Werkliste(E, Besetz)

Total Page:16

File Type:pdf, Size:1020Kb

Werkliste(E, Besetz) C a t a l o g u e o f C o m p o s i t i o n s - J u n g h a e L e e - 2 0 2 0 - a f t e r i n s t r u m e n t s Music without Electronics Solo • Mesokosmos for Piano Solo, 2019, 9' (four short pieces, first piece with amplification) • Thala III for Organ Solo, 2018, 6' • Altogether for Piano Solo, 2017, 1' • euphonics for Clavichord Solo, 2013, 6' • Improvisation sur les Ondes Chromatiques for Harpsichord Solo, 2012, 7’ • Sonora for Violin Solo and Pianoresonance, 2010, • Knopftanz for Accordion Solo, 2009, 5' • Lunatico for Electric Guitar Solo, 2008, 7' • Buk for Percussion Solo, 1996, 9' • Homo Ludens - A Duet for Harpsichord Solo, 1998, 7' • 5 Pieces for Organ, 1998*, 5' Duo • Sorimuni 4 (소리무늬四 ) for Theremin and Violin, 2018, 22' • Sorimuni 3 (소리무늬三 ) for Daegeum and Alto Flute, 2016, 10' • Korean Folksong "Sae-ya, Sae-ya (새야새야 )" for Voice and Alto Flute, 2016, 4' • duruduru (두루두루 )for Voice and Violoncello, 2011, 6’ • Song of the Cho-Yong (처용가 ) for Voice and Guitar, 2002, 7’ • Song of the Cho-Yong (처용가 ) Adaption for Korean Jeonga Singer and Gayageum (2017) 7’, 여창가곡과 정악가야금으로 개작 • Thala I for Soprano Saxophone and Organ, 2009, 10’ Trio • In a Close and Distant Space of Time for Soprano Saxophone, Cello and Accordion, 2019, 13’ • Sonorence for Flute (Alto & Bass), Cello and Piano (prepared), 2010, 11' • Dual Komplex for Flute, Clarinet and Percussion, 2009, 12' • messa di voce - messa di spazio for Recorder, Viola da Gamba and Organ, 2007, 10' • Der Gesang der Schildkröte (구지가 ) for Voice, Clarinet and Accordion, 2000, 13' • infiltration 1 for Flute, Violoncello and Percussion, 2003, 10'30” • Einsamkeit (Text by Kim Ji Ha) for Voice and Upright Piano with two players Chamber music (more than 4 instruments) • Sorimuni 1 (소리무늬一 ) for Bassflute, Gayageum, Prepared Piano, Violin and Violoncello, 2014, 8' • String Quartet I & II (2010/2011) 10’ • eourum (어우름 )for Percussion Quartet, 2008, 8’ • String Quintet (Vn1,Vn2,Va,Vc,Kb), 2007, 12’ • infiltration 2 for Octet (Kl, Hn, Fag, Vn1, Vn2, Va, Vc, Kb), 2006, 12’ Large Ensemble and Orchestra • Kyol (결 ) for 12 Saxophones (3SS, 3AS, 3TS, 2BrS, 1Tubax) , 2017, 11’ • Sorimuni 2 (소리무늬二 ) for String Orchestra, 2016, 8' • Sorimori (소리몰이 )for Pansori Singer, and Ensemble with 12 Instruments (Piri, Daegeum, Haeseum, Gayageum, Janggu,Alto Fl, E-flat Cla, Perc, E-Guitar, Harp, Viola, Contrabass) 2013, 11’ • Yeo-Um Mix (여음 mix)for Countertenor and Ensemble with 6 Instruments (gr-Fl/A-Fl, Cl/B- Cl, Vn1,Vn2, Va, Vc) 2011, 11’ • pars pro toto - totum pro parte for 9 instruments (Fl,Cl,Tp,Tb,Vn,Va,Vc,Kb,Perc), 2008, 9’ • narabogi (날아보기 , trying to fly) für Schlagzeug und Streichorchester, 2005, 11’ • NoR for Alto and Ensemble with 10 instruments (Fl,Cl,A-Sax,Hn,Tb,Perc,,Vn,Va,Vc,Kb), 2004, 11’ Others • Verwandtschaft for variable instruments in any duration (2019) Orchestra • Sorimuni 2 (소리무늬二 )for String Orchestra, 2016, 10' • Piano Concerto poema ritmico for Piano Solo and String Orchestra, 2014,12' • narabogi (날아보기 , trying to fly) for Percussion and String Orchestra, 2005, 11’ • mattinade” for String Orchestra, 2002, 8’30” Music with Electronics Solo • Yunmu X (윤무 X)for Tape and Solo Instrument in Improvisation, 2017, ca.10' • IYON (연 ) for Contrabass and Tape, 2007, 12’ • Allegro senza respirare for Subcontrabassrecorder in F and Live-Electronics, 2004, 7’ • corona for Violin and Tape, 2003, 9’ • Yunmu 2 (윤무 2) for Guitar and Live-Electronics, 1992, 8’30“ Duo • Mora-Mori (Mora 몰이 ) for Voice and Live-Electronics, 2009/2010, - Sequenz 1, 2 & 3, 25’ • viv for Baritone Saxophone and Live-Electronics, 2005, 14’ Trio • sonorletten for Piano Trio (in IV with Toypiano) and Tape, 2006, 16’ • x-passage for Recorder, Harpsichord, Percussion and Tape, 2006, 10’30“ • On the Beat for Tenor Saxophone, Guitar and Electronics, 2003, 11’ Electroacoustic Music • Thala II for Tape, 2012, 8' • circulation for Tape, 2000, 8'50” • Kyrie-Umkehr for Tape, 1999, in the Collectivcomposition missa digitalis, 5'30” • animation for Tape, 1998, 5'10” • Su Nu for Tape, 1997, 9'04” • Yunmu 3(윤무 3) for Tape, 1993, 8'33” Music for Children (Educational project) • Der Sardellenkönig träumt (멸 치 대 왕 의 꿈 해 몽 ,The dream of the Anchovieking) for Shadowplay, 2 Narrators, Choir and Youth-Orchestra, 2015, ca.43' • Wasserspiel, Musicproject in swimming pool for children and youth orchestra, composed by Junghae Lee and Giorgio Tedde 45' Music with Video • cross_fade, Audiovisual Work, 2001, Video: Bettina Grossenbacher, 8 CH Tape with Video Beta, 11’ loop • passus in visibili, Video-Music-Installation, 2000, Video: Bettina Grossenbacher, Stereo Tape with 2 VHS Player, 10’ loop Music for Dance • “Living room - sopra le stelle”, 2005, Soundcollage Soundinstallation • "Akustisches Selbstportrait" – 9 Audio Clips for Headphone, 2001 Transcription • Transcriptions of two Korean Songs for 6 voices, "Sae-ya, Sae-ya (새야새야 )", "Se-No-Ya (세노 야 )" • Transcriptions of two Korean Folksongs, "Sae-ya, Sae-ya (새야새야 )", "Arirang (아리랑 )" for Voice and Harp, 2000 • Transcription of Unak (운악) of Byungdong Paik for Korean and European Instruments, 2013.
Recommended publications
  • An Anthropological Perspective on Eastern and Western Folk Music
    An Anthropological Perspective on Eastern and Western Folk Music Item Type text; Electronic Thesis Authors Gurczak, Adam Stanley Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 21:02:58 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/625002 AN ANTHROPOLOGICAL PERSPECTIVE ON EASTERN AND WESTERN FOLK MUSIC By ADAM STANLEY GURCZAK ____________________ A Thesis Submitted to The Honors College In Partial Fulfillment of the Bachelors Degree With Honors in Music Performance THE UNIVERSITY OF ARIZONA MAY 2017 Approved by: _________________________ Dr. Philip Alejo Department of Music EASTERN AND WESTERN FOLK MUSIC 1 TABLE OF CONTENTS ABSTRACT 2 ARTIST’S STATEMENT 2 INTRODUCTION 3 ARGENTINE TANGO 4 PRE-TANGO HISTORY: RISE OF THE GAUCHOS 5 A BORDELLO UPBRINGING 5 THE ROOTS AND RHYTHMS OF TANGO 8 A WORLDWIDE SENSATION 9 THE FOREFATHERS OF TANGO 11 CHINESE TRADITIONAL MUSIC 13 THE PHILOSOPHY OF MUSIC 14 INSTRUMENTS OF THE EARTH 16 THE SOUND OF SCHOLARS 18 KOREAN GUGAK 21 GUGAK: A NATIONAL IDENTITY 22 SHAMANS, SINAWI, AND SANJO 24 NOBLE COURTS AND FARMYARDS 28 AMERICAN BLUEGRASS 30 GRASSROOTS, BLUEGRASS, AND BLUES 30 THE POLYNATION OF BLUEGRASS 33 CONCLUSION 36 BIBLIOGRAPHY 37 EASTERN AND WESTERN FOLK MUSIC 2 ABSTRACT The birth of folk music has always depended on the social, political, and cultural conditions of a particular country and its people.
    [Show full text]
  • About the Artists
    About the Artists Seo Hye Han, ballet Seo Hye Han joined Boston Ballet as a company dancer in 2012, after dancing with the Universal Ballet Company as a soloist for three seasons. She began her studies at the Korean National University of Arts and graduated in 2009. Han performed in the World Ballet Star Festival in Korea with Daniil Simkin and the Havana Ballet Festival in Cuba. She had roles in performances of Don Quixote (Kitri), La Bayadère (Gamzatti), Onegin (Olga), The Nutcracker (Clara), Swan Lake (Odette, Odile), Simchung (Simchung), and Kiří Kylían’s Sechs Tänze. Her repertoire with Boston Ballet includes George Ballanchine’s Jewels, Coppélia, Serenade, Symphony in Three Movements, Theme and Variation, and Kammermusik No. 2; John Cranko’s Onegin, Jorma Elo’s Bach Cello Suites, William Forsythe’s The Virtiginous Thrill of Exactitude, Jose Martinez’s Resonance, Wayne McGregor’s Chroma, and Mikko Nissinen’s The Nutcracker and Swan Lake. Han has received honors and awards in many international dance competitions including the silver medal in 2004 at Bulgaria’s Varna International Ballet Competition, a scholarship to Vaganova Ballet Academy in the 2005 Prix de Lausanne, a silver medal in the 2008 Varna International Ballet Competition, the Joffrey Prize in the 2010 USA International Ballet Competition, and the Gold Medal in the 2012 Boston International Ballet Competition. Han joined Boston Ballet in 2012 as a soloist and was promoted to principal dancer in 2016. Kari Juusela, cello Kari Henrik Juusela is a Finnish-American composer, performer, and educator who is dean of the Professional Writing and Music Technology Division at Berklee College of Music.
    [Show full text]
  • Woodwind Family
    Woodwind Family What makes an instrument part of the Woodwind Family? • Woodwind instruments are instruments that make sound by blowing air over: • open hole • internal hole • single reeds • double reed • free reeds Some woodwind instruments that have open and internal holes: • Bansuri • Daegeum • Fife • Flute • Hun • Koudi • Native American Flute • Ocarina • Panpipes • Piccolo • Recorder • Xun Some woodwind instruments that have: single reeds free reeds • Clarinet • Hornpipe • Accordion • Octavin • Pibgorn • Harmonica • Saxophone • Zhaleika • Khene • Sho Some woodwind instruments that have double reeds: • Bagpipes • Bassoon • Contrabassoon • Crumhorn • English Horn • Oboe • Piri • Rhaita • Sarrusaphone • Shawm • Taepyeongso • Tromboon • Zurla Assignment: Watch: Mr. Gendreau’s woodwind lesson How a flute is made How bagpipes are made How a bassoon reed is made *Find materials in your house that you (with your parent’s/guardian’s permission) can use to make a woodwind (i.e. water bottle, straw and cup of water, piece of paper, etc). *Find some other materials that you (with your parent’s/guardian’s permission) you can make a different woodwind instrument. *What can you do to change the sound of each? *How does the length of the straw effect the sound it makes? *How does the amount of water effect the sound? When you’re done, click here for your “ticket out the door”. Some optional videos for fun: • Young woman plays music from “Mario” on the Sho • Young boy on saxophone • 9 year old girl plays the flute.
    [Show full text]
  • Presented by the Centre of Korean Studies, SOAS, University of London
    Presented by the Centre of Korean Studies, SOAS, University of London Organisers Professor Keith Howard (SOAS, University of London) and Dr Catherine Ingram (Syndey Conservatorium of Music, University of Sydney) Sponsors This event is organised and hosted by the Centre of Korean Studies, SOAS, University of London, with the support of the Royal Society Newton International Fellowship Scheme, the University of Sydney, and Club Inégales. The attendance of academic colleagues from China, Japan and Korea has been made possible by support from the Centre of Korean Studies, SOAS, the Japan Research Centre, SOAS, and the SOAS China Institute. Venues Symposium sessions will be held in Room 116, College Buildings, SOAS (Thornhaugh Street, Russell Square, London WC1H 0XG): The evening event on 18 April will be held at Club Inégales (180 North Gower Street, NW1 2NB) About the project Presence Through Sound is an ongoing collaboration between Professor Keith Howard and Dr Catherine Ingram arising from a Royal Society Newton International Fellowship. We held an initial symposium at the Sydney Conservatorium of Music, University of Sydney, in March 2016, and following the SOAS symposium, selected papers and audio-visual contributions will be developed for a book that will be edited by Howard and Ingram. 2 PROGRAMME Tuesday 18 April, Room 116 (SOAS, Main Building) 09.30–09.45: Welcome, Keith Howard (SOAS, University of London) 09.45–10.15: Place and locality in Myōan shakuhachi, and the changing reality in modern Japan, Kiku Day (Aarhus University) 10.15–10.45:
    [Show full text]
  • Bulsechul Ensemble
    bulsechul ensemble 불세출 박계전 김용하 Park Gyejeon 배정찬 Kim Yonghwa 최덕렬 Bae Jungchan 이준 Choi Deokyol 박제헌 Lee Joon Park Jehun 김진욱 전우석 Kim Jinwook Jeon Wooseok [email protected] Facebook.com/bulsechul Youtube.com/bulsechul 풍류도시 연 북청 달빛 종로풍악 신천풍류 푸너리 지옥가 Flowing City Kite Bukcheong Moonlight Song of Jongno Sincheonpungryu Puneori Divine Song 6:03 4:24 8:10 6:57 8:07 8:20 6:11 7:32 • • • • • • • • 작곡 최덕렬 작곡 김용하 작곡 김용하 작곡 최덕렬 작곡 최덕렬 작곡 박계전 작곡 이준 작·편곡 불세출 Composed by Composed by Composed by Composed by Composed by Composed by Composed by Composed and Choi Deokyol Kim Yonghwa Kim Yonghwa Choi Deokyol Choi Deokyol Park Gyejeon Lee Joon Arranged by Bulsechul 1 2 3 4 5 6 7 8 이준 가야금, 꽹과리 가야금 가야금 가야금 가야금 가야금, 꽹과리 Lee Joon Gayageum, Kkwaenggwari Gayageum Gayageum Gayageum Gayageum Gayageum, Kkwaenggwari 전우석 거문고, 바라 거문고 거문고 거문고 거문고 거문고 거문고, 바라 Jeon Wooseok Geomungo, Bara Geomungo Geomungo Geomungo Geomungo Geomungo Geomungo, Bara 김진욱 대금, 단소, 퉁소, 징 대금 대금, 단소 대금 대금, 퉁소 대금, 징 Kim Jinwook Daegeum, Danso, Tungso, Jing Daegeum Daegeum, Danso Daegeum Daegeum, Tungso Daegeum, Jing 박제헌 아쟁, 양금, 바라 아쟁 아쟁, 양금 아쟁 아쟁, 바라 Park Jehun Ajaeng, Yanggeum, Bara Ajaeng Ajaeng, Yanggeum Ajaeng Ajaeng, Bara 배정찬 장구, 소리 장구 장구 장구 장구, 소리 Bae Jungchan Janggu, Vocal Janggu Janggu Janggu Janggu, Vocal 박계전 피리, 생황, 태평소 피리, 태평소 생황 피리 피리, 생황 피리, 태평소, 생황 Park Gyejeon Piri, Saenghwang, Taepyeongso Piri, Taepyeongso Saenghwang Piri Piri, Saenghwang Piri, Taepyeongso, Saenghwang 해금, 꽹과리 해금 해금 해금 해금 해금, 꽹과리 Kim Yonghwa Haegeum, Kkwaenggwari Haegeum Haegeum Haegeum Haegeum Haegeum, Kkwaenggwari 최덕렬 기타, 징, 정주 기타 기타 기타 기타 기타 징, 정주 징 Choi Deokyol Acoustic Guitar, Jing, Jeongju Acoustic Guitar Acoustic Guitar Acoustic Guitar Acoustic Guitar Acoustic Guitar Jing, Jeongju Jing 지옥가 Divine Song 낮고 느리다.
    [Show full text]
  • DP Auditorium Sept15-Janv16
    Programme septembre 2015 - janvier 2016 AUDITORIUM 1) CCCinémaCinéma c cycleycle Arts martiaux 2) Cinéma c cycleycle Corée 3) Spectacles et concerts 4) Conférences Auditorium Guimet Musée national des arts asiatiques – Guimet 6, place d’Iéna 75016 Paris - www.guimet.fr Renseignements, réservations : 01 40 73 88 18 ou [email protected] Presse : [email protected] 1) Cycle cinéma : Arts martiaux ■ Mercredi 9 septembre à 15h (tout public à partir de 12 ans) Opération dragon Fiction de Robert Clouse, 1973, 1h40’, vostf Une compétition d'arts martiaux est organisée par un mystérieux Han, derrière lequel se cache un redoutable trafiquant de drogue. Lee, agent de renseignements occidental et spécialiste de kung-fu, tente de démanteler l'organisation criminelle. Avec Bruce Lee. ■ Vendredi 11 septembre à 12h15 Tigres et dragons, les arts martiaux au cinéma Documentaire de Linda Tahir, 2004, 52’ Adapté des livres de Christophe Champclaux, ce film couvre plus de 60 ans d’arts martiaux au cinéma, abordant aussi bien le chef-d'œuvre incontesté que le nanar vilipendé. Avec des entretiens exclusifs des plus grandes stars du genre : Jackie Chan, Wang Yu, Cheng Pei-pei, Sammo Hung, Tatsuta Nakadaï, Cynthia Rothrock, Jean-Claude Van Damme et Steven Seagal. ■ Lundi 14 septembre à 12h15 Le taiji quan : de Shanghai à Pékin à la recherche du qi Documentaire de Yolande du Luart, 1991, 55’ Le taiji quan, art martial chinois inventé par des moines taoïstes au 12e siècle, est devenu l’art du mouvement intérieur. Cette discipline ancestrale permet de faire circuler l'énergie vitale (le qi) et d'équilibrer les forces par une gestuelle précise imprégnée d'harmonie et de lenteur.
    [Show full text]
  • Korean National Gugak Center Creative Traditional Orchestra in Two Concerts on Saturday, October 28
    CONTACT: Louisa Spier Jeanette Peach Cal Performances Cal Performances (510) 643-6714 (510) 642-9121 [email protected] [email protected] FOR IMMEDIATE RELEASE: October 10, 2017 Press Room Images of the Korean National Gugak Center Creative Traditional Orchestra are available for download from the Cal Performances press room. CAL PERFORMANCES AT UC BERKELEY PRESENTS THE KOREAN NATIONAL GUGAK CENTER CREATIVE TRADITIONAL ORCHESTRA IN TWO CONCERTS ON SATURDAY, OCTOBER 28 AFTERNOON CONCERT OF CONTEMPORARY MUSIC FEATURES SIX WORLD PREMIERES, THREE BY UNIVERSITY OF CALIFORNIA FACULTY EVENING CONCERT OF TRADITIONAL KOREAN COURT AND FOLK MUSIC Day-long residency includes a public forum and a traditional Korean Gilnori parade featuring colorful costumes and an array of diverse percussion instruments Korean food available for purchase between the concerts from 5–8pm Cal Performances/Korean National Gugak Center Creative Traditional Orchestra, page 2 Berkeley, October 10, 2017—Cal Performances at UC Berkeley celebrates the wide range of traditional and contemporary Korean music with an expansive day-long residency featuring two concerts by the Korean National Gugak Center Creative Traditional Orchestra on Saturday, October 28 at 3pm and 8pm in Zellerbach Hall. The flagship ensemble of Korea’s respected National Gugak Center, the 55-member orchestra is responsible for both preserving ancient musical traditions and developing contemporary works for performance. The afternoon concert features six world premieres composed specifically for the orchestra by three University of California faculty including one by Chair of UC Berkeley’s Department of Music and Director at the Center for New Music and Audio Technologies at UC Berkeley (CNMAT) Edmund Campion.
    [Show full text]
  • Expreance Korean.Indd
    GREETINGS Welcome to Experience Korea!!! The National Association for Korean Schools (NAKS) is pleased to off er you to experience Ko- rea while interacting with many Korean language school teachers. Please continue your experience and connect to Korea by attending activities of Ko- rean language schools in your area. When it comes to Experience Korea, NAKS and its member schools Seungmin Lee are here to give you the unique opportunity. Please enjoy. NAKS President Korean Wave (한류) The Korean Wave (Hangul: 한류; Hanja: 韓流; RR: Hallyu; MR: Hallyu, About this sound listen (help·info), a neologism literally meaning “fl ow of Korea”) is the increase in global popularity of South Korean culture since the 1990s First driven by the spread of K-dramas and K-pop across East, South and Southeast Asia during its initial stages, the Korean Wave evolved from a regional development into a global phenomenon, carried by the Internet and social media and the proliferation of K-pop music videos on YouTube.Part of the success of the Korean Wave owes in part to the development of social net- working services and online video sharing platforms such as YouTube, which have allowed the Korean entertainment industry to reach a sizable overseas audience. Since the turn of the 21st century, South Korea has emerged as a major exporter of popular culture and tourism, aspects which have become a signif- icant part of its burgeoning economy. The growing popularity of Korean pop culture in many parts of the world has prompted the South Korean govern- ment to support its creative industries through subsidies and funding for start- ups, as a form of soft power and in its aim of becoming one of the world’s leading exporters of culture along with Japanese and British culture, a niche that the United States has dominated for nearly a century.
    [Show full text]
  • Coexistence of Classical Music and Gugak in Korean Culture1
    International Journal of Korean Humanities and Social Sciences Vol. 5/2019 DOI: http://dx.doi.org/10.14746/kr.2019.05.05 COEXISTENCE OF CLASSICAL MUSIC AND GUGAK IN KOREAN CULTURE1 SO HYUN PARK, M.A. Conservatory Orchestra Instructor, Korean Bible University (한국성서대학교) Nowon-gu, Seoul, South Korea [email protected] ORCID: https://orcid.org/0000-0002-7848-2674 Abstract: Classical music and Korean traditional music ‘Gugak’ in Korean culture try various ways such as creating new music and culture through mutual interchange and fusion for coexistence. The purpose of this study is to investigate the present status of Classical music in Korea that has not been 200 years old during the flowering period and the Japanese colonial period, and the classification of Korean traditional music and musical instruments, and to examine the preservation and succession of traditional Gugak, new 1 This study is based on the presentation of the 6th international Conference on Korean Humanities and Social Sciences, which is a separate session of The 1st Asian Congress, co-organized by Adam Mickiewicz University in Poznan, Poland and King Sejong Institute from July 13th to 15th in 2018. So Hyun PARK: Coexistence of Classical Music and Gugak… Korean traditional music and fusion Korean traditional music. Finally, it is exemplified that Gugak and Classical music can converge and coexist in various collaborations based on the institutional help of the nation. In conclusion, Classical music and Korean traditional music try to create synergy between them in Korean culture by making various efforts such as new attempts and conservation. Key words: Korean Traditional Music; Gugak; Classical Music; Culture Coexistence.
    [Show full text]
  • K REA FANTASY Daejeon Prov
    K REA FANTASY Daejeon Prov. Yeonjeong Orch. 2018 of Korean Traditional Music 20.April-03.May 2018 April 22 (SUN), 19:00 Vatroslav Lisinski Concert Hall, Zagreb, Croatia April 24 (TUE), 19:30 MOM Kulturális Központ, Hungary April 26 (THU), 12:00 United Nations, Austria April 29 (SUN), 19:00 Municipal House, Smetana Hall, Czech Republic May 1 (TUE), 19:30 Musikverein, Golden Hall, Austria Daejeon Yeonjeong Korea Traditional Music Center, 181, Dunsan-daero, Seo-gu, Daejeon, Korea Tel. (042) 270-8500 Website. http://www.koreamusic.go.kr KOREA FANTASY 2018 13 We invite you to the world of traditional Korean music. in Korea Hello. I am so happy to have this opportunity to present the Daejeon Provincial Yeonjeong Orchestra It's Daejeon Daejeon is a city that is full of attractions. of Korean Traditional Music to the citizens of Zagreb, Budapest, and Vienna. Science Daejeon is a key R&D center of Korea, armed with the foundational technologies and highly I would like to thank all those who worked so hard to make this performance possible as well trained manpower of the cutting-edge Daedeok Innopolis. as everyone in the audience here today. Although Daejeon Metropolitan City, a major city in Administration Home to Government Complex Daejeon, the ROK Army Training & Doctrine Command, and Korea, is already widely known as a center of the sciences, it is also a very romantic city where the ROK Army Logistics Command, Daejeon is a key administrative city situated near the history, culture, and the arts live and breathe every day. Third ROK Army’s headquarters.
    [Show full text]
  • Gendered Practices and Conceptions in Korean Drumming: on the Negotiation of "Femininity" and "Masculinity" by Korean Female Drummers
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Gendered Practices and Conceptions in Korean Drumming: On the Negotiation of "Femininity" and "Masculinity" by Korean Female Drummers Yoonjah Choi Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/413 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Gendered Practices and Conceptions in Korean Drumming: On the Negotiation of “Femininity” and “Masculinity” by Korean Female Drummers by Yoonjah Choi A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 2014 Yoonjah Choi All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Emily Wilbourne, Chair of Examining Committee Date Norman Carey, Executive Officer Professor Jane Sugarman Professor Peter Manuel Professor Anderson Sutton Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract Gendered Practices and Conceptions in Korean Drumming: On the Negotiation of “Femininity” and “Masculinity” by Korean Female Drummers by Yoonjah Choi Ph.D. in Ethnomusicology Advisor: Professor Jane Sugarman Korean drumming, one of the most popular musical practices in South Korea, currently exists in a state of contradiction as drumming, historically performed by men, is increasingly practiced by women.
    [Show full text]
  • Medium of Performance Thesaurus for Music
    A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.
    [Show full text]