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The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
An Anthropological Perspective on Eastern and Western Folk Music
An Anthropological Perspective on Eastern and Western Folk Music Item Type text; Electronic Thesis Authors Gurczak, Adam Stanley Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 21:02:58 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/625002 AN ANTHROPOLOGICAL PERSPECTIVE ON EASTERN AND WESTERN FOLK MUSIC By ADAM STANLEY GURCZAK ____________________ A Thesis Submitted to The Honors College In Partial Fulfillment of the Bachelors Degree With Honors in Music Performance THE UNIVERSITY OF ARIZONA MAY 2017 Approved by: _________________________ Dr. Philip Alejo Department of Music EASTERN AND WESTERN FOLK MUSIC 1 TABLE OF CONTENTS ABSTRACT 2 ARTIST’S STATEMENT 2 INTRODUCTION 3 ARGENTINE TANGO 4 PRE-TANGO HISTORY: RISE OF THE GAUCHOS 5 A BORDELLO UPBRINGING 5 THE ROOTS AND RHYTHMS OF TANGO 8 A WORLDWIDE SENSATION 9 THE FOREFATHERS OF TANGO 11 CHINESE TRADITIONAL MUSIC 13 THE PHILOSOPHY OF MUSIC 14 INSTRUMENTS OF THE EARTH 16 THE SOUND OF SCHOLARS 18 KOREAN GUGAK 21 GUGAK: A NATIONAL IDENTITY 22 SHAMANS, SINAWI, AND SANJO 24 NOBLE COURTS AND FARMYARDS 28 AMERICAN BLUEGRASS 30 GRASSROOTS, BLUEGRASS, AND BLUES 30 THE POLYNATION OF BLUEGRASS 33 CONCLUSION 36 BIBLIOGRAPHY 37 EASTERN AND WESTERN FOLK MUSIC 2 ABSTRACT The birth of folk music has always depended on the social, political, and cultural conditions of a particular country and its people. -
The Science of String Instruments
The Science of String Instruments Thomas D. Rossing Editor The Science of String Instruments Editor Thomas D. Rossing Stanford University Center for Computer Research in Music and Acoustics (CCRMA) Stanford, CA 94302-8180, USA [email protected] ISBN 978-1-4419-7109-8 e-ISBN 978-1-4419-7110-4 DOI 10.1007/978-1-4419-7110-4 Springer New York Dordrecht Heidelberg London # Springer Science+Business Media, LLC 2010 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper Springer is part of Springer ScienceþBusiness Media (www.springer.com) Contents 1 Introduction............................................................... 1 Thomas D. Rossing 2 Plucked Strings ........................................................... 11 Thomas D. Rossing 3 Guitars and Lutes ........................................................ 19 Thomas D. Rossing and Graham Caldersmith 4 Portuguese Guitar ........................................................ 47 Octavio Inacio 5 Banjo ...................................................................... 59 James Rae 6 Mandolin Family Instruments........................................... 77 David J. Cohen and Thomas D. Rossing 7 Psalteries and Zithers .................................................... 99 Andres Peekna and Thomas D. -
About the Artists
About the Artists Seo Hye Han, ballet Seo Hye Han joined Boston Ballet as a company dancer in 2012, after dancing with the Universal Ballet Company as a soloist for three seasons. She began her studies at the Korean National University of Arts and graduated in 2009. Han performed in the World Ballet Star Festival in Korea with Daniil Simkin and the Havana Ballet Festival in Cuba. She had roles in performances of Don Quixote (Kitri), La Bayadère (Gamzatti), Onegin (Olga), The Nutcracker (Clara), Swan Lake (Odette, Odile), Simchung (Simchung), and Kiří Kylían’s Sechs Tänze. Her repertoire with Boston Ballet includes George Ballanchine’s Jewels, Coppélia, Serenade, Symphony in Three Movements, Theme and Variation, and Kammermusik No. 2; John Cranko’s Onegin, Jorma Elo’s Bach Cello Suites, William Forsythe’s The Virtiginous Thrill of Exactitude, Jose Martinez’s Resonance, Wayne McGregor’s Chroma, and Mikko Nissinen’s The Nutcracker and Swan Lake. Han has received honors and awards in many international dance competitions including the silver medal in 2004 at Bulgaria’s Varna International Ballet Competition, a scholarship to Vaganova Ballet Academy in the 2005 Prix de Lausanne, a silver medal in the 2008 Varna International Ballet Competition, the Joffrey Prize in the 2010 USA International Ballet Competition, and the Gold Medal in the 2012 Boston International Ballet Competition. Han joined Boston Ballet in 2012 as a soloist and was promoted to principal dancer in 2016. Kari Juusela, cello Kari Henrik Juusela is a Finnish-American composer, performer, and educator who is dean of the Professional Writing and Music Technology Division at Berklee College of Music. -
Woodwind Family
Woodwind Family What makes an instrument part of the Woodwind Family? • Woodwind instruments are instruments that make sound by blowing air over: • open hole • internal hole • single reeds • double reed • free reeds Some woodwind instruments that have open and internal holes: • Bansuri • Daegeum • Fife • Flute • Hun • Koudi • Native American Flute • Ocarina • Panpipes • Piccolo • Recorder • Xun Some woodwind instruments that have: single reeds free reeds • Clarinet • Hornpipe • Accordion • Octavin • Pibgorn • Harmonica • Saxophone • Zhaleika • Khene • Sho Some woodwind instruments that have double reeds: • Bagpipes • Bassoon • Contrabassoon • Crumhorn • English Horn • Oboe • Piri • Rhaita • Sarrusaphone • Shawm • Taepyeongso • Tromboon • Zurla Assignment: Watch: Mr. Gendreau’s woodwind lesson How a flute is made How bagpipes are made How a bassoon reed is made *Find materials in your house that you (with your parent’s/guardian’s permission) can use to make a woodwind (i.e. water bottle, straw and cup of water, piece of paper, etc). *Find some other materials that you (with your parent’s/guardian’s permission) you can make a different woodwind instrument. *What can you do to change the sound of each? *How does the length of the straw effect the sound it makes? *How does the amount of water effect the sound? When you’re done, click here for your “ticket out the door”. Some optional videos for fun: • Young woman plays music from “Mario” on the Sho • Young boy on saxophone • 9 year old girl plays the flute. -
Musiques Mon 03-Ingl
The 8th World Music Festival of "la Caixa" Foundation offers a programme consisting of 11 concerts plus a variety of parallel activities such as lectures, master classes and four family concerts. It will take place from 3 to 26 October CaixaForum hosts the 8th World Music Festival, a broad panorama fostering intercultural dialogue through music On Friday 3 October, the Iranian vocal and instrumental group Masters of Persian Music will launch this year’s World Musics Festival, an event organised annually by "la Caixa" Foundation. On this occasion, the Festival will highlight Persian culture, with three concerts that will give us different perspectives on the music and traditions of modern-day Iran, complemented by a lecture programme that will draw us to the past and present of the art and poetry of this age-old tradition. With a spirit unequivocally open to dialogue and to enriching cultural exchange, the Festival will also feature music from such countries as Palestine, Kurdistan and Tibet, with the participation of some of their most charismatic representatives, those who have contributed most to the revival, survival and diffusion of their respective traditions. Neighbouring cultures, such as the Portuguese, or distant ones, such as the Korean, also form part of the Festival, which moreover includes an interesting panorama of present-day African music from three different viewpoints: those of Tunisia, Mali and Angola. In addition to the aforementioned lecture programme, the Festival will be complemented by, among other parallel activities, a special concert by musicians from around the world who reside in Catalonia, three master classes in traditional Arabic singing, and four family concerts. -
Music of Korea
Namdo Japga medley Namdo is a province in the southwest part of Korea, and Japga refers to the folk songs performed by trained professional singers. This musical style is influenced by other folk music genres in Ko- rea such as pansori and gasa. Namdo Japga is based on the Sinawi mode (also known as Yujkabegi mode). The Sinawi mode empha- sizes three main pitches. These songs generally have call and re- SCHOOL OF MUSIC AND DANCE sponse patterns. ABOUT THE ARTISTS Beall Concert Hall Sunday afternoon 3:00 p.m. May 2, 2010 Yusun Kim is a leading gayageum (plucked zither) performer in Korea. She was born in Seoul, South Korea, in 1980. She began her formal education at Gaywon High School of the Arts and con- tinued studying at Ewha Woman’s University where she received BA and MA degrees in gayageum performance, and is currently WORLD MUSIC SERIES pursuing her doctorate there. She has performed at many music presents venues and festivals in Korea, including the Korean Composers’ Association’s Seoul Composition Festival and the Korean Compos- ers’ Union’s National New Music Exposition, among many others. MUSIC OF KOREA She has also appeared at international concert venues in the U.S., Poland, France, China, Hong Kong, and Japan as a gayageum and a featuring guest artists janggu (drum) artist. She won the Grand Prize in the 2002 Korean Young Performance Arts Competition and the 2004 National Tradi- Yusun Kim, gayageum tional Competition. Currently, she is the principal gayageum player Hyerim Choi, ajaeng in the Gayageum Ensemble Chocolate, and teaches gayageum at Ewha Woman’s University, Gyeongin University of Education, and Dondeok Woman’s University. -
Presented by the Centre of Korean Studies, SOAS, University of London
Presented by the Centre of Korean Studies, SOAS, University of London Organisers Professor Keith Howard (SOAS, University of London) and Dr Catherine Ingram (Syndey Conservatorium of Music, University of Sydney) Sponsors This event is organised and hosted by the Centre of Korean Studies, SOAS, University of London, with the support of the Royal Society Newton International Fellowship Scheme, the University of Sydney, and Club Inégales. The attendance of academic colleagues from China, Japan and Korea has been made possible by support from the Centre of Korean Studies, SOAS, the Japan Research Centre, SOAS, and the SOAS China Institute. Venues Symposium sessions will be held in Room 116, College Buildings, SOAS (Thornhaugh Street, Russell Square, London WC1H 0XG): The evening event on 18 April will be held at Club Inégales (180 North Gower Street, NW1 2NB) About the project Presence Through Sound is an ongoing collaboration between Professor Keith Howard and Dr Catherine Ingram arising from a Royal Society Newton International Fellowship. We held an initial symposium at the Sydney Conservatorium of Music, University of Sydney, in March 2016, and following the SOAS symposium, selected papers and audio-visual contributions will be developed for a book that will be edited by Howard and Ingram. 2 PROGRAMME Tuesday 18 April, Room 116 (SOAS, Main Building) 09.30–09.45: Welcome, Keith Howard (SOAS, University of London) 09.45–10.15: Place and locality in Myōan shakuhachi, and the changing reality in modern Japan, Kiku Day (Aarhus University) 10.15–10.45: -
Where Did the Old Music Go?
Where did the Old Music go? The "improved" musical instruments of North Korea J) Keith Howard Professor University of London Since the 1960s, the socialist regime of the Democratic People's Republic of Korea (North Korea) under Kim II-Sung has sponsored a musical instrument institute known as the Minjok akki kaeryang saJpkwa to revise chiJnt'ong akki (traditional instruments) and enable them to match sOyang akki (western instruments). The resultant hybrids are known as kaeryang akki ("improved" instruments), a term in use in both the southern and northern states. Complex instruments are, by their very nature, elitist, yet kaeryang akki are required to respect socialist dogma; the resultant conflicts between state and art, 2 potential or real, are nothing new. ) In this paper, after discussing background unique to North Korea, I explore how development is justified. Kaeryang akki are meant to retain old sound timbres and hence to reflect the Korean heritage, for this is what juche, the state philosophy of self-reliance, demands. At the same time kaeryang akki are designed to be "progressive," duplicating diatonic scales and the flexibility of western models in an exploration and/or accommodation of developments from the world outside. This, together with the modification of 1) This paper is based on a 3-week visit to Pyongyang in June 1992. I am grateful to staff and students at the Pyongyang Music and Dance University (P'yongyang umak muyong taehak), who provide my sound examples and who taught me much about individual instruments. 2) For a survey of such issues, see Perris 1985: chapters 4 and 5. -
DP Auditorium Sept15-Janv16
Programme septembre 2015 - janvier 2016 AUDITORIUM 1) CCCinémaCinéma c cycleycle Arts martiaux 2) Cinéma c cycleycle Corée 3) Spectacles et concerts 4) Conférences Auditorium Guimet Musée national des arts asiatiques – Guimet 6, place d’Iéna 75016 Paris - www.guimet.fr Renseignements, réservations : 01 40 73 88 18 ou [email protected] Presse : [email protected] 1) Cycle cinéma : Arts martiaux ■ Mercredi 9 septembre à 15h (tout public à partir de 12 ans) Opération dragon Fiction de Robert Clouse, 1973, 1h40’, vostf Une compétition d'arts martiaux est organisée par un mystérieux Han, derrière lequel se cache un redoutable trafiquant de drogue. Lee, agent de renseignements occidental et spécialiste de kung-fu, tente de démanteler l'organisation criminelle. Avec Bruce Lee. ■ Vendredi 11 septembre à 12h15 Tigres et dragons, les arts martiaux au cinéma Documentaire de Linda Tahir, 2004, 52’ Adapté des livres de Christophe Champclaux, ce film couvre plus de 60 ans d’arts martiaux au cinéma, abordant aussi bien le chef-d'œuvre incontesté que le nanar vilipendé. Avec des entretiens exclusifs des plus grandes stars du genre : Jackie Chan, Wang Yu, Cheng Pei-pei, Sammo Hung, Tatsuta Nakadaï, Cynthia Rothrock, Jean-Claude Van Damme et Steven Seagal. ■ Lundi 14 septembre à 12h15 Le taiji quan : de Shanghai à Pékin à la recherche du qi Documentaire de Yolande du Luart, 1991, 55’ Le taiji quan, art martial chinois inventé par des moines taoïstes au 12e siècle, est devenu l’art du mouvement intérieur. Cette discipline ancestrale permet de faire circuler l'énergie vitale (le qi) et d'équilibrer les forces par une gestuelle précise imprégnée d'harmonie et de lenteur. -
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10.18132/LFZE.2012.21 Liszt Ferenc Zeneművészeti Egyetem 28. számú művészet- és művelődéstörténeti tudományok besorolású doktori iskola KELET-ÁZSIAI DUPLANÁDAS HANGSZEREK ÉS A HICHIRIKI HASZNÁLATA A 20. SZÁZADI ÉS A KORTÁRS ZENÉBEN SALVI NÓRA TÉMAVEZETŐ: JENEY ZOLTÁN DLA DOKTORI ÉRTEKEZÉS 2011 10.18132/LFZE.2012.21 SALVI NÓRA KELET-ÁZSIAI DUPLANÁDAS HANGSZEREK ÉS A HICHIRIKI HASZNÁLATA A 20. SZÁZADI ÉS A KORTÁRS ZENÉBEN DLA DOKTORI ÉRTEKEZÉS 2011 Absztrakt A disszertáció megírásában a fő motiváció a hiánypótlás volt, hiszen a kelet-ázsiai régió duplanádas hangszereiről nincs átfogó, ismeretterjesztő tudományos munka sem magyarul, sem más nyelveken. A hozzáférhető irodalom a teljes témának csak egyes részeit öleli fel és többnyire valamelyik kelet-ázsiai nyelven íródott. A disszertáció második felében a hichiriki (japán duplanádas hangszer) és a kortárs zene viszonya kerül bemutatásra, mely szintén aktuális és eleddig fel nem dolgozott téma. A hichiriki olyan hangszer, mely nagyjából eredeti formájában maradt fenn a 7. századtól napjainkig. A hagyomány előírja, hogy a viszonylag szűk repertoárt pontosan milyen módon kell előadni, és ez az előadásmód több száz éve gyakorlatilag változatlannak tekinthető. Felmerül a kérdés, hogy egy ilyen hangszer képes-e a megújulásra, integrálható-e a 20. századi és a kortárs zenébe. A dolgozat első részében a hozzáférhető szakirodalom segítségével a szerző áttekintést nyújt a duplanádas hangszerekről, bemutatja a két alapvető duplanádas hangszertípust, a hengeres és kúpos furatú duplanádas hangszereket, majd részletesen ismerteti a kelet-ázsiai régió duplanádas hangszereit és kitér a hangszerek akusztikus tulajdonságaira is. A dolgozat második részéhez a szerző összegyűjtötte a fellelhető, hichiriki-re íródott 20. századi és kortárs darabok kottáit és hangfelvételeit, és ezek elemzésével mutat rá a hangszerjáték új vonásaira. -
Indiana University at Bloomington Official Lists of Graduates And
Indiana University at Bloomington Official Lists of Graduates and Honors Recipients 2017 - 2018 Dates Degrees Conferred June 30, 2017 July 28, 2017 August 19, 2017 August 31, 2017 September 30, 2017 October 31, 2017 November 11, 2017 November 30, 2017 December 16, 2017 January 31, 2018 February 17, 2018 February 28, 2018 March 31, 2018 April 30, 2018 May 4, 2018 May 5, 2018 May 19, 2018 1 2 ** DEGREE LISTINGS FOR STUDENTS WITH COMPLETE RESTRICTIONS ARE EXCLUDED FROM THE RELEASED OFFICIAL LIST OF GRADUATES ** 3 June Business June Business June Business B. S. in Business B. S. in Business B. S. in Business Allen, Daniel Reed Glavin, Timothy Patrick Menne, Justin Patrick Finance Finance BEPP: Economic Consulting Accounting Accounting Finance International Business Accounting Bratrud, Derek David Finance Graf, Krystal Ann Owens, Jackson Dawson Management Finance Civantos, Caroline Elizabeth Operations Management Technology Management Information Systems Gu, Xiaoxuan Perlmutter, Samantha Nicole Claycomb, Cameron Accounting Accounting Accounting Finance Technology Management With Highest Distinction Coen, Andrew Joseph Pfannes, Michael Edward Finance Hasanat, Yaman Marketing Technology Management Supply Chain Management Rayborn, Jessica Ann Connolly, Nathan Allan Hegeler, Wyatt Davis Finance Accounting Legal Studies Accounting Finance Heussner, Matthew Ryan Roberts, Brian William Dave, Neil Bhasker Real Estate Finance Finance Accounting Entrepr & Corp Innovation Donnelly, Lisa Mary Hines, Jennifer Ann Rou, Jeonghwa Marketing Marketing Accounting