamics Control and All-Wheel Drive standard. Providing stability, agility and control you just don't expect from an SUV. Feel the cockpit wrap around and connect you with a state-of-the-art available touch screen navigation system that intuitively guides you to places near or far. And while the available 9" widescreen DVD entertainment system can capture the attention of up to 7 passengers, the engaging drivability and real world versatility will capture yours. Simply put, you'll never think, feel, drive, the same way again, subaru.com SUBARU Think. Feel. Drive" , \/-^. OCTOBER 2005 VOLUME 115 NUMBER 8 FEATURES COVER STORY 40TOXIC TREASURE Poisons and venoms from deadly animals could become tomorrow's miracle drugs. Andfew places on Earth harbor so many deadly animals as Australia's Great Barrier Reef. ROBERT GEORGE SPRACKLAND 46 TAKING INVENTORY Biologists are still astonished by the diversity of the rainforest. PIOTR NASKRECKI 50 BLOWN AWAY Since the wakeup call at Mount St. Helens, geologists have realized that collapsing volcanoes are far commoner than ever imagined. LEE SIEBERT ON THE cover: Deadly box jellyfish (Chironex fieckeri) also known as the sea wasp mm DEPARTMENTS 4 THE NATURAL MOMENT Fall Masquerade Photograph by Art Wolfe 6 UP FRONT Editor's Notebook 8 CONTRIBUTORS 10 LETTERS 58 THIS LAND Where Glaciers Did Not Tread Robert H.
    [Show full text]
  • Being a Group That Is Full of Personality and Fixated on Quality and Appeal to Provide Dreams, Fun and Inspiration Around the Wo
    NEWSLETTER December 2017 BANDAI NAMCO Mirai-Kenkyusho BANDAI NAMCO Holdings Inc. 5-37-8 Shiba, Minato-ku, Tokyo 108-0014 Management Interview with the President Being a Group That is Full of Personality and Fixated on Quality and Appeal to Provide Dreams, Fun and Inspiration around the World The BANDAI NAMCO Group announced consolidated operating results for the first half (April to September 2017) of FY2018.3. Net sales reached record highs for H1 performance, with operating profit also surpassing projections. BANDAI NAMCO Holdings’ President Mitsuaki Taguchi had the following to say about performance outlooks and activities of each SBU moving forward, as well as on progress regarding the next Mid-term Plan. How would you summarize the a new network service-related platform and in first half? opening new facilities, including VR facilities, Taguchi: As domestic and overseas network to increase. We will also conduct careful over- content continued to perform strongly, core sight of release schedules for home video game Mitsuaki Taguchi IP* products and services for the Toys and and visual packaged product titles to ensure President & Representative Director, Hobby, Network Entertainment, and Visual they correspond to environmental changes. BANDAI NAMCO Holdings Inc. and Music Production SBUs gained in popu- We plan to take another look at full-year larity. As such, net sales reached record highs projections when we begin to see results from What progress has been made for H1 at ¥308.8 billion and operating profit, the year-end sales season and indications of regarding the next Mid-term Plan? at ¥34.9 billion, outperformed projections made their effects.
    [Show full text]
  • La Animación Y Las Otras Artes Actas Del III Foro Académico Internacional Sobre Animación VII Festival Internacional De Animación De Córdoba ANIMA2013
    La Animación y las otras Artes Actas del III Foro Académico Internacional Sobre Animación VII Festival Internacional de Animación de Córdoba ANIMA2013 Centro Experimental de Animación Dpto. de Cine y Televisión Facultad de Artes Universidad Nacional de Córdoba La animación y las otras artes: actas del III Foro Académico Internacional Sobre Animación / Alejandro Rodrigo González ... [et.al.] ; compilado por Paula Andrea Asís Ferri y Alejandro Rodrigo González. - 1a ed. - Córdoba: Universidad Nacional de Córdoba, 2014. E-Book. ISBN 978-950-33-1096-0 1. Animación. 2. Arte. 3. Audiovisuales. I. González, Alejandro Rodrigo II. Asís Ferri, Paula Andrea, comp. III. González, Alejandro Rodrigo, comp. CDD 791.43 Fecha de catalogación: 05/12/2013 Autoridades Universidad nacional de Córdoba Rector: Dr. Francisco Tamarit Vicerectora: Dra. Silvia Barei Facultad de Artes Decana: Lic. Ana Guillermina Yukelson Vicedecano: Prof. Dardo Alzogaray Departamento de Cine y Tv: Director disciplinar: Mgter. Ana Mohaded Centro Experimental de Animación: Coordinadora General: Esp. Carmen Garzón Coordinador Área Producción, Gestión y Extensión : Esp. Alejandro R. González Coordinadora del Área Docencia e Investigación en Animación: Esp. Paula A. Asís ferri Autoridades Universidad nacional de Villa maría Rector: Ab. Martín Gill Vicerectora: Dra. Cecilia Conci IAPCH Decano: Ab. Luis Negretti Autoridades Centro Cultural España Córdoba Directora: Daniela Bobbio 2 LA ANIMACIÓN Y LAS OTRAS ARTES ACTAS DEL III FORO ACADÉMICO INTERNACIONAL SOBRE ANIMACIÓN - ANIMA2013 -
    [Show full text]
  • Discourses of War and History in the Japanese Game Kantai Collection and Its Fan Community
    Discourses of war and history in the Japanese game Kantai Collection and its fan community Valtteri Vuorikoski [email protected] Master’s Thesis Department of World Cultures, University of Helsinki Tiedekunta/Osasto – Fakultet/Sektion – Faculty Laitos – Institution – Department Humanistinen tiedekunta Maailman kulttuurien laitos Tekijä – Författare – Author Valtteri Vuorikoski Työn nimi – Arbetets titel – Title Discourses of war and history in the Japanese game Kantai Collection and its fan community Oppiaine – Läroämne – Subject Itä-Aasian tutkimus Työn laji – Arbetets art – Level Aika – Datum – Month and year Sivumäärä– Sidoantal – Number of pages Pro gradu -tutkielma Marraskuu 2017 111 Tiivistelmä – Referat – Abstract Tutkielmassa tarkastellaan japanilaista Kantai Collection -laivastosotapeliä ja siihen liittyvä mediakokonaisuutta (media mix) sekä kyseisen mediakokonaisuuden yleisön sen pohjalta tuottamia omakustanteisia fan fiction -teoksia. Kantai Collection -pelin eri versioiden lisäksi tarkastellaan samannimistä animaatiosarjaa, mutta viitataan myös sarjakuva- ja elokuvaversioihin. Fan fiction -teoksia tarkastellaan sekä määrällisesti (N=120) että laadullisesti (N=46). Tarkastelu on kaksivaiheinen. Ensiksi analysoidaan alkuperäisteosten tarinarakenteita ja diskursseja Tyynenmeren sodasta ja Japanin lähihistoriasta soveltaen Michel Foucault’n määrittämää diskurssianalyysia sekä Umberto Econ teoriaa avoimista ja suljetuista teoksista. Toisessa vaiheessa analysoidaan samoin laadullisin menetelmin, miten yleisön tuottamat fan
    [Show full text]
  • African-Americans in Boston : More Than 350 Years
    Boston Public Library REFERENCE BANKOF BOSTON This book has been made possible through the generosity of Bank of Boston \ African-Americans in Boston More Than 350 Years Digitized by the Internet Archive in 2015 https://archive.org/details/africanamericansOOhayd_0 African-Americans in Boston: More Than 350 Years by Robert C. Hayden Foreword by Joyce Ferriabough Trustees of the Public Library of the City of Boston, 1991 African-Americans in Boston: More Than 350 Years Written by Robert C. Hayden Conceived and coordinated by Joyce Ferriabough Designed by Richard Zonghi, who also coordinated production Edited by Jane Manthome Co-edited by Joyce Ferriabough, Berthe M. Gaines, C. Kelley, assisted by Frances Barna Funded in part by Bank of Boston PubUshed by Trustees of the Boston PubHc Library Typeset by Thomas Todd Company Printed by Mercantile Printing Company Grateful acknowledgment is made to the following individuals and organizations for use of the illustrations on the pages cited: T. J. Anderson (74); Associated Press Wirephoto (42 bottom, 43, 98 left, 117); Fabian Bachrach (24, 116); Bob Backoff (27 left); Banner Photo (137); Charles D. Bonner (147 left); Boston African-American Historic Site, National Park Service (38, 77, 105 right); The Boston Athenaeum (18, 35 top, 47 top, 123, 130); Boston Globe (160); Boston Housing Authority (99); Boston Red Sox (161); Boston University News Service (119 right, 133); Margaret Bumham (110); John Bynoe (26); Julian Carpenter (153); Dance Umbrella (71); Mary Frye (147 right); S. C. Fuller, Jr. (142 right); Robert Gamett (145 left); Artis Graham (86); Calvin Grimes, Jr. (84); James Guilford (83); Rev.
    [Show full text]
  • Narrativas Visuales Perspectivas Y Análisisanalisis Desde Iberoaméricaiberoamerica
    Carlos Eduardo Daza Orozco Antonio MíguezM’guez Santa Cruz Analia Lorena Meo Narrativas Visuales Perspectivas y análisisanalisis desde IberoaméricaIberoamerica Editorial Narrativas visuales: Perspectivas y análisis desde Iberoamérica Carlos Eduardo Daza Orozco Antonio Míguez Santa Cruz Analia Lorena Meo CONSEJO SUPERIOR CRÉDITOS UNIVERSITARIO Investigadores principales Carlos Eduardo Daza Orozco Daza Orozco Carlos Eduardo Miembros fundadores Míguez Santa Cruz Antonio Antonio Míguez Santa Cruz Rodrigo Ferreira Pinzón Meo Analia Lorena Andrea Meza Ferreira Analia Lorena Meo Carlos Sebastián Ferreira Osorio Narrativas visuales: perspectivas y análisis desde Julián Orlando Ferreira Rondón Co-Investigadores iberoamérica Federico Álvarez Gandolfi Luis Rodrigo Ferreira Díaz Bogotá D.C.; Fundación Universitaria San Mateo, Mayara Araújo María Janeth Díaz 2018. Vivian Janeth Ferreira Díaz Julio Emmanuel Banega Peyrot 545 p.; 21 X 21 cm. Presidente Mario Javier Bogarín Quintana Carlos Orlando Ferreira Pinzón Andrés Camacho López Palabras clave: Ciencias sociales y humanas, cultura, arte, sociología, estudios de la imagen. Rector Raúl Cera Ochoa Juan Carlos Cadavid Botero Marcos Rafael Cañas Pelayo Víctor Cerdán Martínez Secretaria General Registro ISBN No. 978-958-56900-1-1 Melba Rosa Ferreira de Meza Tania Lucía Cobos Omar Alonso García Martínez Martín Ariel Gendler AUTORIDADES ACADÉMICAS © Fundación Universitaria San Mateo María del Valle Guerra Vicerrectora Académica Gerardo Ariel Del Vigo María Luisa Acosta Triviño Este libro es resultado de
    [Show full text]