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La Animación Y Las Otras Artes Actas Del III Foro Académico Internacional Sobre Animación VII Festival Internacional De Animación De Córdoba ANIMA2013

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La Animación Y Las Otras Artes Actas Del III Foro Académico Internacional Sobre Animación VII Festival Internacional De Animación De Córdoba ANIMA2013 La Animación y las otras Artes Actas del III Foro Académico Internacional Sobre Animación VII Festival Internacional de Animación de Córdoba ANIMA2013 Centro Experimental de Animación Dpto. de Cine y Televisión Facultad de Artes Universidad Nacional de Córdoba La animación y las otras artes: actas del III Foro Académico Internacional Sobre Animación / Alejandro Rodrigo González ... [et.al.] ; compilado por Paula Andrea Asís Ferri y Alejandro Rodrigo González. - 1a ed. - Córdoba: Universidad Nacional de Córdoba, 2014. E-Book. ISBN 978-950-33-1096-0 1. Animación. 2. Arte. 3. Audiovisuales. I. González, Alejandro Rodrigo II. Asís Ferri, Paula Andrea, comp. III. González, Alejandro Rodrigo, comp. CDD 791.43 Fecha de catalogación: 05/12/2013 Autoridades Universidad nacional de Córdoba Rector: Dr. Francisco Tamarit Vicerectora: Dra. Silvia Barei Facultad de Artes Decana: Lic. Ana Guillermina Yukelson Vicedecano: Prof. Dardo Alzogaray Departamento de Cine y Tv: Director disciplinar: Mgter. Ana Mohaded Centro Experimental de Animación: Coordinadora General: Esp. Carmen Garzón Coordinador Área Producción, Gestión y Extensión : Esp. Alejandro R. González Coordinadora del Área Docencia e Investigación en Animación: Esp. Paula A. Asís ferri Autoridades Universidad nacional de Villa maría Rector: Ab. Martín Gill Vicerectora: Dra. Cecilia Conci IAPCH Decano: Ab. Luis Negretti Autoridades Centro Cultural España Córdoba Directora: Daniela Bobbio 2 LA ANIMACIÓN Y LAS OTRAS ARTES ACTAS DEL III FORO ACADÉMICO INTERNACIONAL SOBRE ANIMACIÓN - ANIMA2013 - Diseño de Tapa y Maquetado: Paula Andrea Asís Ferri Compiladores: Paula Andrea Asís Ferri – Alejandro Rodrigo González Editora: Paula Andrea Asís Ferri Autores: Alejandro Rodrigo González – Cristina Siragusa – Paul Wells – Raúl Manrupe – Adriana Navarro Álvarez – Raúl González Monaj – María Lorenzo Hernández – Marlene Nascimento Da Silva – Hugo Cór- dova Quero – Clarissa Machado Belarmino – Carla Schneider – Agustín Berti – María Alejandra Alonso – Mónica Susana Kirchheimer – Felipe Javier Silva Montellano – María Eugenia Fiorenza Silvano – Carolina Inés Segre – Carolina Hernández – María Luz Cantisani Rovasio – Paula Andrea Asís Ferri – Joaquín Ortiz Traductores: Paula Andrea Asís Ferri (Portugués) – Alejandro Rodrigo González (Inglés) Esta edición se realizó con la ayuda económica de la Secretaría de Ciencia y Tecnología de la Universidad Nacional de Córdoba (Secyt - Resolución Nº: 378/13) Las opiniones expuestas en los artículos firmados son responsabilidad de los autores y por lo tanto no expresan necesariamente el pens- amiento de los editores o de las autoridades del Depto. de Cine y Tv de la UNC. Todos los artículos recibidos a través de convocatoria abierta han sido sometidos a un proceso de evaluación de pares a través del sistema de doble referato ciego. Referatos: Mgter. Cristina Siragusa (UNC - UNVM); Dr. Fernando Fraenza (UNC); Dr. Eduardo A. Russo (UNLP); Dra. Ximena Triquell (CONICET - UNC); Esp. Carmen Garzón (UNC); Esp. Alejandro González UNC - UNVM); Esp. Paula A. Asís Ferri UNC - UNVM) 3 Dirección Postal: CEAn | Departamento de Cine y Tv | Facultad de Ar- tes | Universidad Nacional de Córdoba | Pabellón México, Planta Baja, Ciudad Universitaria | (5000) Córdoba, Argentina Dirección Electrónica: CEAn: [email protected] | ANIMA: di- [email protected] http://www.animafestival.com.ar/forum/foro2013/ Esta obra está bajo una Licencia Creative Commons Atribución-No- Comercial-SinDerivar 4.0 Internacional. (CC BY-NC-ND 4.0). http://creativecommons.org/licenses/by-nc-nd/2.5/ar/ o escribir a Creative Commons, 444 Castro Street, Suite 900, Mountain View, Cal- ifornia, 94041, USA. 4 09 Prólogo INDICE ARTÍCULOS 13 Toy Stories, Trade Tattoos and Taiwan Tigers: Or What’s Anima- tion Ever Done For Us? - Validating the Animated Film Paul Wells 37 De Little Nemo a Ghost in the Shell: sobre los márgenes de las imágenes en movimiento Agustín Berti 53 Cuerpos, cyborgs e inteligencia artificial en los anime japoneses Hugo Córdova Quero 71 ‘Caloi en su tinta’ y su influencia en la animación argentina Alejandro Rodrigo González 87 Los recursos de lenguaje que advienen de la estereoscopia aplicados a la animación en el marco de la era digital Marlene Nascimento da Silva 99 De Animador a animador: Sobre el fenómeno de la meta-ani- mación en la Argentina Cristina Andrea Siragusa - Paula Andrea Asís Ferri 119 Miguel de Lorenzi: Un artista gráfico en Movimiento María Eugenia Fiorenza - Carolina Inés Segre 135 Cuadernos de viaje animados: Memoria, tránsito y experiencia María Lorenzo Hernández 153 Animando un clásico: Martin Fierro, del libro a la película Carolina Hernández - María Luz Cantisani Rovasio 163 “O Reino Azul” y los procesos de traducción entre el cine de animación brasilero y la historieta argentina Carla Schneider - André Macedo - Eloar Guazzelli Filho 5 181 El derrotero de una búsqueda estilística. Largometrajes anima- dos argentinos Mónica S. Kirchheimer 193 Diálogos, continuidades y distancias entre dibujos animados analógicos y digitales. Maria Alejandra Alonso 205 Principios, Procesos y aplicaciones de la animación de tóner- Raúl González-Monaj 221 Via Tango. Una danza animada Adriana Navarro Álvarez POSTERS 239 Corrección de errores en la animación de arena Raúl González-Monaj 6 7 La Animación y las otras Artes | ANIMA2013: 9 - 12 Prólogo Prologue La animación es un arte heterogéneo con el poder de dar vida a aquello sobre lo que se posa. Bajo la premisa: La animación y las otras artes, convocamos a participar en el III Foro Académico Internacional sobre Animación - ANIMA2013 - con la presentación de ponencias y pósters. El presente libro reúne trabajos de docentes, investigadores y estudiosos de la animación en general que se sumaron a nuestra pro- puesta. El primer artículo es una transcripción de la conferencia inaugu- ral del Foro a cargo del Dr. Paul Wells, de la Universidad de Loughbo- rough, Inglaterra, tituladaToy Stories, Trade Tattoos and Taiwan Tigers: Or What’s Animation Ever Done For Us? Validating the Animated Film. Autor de Understanding Animation, Animation and America, The Fun- damentals of Animation y and The Animated Bestiary: Animals, Car- toons and Culture, libros de consulta obligada para los estudiosos de esta disciplina, honró con su presencia y sus palabras el inicio de este evento académico. Agustín Berti, en su trabajo De Little Nemo a Ghost in the Shell: sobre los márgenes de las imágenes en movimiento discute la tempo- ralidad implícita en la animación, organizando la discusión en torno a dos momentos radicalmente distintos de la animación: Little Nemo de Winsor McCay de 1911 y los animés Ghost in the Shell de Mamuro Os- hii y Kenji Kamiyama, ejemplos que permiten ilustrar los modos en los que la animación reflexiona sobre el propio medio y sobre la mirada. Hugo Córdoba Quero en Cuerpos, cyborgs e inteligencia artificial en los anime japoneses incursiona en los anime japoneses y en la natu- 9 PRÓLOGO | ANIMA2013: 9 - 12 ralidad con la cual éstos presentan la cuestión de lo tecnológico, sobre todo en la imagen de los cyborgs, habilitando preguntas sobre la cues- tión de la existencia, el tema de los sentimientos y qué se entiende por cuerpo. De este modo, los anime Japoneses nos desafían a mirarnos a nosotros mismos a través de los argumentos de sus historias. Alejandro González, con su ensayo ’Caloi en su Tinta’ y su in- fluencia en la animación Argentina revisa las acciones planteadas por Caloi en su Tinta, un colectivo integrado por artistas e investigadores que en los últimos veinte años desarrolló acciones contínuas sobre el campo de la animación en Argentina, desde su constitución en 1989 como un programa de televisión (con una concreta finalidad exhibiti- va), hasta el fallecimiento de Caloi en el año 2012. Cristina A. Siragusa y Paula A. Asís Ferri en su trabajo De ani- mador a animador: sobre el fenómeno de la meta-animación en la Argentina abordan un fenómeno al que denominan meta-animación, término acuñado para describir, interpretar y reflexionar acerca del fe- nómeno de referenciación y auto-reflexión que opera dentro del pro- pio campo de la animación. Miguel De Lorenzi: un artista gráfico en movimiento de Carolina Segre y María Eugenia Fiorenza es un trabajo en el que las autoras abordan la vida y obra de Cachoito Di Lorenzi, destacado director de arte y reconocido diseñador gráfico, el primero en denominarse así, en la ciudad de Córdoba. En Cuadernos de viaje animados: memoria, tránsito y experien- cia, María Lorenzo Hernández aborda un subgénero de cortometraje documental, influido por la expresión personal y la subjetividad del -ar tista, a través del análisis de tres películas significativas de la animación de autor como Madagascar, carnet de voyage (Bastien Dubois, 2009), Ámár (Isabel Herguera, 2010) y Viagem a Cabo Verde (José Miguel Ri- beiro, 2010), donde el cuaderno de bocetos ocupa un lugar de relieve en la expresión final del filme. 10 La Animación y las otras Artes | ANIMA2013: 9 - 12 Carolina Hernández y María Luz Cantisani en Animando un clásico: Martín Fierro, del libro a la película analizan la adaptación al film animado Martin Fierro: la película (2007) del clásico literario ho- mónimo, film que integra los dibujos de Fontanarrosa, recuperando la metodología de José María Paz Gago en lo referente al análisis de adaptaciones desde tres aspectos: convergencias, divergencias e inter- ferencias; y los procesos de adaptación de la historieta a la animación. Con la posibilidad de construcción de imágenes por
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