1960 Oglebay Institute Fall FDC Syllabuss.Pdf
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FOLK DANCE SCENE First Class Mail 4362 COOLIDGE AVE
FOLK DANCE SCENE First Class Mail 4362 COOLIDGE AVE. U.S. POSTAGE LOS ANGELES, CA 90066 PAID Culver City, CA Permit No. 69 First Class Mail Dated Material ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ ADDRESS _________________________________________ PHONE (_____)_____–________ CITY _________________________________________ STATE __________________ E-MAIL _________________________________________ ZIP __________–________ Please mail subscription orders to the Subscription Office: 2010 Parnell Avenue Los Angeles, CA 90025 (Allow 6-8 weeks for subscription to go into effect if order is mailed after the 10th of the month.) Published by the Folk Dance Federation of California, South Volume 39, No. 7 September 2003 Folk Dance Scene Committee Coordinators Jay Michtom [email protected] (818) 368-1957 Jill Michtom [email protected] (818) 368-1957 Calendar Jay Michtom [email protected] (818) 368-1957 On the Scene Jill Michtom [email protected] (818) 368-1957 Club Directory Steve Himel [email protected] (949) 646-7082 Contributing Editor Richard Duree [email protected] (714) 641-7450 Contributing Editor Jatila van der Veen [email protected] (805) 964-5591 Proofreading Editor Laurette Carlson [email protected] (310) 397-2450 presents Design & -
Round Dances Scot Byars Started Dancing in 1965 in the San Francisco Bay Area
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2016 – FINAL 7/31/2016 In Memoriam Floyd Davis 1927 – 2016 Floyd Davis was born and raised in Modesto. He started dancing in the Modesto/Turlock area in 1947, became one of the teachers for the Modesto Folk Dancers in 1955, and was eventually awarded the Lifetime Achievement Award for dance by the Stanislaus Arts Council. Floyd loved to bake and was famous for his Chocolate Kahlua cake, which he made every year to auction off at the Stockton Folk Dance Camp Wednesday auction. Floyd was tireless in promoting folk dancing and usually danced three times a week – with the Del Valle Folk Dancers in Livermore, the Modesto Folk Dancers and the Village Dancers. In his last years, Alzheimer’s disease robbed him of his extensive knowledge and memory of hundreds, if not thousands, of folk dances. A celebration for his 89th birthday was held at the Carnegie Arts Center in Turlock on January 29 and was attended by many of his well-wishers from all over northern California. Although Floyd could not attend, a DVD was made of the event and he was able to view it and he enjoyed seeing familiar faces from his dancing days. He died less than a month later. Floyd missed attending Stockton Folk Dance Camp only once between 1970 and 2013. Sidney Messer 1926 – 2015 Sidney Messer died in November, 2015, at the age of 89. Many California folk dancers will remember his name because theny sent checks for their Federation membership to him for nine years. -
October 1952
OCTOBER 1952 THE MAGAZINE OF FOLK AND SQUARE DANCING 25c THE FIRST COUNCI L--SEE PAGE 7 Folk Dance Books for (lancing jeet . of ALL Folk Dances FOLK DANCE SHOES COSTUME FABRICS Send for list A Square Dance Magazine for PEASANT TRIMS Square Dance Napkins Square Dancers! Folk & Square Dance Note Paper Novelty Cotton Prints The National Monthly Square Dance Magazine FOLK & SQUARE DANCE CHRISTMAS CARDS—ALSO BEAUTIFUL CHRISTMAS Each issue filled with • New Ideas • New LETTERS Calls • New Patter • Round Dances • Book and Record Reviews • Current Square ROSEMONT LETTER SHOP DANCE ART CO. Dance News • Lots of Pictures • Helps (71 O'Far re 11 St. San Francisco on music, clothes, equipment. 176 Duboce Ave. HEmlocIc 1-0817 Mail Orders Catalog on Request San Francisco 3, Calif. $2.50 twelve issues mailed directly to your home. A SAMPLE COPY will be sent to anyone AL'S PROMENADERS not previously acquainted v/ith SETS IN PEASANT COSTUMES ORDER by writing Miss Susie Que, Dept. "The Perfect Dance Shoes for Men" FD, SETS IN ORDER, 462 North Robertson $7.95 plus 24c sales tax A also ORIGINAL MODELS Blvd., Los Angeles 48, California • CRest- Sizes 6-14, B-C-D-E Width, Fit Guaranteed view 5-5538. AL'S STORE 210 Main Street SALINAS, CALIF. Complete Costumes $17.50 to $45.00 KURANT'S Phil Maron's Folk Shop Skirts—$8.50 up WESTERN OUTFITTERS Blouses—$3.00 up Folk and Square Dance Records Accessories for the folk dancer Books and Accessories A full line of Western Outfitting MAIL ORDERS FILLED PROMPTLY for men, women and children DOROTHY GODFREY COWBOY BOOTS - SHIRTS - PANTS, Etc. -
BOSTON IRISH Reporter Bostonirish.Com
March 2016 Boston’s hometown VOL. 27 #3 journal of Irish culture. $2.00 Worldwide at All contents copyright © 2016 Boston Neighborhood News, Inc. bostonirish.com THE SEISÚN Painting by Vincent Crotty A RISING TIDE OF REBELLION Parade, breakfast In March 1916, Boston’s Irish were divided over the move toward armed revolt in Dublin set for March 20 By JennIFer SmIth By Peter F. StevenS House, and everywhere else the local rePorter StaFF BIr StaFF Irish gathered. Many members of The South Boston St. Patrick’s Day Parade will likely Third in a four-part series. the A.O.H. (Ancient Order of Hiber- march along its normal route on March 20th, organizers In Boston and other Irish-Amer- nians) and especially Clan-na-Gael said, returning to the longer trek after snow clogged ican centers in March 1916, few urged insurrection against Britain. the city and shortened the parade last year. knew how close to armed rebellion More conservative organizations According to the website of the South Boston Allied the Irish Republican Brotherhood such as the United Irish League of War Veterans Council, which puts on the parade, and an array of other Irish men and America and the Charitable Irish the route will work east from West Broadway near women in Ireland stood. National- Society – the oldest Irish group in Broadway Station deep into Southie. After moving ists, socialists, workers, intellectu- America – cautioned that blood- along East Broadway, it will turn south on P Street als, and proponents of women’s shed would lead only to disaster and reverse course, heading past Thomas Park and on rights – all had their own agendas, for Ireland, as it had in 1798 – “the down Dorchester Street to end near Andrew Station. -
Be Square Caller’S Handbook
TAble of Contents Introduction p. 3 Caller’s Workshops and Weekends p. 4 Resources: Articles, Videos, etc p. 5 Bill Martin’s Teaching Tips p. 6 How to Start a Scene p. 8 American Set Dance Timeline of Trends p. 10 What to Call It p. 12 Where People Dance(d) p. 12 A Way to Begin an Evening p. 13 How to Choreograph an Evening (Programming) p. 14 Politics of Square Dance p. 15 Non-White Past, Present, Future p. 17 Squeer Danz p. 19 Patriarchy p. 20 Debby’s Downers p. 21 City Dance p. 22 Traveling, Money, & Venues p. 23 Old Time Music and Working with Bands p. 25 Square Dance Types and Terminology p. 26 Small Sets p. 27 Break Figures p. 42 Introduction Welcome to the Dare To Be Square Caller’s handbook. You may be curious about starting or resuscitating social music and dance culture in your area. Read this to gain some context about different types of square dancing, bits of history, and some ideas for it’s future. The main purpose of the book is to show basic figures, calling techniques, and dance event organizing tips to begin or further your journey as a caller. You may not be particularly interested in calling, you might just want to play dance music or dance more regularly. The hard truth is that if you want trad squares in your area, with few ex- ceptions, someone will have to learn to call. There are few active callers and even fewer surviving or revival square dances out there. -
201202 Feb IMDA
February1 Irish Music & 2012 Dance Association Feabhra 30th Year, Issue No. 2 The mission of the Irish Music and Dance Association is to support, coordinate, encourage and promote high quality activities and programs in Irish music, dance, and other cultural traditions within the community and to insure the continuation of those traditions. St. Patrick ’s Day Inside this issue: Tune of the Month 2 is on Saturday This Year Gaelic Corner 3 st IMDA is hoping that you’ve already marked your calendars for our 31 Annual February Calendar 8-9 St. Patrick’s Day Irish Celebration – on Saturday, March 17, 2012. And (big change) our 10 th Day of Irish Dance – on Sunday, March 18 ! We’re looking An Leabhragán 12 forward to two wonderful days of Irish music, dance, culture – fun for the whole Cu Ceoil 13 family. The Ceili Calendar 14 Smidirini 15 What’s new for St. Patrick’s Day 2012? ♣ New bands – The Langer’s Ball, Highland Paddy, The Gibbons’ Band, and Glengariff (these last three were top selections in the Irish Got Talent contest at Irish Fair ) What about the good stuff from the past? ♣ Music from Clairseach , Dunquin , the Eddies , the Giggin’ Síles , Handful of Fun , Legacy, Locklin Road , Black Rose Roisin Dubh , Tara Hill , Two Tap Trio, and the Wild Colonial Bhoys. And student ensembles (young and not so young) from the Center for Irish Music . ♣ Irish dance by Corda Mor Irish Dancers, O’Shea Irish Dance , Rince na Chroi , and St. Paul Irish Dancers , as well as Biddies Galore and Emerald Isle , Green Fire Irish Dancers , Knocknagow Irish Dancers , and Mooncoin Ceili Dancers . -
Eponyms in Dance Terminology As an Object of Translation Judyta Mężyk
Eponyms in Dance Terminology as an Object of Translation Judyta Mężyk To cite this version: Judyta Mężyk. Eponyms in Dance Terminology as an Object of Translation. Pólrocznik Językoz- nawczy Tertium, 2021, 5 (2), 10.7592/Tertium2020.5.2.Mezyk. hal-03277873 HAL Id: hal-03277873 https://hal.archives-ouvertes.fr/hal-03277873 Submitted on 5 Jul 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Półrocznik Językoznawczy Tertium. Tertium Linguistic Journal 5 (2) (2020) www.journal.tertium.edu.pl http://dx.doi.org/10.7592/Tertium2020.5.2.Mezyk Eponyms in Dance Terminology as an Object of Translation Judyta Mężyk University of Silesia in Katowice, Poland University Paris-Est Créteil Val de Marne, France [email protected] Abstract This paper raises both the issue of eponyms emerging in dance terminology and problems concerning their translation. In Section 1, a short introduction to the topic is presented. Section 2 covers theoretical background crucial to understand the topic, defining the notion of eponym vital to the paper as well as that of sociolect of the dance community. Moving on to the methodology of this research, Section 3 contains the corpus of 56 Polish eponyms in dance terminology, gathered mostly from books such as Kopaliński’s “Słownik eponimów, czyli wyrazów odimiennych” (1996), his “Słownik wyrazów obcych i zwrotów obcojęzycznych” (2003), Chodkowski’s “Encyklopedia muzyki” (1995), Dąbrowska’s “W kręgu polskich tańców ludowych” (1979) and during various lectures conducted by dance teachers, along with their English translations. -
American Square Dance Vol. 39, No. 3 (Mar. 1984)
MARCH 1984 AMERICAN ro Single Copy $1.00 SQURRE ORNCE Annual $9.00 A VERY SPECIAL VACATION OPPORTUNITY! After attending the 1984 National Square Dance Convention in Baltimore....Fly with us to Bermuda ENJOY 5 DAYS AND 4 NIGHTS IN "VERY BRITISH" BERMUDA We, with Richards World of Travel, 1201A Potomac Avenue, Hagerstown, Maryland 'WM,* #4 x 21740, have arranged a very special Bermuda vacation trip for July 1-5, to immediately follow our National Square Dance Convention in Baltimore, June 28-30, 1984. Bermuda' is just a 2-hour flight from BWI Airport, and we have made complete arrangements for you every step of the way. LOEWS BERMUDA BEACH HOTEL 5699 +10% tax & service Includes breakfast, dinner daily. Price is per-person, based on double occupancy. Make your reservation now by making 550 deposit, and taking advantage (if you wish) of our 550-a-month "Save now to travel later"' Plan. SEND POST-CONVENTION INFORMATION Name Send coupon at right to: Iry and Betty Easterday Address Route 2, Box 100 Boonsboro, MD 21713 Betty & lry Phone Phone (301) 733-0960 1 AMERICAN f%) 51,JURRE DRNCE VOLUME 39, No. 3 MARCH 1984 THE NATIONAL MAGAZINE WITH THE SWINGING LINES T11111 TIT TrilrTPACITIT T TT TIT T I ASD FEATURES FOR ALL SQUARE DANCE SCENE 4 Co-editorial 35 Speaking of Singles 47 33rd National Convention 5 By-Line 57 Challenge Chatter 7 Meanderings 72 International News 11 Square Dance March 13 When The Rails Went Down. 102 Date-Line 15 Ohio Youth Camp 17 Communication OUR READERS SPEAK 19 Hello Dolly 6 Grand Zip 21 Starting A Singles Club 27 Rave 23 Linelight 31 Feedback 25 State Line 76 Straight Talk 29 Hem-Line 33 Encore ROUNDS 34 Top 0' the Line 39 Best Club Trick 53 Cue Tips 41 Plumb Line 67 Facing the L.O.D. -
May 15, 2010, 8 P.M
MUSICMUSIC OF THE VALLEVALLEYY Livermore-Amador Sym pho ny Arthur P. Barnes, Music Director & Conductor May 15, 2010, 8 p.m. Bankhead Theater, Livermore St. Paul’s Suite for String Orchestra Livermore-Amador GustavSymphon Holsty Jig: Vivace founded 1963 (1874–1934) Ostinato: Presto Intermezzo: Andante con moto Finale (The Dargason): Allegro Concerto for Tuba and Orchestra Alexander Arutiunian Allegro moderato (b. 1920) Andante sostenuto Allegro ma non troppo Tony Clements, soloist INTERMISSION Presentation of student awards by Jean King Symphony No. 1 in D Major Gustav Mahler Langsam, Schleppend (1860–1911) Kräftig bewegt Feierlich und gemessen, ohne zu schleppen Stürmisch bewegt CONDUCTOR Jackie McBride STRING BASS BASS CLARINET BASS TROM BONE Arthur P. Barnes Virginia McFann Robert Cooper Phil Pollard Larry Dias Nissa Nack Principal BASSOON TUBA John Strader Elizabeth Foort ASSISTANT Jim Lockwood-Stewart Betsy Hausburg CON DUC TOR Alan Frank VIOLA Lynn Stasko Bob Wil l iams Nick James HARP Hazelle Miloradovitch Patty Lay HORN Wendy Tamis FIRST VIOLIN Principal Christine-Ann Kristina Anderson Frances Fischer FLUTE Immesoete TIMPANI Concertmaster Chair Marianne Beeler Helene Barnes April Nissen Kathi Allee Lynda Alvarez Diane Barton-Brown Adrienne Chambers Norman Back Marion Clark Nan Davies PERCUSSION Richard Lamb Paul Kasameyer Judy Eckart Audrey Horning PICCOLO Jim Tutt Peter Lalor Isabelle Heller Judy Sumerlin Nan Davies Bryan Waugh Marilyn Taylor Walter Nissen Jamison Klang OBOE Bob Williams Doug Morrison CELLO Eva Langfeldt Lana -
EGIL BAKKA, THERESA JILL BUCKLAND, Et Al
WALTZING THROUGH EUROPE B ALTZING HROUGH UROPE Attitudes towards Couple Dances in the AKKA W T E Long Nineteenth-Century Attitudes towards Couple Dances in the Long Nineteenth-Century EDITED BY EGIL BAKKA, THERESA JILL BUCKLAND, al. et HELENA SAARIKOSKI AND ANNE VON BIBRA WHARTON From ‘folk devils’ to ballroom dancers, this volume explores the changing recep� on of fashionable couple dances in Europe from the eighteenth century onwards. A refreshing interven� on in dance studies, this book brings together elements of historiography, cultural memory, folklore, and dance across compara� vely narrow but W markedly heterogeneous locali� es. Rooted in inves� ga� ons of o� en newly discovered primary sources, the essays aff ord many opportuni� es to compare sociocultural and ALTZING poli� cal reac� ons to the arrival and prac� ce of popular rota� ng couple dances, such as the Waltz and the Polka. Leading contributors provide a transna� onal and aff ec� ve lens onto strikingly diverse topics, ranging from the evolu� on of roman� c couple dances in Croa� a, and Strauss’s visits to Hamburg and Altona in the 1830s, to dance as a tool of T cultural preserva� on and expression in twen� eth-century Finland. HROUGH Waltzing Through Europe creates openings for fresh collabora� ons in dance historiography and cultural history across fi elds and genres. It is essen� al reading for researchers of dance in central and northern Europe, while also appealing to the general reader who wants to learn more about the vibrant histories of these familiar dance forms. E As with all Open Book publica� ons, this en� re book is available to read for free on the UROPE publisher’s website. -
Vallelyn Phd2018.Pdf
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Beyond the tune: new Irish music Author(s) Vallely, Niall Publication date 2018 Original citation Vallely, N. 2018. Beyond the tune: new Irish music. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2018, Niall Vallely. http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information Not applicable Item downloaded http://hdl.handle.net/10468/7021 from Downloaded on 2021-10-10T08:36:19Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork Beyond the Tune: New Irish Music Thesis presented by Niall Vallely For the degree of Doctor of Philosophy University College Cork School of Music and Theatre Head of School: Prof. Jools Gilson Supervisor: John Godfrey 2018 2 Table of Contents Declaration 4 List of accompanying musical scores and CD 5 Acknowledgements 6 Preface 7 Chapter 1 Introduction and Background 8 Education 9 Performance 12 Impact of cross-cultural music 14 Chapter 2 Context and Influences 17 Seán Ó Riada 17 Shaun Davey 18 Mícheál Ó Súilleabháin 19 Other Composers 21 Beyond Genre 23 Chapter 3 Artistic Statement 26 Compositions 27 The Red Tree 28 Sondas 35 Ó Riada Room 37 Time Flying 38 throughother 42 Nothing Else 44 Connolly’s Chair 46 Concertina Concerto 47 Conclusion 50 Appendix 1 List of compositions used in PhD 51 Appendix 2 Complete list of compositions to date 54 Discography 75 3 Bibliography 79 4 Declaration I, Niall Vallely, declare that this dissertation is the result of my own work, except as acknowledged by appropriate reference in the text. -
Country Dance and Song
COUNTRY DANCE / AND SONG ~25 June 1995 ·n·\E FLOWER DANCE. OP'I'UB VI£ N N 0 IS£ CHILDREN ·. ATWill, PUBLISH£R , 201 BNOA.DWA.Y , NEW-YORK . Country Dance and Song Editor: David E. E. Sloane, Ph.D. Managing Editor: Henry Farkas Associate Editor: Nancy Hanssen Assistant Editor: Ellen Cohn Editorial Board Anthony G. Barrand, Ph.D. Fred Breunig Marshall Barron Paul Brown Dillon Bustin Michael Cooney Robert Dalsemer Elizabeth Dreisbach Emily Friedman Jerome Epstein, Ph.D. Kate Van Winkle Keller Christine Helwig Louis Killen David Lindsay Margaret MacArthur Jim Morrison John Ramsay John Pearse Richard Powers Sue A. Salmons Ted Sannella Kari Smith Jeff Warner Jay Ungar COUNTRY DANCE AND SONG is published annually; subscription is by membership in the Country Dance and Song Society of America, 17 New South Street, Northampton, Massachusetts, 01060. Articles relating to traditional dance, song, and music in England and America are welcome. Send three copies, typed, double-spaced, to David Sloane, Editor CD&S, 4 Edgehill Terrace, Hamden, CT 06517. Thanks to the University of New Haven for editorial support of this issue. ISSN: 0070-1262 © COUNTRY DANCE AND SONG, June 1995, Country Dance and Song Society, Inc., Northampton, Massachusetts. Cover: The Flower Dance of the Viennoise Children is reprinted courtesy of the Harvard Theatre Collection. See "The Garland Dance in America Since 1846, " p. 2ff. Country Dance and Song Volume 25 June 1995 CONTENTS A History of Garland Dancing in America by Rhett Krause . .. ... ........ ...... .. .... ... Swedish Sword Dances of the Sixteenth-seventeenth Centuries: Olaus Magnus and Others by Stephen D. Corrsin .