Syllabus of Dances from The 7th Annual Ralph Page Legacy Weekend Friday, January 14th through day, January 16th, 1994 Memorial Union Building University of New Hampshire Durham, New Hampshire
Sponsored by The Ralph Page Memorial C~mmittee of the ~ewEngland Folk Festival Association, L ...... TABLE OF CONTENTS
We1l:l:lrite iDanl:t? Party F'rclgr .s fit !Friday nigl.1.l;. .Jan. 3 t139i$)... ..-3. We1 ~~onseDance Party Dinces...... -4-8 "A1 ? s Safeway F'rl~duce"by Rtrtber t IZron.tart i e ...... 4 "Fren~zti FI:IC.I~" Traditil::tnal ...... 4 "Forward Six t Back:" Traditi~snal...... 4 "Grand Sqi.iare fiuadrille" as cal.l.ed by fr~~keMi.ll.er ...... -,C "Alanr~zl II=irl:lt?" by T~zit~ySaletan ...... 5 "Mariar~~sDeX ight" by Carol t~.clpp...... €, "M~:~riaclnl::~l:C::Reel" by Ralpti Page ...... G "Mat-y 1Zay's Reel " by David F..aynor ...... Es ,- . .. ..zal IYII:I~I Cl.~antedEvetiing" by Steve Zak.1.11c1...... 6 "Frecl River Valley" Traditi~:~nal...... 7 "I .. i.ttle 1-l~~Cabin" Tradit;i~:~tial...... 7 "fit ..teen Vi I: t 17ri r7I1 Tr adi t i 1:1nal ...... 7 "Shcrt it1 a Pill.bl:~:~;13t7 a I2lear Afterti~z~~:~n"by Peter Teritple . .8 "Rsry 07More" Tradi'l: i cltial ...... 8 "The Nice !3l:1n.tI.~j.nati1-7ti"l~y Gene li~tbert...... 8
Steve Za i...I:I~I's W~:lr l. ..5tll:lp: "New Cclt?.tr.as with at1 Old Feeling" ...9-10 "EI:ICl. ..et Reel " Iny Tl>4 Wt~itmore ...... 9 11 1-514 So~..ttt~ Street " by Hi 11 lh~.i.brari...... "9 "FI:I:< HI~I~~IIIWFat11-y" by Jac111b Eloum ...... '3 "Fi ddl eheads" by Ted Sannell a...... 10' "The !3ulstil:e March" by Izhris Ricciot.ti ...... I(:) "Sl.~ladracC..9sDelight" by Tutiy Parkes ...... I(:) F:alph Page Eetr~~spel:tiveCGe~~rge Fl>ggT M.12.) ...... 11-21 "An Evening at East Hi 11 Farmu ...... 11 Dance Pr12gramn.le...... 12 "A Brief Historical Summary" ...... 13-14 Datil: es: "Eost~:~t~TwI:~ Step" an Old Tynre Datilze ...... 15 "L-i f e 1:1ti t tie i31:ean Wave" C "Head Ladies Cross Over It 1 ...... 15 "Lady Walpl:t1e9s Reel " Tradi titzlnal ...... -16 "Holh~:lrti Mar~~h"...... 16 "Nellie Rly" ...... 17 "Apvi 1's Hornpipe" by Ralph Page ...... 17 "The Rose Tree" ...... 17 "Just Bel:ar.tseU ...... 18 "F'ortland Far~cy" Traditictnal ...... 18 "Rye Waltz" a C~ztuple Dance 13 ...... "Srt111k:e I:I~ the Water " ...... LO ''Eritisl.1 Sorrl.~w"...... LO7 flyer frc~mthe East Hi 11 Farm Weekend kzlv 4.6. 1983 ....21 I3elzlrge ~~:~d~~~:~~flJIClrb:~~l~:~p: ...... - ... .x ltiging frorii tl.l++5i:!':3 f;~the 70's -.i. ...4 ...... 11 . . . i-:~:lnlitlg F'l~lc~tld + MI.~I.rnl.?i.tl ...... L "...... "I I .. I. l. ..e Iyl.,c.!~ii:sitl Music" ...... LL ' 11 .... .:. "1: F 'Y'I~II.. ! I ....q.1-w !~l..ti~~e...... L .... 7 "Ma1lq.~.~.3'~...... :.- "I I.*lqtlt; a 13ir-l"...... m.=...... 23 ...... 9 "My I .... i.tt1.e IGirl " ...... L.... J I1 -I.... .3 3 T . .Z F;'ii-~tl$;.A nc.j 1.+ fi:"...... L. J ...... 9 "When 'T'I-II-~LAJI:II- e a TI-!l i p " ...... i "Rill. E.3il.eyU...... -24 "The Bctffall:~ fi~tadrille"...... 24 "Red Wing" ...... sa..m...... >Z 4 "TI.ii- Rl...ll.tte "...... -24
01:~em Mi\::+ Sessi1:lti F'~-l:~grari~(:Sat[-trdaj~ aftrrtil ..II:I~~~ Jan 15. 1'3'34.) . . 25
" 26.- .7h.3 ripen MiF::c Sessit7,r) Dat71: es ...... C "Par.f;i.iert.ij Del igtit ...... rb "Sneak: F'revi ew" by 1::s accdio Eu~:hwal d ...... "26 "Ttistai.11; Basl. .et" by A1 Olsl.lti ...... 26 "Happy H~>bl>"by Gene Hul~ert...... 27 "S.~letatirsDl-~uble Star" by T~tlySaletati ...... 28 "NewlywedTs Reel " by Ted Sannel la...... ,...... 28 "Dabtiey Hal 1 " by Gene Ht-tber t ...... -28 "SI: I:IL~~ HI>LIS~Feel . l1 , by Ted Sanriel I. a ...... 28 CSi nip1 e I-ll3t Hash ...... 2'3 "The I ... ighted SI:I:IE?I:~" by ililen Mclrnitigstar ...... pzJ 1;ratid Dance F'rlzlgrarn (.Sat~trday.January 15. 19'34:) ...... 30
Grand Da1.71:e Dan~res...... 3 137.- "The Wtiip" by Toni Hinds ...... -31 "L.111vehr t.:'i.ssesU by Ted Sannella...... 31 "Weddit?g Eel 1.3" by LIZIUSt~apir~~ ...... "31 "Lister? tl:~ the Ml.~k.irlgbird"...... 32 "Ttie Spani st1 I1:aval ier-0" ...... 32 "F'ierce Hall Stroll" by Fred Hre~tnig...... 33 "I?I:I tial .Fway Eocctid" by Ralph Page ...... 33 "Flee1 y+:tctr F'ar t ner " by F:al pt? F'age ...... 33 "MurielTs Tri-IZ~z~ntra"by Muriel Miller ...... 34 "The Best Things in Life are Free" ...... 34 "Ma, HeTs t:::i ssi tig Me" ...... 34 "Ht-111's Vj.~~tl:l)~y" ...... 35 "l::~:lntra f~:~rMargie" by Ted Satinel la...... 35 "Atigi eTs Fa~--t~.y"...... 35 " Untie!ri~ed Sqt.. tar e" ...... 36 "7 "Eriti,st? SI:I~~I.IW"...... J. "Rla~:L::birds ilf Spring" by AS r3l.so~1...... 37 I1 1. ~et?e?.. s Geni !AS" by Tl11t7y Par C..~S ...... 37 F-red Euel.lr,ig?.sWT~~C..SI-II:IF). 'll..e.~~~t~~.-C."rlt.~~~tlIl.il.+.~tt~!.~t~ 211 ...... 122 -?'=I1 . tl!j,. ,?ct, MI-I~.!~.... ha.; n ',;'ol !... !l?teer E." ...... 73 GN~~~.~-.pl.ti-ir.y I.-li:lrtlpipe"...... 58 ~~~iI,r7,.lir L.ass of Abl~irde++~.r"...... 38 ? '3 v~,~cT-.-,-l.l,;,r7f: Terilp*~t"~...... #lnevj.1's Dreari~"~...... 3.3 p , i g 5.t ar- " ...... 3'3
~~~-,,.,+l1. a' WIIIY F::shl:lp :: "Ted's Favor i t e Sqccar es"...... 4~.!.. 43 "~luidDrive" by .Ted Sal.lt>t?l1.a ...... -1.0 "swinq Two LadiesM- Ted Sannel I. a var i. ant ...... 40 fillzirl:le ~III ttie Middle" by Ted Santiel la ...... $(:I IIF~:~I1OW the Leader I' by Ted Santiel 1a ...... %1 "pass Tt~rl:~ugtiand D~:l-~i-dl.tl'l by Ti3d Santiel la...... 41 llpj.~:~:lneer FI..II . \::a fii.tadr i. ll e" by Ted Sanr?el l a ...... 41 "fiuadrille Jlz~yuex" by Ted Santiella ..., ...... 42 "New Year's Eve Square" Ted Sannella variant ...... 42 4.1 "F:~:~ger-' s Grand iT:tiainl' by Rlxger Whyn~~tt...... L "Vi rgi ~7ia Real Square" by Ted Satitiel la... , ...... 43 "The Mcr r y-~?o-Rl:~'lund " Ted Satinel 1a var i an.!; ...... 43
.Sl-~nday Farewell F'arty F'rograrn CSunday, January iG. 1994) ..... "44
Sund.ay Farewell Party Dances ...... 4 5-47 It ~...on~.nrdanl.r". by Ted Satitiel 1 a ...... 45 "Fiddle Hill Jig"...... 45 "Tt~eNew Flctl::lrT s Revenge"...... 45 "~:h~:~rusJigu ...... 415 "Marl:tiing Thrl:~l-~gh Gelzlrgia"...... -46 "Old Gray Rt.lntiet" ...... 46 "Wait 'ti1 the Sun Shities Nellie" ...... m.46 I( ..I hree, Thirty Three, Thirty Three" by Steve Zakctn ...... 47 "Wi tti That~l::stl:l the Dean." by Steve Zakon ...... -47 Ralpti Fage Wac; a nsati witti a ./.i:+:.i.~:lti, the pc!rpcse I:I~ d~i~:h tit+l.l~eiStn preserve a i=_pel:ial !;rar.:liI;.L~.::~i~ttiat ue 1:an still enji:lj/ tc~day, New Er.jglttici style 1:l:lntra atid sq~tarei:l.3ti~it-\g nearly died !:II.-L~ lwi. l-rh tl.1.i acjvent ~>fttic jazz atid ~11.:11:let-t1Ir)allrl>l:~ril dan~i~.craze b;l.?at: -swept t!.ie datil~e1.-1al1.s ~zlf .kl.,,e 1.921:1':-3 aticl 30's. The 1:11.cl Ntsw Et1glatii.l dances might have ~:i:l~ill:Jle.l;*+lydied off tiad i.k ti~,:t been f111r the .insi.gl.',t 1:1f pir-ople like i7alpt.1 F'age wkll:::~ trelpecl tl::~carry i:~n .tl.iis t r acl it i !:an ati d b r- iti 3 it 12 a I:: I::.
T t3ever fr.\lly appretxiatcd the ir~.~pov.tatice~r~f this tr.acliti.l:~t~ and itp5 preservatil::~n !-knti 1 I attended my first I?all2h Fagt? I-egacy WeeC::encl a v\uriiher ~:+fyear.; ago. It was there that I fir5.t e:#.:perieticed a very clifferetit feeling ~~IZIWINew England datilzitiy. I leavr,+=_;d from the uld t inrers tl?at had wc~rked with and daril~edcrtider Ral.ph, aricl the newer callers who F::new Ralph it1 his later yGaus that contra dancing was Catid can be> srt~oth, gentle, yet sf,rotigly ptirased, ~z~:~titiel::tedand zesty. It rl~eatit taking the time tu fully eti.jl:~y a swing, ur I cluk:irig ititcf another person's eyes dcrr ing a
"laditl-s ~:l.~aiti,"1:lr reliving dhe ri~eri~l:~ries111.f claticlts from years past thrl=~ugtithe cal 1ers, n~usiciatis and occasi otial recclrdi rigs 111f Flalpti Page hin1sel f. 1: left the weekend with an uriderstanding and respel~tf 1-1r New England danc i. t~gi ti its older , rclclre traditional f~rrf~,arid a persl~ltial~:oninsitnrent to recreating and preserving those feel irigs iti cur datici rig today. It is with great apprec iati~:~ti fc~rthese daril~ewee\::etids and fnr Eal pbi Page Cwti~mI never met> that I dedicate the wc~rk of preparing this syllab~rs. It is my ti12pe that ~I-IL~wi 1 1 eti.j~~yi t a5 rnuc ti as I tiave enjoyed pr epar i rig it.
My apollztgi es for the late pub1 icati~zln. Any~z~newho has wlz~rked 13ti preparing these b~x~klctsit1 the past can appreciate the rulatiy hl:lurs that g~:t into pulling this itifurr~~ttivntogetlier, a5 well as the fact that this is a v~~lutiteereffort.
I ftr-lt ruly role in preparing this syllabccs was to pull togettier, as accurately as possible, ttie dances taught, and disi: ussi l:lrls scrbrr~it t ed f r1:lrl.r the 7th Annual Balpti Page Legat: y Weekend. In many cases I have IZI~fered my ~=lwti ideas aticl expl anat il::ltis csf interpreting these f igrires (when n~:an were pr~~vided~nr wtieti the prr~videdn~aterial seemed ~z~:~nfu.;itig.) My I.iope i 5 that yo~twi 11 find this ef f111rttielpf~rl to y~:~:lu a5 y~sl-I crse t ti .i s L> 111111 1:: I. et .
I tiave provided 2 formats while presenting this material (:partic\-~larlywitti the ~~lzltitradat11:es.) These arc ttie musi1:al phrase rr~ettil:ld (:Al, A2, Rl, Pz E21 and the phrase 1 through 8 n.~ett~~:~:lcd~.ied in I-arry Jetitii rigsp b1:11>b:., Zesty IZ13titra~s. Ealrh number (1.--8) repre-;etits cine 8 c~~utitphrase. Siti~:e ~:allersemploy di f feretit nsethods tr~recclrd dati~:es, I felt it would be in the best i titerest tcl prlzlvide hl1ltl.i. I personal ly prefer Larry Jetini ngsp met ti13d. E~:~:asii:~riall.yyl:lu will find par.entt~csi=."(1:'" ~.rl:j~.rplda sFt ,:,i: nl-tri1era1.s ~sritistrr..rl:til>nc-. This inrjitr3.t+?.:=,impi:lrkant itif,:,rrr!,~tilZlri !:,:I be aware 13l: as fi:tllt::1~5,::
ih!tleti yl:lc.t f i tid 4; tie 13.3~enthesis arl:~utid a 55:-tit ence car
cit-lrll.il2 of WQI-dspthi5 irlfo~~r~.~.:t.ti~:lt?tl:t help ~cl.aiP:i.fytb\c ass~:il.:iatecl figure Citz-., "riteti fal~ingi:~u'l;, WI.III.CI~P~fa~::itlg i r1. " 11
When the par-etith+sic; is ar~:t:ll-rtid a tluritber fl:ll.lrtwed by an x t::lr '5 ttii.;. . itidi~::atcsti~:~w niiii.h .t;~:t rrttrlve or tl-.[rn witl.iiti a fi.gr..rre t.le., "Allemaridr left I-.-1/'2 ..c", . I:~Y "C:j.r~:le left 3/4's"!
Wtien the paretithesi s is aroc~nda numb.-r cti t t7c1ut any as5l:ll:iated text, 1;tiis indicates ttie tit-tniber tz~f beats a partitzular movenretit is executed (ie., "C:ircle left 3/4's rlxttid (65, pass thru along (121, ett:. :I
I apolt:tgi-.e in advance for any misspelling ctf names, titles, ritisdirel:ttd acknowladgenrents and unintentisnal ~:~rctissions. Every effort was attempted within ttie time allowed tl> ritake sure all the infctvn.ra.ki~~riis as at:t:urate and I:l:tmple?;e as possible.
Presentation of this rt~aterial is in order as it appeared on the weekend s~:tied~tle I:I:I'~ t tie 7,th Antictal Ralph Page Legat~yWeekend. lJse ttie table of 1:t>t1tet7ts as a vefer.eril:e guide fctr this rfiaterial. FI~Yytzlctr ~:onvetiietit:e, I tiavt alscl prt-.lvided an index 11lf dat71:es in alptiabetical ~:lrder in the back of the syllabus.
T w~r~~rldlike t~:t thanl.:: those wtit:~ had an active part it7 helpi tig to bri rig thi. s itifl:trrriation and syl lab~rstt:~gcther.
Trcl Satinella sent me 11=1ts12f valuable itifcrrn.tation from the Ralpti Page weekend. Witti~ztut tt~is foutidat ion tlrl bcii ld on, .ttiis pr13je1:t mi.gtit tasily have taken 113tiger atid bceri harder 2;1:1 t:l>r~,~plete. Tb~i5 i tic 1uded a schedctl e of wh1.11 cal. 1ed what dances and when, datit:es Ted 1:1-71 1el:ked fr13m staff atid opeti ri~iF::e !:a1 lers, notes he persl=~tiallyrec~~rded frlm callers who did nlrtt write dt~~wn ,their riiaterial, 111r wh~:~wrt:~te ttiem it1 .3 f~rmthat w~~ildbe hard to deciptie~-. i:You will nt:~te that s~:lrite !:if the dances, parti~:ctlarly the squares, the type style may he di f feren.t atid does not use the abl:lve wretit j. l~tiedritusi c or phrase for mat. 'Thi s i s belr ause i t7 those cases I: have usad Ted Satinella's nt11te.j di\cilll:tly a9 they were sent to rtie. :) Wheti I had qcre~tions on particular figures, Ted was a valuable, helpful r;~:~.lur~=e11f itifl2rritat ion, guitig so far in csne itistatice as to play a recurding to rile by ph~:~tiefirun.~ his hsn.ie in Maine 13f tiow tie caller taught and 1:alled a dance so that I 1:ould \.ltidevstarid better hsw to present this water ial in ttlr syllabers.
Many thank:s to Ge11rga F13gg Ct3r prnvided me wit;h "~=arnera lpeady" i.ri for mat i t:~t~ he prepared fr~r~n~t t~e Ralph Page Per spect i ve iessil~lr~,3117'*?.~ witti ttie dat11:e FYIZI~J~,~TI'I,3tld det.q.i!;z-d r?+s~:ripti~:lti ,_if the dances. Yl:lu rimy til-ste that the typeset lr~f this itift:~rrilati~:~ti di f fers fclr f;he same reasons a5 c;t:plainad in Ted Santlel !a abl~~ve.
1- L., r V- j. J er.1r., i t.1 g s .t ):II:I k t t7 t+ t i rile t I:I r e a d 1.1 v e r a l 1 12f t tic d an11 e s
~:clrilpileiJ as well as my til>te~atliJ e:t;platiatl:~ry text, ~:t~eckingthis infl:~rr~.~a.!;il:bti.fclr al:l:c!racy, ~:otisisten~:yatid ~pellit>g~adding his ~:lwti ~:~:~~.i~n~etitsstid sctggestil:lti~ 1::lti tiow tie WI-~uldapprl:lal:h .t;ki<+ .~-1rrle n.~at:eri..rl. He has heeri and ~:onti.nuer .l;o be a persctr.'lal arrd .,all,.lable rtl-s~:lurl:e of itlfl:lr-lna.l;i~:~ti .by sharing his ~:l=ln.=.tru~:tive ~::~:~r I wl.-:il ...(ld apprtxiate tiearitig what ~I:IL~ liked, lrlr dislil.::ed abtzlut the infl~lrrt~aticlnpri:lvided within this syllabus. Yl:~c.rr ideas, ~:~:~r~~nleti!;~~and ~l-tgge.3i- ions wi 11 pr~:lvide a helpful guide fl:~r ttie ft.\t(..oce p~ibl.i cation 12f these syl l ab~15es. I etic~:+C.tragey1:1r-I tl-I ~:l:~nta~:t rrre directly, a?s well as the Ralph Page Me..n'~srial.iI:l:lri~mittee 111f t tie New England Fol I:: Festival Assol: iati 111n as fol 1 ows: I3it-i stlapt~erRi1:l:iott i 65 Child Street #2 Jamai 11a Flai ti, MA 02 130-3237 Tel. (:&17)522- 11 15 I:I~ 1.-(:8(:)(:)S-LCFn-123 Ral ph Page Men113ri a1 IZlmmi t t ce 1'350 Massac h~~sett s Avenue Izarnbr idge, MA 0214(3 Tel . (:GI7 > 354- 1340 t:::cep t:ln datil~itig, and help keep a1i ve the wlzlnder ful l:on.~n-lunity spivit that is New England c~~ntra$4 square dancing. . - - - -. ------9 -_-- _. . STRAFFORD ROOM I 1 CARROLL-BELKNAP ROOM 1 GRANITE STA'I'E ROOM I 1FRIDAY I WELCOME DANCE PARTY in Strafford Room - Music: Storm in the Tea \ NH Callers D. Goodman, R. Sylvester, K. Wilson, P. Yarensky plus staff callers SATURDAY Steve Zakon - "New Contras MUSIC WORKSHOP - David Kaynor 9:OO - 10:30 AM with an Old Feelingt' "Fiddling That Makes ' em ~anz" I I SNACK BREAK in Strafford Room Annex RALPH PAGE RETROSPECTIVE in Strafford Room - M.C. George Fogg with staff callers "An Evening at East Hill- Farm" -- LUNCH in MUB Dining Area I t George Hodgson - "Singing Fred Breunig - I I Improving Squares from the '50s to Your Dance Relationships" the ' 70s" I RALPH PAGE collection inI I Dimond Library, UNH willbe open OPEN MIKE SESSION HUMANIST - Jill Linzee M.C. Ted Sannella "The Musical Landscape A of New Hampshire" I I F 6:30 PM BANQUET in Granite State Room, MUB s GRAND DANCE in Strafford Room Staff 8:00 PM - 12 midnizht I - Callers I r I SUNDAY Fred Breunig - "Lesser-Known Steve Zakon - "The Nuts and ' MUSIC WORKSHOP 9:OO - 10:30 AM Chestnuts 2" Bolts. -. of Calling" Jeremiah McLane (piano workshop) - -- SNACK- BREAK in Strafford Room Annex 11:OOAM - 12:30 PM Ted Sannella HUMANIST - Andy Woolf "Ted ' s Favorite Squares" "A Scholar Explores the Ralph Page Collection" 12:30 - 1:45 PM LUNCH in MUBDining Area 1:45 - 3:45 PM FAREWELL DANCE PARTY in Strafford Room - AllStaff Callers and Staff Musicians 7th RALPH PAGE LEGACY WEEKEND - Memorial Union Building (MuB), UNH, Durham, NH January 14-16, 1994 Welcame Dance Party Fciaj;.-1, Jatluar:i 14, 1, ?'?J -: :<:I- 1 1 : :.of-... . = ?j Featurir-ig New Hamp.shi re ~callers, staf 31 ler~,atid rilusl~: b:; ':to,r.v ! , 7~; 1 . Dl sne G13,:diijati: II.ONTEA - '5 52 f+=~;s,-Pc,>d~pe , Fred Breuniq: CONTRA .- .ire.i?c/?Fu/-!!r. 3. Feter 'r'arensI::\~:SDUARES - Forr~ar,jSi,y a,n,j Back Grand Square Quadrill e 4. Ted Sat~nella: CIRCLE - klamu Circle 5. Ruth Sylvester: CONTRA - Marion's Delight 6, Ken Wi 1st:lti : ICONTRA - Monadnock Reel 7- WALTZ INTERMISSION 8. F:utti Sylvester: 1::ONTRA - Wary Cayfs Reel 9. Diane Goodman: CONTRA - Salwon Enchanted Evening 1. Geclrqe Hodqscln: SQUARES - Red River Valley Little Old Log Cabin in the Lane 1 Feter 'farensky: CONTRA --Queen Victoria 12. Ken Wilson: rJONTRA - Shut in a Pilltlox on a Clear dfternoon 13. Steve Zakl-in: I::ONTt?A - Rory Of More 14. Diane Goodman: CONTRA - The Nice Cornhination 15. WALTZ Welcome Dance faj' .;;y F;r-i>yr-anj Featuring New Hampshire ~zallers?< staff h callers music by Storm in ttic Tea 7th Annual Ralph Page Legacy Weekend Friday, January 14, 19'34 7:30-11 :Ch>prn St r a f f 12rd Rclum 1) C:aller: Diana Gr113drnan Title: "Al's Safeway Produce" by Robert Cromartie Formation: Improper Duple Minor Contra Dance I....eft hand star A1 1eritatide left tiei.qhbor ( 1--3/4~;? W1:lriif.n al lermnde r igtit t: 1-1/2x), them pass by right sti~:~ulders tu par ttier Swi rig pal- t ner IZirl~leleft 3/4's Swi ng nei gtibor I.-~:~tig lit~esfl~~rward ?< back:: (Same 4) right hand star 2) Caller: Fred Breunig Title: "French Four" Traditional, adapted to contemporary preference Formation: Proper Duple Minor Contra Dance A1 1- Al.1 balance partner (45, ipsl~russ by the right shoulder $< ggo d~~wti13r-ttside t12 2's 13riginal positiciti while the 2's mnve trp (4:) 2- All balance partner C4:>, ff return t12 original positicln, J.'s crsssing $4 going LIP o~ttsidewtlile 2's rmve dl~wti and out C4:) A2 34- 1's balance k swing B1 5- 1's dl~wti the center, turti as a ~:ouple 6- Return, cast off (same sex) H2 7- Right & left over . " 8- Right $4 left back: " 31 Caller: Peter Varensky Title: "Forward Six & Back" Traditional Formation: Square Dance Musi c : Camp Town Races pldyed or any New England Quadr i 1 1 e Any i ntrl~t, break, or ending A1 1- IZl=luple #1 goes IZILI~ to 1~13uple#2, c f rcle 4 hands round 2- 1st man leaves partner there ?* g13es alone to couple #3 to circle 3 hands r13und while the 3 he left fl2rl.lis a line 13f 3 with mat7 #2 in the rniddle A2 3- 1st n3at-t transfers wurnan #3 2;1:1 his right and takes her t111~rouplc #4 & circles 4 hands round 4- 1st man gcles h~:l~tt+alone while the 3 he left fc~rnla line with man #4 in the middle R1 5- (Linesnf 33 Forward up six k back, 2 11:tnernen do si do 6- Right hand high, left hand low, passing women to 1l:~tie meti tlzl form new 1 i nes 13f 3 B2-B4 7-12: PEPEAT R1 3 MORE TIMES End with swing partners & promenade Repeat figure fur cc~uples2, 3, & 4 3) Caller: Peter Yaretisky (~zontinued> Title: "Grand Square Quadrille" as called by Duke Miller For mati on : Square Dance Any i1.7t:rl-1, break, ~:lr. rtiding t-ledd wl:~ru~et> i:tiaiti Izlvel- ?/. back (116:) Head w~x~rrlenchain tcl the vj.ght; i:lvrie Qz bac):: t:1.65 13ral.icl Sqctar e:C ?c r ever 512 (:32:? Head c~xluples1-igh't ?C left ~:~vru.f- hack (:I€,) Head ~:l>uples rigtit & left elver % back with right hand c111uple llg:) Grand Square* ?Y reverse C22) Head c1:)uples star right Pr back:: by left (15) Head c~>uplesstar rigtit & back by left with right hand couple (161 Grand Square* Pt reverse (:32:) Head cuupl e sashay ctver Cmen back to ba~:k? & sashay baa: k I: wortien ba~xi:: ,t 12 ba~:1:: j (: l€:I Head cciuples sashay over $4 back: with right hand c~ztuple(16) Grand Square* (32) = The grand square ~isually starts with the head 1:1:1upl es facing each ~z~ttierand moving forward, the side couples facing their partner atid backing away. For a variety, the head couples may be instructed to face their partner and back away while ttie side ~:i:~uples move forward ti-?ward the opposite side couple. Ending: Head men Zz corners tt:~ center f- back t:16) Side men face 1:lDrners From here Diaqonal Grand Square k reverse (32) Then end any way you like 45 -1ler: Ted Sannella Tit 1e: "Alam Ci rc1 eU by Tony Sal etan Format ion: Large Circle Mi xer Call couples facing toward the center) A1 1- All gu into the center and back (8) 2- All go into the center and back again (85 442 3- With your corner, allemande left once, hold on, right hand tl:~ your partner, balance (:8Z 4- With your partner, allemande right 1/2, left to the next, balat11:e (8) H1 5$cG- Allemande left 1/2 C4), Swing the next (12) R2 7%8- F'r ~~irnetiade,t tien fa^: e toward the center wti i 1e joining hands in a circle I161 5) Caller: Ruth Sylvester Title: "Marian's Delight" by Carol Kopp Formation: Improper Duple Minor Cucitra Dance A1 1.bZ.- Halance PC switlg neighbor A2 3- Lc~rig li.ties f1::lrward t I~acl.:: i$- W-l...~ r~ .-IY t .I allrr~tande - .- r i ght (1 1-1 /2:1(:1 Hi 5- 13yp.i~partner 6- Swing partner H2 7Fl:8.---Men allerv~andcleft. (:1-1/2:,;), sl:crl:lp up neighbl:~r wi.th arm arlxlnd wai st as men a11 ernande 1tz- f t; (: 1/2x 1) more, then men use left hand to push riff in a butterfly whirl Cmeti backing up, women flarward) 6 Caller: Ken Wilson Title: "Madnock Reel" by Ralph Page (Adapted to contemporary preference) Formation: Improper Duple Minor Contra Dance Al 1%2- 1's balance h d+:~si do, ~I=Isi do below (or allemande left - ~ziriginal versitz~ti) A2 3%4- 1' 5 swing El 5?33Y1C- Ealat11:e PJ: 5wirig tieighbor E2 7kB- W+zlrnen chain over -3% back 7) WALTZ % INTERMISSION 8) Caller: Ruth Sylvester Title: "Mary Cay's Reel" by David Kaynor Curitten for Mary Cay Brass) Becket Formation Contra Dance Al 1- I1:ircle left (3/4's) wf th c~riginalneighbors 56:) pass thru along (23 -passing tieighbor by right shc~ulder 2- A1 leritatide left your next neighbor and return to ciriginal tiaighb~~r A2 384- Ralance $4 swing original neighbor R1 5- L111ng 1 i ties forward t< baa=k 6.- Wc~men a1 1 ensande right (:3/4's:I -to wave formaticrti (4) allematide left tiext woman C3/4'5) t~=lpartner (4:) while men take 2 small steps to their left R2 7b8- Balance ?< swing partner 9) Cal ler : Diane Goodman Title: "Salmon Chanted Eveningu by Steve Zakon Formation: Improper Duple Minor Contra Dance A1 1- Allemanderight with neighbor (1-i/Zx) 2- Men allemande left C1-1/2x) A2 3- Gypsy partner (right shoulders) 4- Swi rig partner Ei Sf&- Women chain over k back E2 7- Fr~~metiade1 /2 13- C:ircle left 3/4's (6) pass khru to tiext 52) 10 Gal 1 er : I3eorge Hsdgsun Title: "Red River Valley" Traditional Formation: Square Dance (:Singing Square) Nl:lr~ the first .:.:~l_tpie tc8~1.t. to the right 3tid ~:irpr!e, gi~all ttie way afocnd. Ttii-ir-e l2i.dies .:,;airi, th-et !ad~e.s~:tlain dowti ttie ~4.3lley?three l.qdje5 rtlain rigtit 1.1 ki 818 ii, , On to the nr-.t, .:ii.:11;. flclur t~and.: aro~ttid. Fight at113 left- thru. Rigtlt, atid left bag:k. S~iii~wit11 ;;s:t~lr F'ed F'iuer girl. at1 to the next, clrrle fclur iial fway. Inside arcti outside under, dip dive. '/!I~I-I dip it~ddi;.e .six do~tithe valley; '{I:IIJ dip and dive ~..i:i,right. t-lr2ri,e. Allemande left an the corner atid a grand right atid left ha1 fway rout-id. Whet1 yl:tu ri~eet your ~:lwn, prorilenade that lady hl:lri~e. Prl:tmetlade with yl:aur Red River girl Repeat for sel:ond, ttli rd, and f~:lurth couples in turn. Title: "Little Log Cabin in the Lane" Formation: Square Dance (Singing Square) Four ladies flsrri~ a right hand star, go all the way around. Partner by the 1eft go l:ltlt:e arocttid. Fnu~getits form a rigtit hand star, gc~once around the ring. F'artner left all the way arl:lutid t~xlyour cl:lrtier by the rigt-rt, partner left. Take your ci:~rtier and ylrlu prclroenade that corner rftai d. You prl:~r(~eti.adethe ring tl-I that little 1:11d lag cabin in the lane. F:epeat as ablsve. Repeat twict start itig with the gents. 111 Caller: Peter Yarensky Title: "Queen VictoriaU Traditional Formation: Proper Duple Minor Contra Dance Music: Scotland the brave (or any elegant reel or march) 's turn by the right (1x1 to place '5 turn by the left (1-1/2x) Cend in a wave across formation, 1's in center, men facitig up:) Balance the wave (2x1 1's allemande 2's by the right (I!<), (men make an extra 1/2 turn at end of allemande to face down! Down the center 4 it1 line, 1's in me enter wheel around (turn as a ctztuple) while the 2'5 turn alot~c Return, hand cast off Right % left over (same sex) Right & left back " f I 12) Caller: Keti Wilssti Title: "Shut in a Pillbox on a 12lear Aftern~z~l~ri"by Peter Temple Fur raat i on: Improper Dupl e Hi nor C~mtr a Dance Date Written: 1970's ($1 .-I- Fight harids acr.oss .h- be F t I-iands a+zrl:2,s.j A :' ,... 3-- Met1 drsp ~zluf, in original positir~nas the w~z}rnen ~:~xititiuewitti a left I.iarid .turn 1/2 rr1l:lre C4:), balance partner .!'43 4- All swing parttier on nian's I::II-igirial side (18:) B1 596- 1's ~rrl:lss the set, spl.it Z's, $4 separate back: t~:) place ?* 11-ir111eleft Cl:.;) -tilzlte: ttiis is a vig12rrtu.; rwslve which should be e:ltecrrted briskly t! carefully B2 7%8- Women pull across by the right hand and reverse swing (CcwZ with neighbor I1:allers notes: Peter Temple wrote this datic-e in Amtierst, Massach~tsettswtii le wc~rki tig in a basernent ~:tf f ice wi. tt? no wi tidows; yearning to be outside. 13) Cal ler: Steve Zakon Title: "Rory OVMore" Traditional (Chestnut) Formation: Proper Duple Minor Contra Dance Music: Rory OpMore A1 1&2- 1's by right hand pttll past partner 84 go sutside, belmw Irltie. 1's f131111wing the path of a 1/2 figure 8: cast uf f witti yl>ur sarne sex neighbor 8( form a long wave in ttic center of the set, partner in right hand. A2 3- Ralance the wave (45, sashay to the right (4:) past partner to reform the 113tig wave (parktier in left hand 1 4- Balance the wave (43, sashay tcr the left, errd with partner in your right hand El 5%- Turn contra corners B2 7848- 1's balance % switig 14) Caller: Diane Goodman Title: "The Nice Coanbination" by Gene Hubert Format ion: Improper Duple Minor Contra Dance A1 1&2- Balance swing neighbor A2 3- D13wti ttic tiall 4 in line, turn as a cl~.~ple 4- Return, bend the 1i ne El 5- Circle left 3/4's 6- Swing partner H2 7- Women 11tiaiti 8- Left Hand Star 15) Waltz a Steve ZakonTs Workshop: "New Cuntras with an Old Feelingu 7th Annual Ralph Page Legacy Weekend Saturday, January 15, 1'394 9:00 - 1(3:30 am Str a f f clr d Rc~c~m Title: "Rocket Reel " by Tod Whi temore Formation: Proper Duple Minor Contra Dance A1 1- I?*- dl~kwn outside (:past 2 ~:or.\ples:l .-A,- Up the ~::enter ancl cast 111ff with the 2's 3- iTsallar~iande right (:1/2x:1 jctitiitig left Ihand tl-I tieighbt~~r tla form a wave (:.I:),balance ttie wave (4.3 4- Allerlsarlde left nej.ghbor (;2:lo El 5245.- Hey fi>r four, start with Ips passing right shl7uldcrz it7 the center E2 '7&8.- i ?s balance and swing in ttie ~zetiter Title: "94 South Street" by Bill Cochran Formation: Proper Duple Minor Contra Dance A1 1- 1's dctwn the center, turn alone 2- I,Jp the center atid cast off proper with the 2's A2 3- 1's gypsy <1--1/2!&) 4- Swi rig nci gtibor B1 5- 1's ha1 f figure eight abmve 6- lTsswing in the ~zetiter, Cend fal-ing up .tl=lward ~:~riginal neighbor, rnen ot~the left, wclnren on the right) B2 7- Allemande with same ae:~neighb~>r by the handy hand (:2x:) F (meti t~1rt-tby the left, women by the right:] 8- Switch hands and allemande (2x1 - (:men by the right, wornen b.y the left - end with the 1's in the center fal~ingd~=lwri ready to start ttie dance again2 Editor 's nl:,te: It' s i rf~pc~rtant to pace yourselves dur i ng ttie allelwarides so that the 1's end in the center at the exact sarrte time ready tn start at A1 again. Title: "Fox Hollow Fancyu by Jacob Bloom Formation: Four facing four around a large circle A1 1- All 8 forward and back Cthink of eightsl~meas a circle 2- A1 1 swing corner and form a square set, the center pair 12f each 1 ine of 4 bei,tig the heads. A2 354- IZrand square, starting with heads wal kit forward to meet, sides facing partner and backing away B1 S%E- Reverse grand square B2 7&8- Sides pass thru, tieads pass thru; all swing partner and reform lines of four facing original dire*:.rtiori but with t:~=ll-tp 1e~ i tit erchanged. 10 Steve Zdkot?'~Worksh13p: "New C:ontras with at, Old reel ingn (:clmti nued > Title: "Fiddleheads" by Ted Sannel la Formation: Improper Duple Minor Contra Dance +?,I 1- 1's cr13ss river, gl>tl:t left arvrtnd c$nerieigt>b~rand-step i ntet {;tie cetiter .jt:~i ning in a ~~::IcI~sI:I~~I;T.(:with same sex riei ghbktr and shadtw :) .-2- Ei.3lati1::e the ~zirlzle(:4-:), "Petr~>nella"turn 1 place (4:) 3- Balance the ciu~~le(43,- "F'etror~ella"turn 1 plal-e (:4) atid ttie 1's turn an exkra 1/2 turti to face partner 4- % '5 swing partners B1 5- Down fo~trin line - 1's in the center 4, 1's turn as a t:~:~~-tple while :ZTs turn alone at ends of ttie lines C4) G- Return up the center (:4:), 2's \hand 11ast 1'5 31'4'5 around (45 F32: 78413- Eiafi~e 4 cirl~leleft 1/2 and swing tieighhov Title: "The Solstice March" by Chris Ricciotti Formation: Proper Triple Minor Contra Dance Written: 12/09/93 lTsd13wti ttie ~~utside,turti alrxne Ret~~rnts place 1's dowti the center, .t~!rn alone Return and cast of f wi t ti the 2's L 7- 1's allemande rigtit 3/4'5 (41, then #I man %urns a left hand star with #a's while #I woman ttrrns a left tiatid star with #3*s - both stars lx arl>utid (:a), 1'5 meet it1 center and allemande right 1/2 C4), now #l rnan star left with #3'5 and #1 woman star left with ZT5 (8) 1's swing in the center Auttil>r9s note: This was written as an elegarit style figure. Enl:u~~ragedancers to take their time and enjoy the stars and allemandes to end with an 8 ct2utit swing. MI::IS~ cl~ntva dancers will tend to speed thru this section I:I~ the dance and end up with a 12-16 count swing which may feel awk:ward and rushed. Title: "Shadrack's Delightu by Tony Parkes Formation: Emproper Duple Minor Contra Dance A1 1.- no si do neighbor 11-1/4:r;l to a wavy line of 4 (end with 1'5 facing down, women in the cet~terl 2- Balance the wave (:4), all allemande right 1/2x - Crt~en in ttie 11etiter2 142 I A2 3- Balance the wave (45, men allemande left 1/2x C4) t ti 4- Swing partner Cend fa~~itigdown) B1- 5- Down the center four in line, turn as a couple E- Return, bend ttie l irie (or hand cast) R2 7- Eight and left thru 1/2 8- W13rneti chaiti 11'2 11 A RALPH PAGE RETROSPECTIVE. "An Evenlng at East Hlll Farm" Presented by George A. Fogg at the Seventh Ralph Page Legacy Weekend, Memorial Union Building, University of New Hampshire, Durham, NH, Saturday, January 15, 1994. As a remembrance, thls is the evenlng dance party programme for Saturday, November 7, 1970. It was copled from Ralph's splral notebook, In the collection housed at The University Library, Speclal Collections Department, University of New Hampshire, Durham, NH. Square Dance Weekend at the Inn at East HI11 Farm, Troy, NH November 6-7-8, 1970. Weekend Staff: Ralph Page (RP), Contras & Lancers. George Fogg (GF), English Country Dances. George Hodgson CGH), Squares. Roger Whynot (RW), Squares. Recorded music only. Openers: Mlserlou & Boston Two Step GH Head Ladles Cross Over Hello When Payday Rolls Around RP Lady Walpole's Reel Waltz GF Holborn March GH Nellle Bly Ends Turn In Llttle Old Cabln RP Ashue lot Hornplpe St. Lawrence Jig GF The Rose Tree GH Left Hand Lady Under Marchlng Thru Ga Just Because RP Portland Fancy Polka Con a banjo] Rye Waltz GF The Black Nag Cumberland Square GH If You Knew Susle When You Wore a Tullp Smoke on the Water RP Chorus Jlg Varsouv lenne Petronella Cooler Offers: Waltz & Snack A RALPH PAGE RETROSPECTIVE "An Evening at East Hill Farm" Saturday, November 7, 1970. Seventh RALPH PAGE LEGACY WEEKEND, Jan 14-16, 1994 Memorial Union Building (MUB), UNH, Durham, NH Strafford Room, 11 - 12:30 am MC: George A. Fogg Musicians: Susan Conger, David Kaynor, Bob McQuillen Introduction - George A. Fogg BOSTON TWO STEP (couple) HEAD LADIES CROSS OVER (square) Geo Hodgson LADY WALPOLEIS REEL (contra) Ted Sannella HOLBORN MARCH (English longways) George Fogg NELLIE BLY (square) GH APRIL'S HORNPIPE (contra) Ralph Page on tape THE ROSE TREE (English longways) GAF JUST BECAUSE (square) GH PORTLAND FANCY (double Sicilian circle) TS RYE WALTZ (couple) CHRISTCHURCH BELLS (English longways) GAF SMOKE oQ! THE WATER (square) GH BRITISH SORROW (contra) TS WALTZ The end (12:30 pm) arrived before it was possible to complete the above suggested truncated programme. Therefore two dances were omitted Christchurch Bells and British Sorrow. Ted Sannella represented Ralph Page, whereas George Hodgson and myself represented ourselves. "April's Hornpipe" was substituted for "Ashuelot Hornpipeu using a tape of Ralph calling with the Southerners, an English dance band, at a Fall Weekend at The Inn at East Hill Farm. A Brlef Hlstorlcal Summary. "Square Dance Weekend" By George A. Fogg After the death of Rod Llnnel, the Inn's owner requested Ralph Page to continue the "Square Dance Weekends". (The 'weekend' was frequently referred to as the 'November Weekend'.) Ralph lnvlted me to be part of the Square Dance Weekend In 1969 and I accepted gladly. He sald, "I'm throwing you to the wolves." I dld not flnd thls to be the sltuatlon at all. The campers were very wa,rm and friendly. I remember very dlstlnctly arrlvlng late Friday nlght In a pouring rain storm. I ran lnto the hall to be greeted wlth a loud cheer. If these be 'wolves' so be it! They were the happiest pack of wolves In the world. I had nothing to fear. It was a Jolly flne weekend. I danced wlth good dancers and to excellent callers. No one got bent out of shape If all did not flow correctly and I recall many a hearty chuckle when we dld a "wrong way Corrigan". Or Ralph, up to no good, would keep a male dancer In flrst man's posltlon all durlng a contra - the poor chap never movlng from the first spot, not able to flgure out why he kept gettlng new lady partners. The last meal was Sunday afternoon. Ralph gave a llttle farewell speech thanklng everyone, dolng all the courtesies that are necessary on such occaslons. He always ended wlth the statement, "If you had a good time, tell your frlends; but If you dldn't, tell me #and I'll do nothlng about It. God Bless & safe Journey home." One of the best parts was slttlng up, after the dance party, wlth Ralph and George Hodgson. Late at nlght and lnto the mornlng, they swapped storles, gave each other help hlnts, exchanged Ideas and programme notes. I was there listening and soaklng It all up llke a sponge. I was llteraliy recelvlng lnstructlon at the feet of masters. The evening partles Included a few International folk dances and some round or couple dances, which were not taught. As the crowd began to gather Ralph would put on a record or two. If you knew the dance, you could dance It--or not. If you dld not know the dance, then you sat It out or asked another dancer to teach you. When enough dancers had arrived, the flrst of the leaders would begln, and we would go In rotatlon thereafter. Ralph referred to these folk and couple dances as "openers, In betweeners, breathers. closers & cooler offers". No guest caller or leader was left out, as he lnvlted them to lead/call a dance. This added enormously to the enjoyment of the evenlng's entertalnment. I always marveled at how each guest was somehow woven In among the weekend staff. It was done wlthout anyone becoming Irrltated, annoyed or havlng hurt feelings. To be sure some of the leader/callers were not top quality, but every one was given an opportunity to present a dance or two. It was Ralph's way to give every one a fair chance. I very much appreciated belng on staff and havlng the opportunity to present English Country Dances to square and contra dancers. I was presented with the problem of selectlng formatlons other than iongways (contras) or squares. As tlme went on, I was able to acquire a-better selectlon of records, to introduce a variety of dance formations such as big circle, Siclllan circle and double Sicilian clrcle. I am grateful to have worked wlth and for Ralph Page. I am fortunate to have had 17 years of Square Dance Weekends. After Ralph left us, the sparkle left as well. There was one more weekend In 1985, the last. Ralph was unique - what else can one say? * See Paae 11 for nroaramme notes. There is an entrv for "RW" in Ralph's Landwriting [a diagram, a single square with an Is], which indicates Roger Whynot did not write down his dances. BOSTON TWO STEP An old Tvme Dance. Formation: Clrcle of Couples. Side-by-side position, near hands joined & face LOD. Record: Folk Dance Michael Herman HM-3001 The Dance: PART I Measures 1-2 Do a Pas de Basque away from partner. (M Left, W Right) and then do a Pas de Basque towards partner. (Pas de Basque is a Balance or English style Setting Step.) 3-4 Walk forward 4 (start with outside foot). Turn towards partner to face RLOD. 5-8 Change hands & repeat the two setting steps & 4 walklng steps, turn to face partner on fourth count. PART I I 1-4 Join both hands. Do a Pas de Basque (M's L & W's R). Take 2 step-slldes (chasses) again M's L & W's R in LOD. 5-8 In closed Ballroom position, dance 4 turning two-steps moving CCW CLOD) around clrcle '1 A Ralph Page Retrospectlve "An Evening at East Hill Farm". Presented as an evenlng dance party from Ralph Page's "Square Dance Weekend" Saturday, November 7, 1970. Li f e 1:1t1 the 01: earl Wave (Fig. 1:) The head tw111 ladies 1crl355 over and by the gentleman stand. The side 1adi es ~:rosssover ~JIIIW and a11 .j~rlin your hands. bow tu your ct:trt-ier lady and bow to your partners all. Swirig that ci:lrtier lady blziys and pr~~lmenadethe hall . Pvori~enade, go once around, go once around the ring. Repeat Fig. 1. (:Fig. 2) The head tw111 gents give right hands round and keep y111ur steps in time. I::l:lale back with the left, take t~ald[of her hand and balance four in line. The ladies swing in, the gents swing out, you balance the line again. Ttie ladies swing out, give your partner a swing. The head two ladies chain across. Chain 'em on back. Repeat Fig. 1 twice starting with the side two ladies. Repeat Fig. 2 for the side gents. Repeat Fig. 1 twice starting with the head tw111 gents. Repeat Fig. 2 for all four gents (:with all four ladies chain:). Repeat Fig. 1 starting with the head couples, then again starting with side 1:auples~ A1 Air t; re.:, bal arc+ and .s?~lr;lg the tie bel~:~l*r'. 16'1 Active:., gc~dtiwti ';he center, t,~lrt7 3ldtl+ ;.a:' Feturri, .:$.~t*:*if !.8:I E{l Ljdies ,:iialn, t:t\;ei atid bal-I:: i16:) !32 F'ri~meriatjea~:ros.z.. (4:l Eight md left through, back:: t;n p1al:e "0:1 HOLBORN MARCH Formation: Longways - Duple Minor Source: Matthews, N. Ed. (EFDSS). Everyday Dances Original: Wright's 'Compleat Collection of Celebrated Country Dances .... 1742 Record: Next Dance is.... Vol 1 PE 205 Dancina Enalish 1 ED 114 Music: Barnes, P. English Country Dance Tunes Everyday Dances The Dance: AA B 4/4 A1 First CoupleBalance (set)&Cast Off one place, 2s move up All Two Hand Turn once around. A2 Second Couple Repeat Al. All Two Hand Turn once around. B 1-8 Right & Left Hands Across (R & L hand STAR). 9-16 First Couple Cross over, go below 2d couple who move up, and do Half Figure of 8 up through 2s. Notes from "Everyday Dances": It [Holborn March] Is enjoying renewed popularlty at the moment having recently been 're-discovered' by Pat Shaw. (Dated 1969) Original Descrlptlon: The 1st cu. set cast off and turn. The 2nd cu. do the same. The 1st and 2d cu. Hands across half round the same back again. Then the 1st cu. cross over and flgure. A Ralph Page Retrospectlve "An Evening at East Hlll Farm". Present as one of the dances from Ralph Page's "Square Dance Weekend" evening dance party of November 7, 1970. !: F i 12 . :j The tie~rihut:t :.:.I-lples 5tatid arid balatii:e, separate outside. Lady gci i-i~tit;, gent tc left pas.3 .ar-it~~t>dthe outside. I;I:I I;I:I all the way ro~lndthe ring, you pas5 your partner by. Everyblc~dy swing yiti-rr cctrner tit:iw and prlsrilenade the r i tig. Hi Nell y (response: Hi George:), hey now Nell y Rly. Repeat Fig. as above. Repeat Fig. twice fc~rthe sides, then twice for all four cocrples. (Etidi r~g, All j~:~inhands and circle left, swing yclur cclrners all. ICircle left arctutld again, swing yl:lur ict:~rt]er there. F'rl:lmet-lade. April's HI:^-npipe by Fcalph Page (:tape with Ralph Page calling:) Triple iii~proper~~ontra A1 Actives, allenlatide left the tone belc~w (:#2:),go 1% 18) Du-si-do the next below (#35 (85 A2 All six, 1:ircle left ~I:I once around C1G) B1 Left hand star with the couple below i#3) CB) Swi tig the one abi:~ve r#2:1 (8:) B2 Those four, r igtit and left thrt~lugh, ctver and back ('16:) THE ROSE TREE Formation: Longways Duple Minor Source: Clark, S. Seven Mldland Dances Record: English Country Dances for Young Folk BR 5 Music: Barnes, P. English Country Dance Tunes Clark, S. Seven Midland Dances The Dance: AA BB 2/4 A 1 1-8 1st Man Right Hand Turn 2nd Woman, then Left Hand Turn. (1st Corners). A2 1-8 1st Woman & 2dMan Repeat Al. (2ndCorners). B 1 1-8 1st Couple Lead Down the Center. Turn In & Dance Back Up (sklpplng step) & Cast Off one place; 2s move up. B2 1-8 All Swing Partners (ballroom posltlon). Note: The Rose Tree Is also a morris dance from the vlllage of Bampton In the Bush, Oxfordshlre, England. A Ralph Page Retrospective "An Evening at East Hlll Farm" Presented as one of the dances from Ralph Page's "Square Dance Weekend" evening dance party of November 7, 1970. rdou ttie lie;i! twla :~d;es.:;--ialt-i rigtit ovef. Chain the ladies; rlgt-~t;hacl. t-~,:rriie 2,2ilr-,. The ~idekldl:' 1+.ljl+~ ~C~-,.~ii~~r.l Theti a1 1rriis.r-~dr!eft ,i:ftAr A: :.iiici 31.-id do-51-do you' .:,wn. Naw t,aF:.e ttiat ,:~:rpier (2171 ~t-,tj pfcifi;+t-~?dek-iei k-~iiriie. \I:,-;I-! - pr-#?rl~et-!-dekt-(+ r-i t-ig 2nd everjbody ci tig, bet: i~\s+,just tlecac!se. pepe3t l~ithfiljt-it and ltft thru in pla,ce ,of ladies ichaiti. Fepeat ri11-.itig 13.Jics clictiti and vight and left ttlru in rand111rilorder. F;:epeat with xc~~;erlappit~gldirs ~cl-iait1~:.3nd right 3t1d !efts ttiri-I it1 r.atidl:(rir dcjr-dei. F'lzlr t 1and Fatic y t r adit i c~nal Forrirati on: Two couples a1 ongside each other and fa~~itigtwo ~:tt}ier c~,uples, 1 .arranged like the spa-lkes (:if a wheel in a big cir~~le A1 C:irl:le eigt-it to the left, gel once around (165 A2 With the clpposite twcl, right and left through, elver and baci:: !'I€:] 51 The sarile two ladies ~chaiti, over and back (:I65 E2 A1 1 grt fclrward and balr k !'8:1 Forward agai ti, pass through to the next (8:) RYE WALTZ A cou~ledance. Formation: Ballroom hold - facing LOD. Music: Ford, H. 4th ed. 'Good Mornlng' Duggan, A S., J. Schlottmann & A Rutledge. Folk Dances of the Unlted States and Mexico Shaw, L. Cowboy Dances Tune: "Comin' Thru the Rye". The Dance: 2/4 & 3/4 Directions are for the Man; Lady use reverse footwork. PART I A1 Left Toe extended, back, out & back. Four Chasses LOO (left). Rlght Toe extended, back, out & back. Four Chasses RLOD (right). A2 Repeat all that again. both Left 8 Rlght. Part I1 B Waltz 16 bars. e (An alternate ending to waltz section is 2 chasse & a slight jump onto both feet. Quote from Cowboy Dances: "...the muslc changes to a slow 3/4 tlme, and the couples waltzes around the room for twelve bars of muslc. For what would be the last four bars of the waltz section, however, the music changes back to the snappy 414 time of the orlglnal, and they .....[ chasse] wlth a step-close-step- close-step. [a sllght leap onto both feet on the last beat.] "An Evenlng at East Hlll Farm". A Ralph Page Retrospective. Presented as an evening dance party from Ralph Page's "Square Dance Weekend" Saturday, November 7, 1970. fiezd \:<:+upl++s 5c.w !d1314:1 t12 JI:IC:T /3.?.rttl+?f, ::~lj:~zii+f .Itpit:+ 3fjtjt7d. G,I, fight d~:twt-i thi >:enter, .:.eparate, . ~J,:I- f,:~i~fidt: F):ii.!r tgrtitz center, ritak:e a ~:irl:le, ti-irn it 1:tt)ce ar-i:lutid. DI:I-S~-I~III yl:~l..kr partt-~er. Gents star right when you 'come dc~wn. r- r- tar rol-~nd i 11 the center ti 1 y111ur il:lrnef cl:lnles ai-ctund. Alltmande left your cl:lrner, partner riqht, a right and left grand. Tt~ere'll be sriioi:.e 1:ln the water, on the land and the sea. Right hand tt:~ your partner, turn arcgutid and go back three. Left, right, left hand, gl-I all the way arclund, Fight hand to yl:lur partner, bl:lu the gnat and settle da:~wn. Repeat all above starting with sides. British Sorrow triple ri~it-fl-,rprillper ~:ontra A1 Al-tives g111 down the rutsi side ~I:I below tw~:,. 1-. me- up the center and cast off. Axtar by the right vith the ~:,:luple below. Star by the left with the couple above. El Six hands around to the right, go all the way around B2 With the couple above, right and left thru, over and back. r) \ A'r 4 J - ij I I. L \ I\ . /\ -l: fr]r][-);-j r p;)lj; Contras & Lanciers J,VSg , ioIjc English Country GZg, ;]lJJij?$g j] Squares 1-1 !I I: 5 ;I Y a r il !I -[ j ,! I Squares LA-. COST: $73.53 per peraon full time. Pet5rnez-e accomodated and cost gr-orated. Delue accornodations at $88.9 per person. Cost of weekend includes all meals, anacks, classes, bier:, asid use of the Inn's facilities including indoor swimming pool, SQJkilE DANCE i*!?EGE?iD begins with supper, Friday evening, November 4th and closes with the noon ~~31SLK~CJ, Novenbcr 6th. 1983. Please sai3 $iC.Ca 2er psrson advance registration to assure you space. Call Gr mil ya:r reoorvatiom tor Ral* Page 117 Washington St. Keene, N.H. 03431 phone (603) 51-5006 The Inn (6033 242-6495 Ilith this superlative staff, plus excellent home-cooked meals (served country style) along with a fine dancing area that has good accoustics, you are assured of having a good time. TELL Y3UR FRIENDS: Better yet - bring them: : yjec~rg e H~=adgscvn ' s d anc e5 Saturday - "Singing Squares from the '50s to the '70s" 1:45-3:15 FM liead t:+~c,.:r.uples !zidi*.s chait-1, side twt~I:I:IU~~+S wit-~g. 'flsu ctia~ri'em r~aiuti< the rn~r~~.~titain,chain 'em htc~ri~e. ,--~ide ' twc! ~:ouples 1adiez chain, head two collples swing again. yo11 lai la it-^ ';.ti1 r~i_ctidthe mountain, ,chair1 'em hori~e. Allemande left your corner, wall:: by your own, swing the next lady that yoc! h~eet. F'iz[-laletlade that lady, prl-lri~enade that little baby, rol-~nd the mitutltaiti promenade. Flepeat as ahl~lvestarting with the sides. Eyepeat usitiq right and left thrl-I in place 111f ladie.=. chain, Repeat using right and left thru starting with the sides. 2. I ILi ke Mountain Music All fl:~ur gents prlsri~enadethe outside of the circle. Fcltur ladies fl~li-ri~.3 right hand .star and turn it IcttIce arl:lutid. Do-si-do your partner. Step right back and bow ti1 her and iwitlg her. Then a1 1enlatide 1 eft your ~cclrtier, da-si -do your t~lwtl. NIOW take that corner gi r 1 and pritntenade your corner home. Repeat three rilctre t iri~es. I t t r t . : - Join hands with Susie, circle left with Susie. I::irile tt:~ ttie right, gc~the l-lther way roitnd. Swing SIZI classy with your fair lassie. Allemande left and a grand right and 1 eft arclutid. Yl:ll1 meet Susie's sister, theref5 Mary Jane, there's 1ittle sister. Nlztw promenade go down the lane. Swing. anacka, iFiq. :) - Head gents bl~wto Sue, head couples right and left thru. Side getits bilw and yilu do the same. with Fclur ladies tchait-t, it's a 3/4 tihain, go by two. What a future she plztssesses! D~I-si-do yt:lccr ~c~rtier, 9111 ticlrne and you swing. Swing that little lady round. Promenade all the way r111und. Repeat as above. Repeat intro. break. Repeat fig. starting witti the sides. Repeat intro. break. The ladies to the center now and back to the bar. The qents up to the center and you form a right hand star. Right hand star gt11 ha1 fway round and now it's left hand back. Take that girl a11:1ng with you and keep right on the track. The ladies they swing in, the gents they swing out. Proritetiade the ~clttier way, go all the way about. The gents they swing in again, the ladies they swing out. Drlzlp that girl, pick up the next and keep right on the track. MaGana, rrcafiana, swing. Maiiana is soon enough for rile. Repeat three mure times. "Singing Squares from the '50s to the '70s" mic~i-itib:l.ied Head C'K:: c::#l-~plesbl3w to ,,our parttier, kt-ien ,,I:IL~ uill ~rilriietlade. Half way -I :,, t 31 de. F'lght and left right dl:*wn ttie rniddle. Head ladies ctiain to tt-te right. All fclr-ii ladies chair3 .31rrl:15s the set. Chain 'em riqt-it b.3~1: again, yo~l'retik~t thrijugh yet. Then yc11-1pri~~rfienade that little girl. She's I:ind 111f like the girl that rr~arri ed dear lsl d dad. Flepcat with ladies ~ihainto the left linstead of right:). Repeat for side il:tuples with ladies chair1 tu the left. F:epeat for ide ~ioupleswith ladies ~zhaitito the right. 6. My Little Girl Head couples promenade around the outside, round the ~~uutside, gi~all the way ri~t-wid. Head ladies ihain d*:~wti the renter, chain 'em back again. Head ladies chain to the right, chain 'ern back. Head ladies chain to the left, chain 'eni ba~zk. Do-si -do yclur cartier 1ady, do-si -do your uwti. A1 1eri~atide left your ~ilrtier, right hand tu your own. Balance ti1 your partner, grand right atid left all ttie way around. Promenade around the ring. Repeat for the sides. r Repeat for all four couples with ladies grand chain, then head ladies chain tcl the right (:13ver arid back:) and to the left (over and bail.::,). 7. Rod's Riqht and Left Irc~usic: Golden Buy! Head two ladies chain to the right. Head gents take that girl, face t111the left and right and left thru. New head ladies chain to the right. Take that girl, face to the left and right and left thru. Swing yuur ~zlxner. Take that ~zornerand promenade the ririg. Repeat as abi~ve. Repeat twice for the sides. 5'. When '/I:IU Wl:lre a Tulip The tiead two coup1 es bump-sa-daisy, gir ha1 fway round arid swing her. The side two cc~uplesright and left right thru. Alleri~atide left your corner, do-si-do your partner. All four gents go right straight across. Swing that uppt:~site lady. Nis~w take that corner girl and prcrrrlenade. Repeat as above. Repeat twice starting with the sides. lrSitiging Squares from the '5Os ti1 the '70s" -. :(i 7 1 .. .. For!r gent- star b; ?lie !eft, gr. ,:!t-~etirile i.ioutld. Take YIIILW piftr~ci~dil:ltlg *jit!~at? wril ar~:~i.ttici. Gents back .:ut, 1 xiies. in, 3tar pr~:trilepi.~de atid then. Whirlaway with a half z.ast~.~y,getits star riqt~t. Ladis,; ;v.~:cu back:: trat~l.::,twice ~roc!tilj't111~ 41:~. Til; :. . - . - -e~a.~ttdb 1rr1e ~,OLI rile++k :ilif~, kt-ifti by the 1 eft >lk(j:;l~, Proriieti_;de ;,air i:ai--t-~+i-, pr-mietiar_le and sing, Eill Eailey wt:tti't l;,:,u plea=+ 1: 1: ctri~e 11 ori~e. Repeat three times. 10. Little Old Lctq Cabin in the Lane (:see Friday dance ncltes:) 11. The Buffalit Ouadrille !:ri~ur.ic: Silver and Gold Twm-step:) Join hands, circle right. Circle left. Ealatiie, t;l-ii-n halfway rt:lt_cnd. Fa1 ance, turn ha1 fway rwnd. Fctur ladies chain. Chair1 'em back. IEients roll bail::, pick: up yclur corner. Pi-orilenade that cl:~rner ri!aid. Repeat three times. 12. Red Winq First couple out tu the right, you circle four halfway. The inside arih, the outside under, you dip atid dive, over and then below. On t~ t tie next and ~ciril e fl:~ur hands around. Swing witti the opposite lady. Swing her lightly and hold her tightly. 13111back and swing ynur partner. On to the next arid cirile f~:lur Fialfway. The inside arch, outside under, dip and dive, over and then bel111w. Whet1 you're tiilri~e yi~uswitig your icwti. Allertlande left the liorner lady, grand right and left now, ha1 f way rourid now. When yl:lu meet your clwn yclu prorrletiade her. Repeat for second, third, fourth couples in turn. 13. The R~:~ate 1:rrlusic: The Kitchen:) The head two couples ottt to the right and circle four. Break right cut to a litie ~ilf fclur. Fc~rwardeight and back you go. Ladies chain across. Ladies chain down your litie. Ladies chain across. Ladies chaiti down yrltur litie. F'rl~lri~etiadethat lady, prorilenade the r ing. Repeat as above. Repeat twice for the sides. 25 BPEW MIEE SESS I ON Sturda?., June iE, . - :,:<)(:I Pt-l M i'.: Ted Sanriel la Muclc by Frexti F1.h Judy Oqden: CONTEA - partner"^ Delight Judy Gr eenhi 11 : 1:'ONTEA - Sneak Prev ie~~ Larry Jenni nqs: CONTRA - Inrtant Easket John Mc Intire: SQUARE - Happy Hobo Steve Eoylan: SDUARE - Saletan's Double Star Sylvia Miskoe: CONTRA - Newly~ed'~Reel Ed Hall: CONTRA - Dabney Hall Contra Ann Coweti: CONTRA - Scout House Reel -H; -; anne Jackson: SQUARE - Siaple Hash Annette Kirk: CONTRA - The Lighted Sconce WALTZ Open Mikc Session M C. : Ted Sannel la Music by Ergsh Fish. 7th Annual Ralph Page Legacy Weekend Saturday, Jatiuar y 15, 1994 3: 15-5: 00pm 1 Caller: Judy Ogdeti Title: "Partner's Delightu. F~rmati on: Proper Duple Minor Contra Dance A1 I.-- Circle left (1-1/4:1;:)p~lttit~g the men above the .- wi:~rneti L- Meti arch, women gl:l under arch and around partner to a line 111f 4 fat:itig dtz~wt~the hall (:men in the center, women 11111 the c~cttside, a1 1 standing next to partner 1) A.7 L 3- Down f~zt~trit? line, tttrti as a couple 4- Return B1 5ZcG-- Balance Pr swing partner 82 7- W12rr1eti I: hai ti 8- 1's 1/2 figure 8 above !:l:rt>ssitig ?( gizlitig up between ZpsT 2) Caller: Judy Greenhill Title: "Sneak Preview" by Claudio Buchwald Formation: Improper Duple Minor Cuntra Dance A1 1- Do si do tiei ghbor 1-1 /2x > 2- Gypsy nest neighbor lx A2 3&4- Balance 8< swing original neighbor El 5- Circle left 2/4's 6- Swing partner 82 7- W13rnen I: hai ti 8- Left hand star Clx) -3) Caller: Larry Jennings Title: "Instant Basket" by A1 01- Formation: Improper Duple Minor Cuntra Dance A1 1- 12irlzle left 2- Star left (till the 1's are above the 2's:) A2 3- 1's go dl~wti the ~:etiter, turn al1=1tie 4- Fzeturti, cast off in HSWP:I: B1 5&6- Basket Swing (Keep HSWP:# witti tieighbor, women putt itig right hand 1x1 partner's left. stiotrl der , and each man grasping the other's right wrist with his left hand:) R2 7-- Long 1 i ties fclrward % bat: k 8- 1's swing partner in the lzenter 3) Ihller: Larry Jannings (clwrtinuedl: '.I:: HSWF' i'hal f skisul der-wai st pl:*si t i r:~ti:r tia.5 the man*s r i gtit arrit arol-rti!? Stie WI:IITI~~~?I~waist, her left hand perl:hed 11tti his r-igtit stic~ctlder . 5 The H2 given ablztve j. s the action spec i f i ed by the corilpsser. In larder tct i 1lustrate an addi t.ional use I=I~ HSWP 2nd a way ~I:I allow everyone to swing in the sequence "all switig partner; ~:ir~zlewith the nest cl:tuple" wittil:lut undue ~:rowditig iti ttie center, we danced this variant at BF'LW: End the HI still in HSWP witti tieigtib12r in the p0sitil:lt7 13f 11:11.?g lirie~. Ttieti? for E2, gl-I f~:~~.wardC2F at~djcliri free tiand wi tt? partner*s free hand. The rnan then steps hack and to his left drawing an initially resis-king partner it-tt~:~swing position (2:j- Swing partner ):In a rigtit ig:til from the old rieigt~bors, lor the left diagonal fr~xrlthe new t-tei gtib~rS. The acti~zsnof the first four ~:l>trnts ~:lf the E(2 variant riiight be ~:alle.-d"CMen:) give (:neighbor:) and take (partner:)." but some ~:~b.jectto any irt.,plil:atil:+n that a riian has the autt-ttz~rityt~zt give away c'l-~r taka:) a wlDmati. Ttius, bearing in mind that dan~~ersagree. tc+ traverse a certain path tl-1 get tn a certain place at a certain time t111carry ~x~ta 11ertait1 alstivity with a certain person, I 111ftet-t call the acti~~tnby the word that conveys all that info: "TRYST. " 4) Caller: John McIntire Title: "Happy Hobou by Oene Hubert For mat i on : Squar e Danc e A1 Heads qc~forward and bacl::. Heads pas= thru, turn right, gu single file aruund one Clady leads) it-1tc1a line of four at the sides. A2 Lines fl~jrward and pass thru. IGetits switig ttie lady I:I~ yilur right. B1 With yl~luv corner, allernande left 1%. All g111 into the center and back. E2 Heads right and left thru, sides right and left thru, head ladies 1ctlair1 (:cl\/er1 appi t~gfigures:) . Espeat for the sides Repeat entire dance. 5) Caller: Steve Boylan Title: "Saletan's Double Star" by Tclny Saletan For mat i on : Square Dance A 1 1.- Head ~c~:~t..rplcs flxlrward ?r back. .- 1- I-lead cl:luples *I::# the ~~enterwi tti a left hand star- (:till ycltt meet yclur ~cortier! A'Z 2- iti icle ~zouplesmake 2 right hand stars 4- Head cl>uples to the center with a left hand star B1. 5%G- Ralante ?< switig 1:l:lrner H2 7&8- Fr omenade cur rler $17 riten' s hsrl'te pl a,: e 6) Cal ler: Sylvia Miskoe Ti tlc: "Newlywed9s Reel " by Ted Sannella Formation: Proper Duple Minor Contra Dance A1 I-- 1's turn partner by the right C1/2x:t ?( give left tiatid tcl tieigtibl~r fi~rnritiga wave of 4 a~:r~:ass (meti facing down, women up, 1's in ~.=enteul14-5, balance the wave (:4:) 2- A1 1ernande 1eft nei ghbl~lr (:2:1;i A2 3- 1's in I;he center single file promenade: active noriien wal I:: up the center, active w~en dc~wn the cent cr 4-- Act i ves turn a1 one & return to partner in 4 getier~:~ussteps (141, turn partner by left 1:1; (4:) B1 5&6- Swing neighbor (end facing acr13ssl R2 7~-17s1/:Zfigurc8ar1=r~rt1dthe295 8- 1's dcc si dl11 7) Caller: Ed Hall Title: "Dabney Hal 1 " by Gene Hubert F~~rrnation:Improper Duple Minor Contra Dance A1 1- 1's split 2'5 ctp ocrtside back to place 2- 1's swing partner A2 3- Down four in line (1'5 in the center!, turn a11:tne 4- Return, bend the line B1 5ttC.- Wonsen chain 1:1ver & back 82 7- Line forward & back 8- 1's 11'2 figure 8 8) Caller: Ann Cowen Title: "Scwt House Reelu by Ted Sannella Formation: Improper Duple Minor Contra Dance Down 4 in line Cl's in the center), turn alone Return, bend the 1 itie Circle Left t:l:/;) Women ctiain (1/2) Women dm si dl:$ (:1-1/2:iS Swing ~=rpp~>site t:tiei gtlbor Li nes f~:~rward k back 1's swirig in the center 9) Caller: Marianne C. Jackson Square Dance - CSinrple Hot Hash) F'art I A 1 1 .- I4 e a d s f 111 I- war tj P,/ ha I: I:: 2- Meads rigtit ?( lttft i;hri...t ~2 3- Sid+s f~~~rwar'd& back: 4- Sides rigtit b left ttiru El 5- All joiti hands & c.ircrle left (ha1 f way ti 11 tiorne:] 6- Swi. ng corner B2 7Fr8- Prc~r(ceriadeI:orner Ctiew partner) ti11 nletiFs place AL 1- Heads praritenade 1 /2 way round - Heads right ?t left thru A2 3- Sides prlr~fi+enade'1 /2 way rclcrtid 4- Sides right ?< left thru B1 5-- A1 3. jcli ti hatids ?i11 i r~rl c left (: ha1 f way 1) B2 6b7- I-lrlng switig with cl:>rner 8- Pvonsetiade tl:} men's p1.are 10) Caller: Annette Kirk Title: "The Lighted SconceU by Glen Morningstar Formation: Improper Duple Minor Contra Dance A1 1%Z-- W~r~n,etiallemande right (:1/2x) (411, Swi rig Partner (: 125 A2 3- Circle left C3/4's1 till 1's are at the top 4- 2'5 arch, 1?s duck thru this arch pulling 2's under their own arch (end a1 1 4 facing up) El 5- Lities of 4 QJ the hall, turn a11:lne 6- Return (:duwti t tie tial 1 :I , bend the 1i ties ti2 7ZrB- Wlrlrc~en hai n 1:Iver ?r hac k Callers note: The title of this dance refers to ttie sconces in ttie uld dance ha1 1 of Dearborn, Michigan where Henry Ford held dances and where dances are still held today. i.- Fred Ereut~lq: SOUARES - Listen to the Mocking Bird The Span ish Caba! Iero 1::ONTRA - Pierce.'s Hd11 Stroll 1 3. Ted Satinel la: SOUARES - 60 Halfway Round Reel L'oc!.r Partner 1::ONTRA - Muriel .'s Tri-Con tra 1 4. Gel~~rqeHodqsun: SQUARES - The Best Things in Life are Free ! M3,, He"r Kixsiag Me CONTRA - Hull's Victory I 5. WALTZ INTERMISION I .- I t. Rirl:. Avery & Judy Brect7hill: SINGING INTERLUDE i 7. Ted Santiella: CONTRA - Contra for #argie IGl etiti Eatitierri~ati: CIRCLE - Southern Hash and cl oqgi!~gdesonstration ; 8. I '3. Fred Breutiiq: CONTRA - ,4ngiezs Fancy I CONTRA - Tuen ty-four th of June ) 1) Georqr Hc~dqson: SQUAF:E - unnamed I CONTRA - British Sorrou 11. Steve Zak~:atl: CONTRA - unnamed CONTRA - The Blackbirds of Spring 1.-, -. WALTZ Grand Dance with Staff Callers 7th Annual Ralph Page Legacy Weekwid Saturday, January 15, 1994 8:00pm - 12 midnight Straf ford R13om 1) Caller: Steve Zakon Title: 'The Whip" by Torn Hinds Formation: Improper Duple Minor Contra Dance A1 I- A1 lerciande left with neighbar t: j.-l/Z':~;:k 2- W~>rtwti dl2 si dl11 in %he ~ceti.C-er 11-1/2~> A2 34- Balance $4 swing Par trier I31 9- Long 1 i t~esfor ward Zi bac I-:: G- W~:~men chain fl/2) EZ 7- Cir~:lc left Cix) 8- Right hands across (I!<) to next neighbor in 1itie Title: "Love & Kisses" by Ted Sannella Formation: Large Circle Mixer A1 1&2- Balance & swing partner A2 3- Wclr~ietl on1y f IZ~ward t I:I I: anter % bac C: 4- Men into the enter, turn alone and come back out giving left hand to partner, right tct i.:eighbrir in a wavy circle Cmen facing out, women facing in:) BS. 5- Balance the wave (41, allerilande left partner lx 6- Do si do with neighbor 52 7%8- With nai ghbor start a grand r i ght tk 1 eft for 4 people, 1:tauntitig tieigtibl~r as #1, a1lematide left with #4 (1/2xI, then grand right and left back to neighbor #1 c:whil:ti becomes ylaur new partner 1 Title: "Wedding Belleu by Lou Shapiro Formation: Improper Duple Minor Double Pr~~gression.,ontra A1 lt2- Balance PC swing neighbor A2 3- Long 1 ities f~zlrward .9r back 4- Men allemande left (1-1/2xS B1 5&6- Balance & swing partner B2 7Zc8- Circle left (1--1/4x:), pass thru with this ~zsuple, pass thru the next 1-13t.tple to new neighbors Cat the ends of the line- pass thru one, then immediately turn as a c~aupleto meet the next) 2) Caller: Fred Breunig Title: Listen to the Mocking Bird" For mat i on: Square Datic e First ~:l:ll~pie >?r.:ri~enadtl-the -~uk:i.?r, I?the iili~~:~~li~t-lt,$:it-, 3 June Repeat fur each lrsluple in turn. Sequenl~e: Infro, Clmple #1 lead the figure, Chorus Couple #2, Chorus, Couple #3, Chorus, Couple #4, Chorus Title: The Spanish Cavalier-O Formation: Square Dance First 11tld couple to the right and you circle four hands round and you right and you left right thru theue. The ladies you chain and then you swing that opposite gal. You swing with your gay cabal 1eru. Take that lady to the next, etc. Zrepeat above with this couple:) Take that lady to the last, etc. (repeat with this couple:). Everybl-ldy c,wi ng. It's a right hand to the one you have, a left hand to the next. It's a grand old uiqtit .atid left, just go ha1 fway arclund the set. Take that pretty girl, pr13ritenade. You promenade back home. You promenade your gay cabal lero. Repeat for each couple in turn. Sequence: Intro, Figure (led by man #I), break, Figure (led by man #2), break, Figure (led by man #3>, break, Figure (led by man 841, break Caller: Fred Breunig (Continued) Title: "Pierce Hall Stroll" by Fred Breunig (1982) Furmation: Improper Duple Minor Contra Dance A1 1- Wl>rtien dct si dl:! 2- Meti left st~~xtlder~I:II si dl::& 11-1/2:.;:) A2 3&4- Switig partner (IZI~ wl:trfien,s c,j.cle:)- end fazirig d~:t~tl .fl:~r the l':s, end facj.ng up far 2''' ~1 5-- Str1:llI.: arm in arm. with partner, pt-clmenade c~plr~r d~z~wn(:turn I:~Drtier a,t ctidss G- Wt~eel around as couples, return to place B2 7&8- Right hands alzrt~ssCrneri in front 12f parttier, 1-1/2~ till men are it? prog~~essedpositictn:); wl:lri~rn chain t-13 ttiei r tirighhl:~r. 35 Caller: Ted Sannella Title: "GID Halfway RoundU by Ralph Page For mat i on : Square Dance Heads separate, gc~ha1 f way around, sides pass throicqh (:81 All swing yol-ir ctwn acrl:lss frorir hurne (9:) Allemande left yaur corner (4:) D~:~-si-ds your 1:1wt1 (8:) All the gents gu across the square (4:) Ealatii-e the opposite, then you swing (165 Take your 1:ortier and promenade, once around to the gent's hl:lrire place C16, Reprat fl:~r tieads. Repeat twice for sides. Title: "Reel Your Partneru A Ted Sannel la variant of a Ralph Page dance Formation: Square Dance F;:igtit elbl~lwreel with y~:lur partners all, go twi~:e around 18:) Now your cserner- with the left elbow, go twice (8) Around your c~wn wi t h a do-si -do (8:) A1 l emande left y13ur corner, walk right by your slwn 185 Ealati~~ethe ne:;;t and switig a11 arl~lund (161 Promenade to the ladies home place ClC! Eepeat three rilor e tirne5 3) Caller: Ted Sannella (continued) Title: "Muriel's Tri-Contra" by Muriel Miller For mat i on: Thr eesc~n>rsf ac i rig t hreesumes ac r 1355 a I: ont r a set C man between 2 women 1 Al 1- 1_1:11..jglines f~:~~-wardand back 2 - M etl cj #:I 5 1 IA 111 A2 3- With the woman on the right, right arid left thru 4- Right arid l.eft back I31 5- Fclur women r igtlt hand star G.- Same four left hatid star bat:\:: B2 ~FLB-Men swing the 1 eft hand wi-inlet?, and end opptz~sit e each 1:3tlier N~ite: Men n,r.cs.t. remain ~~tppositesanre other man throughclut. Wr~rnen move 1=1ne p 1ace t:ourit cr I: 1UI: k:wi sc at t tie end 13f eal: ti repeat. At ends, a wlzlriran moves frCl:lri~ one line to the other. If men rnlxve, tw12 women at cal:h end will stay there. 45 Caller: George H~dgsm Title: "The Best Things in Life are ~ree" Format ion: Square Dance i: I n t r 111 . :! DI:I-si-do your corner girl, turn your partner by the left hand around. Fclur ladies 1:tiain across the set, turt? and chain 'erir right back hotsre. A1 lemande left your corner, come hame and you swing. Swing that little lady round and prclrrrenade that ritig. Prorilcnade arlxutid, ,just ynu and me. The best things in life are free. (Fig. :) Join hands, circle left with everyone. Break and swing your corner girl around. Four geti its .star left, go ~clne time arl>utld. Do-si-du that sarne little girl aroutid. A1 1 emande left your corner. Weave on by your own. See saw around the next girl. I-: - . - -~-lrlir back:: to ttie Iclne you swung arid promenade aroctt~d, ju3t you and me. The best things in life are free. R9peat three rimre time; as above. Title: "Ma, Hef s Kissing He" For mat i on : Squar e Danc e Ma, He's Makinq Eyes at Me You allernatide left your corner, walk right by your own. Swing and whirl the next little girl. NOW .join hands, circle right. It's eight hands around. Allemande left with the old left hand, partner right, a right and left grand until ylrlu rneet that lady ha1 f way around. Promenade n~nw don't you see. Hey ma, he75 making eyes at me. Ma, he's swinging rile. Repeat three more times. 4) Call sr : George Hudgsun Ccunt i nued > Title: "Hulls Victory" Format inn: Pr~~perDuple Minor C:ont ra Dance A1 1.- 1,'s tr.trn hy tl.,,e right 1./:7!, 8,. giv+ left hand ta neigt~bor (:4:), balance .the wave i:45 ....-# -- Ali.rr~,~andeleft nrighbclr (:2!/(:1 A2 r3- 1's-alleriiar~citiright i:1!1(:), give left t7atid to11 sarrte 1r1e.ighbor (4:), balance same wave 14) 4- 1'5 switlg in ~:etiter B1 5- 1's dlrlwtl the renter, t-trrn as a lrc~irple 6- Return, cast 111ff (:same setrc) It I32 7- F:i ght 84 1eft ~clvrr 8- Right & left back " 5) WALTZ INTERMISSION 6 SINGING INTERLUDE by Rick Avery & Judy Greenhill 71 Caller: Ted Sannella Title: "Contra for Margie" by Ted Sannella Fsrnsatim: Improper Duple Minor Double Progression Contra A1 1- Ll:lt?g 1 i nes fcbrward and back 2-- 1's swing A2 3- Dl-twn 4 in line (1's in the center:) 4.- 1's (retaitii rig .joined hands throughout 1 arch wtii le the 2's dul: k: under. Ttie 2's jcli t7 nearer hands and girl LIP f13llowed by the 1's whose arms are nl~wit1 fr~~titof thei v tummies. I ' s krepi ng hands jc~ined turn i tiward Ct~~wardeach 13ther1 tlrr face the lzocrple wh13 were follcwing them. B1 5- IZircle left with those tiew tieigtib13rs 6- DJ:I si do this new neighbor E2 738- Balance and swing this tiew tieigtib~zlr 8) Call er : Glenn Bannerman Large Circle - Southern Hash and clogging demstration 9) Caller: Fred Breunig I Title: "Angieps Fancy" 1 1 Adapted to c~mtanrporarypreference from the traditional "Angenette's Fancyu ! Forn~ation: Prciper Triple Minor Contra Dance A1 1%:- 3% %.wing, whilc 1's Pt 2's crl:lss the set, pass partners by ktit? rigtit stifizlulder; .ti-.!rn individt-tally atid walL:: down single file (:below 3'55 3-- ,.-, First- the :2'5 and kt~eti.the 1'3, skill walking single fi 1. e, crtztss the set passing opposite sex dar?cer by right sih~~ulder.~and walk: up ~I:I progressed pssitiuti 4- Long 1 i nes flzlr ward and bac I:: 81 5- 1's and 2's star right 6- Saii~e flzeur star left BZ 7- 1'5 ?< 3's rigtit arid left over Csarne sex) 8- Same 4 right and left back 11 II Title: "Twenty-fourth of June" by Steve Schnur Formation: Improper Duple Minor Clxtra Dance ill. 1- Do si d111 neighb~>r 2- Allcrnande right neighb~zw C 1-1/2xl ti1 foum~wavy 1 ~zlt~gl i necj c:w13rnen fat: itig out, men facing in) A2 3- Halar-rce the wave, men cross tib other side & face out wtiile wl:in~eti 11>1>pto the right 1/2 tl-I face in - all refc~rnswavey lines along set Cpartner in right hand:) 4-- Balance the waves, wrDmeti ~zr~>ssto the other side 84 ffaize clr-lt wkii le men lt:i~lclp rigtit to face in & reforrr~waves (neighbor iti right hand.) I31 5- Eepeat phrase 3 6- 5wing partner R2 7&8- Circle left 11-1/4:~;:>,California twirl in a new pl.at:e to face the next neighbor in 1 ine 10) Caller: George Mdgson Title: (Unnamed Square) - more or less extemporaneous Formation: Square Dance [Fi q, :i t-lead couples right and left ttiru. Rigfit and left back. Side clzlctples right and left thru. Bight and left bal~l:. A1 1 eritande 1eft y1:lur corner, do-si -do your partner. Take your corner and promenade. Srpeat u.zing ladies chain in place of right and left thru. I b r e a I.:. :I Head gents with corners go fijrward and back. Same four circle left. Back with a left hand star. Pick up y111ur partner with an arrn ar~z~utid. Rack: right laut, join hands and ~cirlzleeight until the gents are at the heads. Ladi es face, grand square. Reverse. mawi ng your corner. Prori~enade. Repeat figure using stars !right, tt~etileft) Repeat figure using right atid left thru but starting with the sides. Repeat break. Title: "British Sorrow" Ftrsrmation: Proper Triple Minor Contra Dance 1,..... +F-6. :- dl:l!~tl the ~~tutsidcpast; 2 ~:~:tr.rpl.ec,, ~,:~rjleip7t131 tl.2~middle '?-- !Jp the cet~terf:l:1 tieigF7h1:1rg, I:?s~ ~rlff 7 Star right with ct:tt..iple #3 4- Star left with ~zoupleS$:2 Etl 5P1.6- A1.I six circle to the right I:lril:e arl>t-tnd E(2 7&Q- If-= witti the c13uple ah~z~ve(:~:ouple #:2:) right atid left thrcr over and back: 11) Caller: Steve Zakon Title: (Unna~~edl Formation: Contra Dance Title: "Blackbirds 13f Spring" by A1 Olson Formation: Proper Duple Minor Contra Dance A1 1-- 1's dl:*wrl the outside past 2 c~mples,come into the center .- 2- Up the ~~enter,arid cast off witti same sex neighbor A2 3&4- 1's turn cl:~ntra clxners Inear the end of turning cctntra I:l>rners 1's tiold ontu 2nd corner by the left hand and give right hand to 1st corner to fovm waves along the lines - 1's facing ~:~ut:) El 5- Bal.ance the waves, gypsy 1st cartier by the right shoulder 6- 13ypsy 2nd Izl=1rtier by tlhe left sti~~!llder B2 78t8- 1's balance and swing in the reti titer Title: "Gene's Genius" by Tony Parkes Formation: Improper Duple Minor Contra Dance A1 1&2- Ealat11:e and swing neighbor 3.- Men allemande left (1-1/2x1 4- Swing partner E?l 5- Eight and left thru alzretss 6- Circle left 3/4'5, pass thru up and down the set Fr.2 7- Wi tti new cctuple star right Slsl 8.- Witbi original 1:1=11-rple star left (1x1 - back to new neighbors to start the dance again 12) CLOSING WALTZ Fred Rreuni g' s W13r C:sh~>p: "Lesser -Encwn Izhestnuts 2" 7th Annual Ralph Page Legacy Weekend Sunday, Jatiuar y lE, 1994 9: 04:) - 10: 30am Straf ford Room Title: "Green Mountain Volut1tecrs" For mati on : I rrqr aper Dup 1e Minor Coot r a Dan= e A1 L&2-- 1st wl:lrirapl sashay dl:twn and I>acC: witl? 2t7d rirati whi lc 1st man balar11:e and swing witti 2nd woman A2 3&4- Reverse i 1st wsritarr balance and swing, 1st rrlan sashay) B1 5- 1's clown ttie l:etiter, 'tnrti allme €- Return, cast off with the 2's E2 i%B- 141>riretl ~:l.iain ~ziver ?< bal:!:: Tit 1e: "New Century Hornpipeu Formation: Proper Duple Minor Contra Dance A1 1842- 1's al.1emande right <1-1/2x) (IT:), 1's cast to 2's original place while 2?9 ml:lve up (:41 A2 3%4- Women chain over and back - B1 5- Long I..ities fizlrward and hack:: C- 1's a1leri.rande right Cj.-1/2xS I32 781.8- Right, arid left thru 1:tver and back Title: "Bonnie Lass of A&erdeenu Formation: Proper Triple Minor Contra Dance A1 18t2- 1. ' s d13un the c*utsi de Zbel I:IW #3' ST, 1 ' sal l errlatide right (1-1/2!4) ttletl cast up to 2's poritic~n, ZTsmoving up A2 3- Forward acid back 5 acrcrss the set 4- 1's allen~anderight 1 3/4?s Cend with #1 man between csz~uple#2, and #I wortIan between couple #3:1 I31 5- Fmrwar-d and bal:!:: G (up and dl>wti the set j 6- Dl:) si dm the person yl-~u are facing B2 73.8- (1's are still standing between 2 people in ttiose lines cbf 3. It-, Ghis next figure, the persc~r?tc~ the irilnsediatc left of the #lTs is their 1st I:l:lrner, atid the person .to their diagonal left in the ~~pposingline of 3 is their second 1zlz1rtier2: 1's turn 1st corner by ttie left hand, then turn partner in the center by the right abclut 1 1/4, turn second by the left hand, 1's pass in the center back: tci yclur swr? side in progressed place. Edit13rrs note: The A1 and A2 part of this dance clxitaiti particularly vigcw-nus figures. It7 order to cowrplete these trarisiti~z~tist:~>mfvrtably ttie sets need to be a bit mnre cr~icrpact than ttsual . Fred nrade the comrr~ent that original 1 y ttie 1-1/2 and 1-3/4 hand turns were probably only 1/2 or 3/4?s aro~~rid. Fred Hreunig' s Nor kshop: "Lesser-Known Chestnuts 2" (cotit i nu&:) -- -- Tit 1e: "Vermtmt Tempest" 1 I . - Fl:trmatil>n: Tenlpest Formation t.2 active c~~uplesin the center facing down, 2 inactive couples - one on each side - facing across. Note formation above) 1- Al:i;ivrs it1 ,the ~cetiterdl:~wn 4 abreast, turn as .3 1113~lple- whi1.e the side couples rmve ~tpa t=l:luple of steps .- 2- Betccrti, active ~=~>ctplesturn to fa11e their nearest side ~cbctpleand ~III~FIIa cj.rcle A2 3.- Ralanlze the t:irl:ltr- twice 4.- C:ircl.e left; Title: "Devil's Dream" Furmation: Improper Duple Minor Contra Dance A1 1-- 1's d~rlwn the outside and 2'5 rrp the center, t~rutiallme 2- All return (:4:), linl.:: nearest elbow with neighb~>rfor 1/2 turn (45 ~2 3- 1's dowt~the center and 2's up the outside, turn alone 4- All return (:4), all link LEFT elbow with neighb~~~rand t~...i\~rieither (:1/2 13r lx around) ti 11 wlz~rwn are in the center C4:) El 5KG- Wowen chain over and back E2 7- Qr~:~:cmetiade1 /2 13.- F:ight and left thr~i1/2 Title: "Morning Star" Format ion: Proper Duple Minor Contra Dance A1 152- 1's right hand balance and swing A2 3244- 1 ' s 1eft hand balance and swing R1. 5- 1's dllwn the center, turn a5 a 1~1~up1e 6- Return, cast off with the 2's E2 73.4- Flight and left khru 1:1vcr and back Ted Sann e 1 1 a 5 d atic es , :~jnt.l:-~~-tea~:, Sunday - "TedTs Favorite Squares" 11:00 AM-12:30 PM: I 1. Fluid DriX.*e by Ted Sanneila ~c~r-~Cit. 12, 1'374 Hi.ds jlr. fl:it-ward and hail.:: CP:) Sari~c f;:~.ti fight hatsd star i:Q:) Back with a left hand star (:Dl Heads prorrretiade ha1 iway, sides right and left ttir~sccgt~iBS All jc~inhands, circle uiqht,, gc~halfway arclurid r9:) Swing yl:~ur corner (:El:) Promenade to the gent's hori~e place (:I€,:) Repeat fc~rthe heads Repeat twice fur the sides I 2. Swinq TWQLadies Ted Sannella variant of a traditiot~aldance All gu into the center and back [:a:) Filrward again, head gents bring back two ladies 135 With the Iclne Ion the right, allerilande right, with the one Ion the left, a1 lemande left (3:) D~I-+i-do the one 1011 the right (:PI Swing bclth ladies ar~rrund it1 place (:16:) Break that swing and make a ring, circle left then that couple arch pi~pthe lady t-~lzlrne (85 All swing ylsctr own (:81 Repeat fc~rside gents with two ladies Repeat for head ladies with two gents Repeat for side ladies with two gents 3. Circle to the Middle by Ted Sannella in Nov. 1964 First ~cclupleseparate, gl:~ ha1 fway around the c~utside18:) E~thhead cuuples do-si-do around y13ur own I8:J Tt~clse four circle left, circle to the middle, g13 exactly 1:1t1l:e (8:) Pass through, split the outside two, separate around just one CaI At the sides, ~I:I f~z~rwardeight and back !8) Forward again, pass through, turn alone (8) Opposite ladies ~ct~ain,t-~ver and back (:I€:) All eight circle left, go halfway around (81 Swing yclur I:d:~rner i~:~riginalparttler:) 18:) Promenade once around to home (16:) Repeat for each couple in turn. 41 Ted Sannel lafs dances :st?t;ri._:+_;d "Ted's Favorite Squares" !:':cnfr i tiued '1 Heiljs -.;gtii atid 1?ft tt~rl:lugh, sides rlgt-~t..and left tt~rc~~-~gti,i~rdd~ r ight. and left thrc~t-\gh Drop yl:tclr hands, gl:l single file tial fway arol-!nd 28:) Face in, circle right to the gent's hori~e place (8:) Gli th yl-lur new partner, balance atid swlrig r: I€:! Fepeat f~or ci des with second gent active. Repeat f~:tr heads with third gent active. Repeat for sides with fourth gent active. 5. Pas.; Thrctlqh and Do-si-do by Ted Satinel la ~clti July '26, 1'386 Heads go forward and back (81 Sari~etwo ladies chain (:3:) Sari~efour circle left 3/4, pass through 181 With the one you meet (your corner:), du-si-do 18) Same corner, a1 lemande right then head for home (4) With your partner, allemande left (4:) Swing your corner (:8j F'rori~enade ~:ltil:e arl~lutid to the gent's hctme plal~eI163 F:epeat flsr the heads. Pepeat twice for the sides. 6. Fi otieer Po1 C::a Guadri 1le by Ted Sannel la on June 3, 1'355 Heads pa111ka around the inside, thctse two ladies stand bat:\: to baci:: (I6:! Sides polka around those two, all four ladies stand back t111back (16:) Gents pr~~lmenadesingle file 11ZCw5 a11 the way around (16s Left to your partner, right to the next and balance (41 Turn tidl f on the left, right tit the tie:r;t C4:) Ralance again, turn on the left, go all the way around (85 Ladies grand ~:tiaiti, over and back (16:) Take your corner and proriienade ctnlre around to the gent's hori~eplace 115:) F:epeat fclr the heads. Pepeat twice for the sides. 1 "TedTs Favorite Squares" ;:l:l:lt>t i:-~l.;ed': Forward -igt-~t and bat:k (81 Gents gc, fl2rvard, do-si-dl11 ttie oppoiite gent, retl-~rnto the line (9') F!:1r1hi3i.d right 3tid track: again (:a:) I5et;t.s turn that (:same:) gent by the l;.'ft, go 1% is! 8.2.latilce and wing the ~c~ppcl.=itelady !c~riginal ~cl:lrner:) (:I61 F'rorirenade once around to the gent's home place (165 F'epeat fc~rthe heads. Repeat twice for the sides. 8. I\lrw Year ? s E;;e Square Ted Satit7e1 1a var i ant 4-1 f Abe Kanegs~:ln datic e Heads gu forward and back (8) Heads right and left through, theti face your owti 185 Heads do-si-do your own, back: away and join the sides (:91 Forward eight and back 18:) Sides right and left thrcluqh (:8) A1 1 erilande right yctllr ccvtier, a1 lemande left yl:lur Iclwn, swing your corner il€:l Prori~etiade ha1 fway around to the gent's hume place (83 Repeat for the heads. Repeat twice fc~rthe sides. Head ladies chain to the right (81 Ladies grand chain 18) New head ladies chain to the right 18) Ladies grand chain (to original partner) (85 All swing your corner 112 Next cl:lrtier, allemande left (4:) Promenade with the one you swung, ante around to the gent's horne place il€:) Repeat for ttie heads. Repeat twice for the sides. , '5 , - by Te.s! Sannella #:in July 16, 1'354 First c::,~~ple%I-crti by the right, g111 1% around !:8) Turti the :-:e.:;i it; line by the left, JI:' ot-ice arclut~d (:.1:! Fir.st ic~crpIeturrl by the right, go 1s arclutid i:8:) All alleri~atidelsft your c~7rner !:.1:1 All swing ycur 1:1wn at tl~:lr(~ei:8:) Repeat far each couple in turn. 11. The Merry-qo-round Ted Satinel 1a var i ant sf a traditional dance (:This is at1 extempi:iratieiil-~s darlce wi tti the following structure: :I First lady/gent turns various others in the square by the right/left hand at-,d finishes hy swinging hcr/his partner it? the center while the other sir; circle left arl~iundthe outside. All prorilenade to horne. Secl:lt-,d 1adylgent dues the sarf~e ll:ir sirni lar l . Third 1ady/gent does the sarrle (or siri~i1 ar 1. Fourth lady/gent does the same ior similar:). Nutc: Swings are sorileti riles sc~bstituted for hand turns. 44 SUNDAY FAREWELL PARTY t 3.3-. , 1'' i: 45-T: 4" . - . . 2-:.;: + ;:i-r;c?< ?;?<: st.+?-f.))~:;::~.~)-,=: 1. Ted 'jati-jr! 12.: CONTRA - ,?oncordani.e .d? ' Fred Breuniq: CIRCLE - The New FloarZs Re(;e)?ge I1:ONTRA - Chorus Jig 4. lieorqe Hodqsot1: SQIJARES - Marchin? Throicgh Georgia 0117' Gray Bonnet Wait ,'ti1 th~.SC!~ Shi.l?es #el 1ie Coning Round the Mountain I Want a Girl .A. St eve Z.akl:~tl: CONTPA - Three Thirty- three CONTGA - With Thanks to the Dean 6. WALTZ Surlday Far ewe1 1 Party 7th Annual Ralph Page Legacy Weekend Sunday, January 16, 19'34 1 : 45-3: 4Sprrt Straffvrd Ro~~trn 1) Caller: Ted Sannella Tit 1e: "Concordance" by Ted Sannel 1a Format i on: Improper Dupl e Min~~rContra Dance I-- A1 l erc~ander i ght wi t 11 neighbt>r ( l --I /2x :l .- L.- Hal f hey f111r flxcr, meti pass by left sti~:lulder .to start; 3&4- Eal ante and swing riei gtibor' 5- L.~:~tig li~.ie~fiz~rward amd hacl:: &.-- Me1.1 d 1-1 5 i d 11s i 1.-- 1f 2 :< BZ 7- Swing partner 8.- C:ir~:l.e fszlur tc+ the left 3/4'= around, pass thr~ttl-1 ~ie:/;i; 21 Caller: Jd~nWallace Title: "Fiddle Hill JigU Formation: Improper Duple Minor Contra Dance Dct si dct tleigtibclr 1's Dl> si dl> A1 l er~.tar?de1 eft nei ghbctr 1 ' s swing in I: enter , encJ f ac i tlg down DI~IW~I4 in line (1's in center:), turn alone Ret~trti, ends 1111~rje ID f13rm a rircle Circle left Star left C:alLerr; note: This dance was a Ralph Page favorite. 3) Caller: Fred Breunig Title: "The New FlourPs Revengeu Formation: Sicilian Circle (couples facing Ccw are #lps,others are #2's> A1 la die^. chain, over and back. 1's split the 2's with a rf~irror iriiage dl:(-si-do A2 1's split the 2?s, pass this couple and twc~ more (inside) as the 2's als111mcwe fl~lrwardpassitig ttlr ee co~~ples!:outside:). Bl Meet the fourth couple, jcliti hands it1 a ring, balance, circle left half way. Circle right all the way round. B2 2's arch, all dip and dive back to the couple you were with. Swing y~:iur partner. Finish facing original directit:~ti. 31 ilaller: Fred Hreunig Cclmtinued:) Title: "Chorus Jig" F~~rmat;i on: Frl~lper Duple Mi nor lhntra Dance Al '--1's Dcswn the +i.*utsic!epturn a111,ne .'-, - . I?i.t;l-.[rn tl:~ place 6%:: 6%:: 3-- 1'5 d~::twti-the ~zeriter, t~trr?alrtne 4- Eet c!.rti, cast 11lf f witt~ tt~t? 2's B1 5%€- 1's t~.irti~:~rft.'~~a cmrnerz, I32 73fl- 1's balar11:e and swing 41 ~Zaller : George Hudgsm~ Title: "Marching Through Georgia" For mat i on : Square Dance First old io~_cplepromenade around the inside and face out. Side c~lruplesfall in line, lady in front, gent behind. CLaashay to the right. Sashay back to place and tiold your line. Forward ritarch, the lady go right, the getit go left. Pass rigtit by y~:~ur partner in the mantier of the day (ladies inside:) Forward and yl:tu swing ylriur partner, swing ~III places all. F'rori~etiade, go:( single f i le. Hip, hip, hooray, youTre going the wrung way. Hip, hip, tll:loray, gt:~ back the other way. When you get hi-!me it? you own back yard, everybody swing. Repeat fur each coup1e in turn. Title: Old Gray Bonnet Formation: Square Dance Head two ccluples (crass lover through those fields 11f clover Cright and left ttiru:). Side c~uples dl:, the sari~e. Oc~-zi-du ynur cctrner , dc-si-du your part tier. Give your par trier a swing. Switig the ictur ladies to the center, leave therr~ back to back. ljents prctmetiade around the outside track. Pass by your parttler and swing the next girl. Now you a1 1ematide left your corner, do-si -do your partner. Frrjrrletiade your partner . Repeat as .above. Repeat twice starting with the sides. Wait 'ti1 the Sun Shines Nellie Head couples right and left thru. Right and left back. Eight and left with the right hand two. Eight and left baci::. Then y111u a1 lemande left ytzlur c~lrrner, do-si-do your partner. Take that cclrner gi r 1 and prl:lmenade. Wait 'ti1 the sun shines Nellie, bye and bye. Repeat using ladies chain in place of right and left thru. Flepeat for the sides with right and lefts thru. Repeat for the sides with ladies chains. 4 5 Call er : Gear ge Hudgsuc~? s (: c 12t-rt i nued :) I-:-un~ltiq - . ' Found the Mountaln !''+e c-:#:*trs f--t?in S,~.t~jr~d.y!:45 Fy :.+:sl I,~.,; 55 Caller: Steve Zakm Title: "Three, Thirty Three, Thirty Three" by Steve Zakan Formation: Improper Duple Minor Contra Dance Al' I-- Balanlze with neighbor #J. (dtS, grand right and left up and ij~~~wtlthe set; t111#3 C4:) .- .L- Balance tit?igtib~:lr #3 C4), h~>xthe gnat witti same C4) A2 3L4- I3ratid right and left back to 111riginal tic-igtlb~:~r#I and switig Bl 5- Circle left 3/4?s 6.-- Sw i ng par t ner B2 7- I-l:~t~g l i rles far ward and ban: k: R- Wl:)raen dct si dc) c:i-l/Z:i) onto the next, Title: "With Thanks to the DeanU by Steve Zakon Formation: Improper Duple Minor Double Progression Ccwrtra A1 1- Allemande left below (1-1/2x) 2- Women chain C1/2) A2 3- W~mieti .a1 lemande right ( lx> 4- Swing partner RI 5frG- Circle left (lx?, slide left ta rlew ~zo~tplearid circle left 3/4's with them B2 7- Do si d~r~new neighb~:br (lx) 8- A1 l rmatide right same (: 1-1/2xi 13tltl3 the next t-reighb~:tr in line 61 CLOSING WALTZ !3,+:~.1; Ttli.ngs it1 Lifii. .Free, 34 I L-ike tIr.l~.1t11;eiinMusil:, :22 Rill Bailey, 24 If'ft::l~~ Kn+ic~S~..!sie, 22 Flac!:~bi.r!Js l>f Spring, 37 Tnstat~tBasl.::rt, :2G E!:lt~~li+[..ass !:if Ab.irdeen, 38 I Want: a Iliirl., 23 I.:, k 171r-1 T 1.1, 5 4: e F3 , 15 13ri i1.i.sF.r Sol-r~:~r~,2Ct, 37 F:uffa11:1 Buadrille, The, 24 r:tior 1-1s Ji g , 415 Circle tl:l the Middle, 40 I1:1:1rvlirig F:occnd t tie M1:lutl t ai ti , 22 -. I-.. ri 1: 111r d a ti 1: e , 45 l,..ady Walp13le' s Reel , 1G II:i:~rl.tra fl:lr Margie, 35 Li fr on ,the 01:ean Wave, 15 Lighted Sconce, The, 29 Listen t11 the M121:kitigbird, 32 Little LI:I~ Cabin, 7 Dabney Hal 1, 28 l-l-~ve ?..* Kisses, 31 Devi l ' s Dream, 3'3 Ma He's Kissing Me, 34 Matiana, 22 Marlzhitig Thrlzsugh Georgia, 46 Fiddle Hill Jig, 45 Marian's Delight, 6 Fi ddl *heads, 1O Mary Cay' s Flee1 , 6 Fluid nr i ve, 40 Mer r y-~;~:~-R~:~cctid, The, 43 Folll>w .the I-eader, 41 Mclnadnoc k Reel, 15 Fl~rwardSix ?< Back, 4 M~~rningStar, 39 FI:I~ Ht:~l.lnw Fancy, 9 Muriel's Tri-Cnz~ntra, 34 Fr enc ti Foccr , 4 My Little Girl, 23 Gene's Genius, 37 Nellie Ely, 17 I;I:I I;I:I Hal f way F!I:.ILII.~~,33 New Century Hor rip i pe, 38 I3ratid Dan~:e, 30 New F11=lorPs Revenge, The, 45 Grand Square G!uadrille, 5 Newl ywed9s Reel, 28 Gr eet7 M~:~utitain Vl~ll-cnt eers, 38 New Year's Eve Square, 42 Nice tT:t:lrnbinatioti, Tt.le,- R '364 Soutti Street, 3 F'ar.tlqtl-r ' z Eel igJ.>,k, .-.,::6 Pass Th)~i~;f.-[gt7?,: 73i)-si-d~~~ 41 Wait.. . . ,,Sccti Shj.r.~esN.illie, 4.E F' ic r. ;: e H.:+ 1. 1 .5 .t r 1-111 1. , 3 3 Weddit~g Re1 Is, 31 Fil~ltieeu Pol ka Buadr i l 1e, 41 Wheri Yl:lcr Wl~~rea Tu'l.ip, :23 F'l~li-tlancl Fat~lzy, 1.S . Whip, The, 32 IJith Tl.iat-rC::s to the Dean, 47 Red Fliver 'Jallcy, 7 Etcd Witig, '214 Reel 'r'uur Partner, 33 I71>1::F::litReel '3 F:I:Ic~'s Rigl.1-t $4 Left, 23 R~z~ger' s Grand Chai ti, 42 Eory OrMore, 8 t?l:lse Tree, The, 17 Route, The, 24 Rye Waltz, 13 Saletan's Double Star, 28 Sa1rrtt:tn 1::hanted Evening, 6 Scl>u!: House Reel, 28 Shadrack's Delight, 10 Sh!..tt i ti a Pi 1 lbux. . . , 8 (:Sinsple Ht~bt Has'h?, 29 Snso ks on the Water , '20 Sneak Preview, 26 Solstilze March, The, 10 Spanish Caval i er-0, The, 32 Switig Two Ladies, 4O Three, Thirty Three, . . . , 47 Twenty-four th of June, 36